nature

Hardcover. Norwich, Conn., Henry Bill Publishing, reprint, 1890, Book: Very Good, Dust Jacket: None, 715 pages, with over 350 engravings and maps, gilt decorated cover and spine on green cloth, all edges marbled. Minor corner and edge wear, otherwise, very clean and tight copy.

Hardcover. Camden SC, Briar Patch Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 200 pages, illustrated in color and b&w. Oblong folio, 11 X 12, embossed blue cloth binding stamped in gilt. Dust jacket has some fading to colors at the edges. Book is clean, very good.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Watercolor illustrations by Ted Lewin. A red-tailed hawk teaches Matthew to open his senses to the natural world in a special meadow cleared by Matthew's grandmother so she could have a place in the forest where a she could see the sky. Clean copy.

Hardcover. Edition Stemmle, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies. Working in Germany, at first providing images for postcards, Baur expanded his efforts to encompass landscape, portrait, and architectural images. In each of these genres, his work reflects the cool, objective approach of the Bauhaus style combined with the artist's elegant handling of light and perspective. In photos of stairways and colonnades, factories, and everyday objects, Baur was able to eliminate the extraneous and offer the essential nature of his subject. The book covers a period of vast changes in the world and in the life of the artist, but throughout there is a consistency of vision. An essay by William Ewing, director of the Mus e de l'Elys e (which specializes in photography), gives a brief description of the life and career of Baur with enthusiasm and warmth, while Edelmann-Pomplitz writes movingly about her experience as his student. In a letter to her, Baur expresses his credo most eloquently: "it is with light alone that we create images." This lovely work is a fine example of excellent printing and composition in harmony with content.

Hardcover. Chapel Hill NC, University of North Carolina , 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, decorated yellow cloth covers with light soil, 227 pages. Illustrated with 7 b&w photos. These five one-act plays, originally produced by the Carolina Playmakers at Chapel Hill and on various tours, offer an unusual combination of brilliant local color and truth about human nature everywhere. Well written, with skillful stage directions and notes on Mexican costume and Spanish pronunciation, they are highly practical for production. Internally clean, no dust jacket.

Hardcover. New York, Whitney Museum of American Art/Steidl, 1st, 2002, Book: Very Good, Dust Jacket: None, Flexible boards, 264 pages. B/w and color illustrations throughout. Published to accompany exhibition at Whitney Museum of American Art in New York. Super clean. By repeatedly re-photographing her images, transferring them from video to film and back again, and manipulating them digitally, Michal Rovner creates photographic and video imagery that abstract familiar subjects like houses, animals, and people into ambiguous and iconic forms. Working with representation but against the traditions of narrative and documentary purpose, her artworks imply a tentative universe, one that is paradoxically peaceful and unsettled, vivid and shrouded, and completely counter-factual. If the changing nature of art has resulted in a general blurring of boundaries--between painting and photography, reality and memory, presence and absence--Rovner mines this haziness, refuses to respect borders, and exists completely in The Space Between.

Hardcover. New York , Crowell, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated with color paintings by Wendell Minor and SIGNED & INSCRIBED BY MINOR on front fly leaf. Dust jacket has some light sunning to front edge, clipped.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover with pictorial boards. No dj issued. In the second volume of Tove Jansson's humorous yet melancholic Moomin comic strip, we get four new stories about jealousy, competition, child rearing, and self-reinvention. The Moomins try to hibernate in the fashion of their ancestors but insomnia places them smack-dab into a winter carnival with the winter-sports-loving Mr. Brisk. The fickle and eternally lovestruck Mymble and Snorkmaiden find themselves in competition over a thrilling new man. Moominmamma meets her new neighbor, the Fillyjonk, causing her to hire the depressed and secretive Misabel as her new maid. Mymble's mother arrives on the Moomin family's doorstep with her seventeen new children. Finally, a prophet arrives on the scene declaring that the happy Moomins are in fact not happy at all and need to get back to nature and be free. Moomin, of course, becomes more and more miserable the freer he gets.

Hardcover. NY, Knopf, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 897 pages. John Updike's fiftieth book and fifth collection of assorted prose, most of it first published in The New Yorker, brings together eight years' worth of essays, criticism, addresses, introductions, humorous feuilletons, and - in a concluding section, 'Personal Matters' - paragraphs on himself and his work. Herman Melville, Edith Wharton, Sinclair Lewis, Dawn Powell, Henry Green, John Cheever, Vladimir Nabokov, and W. M. Spackman are among the authors extensively treated, along with such more general literary matters as the nature of evil, the philosophical content of novels, and the wreck of the Titanic. Clean copy.

Hardcover. Capetown SA, Tafelberg, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 273 pages, color plates throughout. The standard reference on the subject. Clean copy.

Hardcover. NY , Random House Childrens Books, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover. Non paginated. INSCRIBED BY ILLUSTRATOR MICHAEL HAGUE with sketch of mouse opposite title page. Extensive color illustrations throughout. Some edge wear to dust jacket, light soil to rear panel, otherwise clean, tight copy.

Hardcover. US, Little, Brown, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Clean, unmarked copy in excellent condition. Mr. Tiger lives in a perfectly fine world of prim and proper ladies and gentlemen. One day, the stiff suits, dainty teas, and Victorian manners begin to bore him... and he has a very wild idea. This "it's okay to be different" story stands out from other picture books on the topic thanks to Brown's delightfully clever illustrations and masterful compositions. From the tiger-striped cover that begs to be petted to the ingenious pops of bright orange (Brown's new signature color?) amid muted browns and grays, the award-winning illustrator does not disappoint. Children will appreciate Mr. Tiger's transformation and the way his friends eventually accept his (and their own) uniqueness. Several wordless spreads encourage audience participation while subtle visual clues gently build his character. A full spread featuring the newly liberated Mr. Tiger au naturel is delivered with pitch-perfect comedic timing and is guaranteed to inspire wild giggles.

Hardcover. Surrey UK, Severn House Publishers, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Cannell offers an Agatha Christie-like whodunit with touches of Olde World England and a soupcon of romance. Young Florence Norris is thrilled to become a housemaid at Mullings, home of the respected Stodmarsh family. Although she leaves service to marry, her husband dies in the war, and she's drawn back to Mullings, where she becomes the trusted housekeeper and confidante of young master Ned Stodmarsh. The years pass happily enough until the terrible day when Lady Stodmarsh dies unexpectedly. Florence suspects Lady Stodmarsh was murdered, but without evidence, she can't take her case to the police. Shortly after his wife's tragic death, Lord Stodmarsh takes a holiday to assuage his grief--and shocks everyone by returning home with a new wife. While Lord Stodmarsh is alive, his new wife is all sweetness and light, but when he dies unexpectedly, she reveals her true, wicked nature. When more violent murders occur, Florence can no longer keep her suspicions to herself. With a multistranded plot, strong characters, and echoes of Rebecca, this mix of romance and crime will appeal to a wide range of readers. Clean copy.

London, Orbis Books, Revised ed., 1973, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 64 pages illustrated in color. No dust jacket.

Hardcover. NY, Harper & Brothers, 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover, green cloth decorated in black and bright gilt. 245 pages with index, many b&w illustrations of plants and insects by Gibson. Bright and clean copy in exceptional condition.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Hardcover. San Francisco, Sierra Club Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, b&w photos. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Hanover NH, UPNE, 1st, 2013, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 132 pages. Like new in publisher's shrink-wrap. In an age of specialization it is amazing to find an artist who has mastered the complexities of painting both the urban landscape and the Maine wilderness. Joel Babb achieves all this with absolute clarity, attention to detail, and meticulous realism. His vision is very much of our time a contemporary dialogue between nature and culture. This first-ever overview of Joel Babb s work offers a full complement of his major paintings created over the past several decades and a compelling account of Babb s evolution as an artist by art critic Carl Little.

Hardcover. New York , Henry Holt and Company, 1st, 1907, Book: Very Good, Dust Jacket: None, 471 pages. Black cloth cover with gilt lettering on spine. Cover has some faint smudges, and some fraying to corners and edges. Previous owner's inscription on front flyleaf. Some foxing on front and rear endpapers. Otherwise, inside is bright and clean with many b&w illustrations and educational diagrams throughout.

Hardcover. NY, D. Appleton and Company, 1st US, 1875, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth with black design and gilt lettering, 363 pages plus publisher's ads. A late nineteenth century reference on natural science and philosophy. Papillon's engrossing essays, written at various times and put together in this volume as - after the fashion of the time - an effort to dovetail science, metaphysics and philosophy into a higher understanding of life. Name on front fly leaf otherwise a clean, bright copy.

Hardcover. Birmingham, AL, Legal Classic Library, reprint, 1985, Book: Very Good, Dust Jacket: None, 348 pages. Hardcover with gilded decoration, edges and leather bound covers. Clean, tight copy. Marbled end papers. Ribbon marker.

Hardcover. NY, Alfred A. Knopf, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, Hardcover, Beautifully illustrated scenes from the world's jungles teem with hidden life. Can you spot the wonderful selection of camouflaged creatures? Test your powers of observation to find the answers and more information about them. Includes intricate die-cut gatefolds. John Norris Wood is a renowned wildlife artist who has exhibited at London's Royal Academy of Arts, Natural History Museum, and Victoria and Albert Museum. He lives on his own nature reserve in England with his boa constrictor.

Hardcover. NY, Peter Pauper Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Small hardcover in a bright dust jacket. A lovely little book containing poems and short essays about nature. Beautiful woodcuts in color by Eric Carle. One of the award-winning children's illustrator's early books. small ownership stamp on front fly leaf, otherwise clean.

Softcover. New York, Jordan-Volpe Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Front cover completely illustrated in full-color, 77 b&w figures throughout text and chronology, 45 beautiful full-page full-color plates, 91 b&w figures through catalogue of selected still-lifes. Very slight rubbing to covers, else a beautiful copy.