poetry

Softcover. London, Quartet Encounters, 1st, 1991, Book: Very Good, Dust Jacket: None, 163 pages. Softcover. A very clean, unmarked copy with only minor edgewear.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. Vivid, passionate, primitive - 113 paintings by the poet Stan Rice. Here, his canvases explore the terrain of his poetry, as he captures the familiar and the mythical, the magical and the everyday. Here are legendary beasts, card players; images inspired by Greek myths, Bible stories, nursery rhymes. Some pay homage to objects - others to living things. They belong to no contemporary school. They are at once childlike, ironic, and darkly humorous - paintings that attest to the original vision of a talented poet and painter.

Hardcover. New York, Crowell, 1937, Book: Very Good, Dust Jacket: None, Hardcover. 41 pages. Color illustrations by Roese. Oversize book. Some darkening, rubbing to covers. Otherwise clean, tight copy. An promotional piece directed at potential advertisers by Woman's Home Companian Magazine. Scarce.

Hardcover. NY, Atheneum, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Illustration in color, black & white by Erik Blegvad. Clean, tight copy.

Hardcover. University Press of Kentucky, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages. Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats. Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's entire body of work (including his recent volumes. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master. Clean copy.

Hardcover. Cambridge, MA, Harvard University Press, 2nd printing, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 73 pages. Third book in the Poets' Theatre Series. Dark blue cloth covers, white titles to spine dust jacket with b&w illustration. Slight soiling to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.

Hardcover. NY, W W Norton, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Los Angeles, Red Hen Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 104 pages. Signed and inscribed by author on title page. Book is in excellent condition, text is unmarked and pages are tight.

Hardcover. Boston, Houghton Mifflin, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 57 pages, in a bright unclipped dust jacket. Complete number line on copyright page. SIGNED BY KINNELL on the title page. Clean, bright copy.

Hardcover. Cambridge, Cambridge University Press, 1st ed., 1985, Book: Very Good, Dust Jacket: Good, 292 pages. Blue cloth boards. Pictorial dust jacket is tinted with light fading to spine. Otherwise, tight clean copy.

Hardcover. Syracuse University Press , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 493 pages. Remainder line and foxing to top edge, light edgewear to dust jacket, else a clean, tight copy.

Softcover. Insight Editions, reprint, 2017, Book: Very Good, Dust Jacket: None, Softcover, 164 pages. A stunning collection of photographs from Frank Stefanko featuring the Godmother of Punk herself, iconic musician and author Patti Smith."There I was sitting in a booth at the co-op of Glassboro State College, a bucolic school in the farmlands of South Jersey. . . Suddenly, the double doors of the co-op swung open and standing there in the vacuum created was an incredible apparition, a vision in a white leather coat with long, jet-black hair flowing down her back. She moseyed in like the bad guy walking into a saloon in an old western movie. This was the first time I set eyes on Patti Smith, and I was captivated."So begins Frank Stefanko's wonderfully personal photographic tale of his friendship and artistic collaboration with Patti Smith. Stefanko's photographs and his warm, personal recollections show us an amazing young woman, long before she became Patti Smith, the cultural icon. Through images and words, we follow her search for a unique voice--from the early days of the Chelsea Hotel to spoken word at the St. Mark's Poetry Project to the release of her seminal album, Horses, and so much more.

Hardcover. New York, Farrar, Straus and Giroux, 1st, April 18, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR. 479 pages. Light smudges to bottom and fore-edge. Else a very clean, tight copy.

Hardcover. New York, Henry Holt and Company, 1st US, 1913, Book: Very Good, Dust Jacket: None, 127 pages. Hardcover with no dust jacket. Gilt decoration of peacock on front. Moderate wear to edges. Tight copy. Illustrations by C. Lovat Fraser.

Hardcover. New York , Doubleday and Co., 1st US, 1960, Book: Very Good, Dust Jacket: None, 64 page, green cloth covers. Illustrated in 2-colors by Edward Ardizzone. Light shelf wear, clean.

Hardcover. Garden City, NY, Doubleday & Company, Inc., 1st US, 1960, Book: Good, Dust Jacket: Good, 63 pages, illustrated throughout by Edward Ardizzone. Light edgewear to dust jacket with tiny hole on front cover and small chip missing from lower edge of rear flap. Clean, tight copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, 338 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Author Theodore Morrison's copy with his signature on front fly leaf. Minor corner wear.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.

Hardcover. NY, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages, profusely illustrated in color and b&w. This thought-provoking volume transports readers to France of the eighteenth, nineteenth, and twentieth centuries, beginning with Napoleon's love of perfume and the erotic importance he attached to it, through the lore and symbolism fragrance enjoyed in eighteenth and nineteenth-century Europe. By the early twentieth century, perfume's place as one of France's most important luxury industries was recognized and celebrated, and timeless fragrances--such as Chanel No. 5, Shalimar, Arpeges, and Joy--were launched. The distinctive bottles for these new essences and the art movements that inspired their design are detailed throughout the book, as are paintings, poetry, and literature that reveal the power of perfume and its ability to recall the past and evoke sensuality. According to nineteenth-century perfumer Eugene Rimmel, "the history of perfume is, in some manner, the history of civilization." Through fascinating text accompanied by gorgeous imagery, including packaging, labels, and advertisements, Perfume: Joy, Scandal, Sin explores perfume's impact on history, culture, society, art, and attitudes.

Hardcover. Boston, Lee and Shepard, 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, original attractive olive cloth with a garland of leaves and flowers in gilt on the front cover. All edges gilt. Oblong llustrated book with poems by Dorr and full page illustrations in charcoal of the Rutland, Vermont area by Zulma Delacy Steele. Clean, bright copy.

Hardcover. NY, New Directions, 5th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket ($5.00), 273 pages. If the invention of literary modernism is usually attributed to James Joyce, T. S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence" to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style. This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Clean copy.

Hardcover. Philadephia, Charles J. Peterson, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 3/4 leather with black cloth covers, raised bands on spine, gilt lettering. January thru December 1870, all hand-colored plates and fold-outs present, dozens of steel and wood engravings. Edge and corner wear, chipping to black leather, front hinge cracked but volume is solid, binding sound. Previous owner's leather label, ruled and lettered in gilt, on front cover.

Hardcover. Machester, England, Manchester University Press, 1st thus, 1931, Book: Very Good, Dust Jacket: None, 250 pages. Hardcover. "Of this edition only 450 copies have been printed for sale...". "Publication of the University of Manchester No. CCIX, English Series No. XX". Pages offset and some untrimmed. Former library volume with bookplate/stamps/labels expected. Green cloth bound cover boards (some agewear), gilt title on spine (slightly faded), cloth separation at spine. Pages and edges have some tanning from age, doesn't affect text. Binding good. Spine straight. Pages unmarked.