photography portraits

Hardcover. Berkeley CA, University of California Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 156 pages. Between 1935 and 1938 the celebrated photographer Roman Vishniac explored the cities and villages of Eastern Europe, capturing life in the Jewish shtetlekh of Poland, Romania, Russia, and Hungary, communities that even then seemed threatened-not by destruction and extermination, which no one foresaw, but by change. Using a hidden camera and under difficult circumstances, Vishniac was able to take over sixteen thousand photographs; most were left with his father in a village in France for the duration of the war. With the publication of Children of a Vanished World, seventy of those photographs are available, thirty-six for the first time. The book is devoted to a subject Vishniac especially loved, and one whose mystery and spontaneity he captured with particular poignancy: children.

Softcover. Museo de Arte Contempaneo de Monterrey, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Numerous full page b&w photographs. Essay by Elena Poniatowska. Text in English and Spanish. Translated by John Page. Early 1900s portraits by a Mexican photographer in Guanajuato. Mild shelf wear, clean copy.

Hardcover. NY, Aperture, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An acclaimed photographer's images and the words of Russia's foremost writers combine in an intimate record of the contemporary Russian experience: an intractable culture in the throes of irrevocable change. 30 color and 70 black-and-white photographs. This handsome photo album with Morath's own foreword and captions depicts a world to which many Russians in the grip of post-Soviet nostalgia long to return. Morath's Russia is devoid of Soviet excresence: no ugly concrete apartment blocks, Stalinist skyscrapers, or exhortative banners appear. Landscapes and street scenes are poetic and largely deserted. Sidetrips to Armenia, Georgia, Kyrgyzstan, Lithuania, and Uzbekistan are subsumed under "Russian culture." The people shown are mainly artists and intellectuals, and portraits of embattled dissident writers (Nadezhda Mandelstam and Joseph Brodsky) testify to the moral support Morath and her husband Arthur Miller offered them in the 1960s. The album includes fond letters from Mandelstam and poet Andrei Voznesensky, as well as Olga Andreyev Carlisle's reminiscence of her 1967 trip to the Soviet Union with Morath. Clean copy.

Hardcover. Editions Dromadaire, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 140 pages with b&w photos. Gomot was a local photographer in the ancient and picturesque French village of Saint Paul. The town became a favored vacation spot for artists, movie personalities and other celebrities in the 1950s and 60s. Many French stars like Simone Signoret, Jean BelMondo, as well as other film stars like Sophia Loren, David Niven, Kirk Douglas and Paul Newman are pictured drinking, eating and dancing at local gathering spots.Text in French and English. Clean copy. Limited to 3000 copies.

Hardcover. 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover with cover pastedown, gilt lettering. The amiably spontaneous pictures taken by Sam Shaw (1912-1999) are well known: the native and life-long New Yorker shot countless cover photographs for Life and Look in the fifties and sixties, and later also took the still images for the films he produced himself. Shaw and Marilyn Monroe were friends, and he captured her unique aura in countless unpretentious portraits. During the filming of The Seven Year Itch, he staged his probably best known picture with her: Marilyn standing over a subway grate, a waft of air blowing the skirt of her white dress above her knees. Sam Shaw also portrayed almost every major Hollywood star of his day, consistently capturing the moment in his quest for truthfulness, with enthusiasm and from a new perspective, just as if he were selecting the camera angle for a film sequence. The researcher and author Lorie Karnath, the book's editor, enhances the publication with very personal memories of her long-time friend.

Hardcover. UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Pictures throughout. Sarah Angelina Acland (1849-1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Born to a preeminent English family, Acland first gained note as a portraitist whose illustrious subjects--among them two prime ministers, the physicist Lord Kelvin, and the noted art critic John Ruskin--were visitors to her family's Oxford home. Yet it was through her work in the thenfledgling field of color photography that Acland achieved her greatest acclaim. When her color photographs were shown at the Royal Photographic Society in 1905, many considered them to be among the finest work produced in the new medium. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal. Additional images include four unrecorded portraits by Lewis Carroll of Acland and her brothers--shed light on the work of her contemporaries, including acquaintances and artistic influences like Carroll and Julia Margaret Cameron. A fascinating look at the earliest days of color photography, this book also offers a glimpse into the lives of an influential English family and its circle of friends.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Hardcover. US, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. a celebration of jazz legend Sonny Rollin's incredibly prolific career. This intimate appreciation in pictures and words combines the images of John Abbott, who was Rollin's photographer of choice for the past twernty years has captured the saxophonist at home and at work, and the essays of Bob Blumenthal, a jazz critic who has chronicled Rollins and his art for nearly four decades.

Hardcover. NY, Delilah/ Putnam, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 158 pages. Beefcake and cheesecake photos of Hollywood stars and wannabes, in color and black and white. Photographs from the Kobal collection. Clean copy.

Softcover. University of Chicago Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 112 pages. It's hard to imagine a place more central to American mythology today than Silicon Valley. To outsiders, the region glitters with the promise of extraordinary wealth and innovation. But behind this image lies another Silicon Valley, one segregated by race, class, and nationality in complex and contradictory ways. Its beautiful landscape lies atop underground streams of pollutants left behind by decades of technological innovation, and while its billionaires live in compounds, surrounded by redwood trees and security fences, its service workers live in their cars.With arresting photography and intimate stories, Seeing Silicon Valley makes this hidden world visible. Instead of young entrepreneurs striving for efficiency in minimalist corporate campuses, we see portraits of struggle--families displaced by an impossible real estate market, workers striving for a living wage, and communities harmed by environmental degradation. If the fate of Silicon Valley is the fate of America--as so many of its boosters claim--then this book gives us an unvarnished look into the future. Clean copy.

Hardcover. Zurich, Scalo, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 288 pages Illustrated with 206 b&w photos. What began as simple curiosity blossomed into an object of national pride; when Seydou Keita bought a camera to take pictures of his family, neighbors assumed his services were for hire and enlisted him to take portraits of themselves and their homes, turning a carpenter into a photographer and a hobby into artistic expression. In such a way did the self-taught Keita become the official photographer of Mali from 1962 to 1977, based almost solely on his impeccable reputation for quality and originality that developed by word of mouth. This stunning collection of 206 black-and white-portraits illustrates Keita's pride in his country and his gift for capturing the personalities of his subjects. His aim was to create the most natural settings and poses for the people in front of the lens, putting them at ease and gently nudging them into surrendering their inhibitions. Clean copy.

Hardcover. NY, Viking Press / A Studio Book, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers, gilt lettering on spine. A classic retrospective monograph with an introduction by Cyril Connolly. Includes many of Brandt's best known images. Survey of the British photographer's images from the 1930s-60s, including nudes, landscapes, portraits of many artists and writers, and shots of British every day life among the various classes. Notes by Marjorie Beckett. Mostly black and white photographs, but a few color shots at the rear. Clean, bright copy with fragments of dust jacket laid in.

Hardcover. London, Secker & Warburg, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 115 pages, illustrated throughout in b&w. Light edgewear to dust jacket with small closed tear to upper edge. Clean, tight copy. John Minihan was raised in Athy, Co. Kildare and has been photographing his home town and its people for over thirty years. The collection forms a portrait of an ordinary Irish county town which is gradually feeling the incursions of industry, comparative wealth and modernity. At the centre of the book is the wake of Katy Tyrrell, which Minihan photographed for two nights and three days. These photographs have been exhibited throughout the world. Here, they are accompanied by an introduction by Eugene McCabe, one of Ireland's finest writers. The collaboration between these two artists results in a timeless and moving portrait of a small Irish town. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. A native of Kazakhstan, Ljalja Kuznetsova traversed the expanses of the Central Asian steppe to photograph the gypsies, or Roma people, whose mysterious comings and goings have fascinated her since she was a child. Shaking the Dust of Ages: Gypsies and Wanderers of the Central Asian Steppe is the first book devoted to these pictures, for which Kuznetsova won the Mother Jones Leica Medal of Excellence and the Paris Grand Prix for Photography.Kuznetsova's photographs present rare, intimate portraits of gypsies-- whose freedom from the ties of civilization is reflected in the wild winds and unlimited vistas of the steppe landscape. As Kuznetsova traveled through Kazakhstan, Turkmenistan, Uzbekistan, and the Ukraine, the gypsies continually inspired her. She found in them a people without frontiers, living independent of politics, religious dispute, or social class. Though their presence on the steppe is becoming a thing of the past, Kuznetsova's cast of characters and their world seem timeless in these images.

Hardcover. NY, PowerHouse, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. The high-profile magazines call prestigious portrait photographer Nigel Parry for only the most illustrious assignments: President Bill Clinton for The New York Times Magazine; Martin Scorsese for Vanity Fair; Dennis Quaid for Entertainment Weekly; Susan Sarandon for Premier; Tommy Lee Jones for W; John Cusak for GQ; Jake Lamotta for Esquire; and Liam Neeson for The London Sunday Times; and so on. With such distinguished occasions to encounter the powers that be, Parry has used these opportunities to create his own portfolio of private images of today's top movie stars, film directors, musicians, politicians, and sundry entertainment celebrities.

Hardcover. China, Turner Photo, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 171 pages. Like new in publishers shrink-wrap. Duotone vintage photographs throughout, bibliography. The Quing Dynasty, which spanned three centuries, from 1644 to 1911, was the last ruling dynasty of China. Before the collapse of the empire ended 2,000 years of Imperialism and ushered in a time of political and economic strife, artists and artisans turned out rich paintings, porcelain plates, vases and photographs--the last having arrived in the country in the 1840s. This publication presents a key selection of photographs of the Southern Chinese coast taken by both Chinese and European photographers. It touches on the cultural exchange between the Chinese and those Western photographers who began to explore the country, like Milton M. Miller, William Saunders and John Thomson. Miller, during a short period in the 1860s, set up a photo studio in Hong Kong and introduced portraiture in the formal Western style of the time to the Chinese upper-middle classes.

Hardcover. NY, The Burns Archive Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, laminated boards, measures 6 x 6 3/4", 164 pages. SIGNED BY BURNS on title page. The first published expose focusing on the war-time clinical photographs of Dr. Reed Bontecou. Photographs of wounded Civil War soldiers from New York regiments, on display for the first time since the 19th century, show the supreme sacrifices made by Americans and their families in sobering detail. Clean copy.

Hardcover. NY, The Burns Archive Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, laminated boards, measures 6 x 6 3/4", 164 pages. SIGNED AND INSCRIBED BY BURNS on title page. The first published expose focusing on the war-time clinical photographs of Dr. Reed Bontecou. Photographs of wounded Civil War soldiers from New York regiments, on display for the first time since the 19th century, show the supreme sacrifices made by Americans and their families in sobering detail. Clean copy.

Hardcover. NY, Prestel, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. Illustrated with color and b&w photos. A captivating exploration of London's iconic Soho district, capturing its vibrant and eclectic mix of people, subcultures, and street life. This photographic collection delves into Soho's rich history of art, nightlife, and diversity, revealing both the allure and the edgier, untamed aspects of this unique area. Opening with a look at Soho through the years, this book includes archival images of Suffragettes learning Jiu-jitsu in a Soho gym, David Bowie preparing to record at Trident Studios, and Francis Bacon drinking at the French House. The book then presents the work of photographers who have shed light on Soho's many faces through the decades, including Kelvin Brodie, Clancy Gebler Davies, Corinne Day, William Klein, and Anders Petersen. Also featured is a new series of work by young, up-and-coming photographer Daragh Soden, whose images were specially commissioned by The Photographers' Gallery for this project. These streetscapes and portraits are by turns intimate and haunting, visceral and vibrant, nostalgic and provocative. Clean copy.

Hardcover. Canada, Reel Art Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover without dust jacket. Like new in publisher's shrink-wrap. James Dean on the set of Rebel Without a Cause; Audrey Hepburn on her bike with pet dog in tow; Marlon Brando taking out the garbage; Rock Hudson emerging from the shower; Elizabeth Taylor soaking up the sun. These are just a few of the iconic images for which Sid Avery is responsible. This sumptuous volume is a long overdue tribute to his prolific talent. The renowned photographer was one of the greatest names working in Hollywood from the 1940s to the 1960s, and became known for his candid portraits of the stars. He made history as the only photographer to shoot both the original 1960 cast of Ocean's Eleven and the 2001 remake, recreating his iconic group shot around the pool table. Avery was also responsible for establishing Mptvimages: the Motion Picture and Television Photo Archive. Run today by Avery's son, Ron, this publication has been produced together with mptvimages with full access granted to the depths of the archive. This complete anthology of Avery's work includes outtakes and contact sheets, with over half of the material never-before-seen.

Softcover. London, Vision On, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 208 pages of b&w and color photos. Willoughby became one of the very few photographers to capture not only the charm, charisma and dangerous cool of Sinatra the untouchable "Chairman of the Board", but also the tenderness and fragility of Frankie the father, the friend and human being. Beginning on the set of his Oscar-winning portrayal of Maggio in From Here To Eternity, through to the heady, hard-drinking razzmatazz of the Rat Pack's Las Vegas residency to film the original Ocean's 11, Tilloughby's beautifully collated portfolio includes stolen moments between Sinatra and a host of his friends and costars, including Dean Martin, Sammy Davis Jr, Montgomery Clift, Burt Lancaster, Shirley MacLaine and Judy Garland. Elsewhere in the book we see Sinatra negotiating with film producers, hanging with fellow Rats, giving it the irresistible "Old Blue-Eyes" whammy to Kim Novak and Juliet Prowse, turning on the magic on stage and enjoying quiet moments at home with his daughter Nancy. And while many of the images have become classics and will be familiar to even the most casual admirers, more still previously unpublished glimpses of Sinatra's turbulent life. Put together, they represent the most illuminating insights into the heydey of the Hoboken player ever printed. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with a dark brown cloth spine and a pictorial label on the cover. No dust jacket issued. Legendary for his massive photographic undertaking, The North American Indian, Edward Sheriff Curtis (1868-1952) recorded much more than portraits of Native American tribespeople. Among his huge body of work are numerous images of all manner of native dwellings: tipis, hogans, huts, cliff houses, adobes, and many more that are far less familiar to the public eye. Though people are largely absent from these photographs, each image speaks volumes about the lives and lifestyles of the tribes to which they belonged. Other structures such as tombs, religious buildings, granaries, and totem poles are also featured prominently, further glimpses into ways of life that were in the process of disappearing. Taken from the Dan and Mary Solomon collection,Sites & Structures: The Architectural Photographs of Edward S. Curtis is the first book of Curtis photographs to explore these dwellings and structures, faithfully reproduced from the original prints and gravures.

Hardcover. NY/Munich, Prestel, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. This book is the culmination of an advertising campaign by the exclusive design company Vitra, which had the idea of photographing famous personalities sitting on Vitra chairs. The resulting photographs collected are remarkable in their portrayal of world-famous personalities from the fine and performing arts commenting on the link between style and status.