Hardcover. London, Jonathan Cape, 2nd Printing, 2006, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. 125 full color plates. A rare insight into the mind of the greatest painter of our time. Usually reluctant to speak about his work, Freud has agreed to enter into a conversation on painting with writer Sebastian Smee. Photographs taken by Bruce Bernard and David Dawson.

Softcover. Detroit MI, Detroit Institute of Arts, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 411 pages. Color frontispiece and b&w illustrations throughout. Previous owner's signature on front flyleaf. Light soiling and wear to cover. Small sticker on spine. Else a tight copy.

Hardcover. NY, Neue Galerie, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Foreword by Ronald S. Lauder. More than 160 works illustrated in color. 123 pages. Clean, bright copy.

Hardcover. NY, Neue Galerie, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Foreword by Ronald S. Lauder. More than 160 works illustrated in color. 123 pages. Short closed tear to dust jacket in rear. Otherwise a clean, bright copy.

Hardcover. NY, Independent Curators Incorporated, 1st, Book: Very Good, Dust Jacket: None, Board covers with a red label on front. Non-paginated, ca 50 pages. B&w illustrations. Previous owner's signature on front end paper, else a clean, tight copy.

Hardcover. NY, The Museum of Modern Art, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, 154 pages, hardcover with dust jacket. The works and writings of the Futurist artists in their most creative period, 1910-1916. 141 Illustrations (22 in color). Tanning to wraps, light edgewear. Mild foxing to top edge text block. Unmarked. A clean and tight copy.

Hardcover. New York, Simon & Schuster, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 143 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Yellowing and wear to dust jacket edges. A collection of ghoulish cartoons conducts an irreverent tour of such American institutions as teenage dating, Las Vegas, automobiles, New England Calvinism, and witchcraft by Gahan Wilson.

Softcover. Washington, National Gallery of Art, 2nd printing, 1988, Book: Very Good, Dust Jacket: None, 519 pages. Softcover. Previous owner's bookplate on front endpaper. Color and b/w illustrations throughout. Wrapper excellent, in beautiful condition. Pages clean and bright, unmarked. Binding tight. Published to accompany exhibition: National Gallery of Art, Washington, 5/1-7/31/88; The Art Institute of Chicago, 9/17-12/11/88; Grand Palais, Paris, France, 1/10-4/20/89.

Hardcover. Cambridge, Mass., MIT Press in association with Violette Editions, 1st, 2004, Book: Good, Dust Jacket: Very Good, 539 pages. Hardcover. Extensive b&w illustrations by Frank Gehry throughout. Includes appendix of Gehry's projects. Includes artistically styled dust jacket. Some small stains to fore edge, otherwise clean, tight copy.

Softcover. West Palm Beach, Norton Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, 120 pages. 26 color plates, 60 b&w illustrations. Softcover with light edgewear on wrappers. Published in conjunction with a major retrospective exhibition (opening at National Gallery of Art, Washington, in June 2012, then travelling to The Metropolitan Museum of Art, New York, in November 2012, before moving to Royal Academy of Arts.

Softcover. Springfield, MA, George Walter Vincent Smith Art Museum, 1st, 1946, Book: Very Good, Dust Jacket: None, Softcover, vintage exhibition catalog, 87 pages, b&w illustrations, color frontispiece. Small tear on spine. Else a clean, tight copy.

Hardcover. NY, Museum of Modern Art, 1st, 1949, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly chipped dust jacket. 170 pages, 135 illustrations with 10 in color. Bibliography. Bump to bottom of cloth cover otherwise a clean, square copy.

Hardcover. Washington, D.C., Phillips Collection, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 158 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.

Softcover. Albuquerque, NM, Museum of New Mexico Press, 1st, 1985, Book: Near Fine, Dust Jacket: None, Exhibition catalog. x, 102 pages illustrated throughout in color and b&w. Pictorial stiff wrappers with light wear to edges, else like new.

Softcover. New York, The Whitney Museum of American Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover.This catalog of paintings by Georgia O'Keeffe features 117 black and white prints and 4 color prints. The front and back cover features "Sky Above Clouds IV." The cover is slightly smudged and worn, particularly on the back. All else is in fine condition.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Museum of Modern Art, 3rd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 illustrations 138 in color. Essay by Robert Storr and with an interview of Richter by Storr as well. Includes numerous color and black and white illustrations, artist chronology, list of previous exhibitions, and a selected bibliography. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY February 14-May 21, 2002. In a bright, unclipped dust jacket.

Softcover. London, Anthony D'Offay Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, Unpaginated (49 pages) with 29 illustrations 21 in color. Published on the occasion of the exhibition from the Anthony d'Offay Gallery, London 11 March-16 April 1988. Selected Biography and Bibliography. Clean copy.

Softcover. NY, The Drawing Centre, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 94 pages. B&w illustrations throughout. Penone's sculptures, installations, and drawings are distinguished by his emphasis on process and his use of natural materials, such as clay, stone, metal, and wood. Exhibition catalog. Clean copy.

Hardcover. London, V&A Publications, 1st, 2007, Book: Very Good, Dust Jacket: Good, 224 pages. Hardcover with dust jacket. Soiling and wear to dust jacket edges. Light yellowing to inside pages. Small tears to dust jacket rear. An otherwise tight copy. 97 color plates, 80 black and white illustrations. In 1947, Christian Dior?s ?New Look? was greeted with both shock and delight, making headlines around the world. Accompanying the exhibition opening at the Victoria and Albert Museum in September 2007, this lavish book focuses on Parisian and British couture between 1947 and 1957, the decade Dior hailed as fashion?s ?golden age.? The ?New Look? symbolized a new femininity. The full skirts and hourglass silhouettes were considered highly decadent, synonymous with luxury and prosperity, in marked contrast to the austerity of the WWII years. Nevertheless, the ?New Look? caught the public imagination and ushered in a period of remarkable creativity. The Golden Age of Couture features stunning gowns and exquisite tailoring from Dior as well as from such designers as Balenciaga, Balmain, and Givenchy, along with evocative photographs by the likes of Richard Avedon and Cecil Beaton.

Softcover. New York, Associated American Artists, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover with blue wraps. Unpaginated. Compiled and edited by Sylvan Cole, Jr., 2 b&w frontispieces, 66 b&w plates, errata slip laid in. A clean, tight copy.

Softcover. NY, Metropolitan Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 238 pages. Illustrated profusely in b&w and 16 plates in color. An exhibition sponsored by the government of the Republic of Greece and the Musee du Louvre. Metalwork, bronze, clay, marble: all manner of objects 4th millennium B.C. to 4th century B.C.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Softcover. NY, Brooklyn Museum : exclusively distributed by H. N. Abrams, 1st, 1978, Book: Good, Dust Jacket: None, 176 pages, illustrated throughout in color and b&w. Previous owner's blind stamp on front end paper. Light edgewear, rubbing and creasing to wrappers, else a clean, tight copy.

Softcover. Athens, Blurb Inc., Reprint, 2010, Book: Very Good, Dust Jacket: None, 384 pages. Softcover printed to accompany the exhibition by the same title, appearing in multiple venues, including, Ruby Green Gallery, Nashville TN May - June 2003 and Athens Institute for Contemporary Art, Athens GA, August - September 2010. Bright, full page, full color photographs throughout. Clean, unmarked copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.

Softcover. New York, WMAA/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Full color illustrations. Shallow crease at bottom right corner of front cover. Clean, unmarked copy. Goodman's book, with essays by Clement Greenberg and Irving Sandler and the artist's own statements, provides an excellent introduction to the life and work of the man frequently called the dean of the New York School of Abstract Expressionism.

Softcover. Belgium, Ludion , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, color illustrations throughout. Clean copy.

Softcover. Old Lyme. CT, Florence Griswold Museum, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 89 pages, b&w illustrations, 29 color plates, illustrated tissue guard. Light wear to wrapper corners. Else a very clean, tight copy. A book examining the life and work of an artist noted for his joie de vivre and for his versatility as an artist from winter views of New England to undersea paintings of the Bahamas. 89 pages, 29 color & 40 b/w illustrations with unique color frontispiece on vellum.

Hardcover. London, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. Hats by Madame Paulette will appeal to fashion experts and aficionados of fine millinery alike, providing an essential guide on the most indispensable fashion item of the mid-twentieth century; no woman would consider herself formally dressed without a hat. In addition to celebrities vying for Madame Paulette's creations, fashion photographers clamored for her designs. Included here are photographs from Avedon, Newton, Horst, and Klein, as well as film stills of the hats she designed for Cecil Beaton that appeared in My Fair Lady and Gigi. 150 illustrations, 50 in color

Hardcover. NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages, illustrated throughout in color. Illustrated, laminated boards, no dust jacket issued. Clean, tight copy. This is a beutifully produced catalog of a NY retrospective for the Australian/British/American painter Hayley Lever (1876-1958). His painting also crossed boundaries including elements of Impressionism, Post-Impressionism & Tonalism. Perhaps it was this refusal to sit in one box that accounts for his being so nearly forgotten. There are many lovely pictures here, mostly of St Ives & the coasts of New England.

Softcover. New York, Metropolitan Museum of Art, First Edition, 1993, Book: Very Good, Dust Jacket: None, Softcover published to accompany the exhibition, Church's Great Picture, The Heart of the Andes, held at the Metropolitan Museum of Art, October 5, 1993 - January 2, 1994. Clean, bright copy.

Hardcover. Munich, Prestel Verlag, 1st Edition, 2012, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover published to accompany the exhibition William Wegman - Hello Nature, at Bowdoin College Museum of Art, Brunswick, July 13 - October 21 2012. Features works by Wegman, Kevin Salatino, Padgett Powell, Diana Tuite. Full color, full page illustrations throughout. Dust jacket in very good condition. Clean, unmarked copy.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with price-clipped dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. London, Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: None, 256 pages. Oversize hardcover with no dust jacket. Very clean, like new copy still in publishers shrink wrap. Large black and white & color photographs throughout. Tight copy. Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself. In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947.In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.

Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.

Hardcover. Amsterdam, Ludion Ghent/Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, 208 pages with 282 color plates, 53 in b&w. No dust jacket. Published to coincide with a major exhibition of the artist's work in Europe, this loving tribute to one of the greatest, and most bizarre, of the medieval painters introduces readers to the often grotesque vision expressed in his work.

Softcover. Amsterdam, Ludion Ghent/Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, Oversized softcover. Published with the the exhibition "Hieronymus Bosch" at the Museum Boijmans Van Beuningen, Rotterdam, September-November 2001. Minor wear to corners and edges of cover. Inside is bright and clean. Many color illustrations throughout. A nice copy.

Softcover. New York, Metropolitan Museum of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrinkwrap.

Hardcover. New York, George Braziller Incorporated, 1st, 1986, Book: Fair, Dust Jacket: Good, 256 pages. Hardcover with dust jacket. Clean, tight copy. Color pictures throughout. landscapes. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 splendid woodblock landscape and genre scenes of mid-nineteenth century Tokyo, is one of the greatest achievements of Japanese art. The series contains many of Hiroshige's best-loved and most extraordinary prints. Like Venice and Florence in the 14th and 15th centuries, or Paris in the age of the Impressionists, the city of Edo, with its superb landmarks and its festive display of elegant urban life, exerts a special and compelling fascination. Hiroshige revealed the panorama of his city's activities with subtle and vivid visual anecdotes: fireworks seen from the river, fashionable geishas on parade, the kabuki district at night, intimate moments in the gardens and teahouses. It is a tour de force of artistic vision and printmaking craftsmanship. This edition has been reproduced from an exceptionally fine, first-edition set in the Brooklyn Museum of Art to insure maximum fidelity to the original prints. Henry Smith ex-plains the world of Edo in its twilight before the Meiji Restoration and the beginnings of a modern urban society. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. For anyone interested in Japan, the One Hundred Famous Views of Edo is perhaps the finest guide and one of the greatest legacies imaginable.

Softcover. Colorado Springs, Colorado, Colorado Springs Fine Arts Center, 1st, 1977, Book: Good, Dust Jacket: None, Softcover. Exhibition catalogue featuring the Hispanic art of the American Southwest. 118 pages, 21 black/white plates, 105 other black/white illustrations of pieces, and 36 black/white photographs of featured artists. Good condition, some soiling/light discoloration on the cover, top right corner bent.

Hardcover. New York, Abbeville Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 496 pages. Hardcover with dust jacket in slipcase. A very clean, unmarked copy with only minor wear to slipcase edges. A tight copy. Color illustrations throughout.

Hardcover. New York, Bulfinch, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Very clean copy still in publishers shrink-wrap. Remainder mark to textblock. Hockney's Pictures is the first definitive "retrospective" to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolors, prints, and photography, including new and published works. The pieces, presented thematically, are selected and organized by David Hockney himself, and track Hockney's lifelong experiments in ways of looking and depicting. With 325 illustrations, accompanied by extensive quotes from the artist himself that illuminate the passionate thinking behind the work, Hockney's Pictures is destined to become a classic.

Hardcover. New York, Bulfinch, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Very clean copy still in publishers shrink-wrap. Remainder mark to textblock. Hockney's Pictures is the first definitive "retrospective" to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolors, prints, and photography, including new and published works. The pieces, presented thematically, are selected and organized by David Hockney himself, and track Hockney's lifelong experiments in ways of looking and depicting. With 325 illustrations, accompanied by extensive quotes from the artist himself that illuminate the passionate thinking behind the work, Hockney's Pictures is destined to become a classic.

Hardcover. US, Prestel Pub, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 218 pages. Hardcover with dust jacket. Clean, tight copy. Color prints throughout. Minor wear on corners. Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of colour set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. This book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output - including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges - "Hokusai: Prints and Drawings" provides a detailed account of the artist's genius.

Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.

Softcover. Hudson Hills Press, 1st, 1982, Book: Very Good, Dust Jacket: None, The San Fransisco Museum of Modern Art catalog of the first major retrospective exhibition of the works of Edward Ruscha. 10 pages, illustrated with Ruscha's artwork, and a photograph of the artist. A clean copy in publisher's stiff wrappers.

Softcover. Minneapolis, MN, The Minneapolis Institute of Arts, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 90 pages. B&W and color illustrations throughout. Black pictorial cover with slight wear to spine and both covers. Very slight spotting to top edge. Overall, a clean, tight copy.

Softcover. Charlotte, NC, Mint Museum Department of Art, 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, 120 pages. Color and B&W plates throughout. some B&W photos of artist throughout. Light soiling to wrapper and slight bending to bottom right corner. Some light edge wear. Otherwise a tight and clean copy.