photography travel

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Hardcover. Boston, New York Graphic Society, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 143 pages Illustrated with B&W plates throughout. Reproduces over 100 examples of Doisneau's evocative photographs of 1930s Parisian street life. Includes extensive essay by Doisneau on his life and work. Clean copy.

Hardcover. St. Ann's Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages. On May 25, 1961, Bruce Davison joined a group of Freedom Riders traveling by bus from Montgomery, Alabama to Jackson, Mississippi. The actions of these youths challenged and disobeyed federal laws allowing for integrated interstate bus travel. These historic episodes, which ended in violence and arrests, marked the beginning of Davidson's exploration into the heart and soul of the civil rights movement in the United States during the years 1961-1965. In 1962, Davidson received a Guggenheim Fellowship and continued documenting the era, including an early Malcolm X rally in Harlem, steel workers in Chicago, a Ku Klux Klan cross burning near Atlanta, farm migrant camps in South Carolina, cotton picking in Mississippi, protest demonstrations in Birmingham, and the heroic Selma March that led to the Voting Rights Act of 1965, which was instrumental in changing the political power base in the segregated Southern states. In the 140 photographs collected here, many of which have never before been published, we see intimate and revealing portraits of Dr. Martin Luther King Jr., John Lewis, and other leaders made by Davidson during those turbulent times. These images describe the mood that prevailed during the civil rights movement with a lyrical imagery that is both poignant and profound. As Davidson bears witness to these historical events, and documents the degradation and segregation that were endured, he gives testimony to the struggle for freedom, equality, justice, and human dignity.

Softcover. NJ, Rutgers University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Metis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era.

Softcover. Richmond, VA, University of Virginia Press, 1st, 1996, Book: Very Good, Dust Jacket: None, 93 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. In an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.

Hardcover. London, The Folio Society, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover with decorated boards in decorated slipcase,298 pages, illustrations from photographs. 'With texts by various writers, selected by Roger Hudson'. Sepia-tone archive photographs throughout. Clean, bright copy.

Hardcover. NY, Barnes & Noble, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 162 pages, color throughout. The Tuscan countryside is among the most well-loved on earth, for its beauty, its natural bounty, its magnificent light. Award-winning photographer Joel Meyerowitz and novelist/playwright Maggie Barrett have combined talents to create a loving and personal portrait of Tuscany through the seasons. Meyerowitz provides the breathtaking images; Maggie Barrett offers poetic, evocative commentary that pays loving tribute to this alluring rural world. They take you inside everyday Tuscan life and landscape, and also capture the warmth of the people who live there and their profound connection to the land. Clean copy.

hardcover. NY, Aperture, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 80 black and white tritone portraits by Mark. Clean, bright copy. Mary Ellen Mark's fascination with twins has inspired a remarkable portrait series. Traveling to Twinsburg, Ohio, for their annual "Twins Day" festival allowed her to photograph hundreds of twins. In the two consecutive years Mark visited the festival she used a complex set-up for the seemingly simple aesthetic. Every detail is captured through the Polaroid 20x24 camera Mark used. Between the camera and dynamic lighting every wrinkle, toned muscle, body hair, and freckle is visible. Using the studio, all attention of the festival is lost. Instead the attention is given to the twins themselves. A thoughtful decision that emphasizes Marks pure interest in her subjects. The final pages of the book are dedicated to bits of conversation Mark collected after shooting the photographs. Each fragment from the conversations revels more about each pair connecting the viewer even more with every photograph.

Hardcover. US, teNeues, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 240 pages. Clean, tight copy. Like new in pubisher's shrinkwrap. In an increasingly mobile society, it's common to cross the globe many times in a single month. Journeys that might once have taken weeks, now take hours. All of this travel is a suitable metaphor for Andrew Macpherson's rise to the pinnacle of celebrity photography. He has literally traveled the world to profile the best-known people of our age; Charlize Theron, Reese Witherspoon, and George Clooney to name a few. As he's done so, he's also embarked on an artistic journey to bring something fresh and inviting to each of his images. In this quest, he employs a multitude of varied techniques, playing with form, context and color. A note of poignancy overshadows this work. Many of the original negatives were lost in a warehouse fire. It is a testament to the strength of Macpherson's work that even scanned from magazine pages - as some of these images are - the results still radiate vitality and power.

Hardcover. New York, Sirecox, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Illustrated with color photographs by Jose Luis Gonzalez Grande. Translation by Louis Bourne. Foreword by Sam K. Sebagereka, Minister for Tourism and Wildlife of Uganda. Preface by Luis Yanez-Barnuevo. A photographic safari of Uganda.

Hardcover. New York, Aperture, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 104 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Published in Italian in 1955, and now available for the first time in the English language, Un Paese captures in photographs and in spoken testimony the essential experience of daily life in Luzzara. It presents a series of intense portraits, graceful landscapes, and images of everyday objects. Paul Strand's photographs are carefully distilled, deeply powerful; they contain the flavors and the rhythms of an entire culture crystallized in a single village. Zavattini successfully synthesizes text and image, aligning with the new cinematic trend of the day, a movement known as Italian neorealism. Their Luzzara is an ordinary village, neither overly picturesque nor greatly unusual, yet it is a town sustained by a grounded humanity and a profound love for the land by its people.

Hardcover. New Delhi, India, Lustre Press, Roli Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Stunningly photographed, this album offers a rarely seen view of the snow-clad peaks, mysterious lakes, massive glaciers, and fascinating people of the Himalayas.

Hardcover. Ben Uri Gallery , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The first publication to bring together three major twentieth-century photographers - Wolfgang Suschitzky, Dorothy Bohm and Neil Libbert - presenting their artistic responses to three great world cities across three crucial decades. Today, London, Paris, and New York are so familiar that it is hard for a modern viewer to imagine them afresh without the visual expectations fostered by art, film and advertising in the digital age. Yet when each of these photographers arrived at their respective destinations, they found cities that were strange and new to them and responded by photographing them without prejudice or expectation. The photographs reveal that all three cities were not only places of social division and political tension, but also of beauty and magic. The publication and exhibition includes many works never previously exhibited in the UK, and each series presents an opportunity to view an aspect of the work of a renowned photographer in real depth. Contents: Essay by Katy Barron; Interview with Wolfgang Suschitzy by Zelda Cheatle; Interview with Dorothy Bohm by Michael Berkowitz; Interview with Neil Libbert with Jessica Feather; Biographies. 112 pages.

Hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. Combines photography with the writings of a Pulitzer Prize-winning author to create a portrait of contemporary Vietnam healed from the war and replete with lush landscapes, customs, villages, traditions, and cities.

Softcover. Cambridge MA, The MIT Press, 1st, 1997, Book: N, Softcover, 119 pages. Ultimately, Viewing Olmsted is a savvy and thought-provoking, yet diminutive picture book. The collaboration of three brilliant photographers under the sponsorship of the Canadian Centre for Architecture, it guides the reader down three highly personal, present day tours of legendary parks designed by Olmsted, the patron saint of American landscape architecture. Happily, though, its readers are left to intellectually fend for themselves as to meanings or implications of Frederick Olmsted's work, genius, and lasting influence as the man who designed such famous spaces as Central Park. Academics and artists will appreciate the fresh visual perspectives offered on the man's legacy, the sometimes soothing, sometimes haunting nature-by-design retreats for the urban soul. Those with more than a passing interest in the ways in which man interacts with his `natural' surroundings will appreciate vistas evocative of place rather than time. To the authors' credit, the book raises more questions than it answers, and is of a scale to fit neatly into a travel case. Far from definitive, the book is, nevertheless, a must have for architects, landscape architects, photographers, and Olmsted aficionados.

Hardcover. Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Professor and photographer John Willis is well aware of the exploitation that sometimes occurs when photographers enter impoverished communities for a project. So, in 1992, when he first traveled to the Pine Ridge Indian Reservation in the southwest corner of South Dakota, he assured the elders of the Oglala Lakota Sioux that he would not be exhibiting any of the images he took while there. Over time, however, Willis earned the respect and trust of the community, and the elders--hoping that the photographs might bring aid to their community--urged him to show his work. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people.

Hardcover. US, Ullmann Publishing, 1st, 2010-01-12, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Over a foot square, color photographs. 320 pages. Photographer Stefan Schutz spent many months traveling through Africa in an all-terrain vehicle. During that time he passed through a variety of countries, landscapes, and seasons, diverting from the beaten track in his search for something different. He often found it in the everyday life of villages, which he experienced at close quarters among large communities of men, women, children, and animals. The result is a fascinating collection of [contemporary] images that depict people and landscapes in a different way from anything we have seen before.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcocer in a bright dust jacket, 257 pages plus 143 b&w pages of photographs in the front of the book. Walker Evans (1903-75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans's work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans's practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans's dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists--from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner--underscoring how Evans's travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.

Hardcover. Chapel Hill & London, The University Of North Carolina Press,, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 297 pages. illustrated throughout in color and b&w. Oblong folio. Light gray cloth with gilt title to spine. Pictorial dust jacket. Minor wear to covers, else like new. The 15x11.5" format accommodates 160 color and 12 b&w illustrations, many of them decidedly horizontal, and accompanying text laid out in two wide (5.5") columns. Before photography, Washington, DC was the subject of numerous engravings, aquatints, and lithographs which were published separately as well as in newspapers and magazines, souvenir booklets, and guidebooks and brochures. A selection of these illustrations depicting buildings or districts, views from public structures, and bird's-eye views is presented along with descriptions of Washington from contemporary published works by journalists, architects, travelers, politicians, and others. Nine chapters review successive periods of growth and identify events that shaped the city's character.

Hardcover. Boston, Bulfinch Press, 2nd pr., 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Seventy full-size plates and seventy-five smaller illustrations, all reproduced in tri-tone plus tinted varnish, convey the subtlety and power of the extraordinary figurative work of Edward Weston (1886-1958). This is the first major publication focusing solely upon his portraiture and nudes, offering new insights into the breadth and quality of Weston's considerable achievement. The book was published on the occasion of a major traveling exhibition of Weston's portraits and nudes organized by the Museum of Fine Arts, Boston. All the prints are drawn from the collection of William H. Lane, who acquired them from the heirs of Edward Weston. Clean copy.

Hardcover. NY, Stewart Tabori & Chang , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. Ortner's astonishing photographs portray his love and devotion for the Asian countries he has traversed over a 20-year period. This grand tour of spiritual lands includes natural and architectural sites in Nepal, India, Cambodia, Java, and Bali. The artist's fascination with majestic mountains and remote temples is beautifully captured throughout the book. In his best work, he portrays bizarre Hindu and Buddhist statuary and the faces of disheveled religious mendicants.

Hardcover. Dubai, Taj Hotel /New Arabian Heritage, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, beautifully illustrated throughout in color. Light shelf-wear/rubbing to dust jacket, else a clean, tight copy.

Hardcover. NY, New Amsterdam Book Co., 1st, 1898, Book: Very Good, Dust Jacket: None, 364 pages. Newspaper photography of author tipped-in to front end paper. Essays on the history, natural history and sociology of the South Seas and their islands, (including some whaling). Previous owner's inscription front fly leaf.