NY, Farrar Straus Giroux , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Color illustrations by Vladimir Radunsky. Light edgewear to dust jacket. A never-before-published poem for children by the Nobel laureate:In the beginning there were just waveshammering at the obstacles . . .So begins a lovely, thought-provoking poem that Joseph Brodsky wrote in 1995. It is about the first discoverers of America -- fish, birds, then man. But it is also about a land that even today is full of secrets waiting to be discovered. Illustrated in collage and gouache by Vladimir Radunsky, this poem is, finally, a celebration of our world -- a world open to possibilities.
NY, Farrar Straus Giroux , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Color illustrations by Vladimir Radunsky. Light edgewear to dust jacket. A never-before-published poem for children by the Nobel laureate:In the beginning there were just waveshammering at the obstacles . . .So begins a lovely, thought-provoking poem that Joseph Brodsky wrote in 1995. It is about the first discoverers of America -- fish, birds, then man. But it is also about a land that even today is full of secrets waiting to be discovered. Illustrated in collage and gouache by Vladimir Radunsky, this poem is, finally, a celebration of our world -- a world open to possibilities.
Hardcover. London, Jonathan Cape Ltd, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 81 pages. Clean, unmarked copy with only minor wear to dust jacket. Collection of early work published in England and first volume of the Braziller Poetry Series edited by Richard Howard. Gray boards, gilt titles at spine. Like new.
Hardcover. NY, Harper & Brothers, reprint, 1924, Book: Good, Dust Jacket: None, Hardcover in black gilt-stamped cloth. Copyright page states 1924 with a K-Y code. No date on title page. A collection of satires written by poet Edna St. Vincent Millay under pseudonym as "Nancy Boyd." Millay offers a preface under her own name to "Boyd's" work, and writes, "I take pleasure in recommending to the public these excellent small satires, from the pen of one in whose work I have a never-failing interest and delight." Millay had written and published these dialogues and short-short yarns in a range of monthly magazines during the early twenties, the period of her greatest popularity and the period during which she wrote some of her most memorable and somber poetry. Gilt lettering is bright on cover but faded on spine. Spine cracked at half-title page, name on front fly leaf.
Hardcover. US, Faber and Faber, 1st, 2006-01-01, Book: Very Good, Dust Jacket: Very Good, 76 pages. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. London, Faber & Faber, reprint, 1972, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. The poet's second collection of poems, first appeared in 1969. Clean copy.
Hardcover. New York, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 96 pages, color photographs, Like new in publisher's shrinkwrap. Doors of the Kingdom is a unique collection of photographs depicting the ancient and disappearing craft of doormaking in Arabia. The Islamic concept of hurma, or sanctity of a place of dwelling or worship, is recurrent throughout Arabic poetry and literature. The door (bab), preserver of sanctity, becomes symbolic of the boundary between public and private space, and between the profane and the sacred. In 1995, Haajar Gouverneur traveled throughout the Arabian Peninsula photographing each region's distinctive doorways and the remaining artisans who make them. The doors of Arabia, painstakingly hand-carved from the wood of the Al-Athel trees, last in their exquisite variety for hundreds of years. This ancient craft, passed down from generation to generation in the central and northern regions of Saudi Arabia, is now nearly extinct. Modern materials, technology, and changing priorities threaten the continuity of the sacred and artisanal tradition of doormaking.
Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1911, Book: Good, Dust Jacket: None, Hardcover, olive green cloth covers with embossed design, white lettering, 29 pages. Two-color frontis, b&w illustrations by Will Vawter. Small gouge/abrasion to front cover, name on front fly leaf. otherwise bright and clean.
Hardcover. New Hampshire, Bunker Hill Publishing, Inc., 1st Edition, 2011, Book: Very Good, Dust Jacket: Very Good, 36 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent. Black cover boards, red title on spine. Pages unmarked. Binding tight. Spine straight. In beautiful condition. A proper and modern Norse saga, written with all the power of Melville and Hemingway and a true story now retold in the ageless rhythms of blank verse, as irresistible as the beautiful and specially commissioned woodcuts of Mary Azarian.
Hardcover. New Hampshire, Bunker Hill Publishing, Inc., 1st Edition, 2011, Book: Very Good, Dust Jacket: Very Good, 36 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent. Black cover boards, red title on spine. Pages unmarked. Binding tight. Spine straight. In beautiful condition. A proper and modern Norse saga, written with all the power of Melville and Hemingway and a true story now retold in the ageless rhythms of blank verse, as irresistible as the beautiful and specially commissioned woodcuts of Mary Azarian.
New York, Ecco, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 197 pages, green cloth covers with yellow cloth spine. With Pulitzer Prize sticker on cover.
Hardcover. Austin TX, The Steck Company, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering, 131 pages. Clean, bright copy, no markings.
Hardcover. NY, Knopf, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, 94 pages. INSCRIBED BY AUTHOR on front fly leaf "For Jack and Peggy with warm wishes- Bill/ New York April 18 1970". Dust jacket with edgewear, bottom inch of spine gone, unclipped, otherwise clean. Meredith won both the Pulitzer Prize and The National Book award and was Consultant to the Librarian of Congress.
Softcover. New York, Knopf, Uncorrected proof wraps, 1994, Book: Near Fine, Dust Jacket: None, Softcover in light gray wrappers, an uncorrected proof. SIGNED BY HIRSCH on title page.
Softcover. NY, Columbia University Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 395 pages. The essays gathered here, in addition to those by editors Wm. Theodore de Bary and Irene Bloob, are written by leading scholars of Asian cultures--among them Donald Keene, Peter Awn, Barbara Stoler Miller, Ainslie Embree, Burton Watson, C.T. Hsia, Paul Anderer, and others. They introduce classics from the Islamic, Indian, Chinese, and Japanese traditions, providing entree to texts which have emerged as monuments of Asian thought and literature. Among the works discussed are the Qu'ran, the philosophy of history of Ibn Khaldun, the Upanishads, the epic Mahabarata, the philosopher Mencius, the Lotus Sutra, T'and Poetry, the Tale of Genji, and the poet Basho.
Softcover. NY, Archipelago Books, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 275 pages. Joao Cabral de Melo Neto is one of Brazil's most acclaimed poets. From his early days, Mr. Cabral has written poems that are marked by a captivating use of simple language. Avoiding ceremony and circumstance, they follow centuries-old paths rather than struggle to break new ground. Clean copy.
Hardcover. Berkeley, University of California Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages. Although he is referred to as a "genius" more often than any other scholar of his period, Edward Sapir has received no full-scale biography since his death in 1939. At long last, Regna Darnell provides a comprehensive assessment of the life, ideas, and wide-ranging interests of this remarkable man. Sapir, the foremost linguist and anthropologist of his generation, contributed substantially to the professionalization of linguistics as an independent discipline. He was the first to apply comparative Indo-European methods to the study of American Indian languages, on which he conducted extensive fieldwork. His theoretical work on the relationship of the individual personality to culture remains fundamental to culture theory in anthropology, as does his insistence on the symbolic nature of culture and the importance of culture as understood by its members, in their own words.Sapir became the first professional anthropologist in Canada and teacher of a whole generation of linguists and anthropologists at Chicago and Yale. Holding to a humanistic view of anthropology (his own work included poetry and literary criticism), he was the most articulate spokesman for the interdisciplinary social science of the late 1920s and 1930s. In both linguistics and anthropology Sapir is a revered master whose ideas continue to inspire discussion and research. A sixteen-volume Collected Works is now in progress. Clean copy.
Softcover. Carbondale IL, Southern Illinois University Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 62 pages. INSCRIBED BY GALVIN on the title page. These poems chronicle the waxing and waning of the seasons from one winter to the next in the area around Egg Island, the dunes near a small seacoast town on the outermost reaches of Cape Cod, Massachusetts. Galvin's training as a naturalist and environmental writer is evident as his practiced eye roves the waves, marshes, and forests, finding meaning and beauty in the smallest detail-- bird-watching, rebuilding a woodpile, or the flight of bobwhite quail. Other poems recall the poet's affectionate memories of his deceased wife and the life they shared together, acknowledging grief without veering into the maudlin. Always present beneath the surface is the question of where humans fit into this wild, ever-changing landscape. Mild crease to front cover otherwise a clean, bright copy.
Hardcover. Seattle, University of Washington Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color illustrations; 7.2 X 0.9 X 10.3 inches; 272 pages. Tang dynasty (618-907) China hummed with cosmopolitan trends. Its capital at Chang'an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production. This first book on fashion in premodern China is informed by archaeological sources-paintings, figurines, and silk artifacts-and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history. Still in publisher's shrinkwrap.