television

1972, Book: Very Good, Color art by Martin of a TV camera aimed at sporting event below (Olympics). 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1976, Book: Very Good, Color cartoon by Saxon of broadcast control room televising political news. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, Wonder Books, 1st, 1956, Book: Very Good, Dust Jacket: None, Color illustrations by Joe Oriolo. Illustrated cardboard covers with minor edgewear, otherwise very good, clean.

Hardcover. Urbana IL, University of Illinois Press, 1st revised, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 410 pages. The book that re-established Peckinpah's reputation--now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on the personal significance of The Wild Bunch to Peckinpah, Seydor has added to this expanded, revised edition a complete account of the successful, but troubled, efforts to get a fully authorized director's cut released. He describes how an initial NC-17 rating of the film by the Motion Picture Association of America's ratings board nearly aborted the entire project. He also adds a great wealth of newly discovered biographical detail that has surfaced since the director's death and includes a new chapter on Noon Wine, credited with bringing Peckinpah's television work to a fitting resolution and preparing his way for The Wild Bunch.This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes of Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, including an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources.

Hardcover. NY, Library of America, 12th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 830 pages. Known in his lifetime primarily to readers of science fiction, Philip K. Dick is now seen as a uniquely visionary figure, a writer who, in editor Jonathan Lethems words, wielded a sardonic yet heartbroken acuity about the plight of being alive in the twentieth century, one that makes him a lonely hero to the readers who cherish him.This Library of America volume brings together four of Dicks most original novels. The Man in the High Castle (1962), which won the Hugo Award, describes an alternate world in which Japan and Germany have won World War II and America is divided into separate occupation zones. The dizzying The Three Stigmata of Palmer Eldritch (1965) posits a future in which competing hallucinogens proffer different brands of virtual reality, and an interplanetary drug tycoon can transform himself into a godlike figure transcending even physical death.Do Androids Dream of Electric Sheep? (1968), about a bounty hunter in search of escaped androids in a postapocalyptic society where status is measured by the possession of live animals and religious life is focused on a television personality, was the basis for the movie Blade Runner. Ubik (1969), with its future world of psychic espionage agents and cryonically frozen patients inhabiting an illusory half-life, pursues Dicks theme of simulated realities and false perceptions to ever more disturbing conclusions. Remainder mark to bottom edge, otherwise like new.

ND, 8 X 10 b&w glossy photograph, light wear, creasing. Date unknown, probably early 1950s.

Hardcover. NY, Vertigo/DC Comics, reprint, 2009/2010, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets. Book One collects issues 1-12 and features a new introduction by Ennis. Book Two collects issues 13-26 with an introduction by original editor Stuart Moore. In this now-legendary graphic novel series that serves as the inspiration for the hit AMC television series, Jesse Custer was just a small-town preacher in Texas... until his congregation was flattened by powers beyond his control and the Preacher became imbued with abilities beyond anyone's understanding. The creative powerhouse team of Garth Ennis and Steve Dillon bring readers on a violent and riotous journey across the country in this award-winning Vertigo series that collects the first 26 issues which debuted in 1995. Clean, bright copies.

Hardcover. Boston, Little Brown and Company, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and rubbed dust jacket, 548 pages. A biography of the famous CBS radio and television newsman Edward R. Murrow (1908-1965). Much of what Americans knew about the events in Europe during World War II were learned from Murrow's broadcasts. After the war, Murrow was a regular on prime-time television. B&w illustrations, index and bibliography. Spine faded. Clean copy.

Hardcover. NY, Crown, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 384 pages, b&w photos throughout. Over 2000 photos and other trivial knowledge. From 1946 to 1983, nostalgia covered year by year with commentary. Milton Berle (Mr. TV), Sid Caesar, Imogene Coca, Ed Sullivan, Lucille Ball, Jackie Gleason, Bob Hope, Martin and Lewis and all the others. Clean copy.

Softcover. NY, Bryan Davis Publishing, 1st, 1931, Book: Very Good, Dust Jacket: None, Softcover magazine format, 56 pages, b&w illustrations, vintage ads throughout. Articles include: Hyper-Sensitive Detection Systems, Television Turns to Projection, Synchronization of Westinghouse Radio Stations, others. Dust soiling to wraps, otherwise clean.

Hardcover. Cambridge MA, MIT Press, 2nd Pr., 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 251 pages, with her photo-illustrated dust jacket. Who speaks? Who is silent? Who is seen? Who is absent? These questions focus on how cultures are constructed through pictures and words, how we are seduced into a world of appearances: into a pose of who we are and aren't. On both an emotional and an economic level, images and texts have the power to make us rich or poor. In these essays and reviews, written over the last decade, Barbara Kruger addresses that power with intelligence and wit, in the hope of engaging both our criticality and our dreams of affirmation.Barbara Kruger is an artist whose pictures and words engage issues of power, sex, money, difference, and death. Her work has appeared throughout America, Europe, and Japan in galleries, newspapers, magazines, and museums and on billboards, matchbooks, TV programs, t-shirts, postcards, and shopping bags. She has written about television, film, and cultures for Artforum, Esquire, the New York Times, and the Village Voice.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Hardcover. New York , Simon & Schuster Children's Publishing, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 32 pages illustrated in color by David Shannon. SIGNED BY SCIESZKA. From the minds of Scieszka and Shannon comes a tale of a quixotic robot determined to conquer the earth. The only problem is that the earth he lands on is a suburban kitchen and he is three inches tall. Robot Zot, the fearless and unstoppable warrior, leaves a trail of destruction as he encounters blenders, toasters, and televisions. But when he discovers the princess...a pink cell phone...his mission takes a new course. Robot Zot must learn how to be a hero - in the name of true love.

Hardcover. NY, Doubleday/Dolphin, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Collects articles, interviews, photos on The- Not-Ready-For-Prime-Time-Players: Chevy Chase, Garrett Morris, Laraine Newman, Gilda Radner, John Belushi, Dan Aykroyd, Jane Curtin, Bill Murray and some of the guests: Candice Bergen, Steve Martin, Paul Simon, Lily Tomlin, more. Photos by Edie Baskin. Filled with bios and photos in color and b & w of the early days of Saturday Night Live. Clean copy.

Hardcover. Wilmington DE, Scholarly Resources Inc., 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The transcripts of Reagan.s five-minute broadcasts he made starting April 3rd, 1982. Clean copy.

Hardcover. Baltimore, MD, James Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 443 pages. Hardcover with dust jacket. Clean, tight copy with little to no wear to edges.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 460 pages, b&w illustrations. In Same Time, Same Station, historian James L. Baughman takes readers behind the scenes of early broadcasting, examining corporate machinations that determined the future of television. Split into two camps-those who thought TV could meet and possibly raise the expectations of wealthier, better-educated post-war consumers and those who believed success meant mimicking the products of movie houses and radio-decision makers fought a battle of ideas that peaked in the 1950s, just as TV became a central facet of daily life for most Americans.Baughman's engagingly written account of the brief but contentious debate shows how the inner workings and outward actions of the major networks, advertisers, producers, writers, and entertainers ultimately made TV the primary forum for entertainment and information. The tale of television's founding years reveals a series of decisions that favored commercial success over cultural aspiration.

Softcover. NY, Avon Books, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, pictorial green wrappers, 124 pages. Black/white photos and illustrations. Reproductions of skit scripts and other ephemera from the early years of the TV show. Small notation on inside front cover, otherwise clean.

Hardcover. Dallas TX, Taylor Pub, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages, in a bright, unclipped dust jacket. Illustrated in color and b&w. Traces the history of science fiction comics from the 1930s to the present, discussing characters and themes, the influence of television and film, and other topics.

Softcover. Toronto/Niagara Falls NY, Dundurn Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 389 pages, b&w illustrations. The image of the scrum - a beleaguered politican surrounded by jockeying reporters - is central to our perception of Ottawa. The modern scrum began with the arrival of television, but even in Sir John A. Macdonald's day, a century earlier, reporters in the parliamentary press gallery had waited outside the prime minister's office, pen in hand, hoping for a quote for the next edition. The scrum represents the test of wills, the contest of wits, and the battle for control that have characterized the relationship between Canadian prime ministers and journalists for more than 125 years. Scrum Wars chronicles this relationship. It is an anecdotal as well as analytical account, showing how earlier prime ministers like Sir John A. Macdonald and Sir Wilfrid Laurier were able to exercise control over what was written about their administrators, while more recent leaders like John Diefenbaker, Joe Clark, John Turner, and Brian Mulroney often found themselves at the mercy of intense media scrutiny and comment. Clean copy.

Hardcover. NY, St. Martin's Press, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. For the past four decades, no film saga has touched the world in the way that Star Wars has, capturing the imaginations of filmgoers and filmmakers alike. Now, for the first time ever, Edward Gross and Mark A. Altman, the bestselling authors of The Fifty-Year Mission, are telling the entire story of this blockbuster franchise from the very beginning in a single exhaustive volume. Featuring the commentaries of hundreds of actors and filmmakers involved with and impacted by Star Wars, as well as writers, commentators, critics, executives, authors, film historians, toy experts and many more, Secrets of the Force, will reveal all in Altman and Gross's critically acclaimed oral history format from the birth of the original film through the latest sequels and the new televisions series. 550 pages. Clean copy.

Hardcover. NY, GP Putman, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 374 pages. SIGNED BY AUTHOR. A bright copy. When a man dies on live television, everyone believes it is a tragic accident. Kathy Mallory does not. The death was simply a performance planned for pagentry and spectacle. Mallory is on the trail of a killer whose mind makes the same dark twists as her own. The suspense builds steadily throughout the story until the compelling denoeument.

Hardcover. London, George G. Harrap & Co. , 1st, 1955, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover. Previous owners name at top right corner of front endpaper. Illustrated with black & white photographs. Light wear to dust jacket - jacket now protected with clear plastic cover. Clean, tight copy.