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Softcover. Chicago, Playboy Press, 1997, Book: Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Faye Resnick on cover, '3001: The Final Odyssey' by Arthur C. Clarke, Clint Eastwood interview, 20 questions for Michael Jordan, article on Don King, Miss March Jennifer Mariam and more.

Softcover. Chicago, Playboy Press, 1997, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear to bottom of rear cover 10 pages in rear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Claudia Schiffer on cover. Full of beautiful women as always including supermodels.Highlights: Lynn Thomas as Miss May, Donald Trump Article, Saul Bellow interview, 20 Questions for Lucy Lawless, and more.

Softcover. Chicago, Playboy Press, 1989, Book: Good, Single issue. Soft cover. Very Good. Minor wear to bottom edge, rear cover. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Donna Mills on cover, centerfold Renee Tenison. Stories on sex inthe Cinema 1989 pictorial; abortion opinions; Donna Mills Knots Landing; interview with Garry Kasparov; solving the murder of Jimmy Hoffa; confessions of an SOB and more.

Softcover. Chicago, Playboy Press, 1997, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Pamela Anderson and Jenny McCarthy on cover,180 pages Features Jenny, playmate of the month Nikki Schieler, "a tribute to blonde ambition"; Christopher Walken interview; NFL preview; Fred Goldman's grand obsession, dream girls Pamela and... Chris Farley's size XXXL mind; 25 hot sex sites online and more.

Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Holiday anniversary issue. Grant Hill interview. Billy Bob Thornton's outrageous ex; Bettie Page's story. Teri Hatcher 20 questions. How smart are you about Seinfeld. Queen of the B's, Shannon Tweed. Shel Silverstein's Street Smart hamlet. playmate review. Centerfold: Heather Kozar.

Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Baywatch babe Marliece Andrada on cover, also as Centerfold Miss March; Kevin Kline interview; swimsuit issue, playboy style; the real boogie nights - life and death of John Holmes and more.

Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Lisa Rinna Melrose Place mom on cover & Pregnant Pictorial; sweet life of Ahmad Rashad; smartest women in porn; Patrick Moynihan inteview; Vanessa Gleason Miss September and more.

Hardcover. NY, Hearst's International Library, 1st, 1914, Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with a black leather spine with gilt lettering. This volume combines 3 different titles in one: "Mother Goose Rhymes and Tunes" - Arranged with easy accompaniments including fourteen new melodies * "Playtime Songs New and Old" - Arranged with easy accompaniments including fourteen new melodies * "The Dansant for Little Folks" - Old-time game songs with easy accompaniments, new simple piano pieces for children's home dancing parties and a musical recitation. Features wonderful color illustrations throughout by Paul Woodroffe. There are dozens of rhymes set to music (arranged by Raymond Perkins), including many favorites such as Humpty Dumpty, Ring Around A-Rosy, London Bridge, Hush-a-by Baby, Three Blind Mice, Yankee Doodle, Jack and Jill, Little Bo-Peep, Sing a Song of Sixpence, Baa! Baa! Black Sheep, etc. NOTE: Rear fly leaf gone and spine cloth is separating from spine. Inside front cover with pencil notes, rear inside with pasted sheet music. Interior pages clean and bright.

Hardcover. Washington D.C., Smithsonian Institution Press , reprint, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover with dust jacket. Extensive b&w photographs throughout. Silver gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket. In September 1939, the German invasion of Poland propelled the world into war. By the spring of 1946, Poland was beginning to recover from five years of cataclysmic destruction. Liberated from the occupation of the Third Reich, the nation celebrated a peace already overshadowed by the emerging Cold War.John Vachon was in Poland to witness this transformation of almost mythic proportions. Assigned to cover United Nations relief efforts, this American photographer documented in images and letters a nation at the crossroads of the postwar East and West. Taken with a keen yet sympathetic eye, Vachon's photographs, most of them never before published, reveal the destitution and unfounded optimism of Poles, many of them returning in boxcars from German labor camps and Siberian exile, ready to reclaim their burned-out cities and farms left fallow by war.Vachon's letters home to his wife provide a rare context for the images. He writes of the luxuries enjoyed by the foreign corps amid Warsaw's rubble, the equal measures of hospitality and anti-Semitism among ordinary Poles, and of the anti-Soviet sentiment in the countryside, where "they love Russian songs, but always apologize when they sing one." In one account of a village fire, he conveys the often conflicting emotions of the photojournalist, documenting scenes of suffering he feels powerless to assuage.

Hardcover. Applewood, reprint, 1994, Book: Very Good, Dust Jacket: None, Laminated boards, a reprint of the classic pop-up book from 1934. An illustrated collection of familiar nursery rhymes, including "Old Mother Hubbard," "Sing a Song of Sixpence," and "Three Little Kittens" each with color pop-up spreads.

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1990, Book: Very Good, Dust Jacket: None, 67 pages, illustrated throughout in color and b&w. Light rubbing to edges of spine, minor sun-fade to rear cover. Clean, tight copy. This is the catalog for an unusual exhibition of rare original plasters, most of which were used by foundries to cast in bronze, held at Hirschl & Adler Galleries in New York from March 3 through April 14, 1990. Plasters "frequently represent the last stage of the artist's involvement in the fabrication of a work. . . . plasters have singular qualities: they have a warmth, a beauty, and an approachability, even vulnerability, not often found in the harder media of stone and bronze."

Hardcover. San Diego, CA, Idea & Design Works, LLC, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 328 pages. hardcover with dust jacket. Color Illustrations throughout. Clean, unmarked copy with only minor wear to dust jacket. A lavish book devoted to the most important political satire and cartoon magazine in American history. Published from 1877 to 1918, Puck was regularly a major political battleground and is credited with single-handedly thwarting the third-term ambitions of Ulysses Grant in 1880 and electing Grover Cleveland to the presidency in 1884. Puck did it with art-lavish, color, full-page and two-page center-spread cartoons. It was the first American magazine to publish color lithographs on a weekly basis and, for nearly forty years, was a training ground and showcase for some of the country's most talented cartoonists, led by its co-founder, Joseph Keppler. This retrospective contains nearly 300 full-color plates.

Softcover. W. Hartford CT, The American Radio Relay League, 1st, 1932, Book: Good, Dust Jacket: None, Single issue softcover magazine, 96 pages. B/w illustrations, ads. Articles include: Crystal Control for Ultra-High Frequencies, Stabilizing Superheterodyne Performance, Simplified Remote Control for Amateur Trasmitters, others. Wraps lightly worn, dust soiled.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcase. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcasse. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. NY, Norton, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, in slim decorated slipcase. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations.

Hardcover. Boston, Houghton Mifflin, Book Club Ed., 1948, Book: Good, Dust Jacket: None, Hardcover, green cloth with black and gilt stamping. 1066 pages. A number-one bestseller when it was first published in 1948, this powerful novel is a compelling vision of nineteenth-century America with timeless resonance. Throughout a single day in 1892, John Shawnessy recalls the great moments of his life -- from the battles of the Civil War to the politics of the Gilded Age, from the love affairs of his youth in Indiana to his homecoming as schoolteacher, husband, and father. This panoramic epic of the nineteenth century in Raintree County--particularly of the Civil War and its effects -- was produced after six years of research, writing, and revision. It continues to command attention and respect as a stylistically unique work of considerable force. Gutter crack at title page, sound, clean copy.

Hardcover. Paris, Arthaud, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages of French text followed by full color photographs of the people and culture of the Rajasthan region of India. Light edge wear to dust jacket. Clean, tight copy.

Hardcover. NY, Library of America, 1st thus, 2021, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt and black stamping, in a cardboard slipcase. Gathers four of his greatest works in a single volume. Here is The Martian Chronicles in the complete form Bradbury came to prefer, its twenty-eight linked story-chapters offering visionary glimpses of our spacefaring future. In the dystopian thriller Fahrenheit 451, books and all they contain are forbidden. Dandelion Wine distills the enchanting essences of a childhood summer, while Something Wicked This Way Comes conjures the wild, centrifugal imaginings of youthful terror, in a fight to the death against supernatural foes. Biographer Jonathan R. Eller offers a newly researched chronology of Bradbury's life and career and detailed textual and explanatory notes. Clean copy.

Hardcover. New York, HarperCollins Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 242 pages. Hardcover. INSCRIBED BY THE AUTHOR. Gilt title on spine. Color illustrations throughout. From the front flap: "In Red, Sammy tells the outrageous story of his tear through rock 'n' roll, detailing the backstage antics and nonstop touring hat have made his voice instantly recognizable. Beginning with his musical coming-of-age in blue-collar towns of California, Sammy traces his rough and determined rise to fame, working harder than anyone else out there and writing songs about the things he loved--fast cars, loud parties, and lots of good times."

Softcover. New London NH, Sunapee Editions, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Dozens of compositions comprise this exquisite collection of black and white photographs that evoke a Manhattan that many may never see or notice: Times Square during the blizzard of 1996; pigeons in flight at 9th Street and Avenue A; an unmoored boat in a wintry Central Park; jump seats in a Checker Cab. John Rosenthal doesn't ignore the people (or the dogs) of Manhattan, however, and also captures the diversity that is New York; Hare Krishnas singing, as an unimpressed (annoyed?) man in a checked jacket walks by them; a man in beret and raincoat and an albino boxer looking at some off-camera sight at Tompkins Square; a shopkeeper and his dog on East 9th. Clean copy.

Hardcover. UK, Cambridge University Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 518 pages. This volume collects for the first time in a single volume all of Kant's writings on religion and rational theology. These works were written during a period of conflict between Kant and the Prussian authorities over his religious teachings. The historical context and progression of this conflict are charted in the general introduction to the volume and in the translators' introductions to particular texts. All the translations are new with the exception of The Conflict of the Faculties, where the translation has been revised and redited to conform to the guidelines of the Cambridge Edition. Name on front fly leaf, otherwise a clean, bright copy.