Softcover. Princeton, Princeton University Press, reprint, 1979, Book: Very Good, Dust Jacket: None, Softcover, 65 pages. INSCRIBED BY AUTHOR. MInor wear, soiling to cover. Else a nice, clean copy.
Hardcover. Rome, Grafica Internazionale, 1st, 1969, Book: Good, Dust Jacket: None, Hardcover, oblong format, orange cloth covers stamped in brown and white. ITALIAN TEXT. Introduction by Elio Mercuri. Poetic texts by Langston Hughes, Owen Dodson, Sterling A. Brown, James Weldon Johnson. With 32 color plates and 60 black and white illustrations. 8vo, 100 pages, Aligi Sassu created all the plates reproduced here in 1969 for the scenic cantata ''Anch'io sono l'America'' by Mario Nascimbene, inspired by the texts of contemporary black poets. The work is; had its world premiere on 20 June 1969 at the Teatro Sociale in Lecco, interpreted by Helenita Olivares and Therman Bailey. Covers with fading, light soil. Interior clean.
Hardcover. New York, Penguin, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 101 pages. Minor shelf-wear to pictorial dust jacket, else like new.
Hardcover. NY, Alfred A. Knopf, 1st, 1929, Book: Good, Dust Jacket: None, Hardcover with paper boards multicolored in vertical stripe patterns, 64 pages. In her lifetime, Wylie garnered notoriety for her unconventional private life and acclaim for her poems and novels. The collection is most renowned for the sonnet sequence "One Person," a deeply moving and technically masterful exploration of love, devotion, and the human spirit.She was considered one of the most distinguished American poets of the 1920s. Though her literary career lasted only eight years, she was recognized as an extremely adept, accomplished author. Wylie's poetry is marked by a lively inventiveness, a subtle treatment of emotion, and a detached sensibility that Louis Untermeyer has described as "a passion frozen at its source." Her last book, published after her untimely death 1n 1928. Covers with mild soil, edgewear.
Hardcover. Garden City, New York , Doubleday & Company, 1st US, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages, 1-color illustrations by Edward Ardizzone. dust jacket with edgewear, small tears.
Hardcover. NY, Viking, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 67 pages. SIGNED BY AUTHOR on title page. Very minor sun-fade to dust jacket spine, else a clean, tight copy.
Hardcover. NY, Macmillan , Reprint, 1925, Book: Very Good, Dust Jacket: None, 431 pages. Black & whiite illust and color frontis and title page by F.D. Bedford. Some browning to end-papers. Front and spine of yellow cloth cover with black illust. Clear mylar dust jacket.
Hardcover. NY, Macmillan , Reprint, 1925, Book: Very Good, Dust Jacket: None, Hardcover, 431 pages. Black & white illustrations and color frontis and title page by F.D. Bedford. Some browning to end-papers. Front and spine of gray cloth cover with black and red design. Clean copy.
Softcover. NY, Spuyten Duyvil, 1st, 1999, Book: Good, Dust Jacket: None, Softcover, 187 pages, Essays on contemporary American literature. Small bump to edge causing a slight wave to top edge, Clean copy.
Softcover. NY, Aperture Foundation, 1998, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. The Mexican book series Rio de Luz was a courageous and energetic presentation of Latin American photography. To honor the accomplishments of the series and the artists, an issue of Aperture is devoted to the Rio de Luz collection.Separate chapters address the outstanding themes concerning the editors of the Rio de Luz series-revolution, the American way of life and Cuba, the 1950s, and "poetry of the onlooker." Artists include Lazaro Blanco, Raul Corrales, Hector Garcia, Graciela Iturbide, Nacho Lopez, Pedro Meyer, Miguel Rio Branco, and Mariana Yampolsky. Authors include Carlos Monsivais, Alvaro Mutis, Victor Flores Olea, Pablo Ortiz Monasterio, Roberto Tejada, Raquel Tibol, and Veronica Volkow.
Hardcover. New York, Farrar, Straus Giroux, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 68 pages. Hardcover with dust jacket. Clean, tight copy with only light rubbing on dust jacket.
Hardcover. London, Hodder & Stoughton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 351 pages. Green cloth with embossed gilt lettering on spine. With an Introduction by Peter Green and chapters including: The Meaning of Influence / Mr Eliot and the French Symbolist Poets / The Perspective of History / The Perspective of Language / The Perspective of Myth / etc. Short inscription on front fly leaf, darkening to dj, otherwise clean.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 327 pages, clean copy. Few diseases have exercised the Western imagination as chronically as hysteria--from the wandering womb of ancient Greek medicine, to the demonically possessed witch of the Renaissance; from the "vaporous" salon women of Enlightenment Paris, through to the celebrated patients of Sigmund Freud, with their extravagant, erotically charged symptoms. In this fascinating and authoritative book, Mark Micale surveys the range of past and present readings of hysteria by intellectual historians; historians of science and medicine; scholars in gender studies, art history, and literature; and psychoanalysts, psychiatrists, clinical psychologists, and neurologists. In so doing, he explores numerous questions raised by this ever-growing body of literature: Why, in recent years, has the history of hysterical disorders carried such resonance for commentators in the sciences and humanities? What can we learn from the textual traditions of hysteria about writing the history of disease in general? What is the broader cultural meaning of the new hysteria studies? In the second half of the book, Micale discusses the many historical "cultures of hysteria." He reconstructs in detail the past usages of the hysteria concept as a powerful, descriptive trope in various nonmedical domains, including poetry, fiction, theater, social thought, political criticism, and the arts. His book is a pioneering attempt to write the historical phenomenology of disease in an age preoccupied with health, and a prescriptive remedy for writing histories of disease in the future.
Hardcover. London, Cape Goliard Press/Grossman, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, A bright, clean copy in flax colored buckram, golden yellow enpapers, in a tan dust wrapper printed in dark blue, not price-clipped. This volume presents, for the first time in collected form, all the poems Charles Olson authorized for publication in his lifetime, from 1946 until his death in January, 1970, apart from the Maximus Poems sequence.
Hardcover. Joliet IL, Volland, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, tan and beige pictorial boards with a brown cloth spine, 96 pages. Decorations and designs by Ellery Friend. Wilbur Dick Nesbit (1871-1927), also known by the pen name Josh Wink, was an American poet and humorist. Bright, clean copy.
Softcover. Middlebury VT, Middlebury College Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 205 pages. Some fading to color on the covers, otherwise a tight, clean copy.
Hardcover. NY, HarperCollins, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Worth's poems take us from the first excitements of early December through the wistful farewells of Twelfth Night. Illus. by Caldecott winner Frasconi. Glorious woodcuts in bright colors enhance the poetry's spirit of festivity & wonder.
softcover. New York, HarperPerennial, reprint , 1995, Book: Very Good, Dust Jacket: None, 103 pages. Softcover. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. New York, George Braziller, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 61 pages, in an unclipped dust jacket. INSCRIBED BY SIMIC on the half title page. Clean, bright copy.
Hardcover. New York, Greenwillow, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 40 pages. Hardcover. SIGNED BY PRELUTSKY AND ZELINSKY ON TITLE PAGE. Bright, clean copy.