Hardcover. Albuquerque NM, University of New Mexico , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. B&w illustrations throughout. gilt titles on spine. Includes extensive bibliography. Faint foxing to top edge, otherwise a clean, tight copy. The photographs of Simeon Schwemberger, who worked as lay brother at the Franciscan Mission of St. Michaels near Windowrock, AZ, from 1901 through 1908. His outstanding photographs of the Native American Indians in that area are coupled with the fine essay by Michele M. Penhall. This photographers work has been compared with the work of Charles Lummis, A.C. Vroman, and J.K. Hillers.

Hardcover. Long Beach CA, Safari Press, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages, b&w illustrations. Originally published in 1904, it chronicles a hunting trip to several locations in Alaska, including sheep, bears, moose and more. Captain Radclyffe was an English gentleman-hunter who visited Alaska in 1903. He bagged Dall sheep on the Kenai Peninsula, back then a relatively new destination for sport hunting. He shot excellent brown bear and moose, one a 57-incher on Kussiloff Lake on the Alaska Peninsula. On his final bear hunt, a sow charged him and his native guide abandoned him. He was arrested for game law violations that prematurely ended his hunt for sheep, adding another interesting dimension to this well-written story. The charges against Radclyffe were later dismissed since he had an off-season permit to collect for the British Museum, but the authors partner was not so lucky. Radclyffe writes of how the judge enjoyed rubbing the dismissal into the face of the arresting marshal, and he paints a vivid picture of the interactions of the hunters, guides, and authorities. After all his troubles, he lost most of his trophies because of shipping problems related to the Russo-Japanese War. Clean, bright copy.

Hardcover. Norman OK, University of Oklahoma Press, 1st , 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dustjacket. Ground plans of the Indian villages of New Mexico and Arizona with aerial photos & scale drawings.

Hardcover. Boston, Little, Brown, 1st, 1947, Book: Good, Hardcover, green cloth with black lettering. Frontis portrait. This text is an expansion of the author's 1937 article Black Hamlet : the mind of an African Negro revealed by psychoanalysis. "This is the true story of John Chavafambira. It is a unique, never-before-written account of a native African medicine man, his life experiences and inner conflicts, etched against the background of two worlds-- white and black -- in collision. It is an amazing study of seemingly irreconcilable elements, laid in South Africa where the clash of color is most violent". Clean copy but mild musty odor.

Hardcover. Boston, Little Brown & Company, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Burke pits a land-hungry oil company against a Blackfeet Indian reservation in a stunning novel that takes detective fiction into new imaginative realms. His Cajun sleuth, Dave Robicheaux, an ex-New Orleans cop featured in two previous novels, attends Alcoholics Anonymous meetings, has recurrent nightmares about his murdered wife, and cares for an adopted El Salvadoran refugee girl. When two American Indian activists disappear, Robicheaux's dogged investigation not only sets him on a collision course with Mafia thugs and oil interests, but also leads him into a romance with Darlene American Horse, his ex-partner's girlfriend. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped with black lettering. 314 pages, frontis, plates from photos. A description of a stay of over a decade in Gaboon (French Congo), at various mail stations, with much on the missionary activities, schools, and the native peoples in the area including the Njem tribe in the Lomie district, about 400 miles inland from the coastal town of Kribi. This copy from a YMCA library with a stamp and an envelope on the front endpapers, otherwise clean.

Hardcover. W. Palm Beach FL, Streamline Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 463 pages, profusely illustrated with b&w photos. Radio has just celebrated its 75th anniversary and it's as vital and varied as ever. Rhoads, a zealous radio historian and archivist, has captured radio's exuberance and fluency in this marvelous collection of more than 900 photographs, many of which have never before been published. This collection of portraits, both posed and candid, of radio personalities is a veritable radio hall of fame, showcasing everyone from Jack Benny to Howard Stern. Rhoads begins with photographs chronicling the rise of the pioneering Pittsburgh station, KDKA, the first to achieve continuous broadcasting, then keeps pace with radio's rapid growth, offering rare documentation of every type of on-air performer, from men of the cloth delivering the first on-air services to vaudevillians, conductors, sportscasters, and dramatists, many of whom went on to achieve fame in Hollywood. Styles change, but the magic continues as radio continues to evolve in conjunction with its competitor, television. On-air performers gave way to disc jockeys and talk show hosts, but talents such as Garrison Keillor and various NPR contributors have helped keep imaginative radio alive and well.

Hardcover. Glendo, Wyoming , High Plains Publishing, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 244 pages. An incorrigible trickster, a clever thief, a rogue, sometimes a magnanimous hero, often a vengeful loser, but always a survivor, Coyote is the most complex character in the Nez Perce cycle of traditional myths. An anthropological analysis of Coyote's social relations with the other characters reveals how the myths, while entertaining stories, also impart traditional cultural values, proper social relations, and other practical information. Coyote's actions are often humorous, with consequences that account for many of the blessings and hardships of the Nez Perce experience. These translations from the native language are the most reliable and the most comprehensive available. Supplemented by myths from Archie Phinney and Herbert Spinden, Deward Walker's collection provides insights into the world and the myths of the Nez Perce Indians.

Hardcover. New York, Harper & Brothers, reprint , 1923, Book: Very Good, Dust Jacket: None, Hardcover, 274 pages. Illustrated with full color and black & white plates by Frederic Remington. Brown paper covered boards with cover pastedown of Remington drawing. black cloth spine. Copyright page with 1923 date and Harper's G-B code indicating later printing of 1st edition. Light foxing to outer edges of some pages and plates. Fraying to cloth at top of spine. Light darkening of pages close to gutter. Still an attractive copy.

Hardcover. US, Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Like new in publisher's shrink wrap. Clean, tight copy. The Book of Weirdo is the definitive - and hugely entertaining- examination of Weirdo magazine, renowned underground comix cartoonist Robert Crumb's legendary humor comics anthology, which was originally published throughout the 1980s. A "low-brow" counterpoint to Art Spiegelman and Francoise Mouley's rather high-faluttin' RAW comix publication, Weirdo influenced an entire generation of alternative and neo-underground artists, as well as creative refuge for the underground comix veterans, and this book features the complete story of the well-recalled comics magazine, along with testimonials from over 130 of the publication's contributors, including interviews with Weirdo's three editors - R. "Keep on Truckin'" Crumb, Peter "Hate" Bagge, and Aline "The Bunch" Kominsky-Crumb - and publisher "Baba Ron" Turner. 288 pages.

Hardcover. Flagstaff, AZ, Northland Publishing, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Bill Farnsworth. In a Native American buffalo jump, a hunter lures a herd of buffalo to follow him, rouses them to a stampede pace (he's on foot, by the way) and jumps off a cliff: while he drops safely onto a narrow ledge in the cliff wall, the buffalo plummet over his head to their deaths below. Here, a Blackfoot boy named Little Blaze wishes to lead the buffalo jump, an act of bravery that would earn him his adult name. When his older brother is chosen instead, Little Blaze is resentful, but the brother trips and Little Blaze dashes to the rescue. Clean copy.

Hardcover. NY, Harry N Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages illustrated in color. A surprising look at who designed for Disney: Michael Graves, Frank Gehry, Aldo Rossi, Robert Venturi etc. Based on interviews with those involved plus original photos and drawings. From fairy-tale castles to extraordinary buildings designed by the world's most distinguished architects, The Walt Disney Company has set new standards for the imaginative use of popular imagery in architecture. The company's enormously influential architectural philosophy, first expressed more than fifty years ago at Disneyland, draws on characters and settings from the world's most compelling legends and stories, especially Disney's own remarkable animated films. Clean copy.

Hardcover. London, Barrie & Jenkins, 1st UK, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket. The first British edition featuring wrap-around color pictorial artwork by Frederick S. Remington (The Sign of the Buffalo Scout,1907). 487 pages. Notes, Bibliography, Index; illustrated in photos, reproductions, double-page frontis map. Clean copy.

Softcover. Asheville NC, Bright Mountain Books, 2nd Ed., 2008, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 224 pages, b&w photos. Cabins & Castles was first completed in 1981, a joint effort of the Historic Resources Commission and the North Carolina Division of Archives and History. The book became enormously popular with natives, tourists, historians, and preservationists as a primary source of knowledge about the richly historic Buncombe County. Cabins & Castles contains a historical overview, as well as the specific record of individual properties built in the area, primarily those constructed prior to 1930. Historical sketches of Buncombe County and Asheville written by John Ager and Talmage Powell are followed by editor Douglas Swaim's essay on local architectural history. Rapid development in the urban and rural areas of Buncombe County makes this record timely and valuable. Clean copy.

Softcover. Chapel Nill NC, University of North Carolina Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 419 pages. This sweeping, richly evocative study examines the origins and legacies of a flourishing captive exchange economy within and among native American and Euramerican communities throughout the Southwest Borderlands from the Spanish colonial era to the end of the nineteenth century. Indigenous and colonial traditions of capture, servitude, and kinship met and meshed in the borderlands, forming a "slave system" in which victims symbolized social wealth, performed services for their masters, and produced material goods under the threat of violence. Slave and livestock raiding and trading among Apaches, Comanches, Kiowas, Navajos, Utes, and Spaniards provided labor resources, redistributed wealth, and fostered kin connections that integrated disparate and antagonistic groups even as these practices renewed cycles of violence and warfare. Always attentive to the corrosive effects of the "slave trade" on Indian and colonial societies, the book also explores slavery's centrality in intercultural trade, alliances, and "communities of interest" among groups often antagonistic to Spanish, Mexican, and American modernizing strategies. The extension of the moral and military campaigns of the American Civil War to the Southwest in a regional "war against slavery" brought differing forms of social stability but cost local communities much of their economic vitality. Clean copy.

Hardcover. Philadelphia, J. B. Lippincott, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with black stamping. B&W illustrations by Rod Ruth, 204 pages. Ex-library copy but clean and tight, light stamping and residue."Tuktu is the name by which the Barren Ground caribou is known to nearly all of the Eskimo tribes of Arctic America." A fictional story based on the near extinction of the caribou poputation and it's effect on native tribes.

Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 195 pages, illustrated throughout in color and b&w. Blue cloth with gilt title to spine. Blue pictorial dust jacket. Light shelfwear to covers, else like new.Traces the life of the Navajo artist, including his experiences as a code talker for the Marines in World War II, and looks at his paintings and watercolors.

Hardcover. New York, Aperture Foundation, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Black and white photographs. Clean, unmarked copy with only minor wear to dust jacket. Small abrasion on rear end paper. Covering performance art since is nasence at the East Village's Pyramid Club, the WOW Cafe, 8BC, and other clubs in the early eighties McAdams became the in-house photo archivist at the infamous performance space, P.S. 122, the home of cutting-edge theater that eschews convention as it draws energy and inspiration from all media. At P.S. 122 and other alternative performance spaces such as The Kitchen and Dance Theater Workshop, McAdams developed her long-term relationships with many performers.

Hardcover. NY, Gallimard, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 392 pages. Profusley illustrated, this book explores a hitherto overlooked topic in Chagall studies - the connection between Chagall and music. This intimate relationship, which ran deep in both his family history and the Jewish culture of his native city, was particularly meaningful in Chagall's creations for the stage. His works for the Jewish Theatre (Moscow, 1919-1920) and the ballets 'Aleko' (Mexico, 1942), 'The Firebird' (New York, 1945), 'Daphnis et Chloe' (1958) and 'The Magic Flute' (New York, 1967) celebrate the links he established between music, large-scale set design, and the material design of costumes. Chagall's monumental projects in the 1960s, such as the ceiling of the Paris Opera (1964) and his decorative architectural program for the Metropolitan Opera at Lincoln Center in New York (1966), are a reflection of his notion of 'total art', and his explorations in the universality of music and its translation into the spatial dimension. Music was a constant source of inspiration to Chagall. Clean, bright copy. No dust jacket.

Hardcover. Norman, OK, University of Oklahoma Press (, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 415 pages, b&w illustrations. Light edge wear to dust jacket, creases to front flap. Light soiling to edges. Else a clean, tight copy. The first major battle between the U.S. Army and the Cheyenne Indians took place on the south fork of the Solomon River in present-day northwest Kansas. In this stirring account, William Y. Chalfant recreates the human dimensions of what was probably the only large-unit sabre charge against the Plains tribes, in a battle that was as much a clash of cultures as of cavalry and Cheyenne warriors.

NY , E. P. Dutton, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages, in a nice, unclipped dust jacket. Mystery involving the attempts of some long downtrodden Indians to obtain schools for their people. Clean copy.

Hardcover. NY, Atheneum, 3rd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 56 pages, b&w drawings by Ingrid Fetz. Dust jacket with minor edgewear. Clean copy.

Hardcover. Garden City, NJ, Garden City Publishing Co., 1st Edition, 1941, Book: Very Good, Dust Jacket: Good, 63 pages. Hardcover. Color and b/w illustrations throughout by Shinn. Dust jacket unclipped, has some agewear. Decorated cover boards and endpapers. Pages clean, pages and edges have a touch of tanning from age, but otherwise unmarked. Binding good. Spine straight. In this beautiful book are collected all the outstanding "Christmas" passages from Dickens' writings, accompanied by Shinn's 12 superb full color drawings, as well a many imaginative and characteristic black and white sketches.

Hardcover. New York, Harcourt Brace, 1st , 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. B&W illustrations by Barry Moser. Cloud Eyes, a young dreamer, is the tribe's only hope for bringing honey back to the lodges of his people. So begins this Native American boy's quest. Kathryn Lasky's original story is a joy to read and hear aloud, and Barry Moser's pencil drawings beautifully evoke the mystery of this enchanting tale. Clean copy.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Softcover. NY, Cambridge University Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. A collection of pathbreaking essays on Aztec and Maya culture in the sixteenth century. In the title work Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by 'defeated' populations in sixteenth-century Mexico. The collection ends with Clendinnen's transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson. Clean copy.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, More than a century ago, when Abbot Kinney built his Venice-of-America with its network of canals and fanciful buildings, cultural aspirations were high. Over the years, this aura of fantasy and imaginative possibility endured as integral to the zeitgeist of the place. Today, this spirit of innovation and creativity is richly expressed in the vintage bungalows and cottages that have been embraced and brought back to life by homeowners more in love with place than size. Stalwart survivors of the ebb and flow of the area's fortunes over a century, these small homes channel the creative spirit of the place and provide a welcome counterpoint to oversize houses. Color, landscape, treasured collections, personal narrative, contemporary overlays and additions, art and craft, and inventive design--all combine in various ways to produce domestic environments with unique and deeply personal points of view.

Hardcover. NY, Farrar, Straus and Giroux , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Pohrt. Coyote-a creator, a messenger, and, above all, a trickster-is at his mischievous best in these adventures retold from Native American sources. Brilliant illustrations depict the playful character in four tales: "Coyote Creates a New World," "Coyote and Mice," "Coyote and Woodpecker," and "Coyote and the Buffalo Bull."

Softcover. Chapel Hill NC, University of North Carolina Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 235 pages, b&w illustrations. Focusing on the porkpacking industry in Iowa, Fink investigates the experience of the rural working class and highlights its significance in shaping the state's economic, political, and social contours. Fink draws both on interviews and on her own firsthand experience working on the production floor of a pork-processing plant. She weaves a fascinating account of the meatpacking industry's history in Iowa--a history, she notes, that has been experienced differently by male and female, immigrant and native-born, white and black workers. Like new.

NY, Clarion Books, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 48 pages. Color photos and illustrations. Illustrated end papers. More than 130 full-color photographs adorn this handsome re-creation of daily life in a Plains Indian village in 1868. Readers will meet Real Bird and his family, part of a Northern Cheyenne tribe in southeastern Montana. Each member has an important role: Men prepare to become warriors and hunters, while women learn to raise crops and build a home-a tipi-from poles and buffalo hides. The clothes the family wears, from elaborate ceremonial headdresses to colorful beaded moccasins; the foods they eat; the games they play; the crafts and jewelry they make; and the spiritual rituals they perform are among the many topics included. This large-format book, with clear text and informative sidebars, provides a detailed pictorial account of the Plains Indian life more than a century ago. Clean copy.

Softcover. London, Phoenix Press, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 500 pages. The youngest member ever of the esteemed Academie Francaise--and winner of the Legion of Honor--produces a towering, erudite study of the humble men and women who were Christ's very first followers. Historically rich, it captures everything from the occupations, families, and homes to the flowers and birds native to the land. ".wealth of information.about customs, language, habits, clothes, food and all the other features.will make the reading of the New Testament far more real and vivid."--The Times. Clean copy.

Hardcover. Cambridge MA, MIT Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with mild fading to spine. Tijs Goldschmidt, a Dutch biologist, has been working for several years along the shores of East Africa's Lake Victoria, a freshwater sea the size of Switzerland. There he has chronicled the changing fortunes of the genus Haplochromis, made up of perchlike fish that differentiate into new species faster than any other vertebrates. Their numbers, however, fell precipitously after the Dutch government funded a fishery industry that harvested 60 tons of these cichlids daily; this industry also introduced nonnative species of fish that threatened to destroy the indigenous fauna. Goldschmidt writes of the mechanics of extinction--a process he says many biologists are loath to describe, for there "is always the hope that somewhere, hidden away, unnoticed, several individuals are still thriving." 274 pages, b&w illustrations. Clean copy.

UK, Cambridge University Press, 1st, 1980, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 233 pages. Anthropologists, in studying other cultures, are often tempted to offer their own explanations of strange customs when they feel that the people involved have not given a good enough reason for these customs. The question how the anthropologist can justify interpretations of customs which go beyond those offered by the people themselves runs through this book. The book focuses on the various interpretations that have been offered by anthropologists of ritual and symbolism. It offers a critical discussion of theories in this field in general, identifying their strengths and weaknesses when applied to the particular case of puberty rituals in a West Sepik village in Papua New Guinea. It then goes on to suggest an alternative approach, which draws on aesthetic as well as anthropological theory, and pays particular attention to the emotional and aesthetic experiences of people as they perform the rites. Pencil marking to about 25 pages, name on inside front cover.

Hardcover. NY, Scribner, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. McKinty's second novel is a brutal tale of revenge starring a young illegal immigrant from Ireland who chooses a criminal career in New York over unemployment in Belfast. Arriving in the city in the early 1990s, the antihero Michael Forsythe lands a spot as an enforcer for Irish mobster Darkey White. Though Forsythe at first keeps his hands relatively clean, he soon racks up a significant number of kills in skirmishes with rival crews as well as with Dominican gangs warring for control of the streets. An affair with his boss's girlfriend leads to a setup: he and his mates are trapped in a drug sting in Mexico and abandoned in a remote prison. "If someone grows up in the civil war of Belfast in the seventies and eighties, perhaps violence is his only form of meaningful expression," McKinty writes early in the novel, and the bulk of the story recounts Forsythe's grisly efforts to escape and avenge himself, including a stint with a Dominican group seeking to oust Darkey White. The pace is brisk and energetic, but Forsythe remains a cipher-a self-educated intellectual who listens to Tolstoy on tape during a stakeout but exhibits puzzlingly little interest in finding an alternative to the gun and the knife. Clean copy.

Hardcover. Seymour CT, Greenwich Workshop Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth stamped with gilt letters, 144 pages. Deluxe limited edition. one of 110 copies. SIGNED by the artist. No slipcase, no enclosed print. Bright, clean copy of this realistic painter's work. Most depict the Apache natives of Arizona.

Softcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Diane Arbus (1923-1971) is renowned for her provocative and unsettling portraits of modern Americans. This book presents a significant body of previously unpublished pictures by Arbus and proposes a radically new way to understand her goals, strategies, and overall work. Diane Arbus: Family Albums examines unknown contact sheets from several of Arbus's portrait sessions, including more than three hundred photographs she took of a New York family one weekend in 1969. Anthony W. Lee and John Pultz put to the test Arbus's claim that she was developing a "family album." They present other images Arbus shot for Esquire magazine (including pictures of the families of Ricky Nelson, Jayne Mansfield, and Ogden Reid) and discuss her interest in photographic groupings of both traditional and alternative families. Challenging common interpretations of Arbus, the authors reveal a photographer far more savvy with the camera, more aware of photography as an artistic and commercial practice, and more sensitive to the social and cultural tensions of the 1960s than has been acknowledged before.

Softcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Diane Arbus (1923-1971) is renowned for her provocative and unsettling portraits of modern Americans. This book presents a significant body of previously unpublished pictures by Arbus and proposes a radically new way to understand her goals, strategies, and overall work. Diane Arbus: Family Albums examines unknown contact sheets from several of Arbus's portrait sessions, including more than three hundred photographs she took of a New York family one weekend in 1969. Anthony W. Lee and John Pultz put to the test Arbus's claim that she was developing a "family album." They present other images Arbus shot for Esquire magazine (including pictures of the families of Ricky Nelson, Jayne Mansfield, and Ogden Reid) and discuss her interest in photographic groupings of both traditional and alternative families. Challenging common interpretations of Arbus, the authors reveal a photographer far more savvy with the camera, more aware of photography as an artistic and commercial practice, and more sensitive to the social and cultural tensions of the 1960s than has been acknowledged before.

Hardcover. New York, Macmillan, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Wendy Watson. INSCRIBED BY BIERHORST on front fly leaf . SIGNED BY WENDY WATSON on title page.

Hardcover. NY, Assouline Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Since the opening of their studio in 1982, the partnership of Domenico Dolce and Stefano Gabbana has come to symbolize the new generation of Italian fashion design. It is Domenico Dolce's native Sicily that provides the greatest influence on this duo's strong, sensual designs. Constantly evolving and maturing, the quintessential Dolce & Gabbana woman remains sexy, shapely, confident, and above all, Mediterranean.

Softcover. Durham NC, Duke University Press , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. Offering an alternative narrative of the conquest of the Incas, Gonzalo Lamana both examines and shifts away from the colonial imprint that still permeates most accounts of the conquest. Lamana focuses on a key moment of transition: the years that bridged the first contact between Spanish conquistadores and Andean peoples in 1531 and the moment, around 1550, when a functioning colonial regime emerged. Using published accounts and array of archival sources, he focuses on questions of subalternization, meaning making, copying, and exotization, which proved crucial to both the Spaniards and the Incas. On the one hand, he re-inserts different epistemologies into the conquest narrative, making central to the plot often-dismissed, discrepant stories such as books that were expected to talk and year-long attacks that could only be launched under a full moon. On the other hand, he questions the dominant image of a clear distinction between Inca and Spaniard, showing instead that on the battlefield as much as in everyday arenas such as conversion, market exchanges, politics, and land tenure, the parties blurred into each other in repeated instances of mimicry. Clean copy.

Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. 792 pages. This volume covers the second half of the 1970s, an era marked by the oil crisis and the related global economic crisis. For the first time, architecture and design dealt with alternative resources, ecological building methods, and recyclable materials. Nevertheless synthetics remained present in many fields, especially in interior design. Examples of projects featured are the postmodern and lightflooded buildings by Richard Meier, the modernistic buildings by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the buildings of the Japanese architects Arata Isozaki and Kisho Kurakawa. The industrial design of modern transport systems, office machines, and electrical appliances is also highlighted.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1965-1969: A Break from the Past, a Nod to the Future. The late 1960s, when a radical change took place in the fields of architecture and design, are the focus of this volume. Old values such as functionality, elegance, and faithfulness to materials, which had been relevant for nearly half a century, lost their importance and made space for the ideas of pop culture and the sociocritical experiments of a new generation of architects and designers who no longer wanted to live within the styles of their fathers and grandfathers. Groups of architects and designers like Archizoom and Archigram questioned long-established status symbols, fashion, and consumption and created provocative alternative designs, which were reflected in Anti and Radical Design. Volume VI in the domus series features designs by Joe Colombo, Ettore Sottsass, Gae Aulenti, Olivier Mourgue, Achille and Pier Giacomo Castiglioni, Verner Panton, Kenzo Tange, Luigi Moretti, Oscar Niemeyer, and Gio Ponti.

Hardcover. NY/Chicago, Revell, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in white and black, 226 pages, 12 photographic plates. Sir Wilfred Thomason Grenfell (1865 -1940) was a medical missionary to Newfoundland and Labrador. Beginning with Vikings of To-day (1895), he published between 1905 and 1938 a succession of books about Labrador, which was at the time a British colony. Frontis photo shows Grenfell and Perry (back from the N. Pole) on the deck of the 'Roosevelt'. This is a collection from six periodicals of 14 sketches by the 'Labrador Doctor.' He has fascinating stories to tell about the natives, the sailors, fishermen, the climate and his doctoring. Small tan stain affecting 10 pages, only in margin. Otherwise clean.

Hardcover. NY/Tokyo, Weatherhill, 3rd pr., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Delightful illustrations depict the imaginative and illogical world of a fantasy circus where the musicians' instruments are matchsticks and kitchenware, and fierce lions turn into wooden toys.

Hardcover. The Library of America, 1st pr., 1991, Book: Very Good, Dust Jacket: None, A first printing of the Library of America. Maroon cloth with spine printed in gilt. Patterned endpapers and attached blue ribbon bookmark. Ivory slipcase lettered and bordered in gilt. Arnold Rampersad wrote the notes for this volume. Includes: Lawd Today!, Uncle Tom's Children, and Native Son. Clean copy.

Hardcover. New York, Bullfinch Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Light abrasions on bottom corners. Light edgewaer to dust jacket. Clean, tight copy.

Hardcover. New York, The Museum of Modern Art, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 236 pages, color illustrations. Like new in publisher's shrink-wrap. Elizabeth Murray has radically altered the structure of Modernist painting. Her shaped and constructed canvases, often topologically modeled in three dimensions or fitted together out of multiple jigsaw-like parts, treat figure and ground in unprecedented ways, giving the elastic shapes of classic Surrealism a space in their own image. The alternatively comfortable and cataclysmic world that her images depict would crack irrevocably if it followed Euclidean logic; instead; it constantly metamorphoses under stress. With a chaptered essay by Robert Storr, plate section, and in-depth interview, the book explores Murray's relation to artists such as Joan Miro, Stuart Davis, Claes Oldenburg and Frank Stella, as well as to the mainstream and opened up options for rising generations. This book accompanies the most detailed examination of Murray's art yet mounted, showing its development from Pop-oriented reliefs in the 1960s to the extraordinary volumetric of her recent work.