photography portraits

Softcover. Aspen CO, Aspen Art Museum, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 34 pages,15 color plates by Gaskell. Introduction by Dean Sobel.

Hardcover. New York, Random House, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 240 pages, illustrated in color and b&w. Beige cloth covers, no paper wraparound band. Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

Hardcover. New York, Random House, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, 240 pages, illustrated in color and b&w. Wraparound present. In publisher's shrinkwrap. Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

Boston, N.Y. Graphic Society, BC Ed., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos. 400 pages. Flap has price, (C) page with First Edition statement but actually Book Club edition. Edited by Mary Street Alinder & Andrea Gray Stillman. In his early years in Yosemite, Adams formed the habit of writing letters at every opportunity. His correspondence, therefore, virtually provides the full record of his life. Through the years, wherever he went, from the Southwest to Maine to Alaska, he wrote literally thousands of letters and postcards. Among the family, friends, fellow photographers, environmentalists, and politicians with whom he corresponded rank such eminent names as Alfred Stieglitz, Dorothea Lange, Paul Strand, jimmy Carter, Beaumont and Nancy Newhall, Garry Trudeau, and Edward Weston. Including both sides of continuing dialogues with these people and others, this book revels the growth of the artist and the whole man, as well as the development of the art of photography through the voices of the masters. A companion volume to his best-selling autobiography, ANSEL ADAMS: LETTERS AND IMAGES is illustrated with over 100 of his photographs from monumental landscapes to family snapshots. This combination of images with the highlights of a lifetime of letter writing creates a compelling portrait of one of the 20th century's greatest artists and conservationists and one of the most personable and memorable of men.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. NY, Skira, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. A collection of portraits of famous personalities by one of Italy's finest photographers.

Hardcover. NY, Skira, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. A collection of portraits of famous personalities by one of Italy's finest photographers.

Softcover. New York , Aperture Book, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Fall 1897. Includes work by: Sebastiao Salgado, Susan Meiselas, David Goldblatt, Bill Burke. Also writing by Arthur Miller, William Shawcross, Frances Hodgson, Nadine Gordimer.

Softcover. New York , Aperture Book, 1st, 1988, Book: Very Good, Dust Jacket: None, Spring 1988. Contains photographs from: John Baldessari, Bill Burke. David Levinthal, Barbara Kruger, Annette Lemieux. There is also an article on the Starn Twins written by Bruce Chatwin. A clean, tight copy.

Softcover. NY, Aperture, Inc., 1st, 1965, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers. unpaginated. Portfolios of work by Joseph Breitenbach & Dorothea Lange. Beautiful b&w gravure printing. Clean.

Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Special Monograph Issue: Edward Weston Portraits. Foreword by Cole Weston Biographical Essay by Susan Morgan.

Softcover. New York , Aperture, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Spring 2007. Portraits by Pieter Hugo; interview with Stephen Shore conducted by Luc Sante; Mary Ellen Mark on the photography of Jessica Lange; Lee Miller; Jay DeFeo; Jason Oddy; Takashi Yasamura; and much more. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Fall 2009. William Eggleston artwork on the cover and an article on his drawings inside, with features on William Klein's 1956 portrait of Rome, Neil LaBute with photographs by Gerald Slota, Mark Alice Durant on monuments, Rob Hornstra's Russia, Luc Santo on American real-photo postcards, and Sally Gall's color insects. A clean, tight issue.

Softcover. New York , Aperture, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Essays by Tillie Olsen, Julie Olsen Edwards, and Estelle Jussim. This issue features the work of Larry Fink, Paul Fusco, Joseph Szabo, Bruce Davidson, Linda Brooks, Barbara Crane, Jill Freedman, Danny Lyon, Harry Callahan, Eve Arnold, Dorothea Lange, Starr Ockenga, and many more. A clean, very good copy.

Softcover. Millerton NY, Aperture, Inc., 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 70 pages of text and black and white photographic images. Highlights from this issue: "Walt Whitman and Thomas Eakins" by Lincoln Kirsten, "Double Portrait: Alfred Stieglitz and "Ananda Coomaraswamy" by Roger Lipsey. Includes images from: Paul Caponigro, Arthur Lazar, and Ernest Bloch. A very good copy in photo-illustrated wrappers.

Hardcover. Penland, NC, Jargon Society, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 63 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to edges. Related news clipping laid in.

Hardcover. London, Thames & Hudson, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 192 pages. Arcadia Britannica is the product of photographer Henry Bourne's repeated trips to some of Britain's greatest folk events: striking color portraits capture an eccentric collection of individuals in inventive outfits, including arboreal costumes, pagan-inspired creations, and historical garb. These were captured at events like the annual Jack in the Green festival held in Hastings in May, for which the town and its people are decked in green to welcome summer, and the Easter Sunday celebration in Bacup, Lancashire, where fiercely proud Britannia Coconut Dancers (or "Nutters") perform their traditional seven dances. An accompanying text by Simon Costin provides the historical backstory and explains the folklore behind this wacky, inspiring collection of images. 125 color photographs. Clean copy.

Hardcover. New York, Rizzoli, 1st US, 2002, Book: Very Good, Dust Jacket: Very Good, 363 pages. Large format with gorgeous color photography throughout. White pictorial dust jacket with some light soiling and wear. Wrinkled wrap-around band. A nice, clean, tight copy. Archeology of Elegance is an exceptional and dynamic collection of 200 superb photographs by sixty-two of today's most acclaimed photographers from Robert Mapplethorpe to Peter Lindbergh, Miles Aldridge, Herb Ritts, Ellen von Unwerth, Nick Knight, David Lachapelle and Jean-Baptiste Mondino, presenting fashion photography as art. During the past twenty years, there is no question that fashion photography has become a driving force for new directions in fashion, design and cosmetics and a vital source of ideas for the visual arts and design-manifesting itself in forms as diverse as punk rock, glamour or high-tech futurism. According to culture critic Ulf Poschardt, fashion photography has become the new, almost self-sufficient leitmedia of international culture, a culture that is expressed increasingly in visual terms. As seen in Archeology of Elegance, this once commercial and functional craft has become, without question, an art form in itself.

Hardcover. Hong Kong, Visionary World, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 176 pages. Oversized hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket. Price sticker on rear dust jacket. Color photographs throughout. Over 20 years worth of photography from Asia.

Hardcover. San Francisdo, Chronicle Books, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Founded in 1960 by Chris Strachwitz, the one-man operation Arhoolie Records eventually produced more than four hundred albums during more than forty years in operation, exploring the far corners of American vernacular music--blues, gospel, Cajun, zydeco, hillbilly, Texas-Mexican norteno music, and more. From the very beginning, Strachwitz brought his camera along with recording equipment as he met and recorded now-legendary artists such as Lightnin' Hopkins, Mississippi Fred McDowell, Clifton Chenier, and Big Joe Williams. This book collects more than 150 of his best, most intimate, and exciting images--many never-before-seen--each with rich captions by Strachwitz and award-winning music journalist Joel Selvin, along with a substantial 20,000-word essay by Selvin about Arhoolie, Strachwitz, and the music. Bright, clean copy.

Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.

Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.

Hardcover. GR, Steidl, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. When celebrated photographer Arnold Newman began his career in 1938 in chain portrait studios in Philadelphia, Baltimore and West Palm Beach, he also immediately began to make abstract and documentary photography on his own, studying people and places impoverished by the Depression. In June of 1941, Beaumont Newhall of The Museum of Modern Art, New York, and Alfred Stieglitz "discovered" him, and he was given an exhibit with Ben Rose at the A.D. Gallery that September. There Newman began to combine his independent work with the portraiture that had been his bread-and-butter, developing the approach for which he is best known, which came to be called "environmental portraiture," and which is so widely influential today that it might be the new standard practice. This style made Newman a distinctive contributor to publications like Life, Vanity Fair, and the New York Times Magazine, brought him into the collections of museums around the world, including The Museum of Modern Art, The Metropolitan Museum of Art, and the International Center of Photography in New York, and led to his recognition in photography histories and with awards including France's Commander of the Order of Arts and Letters. The photographs collected here were made before Newman achieved recognition as a pioneering portraitist, during the formative years from 1938 to 1942. They highlight the early stirrings of a great photographic master.