Hardcover. Washington DC, Smithsonian Institution Scholarly Press , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. At least since the Renaissance, artists have created wonderful images of themselves. Some self-portraits are the equivalent of a painter's "signature," while others were inspired by the need to establish social status or gain a commission. In the twentieth century, however, self-representation turned inward, becoming a means by which artists sought to navigate passageways of the mind. In Reflections/Refractions, some of the greatest modern artists--including Andy Warhol, Edward Hopper, Grant Wood, Jasper Johns, Robert Rauschenberg, Jacob Lawrence, Louise Bourgeois, David Hockney, Alexander Calder, and Alex Katz--use sinuous line and gorgeous color to trace the intricacies of their personalities, whether dark and gloomy or bright and fanciful. The book is at once a catalog of twentieth-century self-portraits in the collection of the National Portrait Gallery, Smithsonian Institution, and an exploration of how modern artists view themselves and the world. Eighty color illustrations--drawings and paintings--are accompanied by lively and informative captions, making this volume an endlessly fascinating book. Clean copy.
Hardcover. London, Tate Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with an acetate dust wrapper, 304 pages. Warhol brought to the art world a unique awareness of the relationship that art might have with popular consumer culture and tabloid news, with celebrity, and with sexuality. Each of these themes is explored through visual dialogues between warhol and some sixty artists, among them John Baldessari, Vija Celmins, Gilbert & George, Felix Gonzalez-Torres, Robert Gober, Nan Goldin, Damien Hirst, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Barbara Kruger, Glenn Ligon, Robert Mapplethorpe, Vik Muniz, Takashi Murakami, Bruce Nauman, Cady Noland, Elizabeth Peyton, Sigmar Polke, Richard Prince, Gerhard Richter, Ed Ruscha, Cindy Sherman and Luc Tuymans. Clean copy. DOMESTIC SHIPPING ONLY.
Softcover. New York, Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 304 pages, color and b&w illustrations. Includes interviews, conducted by Marla Prather, with Polly Apfelbaum, John baldessari, Vija Celmins, Chuck Close, Robert Gober, Hans Haacke, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Julian Schnabel, Ryan Trecartin, and Luc Tuymans. Beginning essay, Dialogues with Warhol, by Mark Rosenthal. Clean, bright copy.
Hardcover. New Haven, Yale University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Two volume set. Hardcovers in very clean slipcase. Very clean, unmarked copies. Dertailed study of fifty-one paintings by Rembrandt. This is followed by sections for his pupils in which paintings once given to Rembrandt are reatributed to memebers of his workshop. This also serves as a catalogue of the exhibition organized by curators from Berlin, Amsterdam and London - galleries which have three of the finest collections of Rembrandts.
Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.
Hardcover. Washington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 296 pages, color plates throughout. Exhibition catalog, five scholarly essays. In publisher's shrinkwrap.
Softcover. Washington DC, National Museum of American Art and National Portrait Gallery, Smithsonian Institution, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 408 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to wrappers, else a clean, tight copy.
Hardcover. San Francisco, CA, Fraenkel Gallery, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. In the early 2000s, Richard Misrach (born 1949) began a series titled On the Beach, a body of work that traveled extensively and has been highly influential. These color photographs deal with the human figure seen at a distance, on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach has continued this work, while vast changes in photographic technology over the intervening decade have caused a shift in approach, both conceptually and technically. Untitled is an artist book based on two photographs: the one made by Misrach and the other made concurrently, at the time of exposure, by the subjects of his photograph. The extreme detail explored in this work concisely summates both the artist's concerns and the ubiquity of digital technology as we are portrayed and portray ourselves.
Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with dust jacket. Chipping and age toning to dust jacket edges. Foxing to textblock fore edge. Inside clean and unmarked. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs.
Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with translucent dust jacket. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs. The book was originally published by Yugensha in Tokyo in 1972. Remainder mark to top edge, dust jacket edgeworn, chipped. No marking, clean.
Softcover. Delaware, Delaware Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Pictorial green wrappers, full-cover color painting on front cover. 174 pages, profusely illustrated in b/w, some color. Back cover slightly scratched and spine slightly worn, otherwise, tight, clean copy. Essay by Helen Farr Sloan, catalogue and prologue by Bennard B. Perlman. Chronology, bibliography, list of exhibitions. Catalogue lists 100 works.
Softcover. New York, Whitney Museum of American Art, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog of Robert Mapplethorpe's photography. 216 pages; 130 photographs, 45 in color. Text by Richard Marshall, Associate Curator, Exhibitions, at the Whitney Museum of American Art, New York; essays by Richard Howard and Ingrid Sischy. In very good condition; small rubbing mark on back cover; no marks on front cover.
Hardcover. NY, Harry N. Abrams /Miriam and Ira D. Wallach Art Gallery, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 208 pages, Index. Full white cloth, embossed letters. Near fine condition in excellent dj except for fading to spine. (remainder mark - star - on lower edge of text block). Essays by David Rosand, Arthur C. Danto, Stephen Addiss, and Mary Ann Caws. With 169 illustrations - 101 in full color. Clean copy.
Softcover. Buffalo / NY, Albright-Knox / Abbeville Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 156 pages, illustrated throughout in color and b&w. Shows nearly a hundred of the American artist's paintings, includes an interview with Motherwell, and discusses the development of his career. Red pictorial stiff wrappers. Slight wrinkle to back cover and minimal wear to edges, else like new.
Softcover. New York, New York, Gimpel & Weitzenhoffer Ltd., 1st, 1985, Book: Very Good, Dust Jacket: None, Exhibition catalog. Stiff covers with full-color illustration to front, perfect binding, gray textured endpapers, 29 full-page, full-color illustrations, essay by artist entitled "Why Hitchcock?", chronology, list of museum collections and solo-exhibitions. Mild rubbing to covers, right edge of catalog slightly bent; overall a very clean, tight copy.
Softcover. New York, Solomon R. Guggenheim Museum, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 629 pages. B&w and color images throughout. Slight shelf wear to covers. Otherwise, tight clean copy.
Softcover. Washington D.C., Smithsonian Institution Press, 1st, 1976, Book: Good, Dust Jacket: None, Softcover. Exhibition catalog, 216 pages. Color and B&W plates and photographs throughout. Some light soiling to wrapper. Otherwise a clean and tight copy.
Hardcover. New York, Rizzoli/Gagosian Gallery , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 156 pages, profusely illustrated in color and b&w. Designed by Dan Miller Design. With a biography and exhibition history. This is the elegantly produced, copiously illustrated hardbound catalogue published in conjunction with Los Angeles-based sculptor Robert Therrien's elaborate 2008 Gagosian Gallery New York installation.
Softcover. Washington D.C., National Gallery of Art Washington, 1st, 1982, Book: Very Good, Dust Jacket: None, 271 pages. Softcover. National Gallery of Art publications from exhibition laid in. Color and b/w illustrations throughout. In beautiful condition. Wrapper bright and excellent. Pages clean, binding good. Catalogue to accompany exhibition held from February 7, 1991-May 9, 1982.
Softcover. Montclair, NJ, Montclair Art Museum, 1st, 2005, Book: Very Good, Dust Jacket: None, Paperback. 90 pages, color and b&w illustrations. An exhibition catalog, not published in hardcover.
Softcover. New York, Morgan & Morgan, Reprint, 2007, Book: Very Good, Dust Jacket: None, 206 pages. Softcover. A clean, unmarked copy. Light foxing to top edge of textblock. Black and white photographs throughout.
Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.
Hardcover. New York, Abrams Image, 1st, 2010, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with no dust jacket. Light foxing to top edge of textblock. Rubbing to rear. An otherwise very clean, unmarked copy with only minor edgewear. Revealing an unprecedented, intimate look at Ryan Adams and his band the Cardinals through the evocative photography of lead guitarist, Neal Casal. An intensely personal collection of 200 photographs, Casal has captured the exhilaration of the stage and studio while sometimes exposing the solitary aspects of the creative process and life on the road. With an introduction by Ryan Adams and an afterword by legendary musician Phil Lesh, this collection will be revered by fans and is the official documentation of the beloved band.
Softcover. Los Angeles, UCLA Fowler Museum , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in bright wrappers, 446 pages. This abundantly illustrated anthology brings together 16 essays by scholars, artists, and ritual experts who examine the sacred arts of Haitian Vodou from multiple perspectives. Among the many topics covered are the 10 major Vodou divinities, the paintings of Hector Hyppolite, the multimedia pieces of Pierrot Barra, sequined bottles and sequined flags, and the work of the Brooklyn Priestess Mama Lola. Like new. DOMESTIC SHIPPING ONLY.
Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.
Hardcover. Burlington, Bridgman, Maeck, JDK Gallery, 1st, 2010, Book: Very Good, Dust Jacket: None, 37 pages. Hardcover. INSCRIBED BY BRIDGMAN AND MAECK ON FRONT ENDPAPER. Illustrated with full color photographs. Clean, tight copy.
Hardcover. NY, Alfred A. Knopf, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Silvano Arieti (1914-1981), a psychiatrist, regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. 256 pages, black and white and color reproductions, publisher's brown cloth-backed tan papered boards, lettered in gilt at spine, brown endpapers (minor chipping to rear bottom edge. Pictorial dust jacket minor toning and wear mostly to edges, very good.
Softcover. New York, Whitney/Knopf, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w and color illustrations. Light edge wear. Else a clean, tight copy. Illuminates Steinberg's creative genius as a writer of pictures by critically viewing his ability to transcend borders between art and language in his drawings, cartoons, New Yorker covers, watercolors, and three-dimensional constructions.
Softcover. New York, Whitney/Knopf, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w and color illustrations. Light edge wear. Else a clean, tight copy. Illuminates Steinberg's creative genius as a writer of pictures by critically viewing his ability to transcend borders between art and language in his drawings, cartoons, New Yorker covers, watercolors, and three-dimensional constructions.
Softcover. Carrara Italy, privately printed, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (48 pages), illustrated in color and b&w. Contains reproductions of Tallarigo's stone sculptures created from 1990-1995. Text in Italian and English.
Softcover. Charlottesville, Va., University of Virginia Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 123 pages. Exhibition catalog. Illustrated throughout in color and b&w. Light wear/crease to spine, else a clean, tight copy.
Softcover. Charlottesville, Va., University of Virginia Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 123 pages. Exhibition catalog. Illustrated throughout in color and b&w. Light wear/crease to spine, else a clean, tight copy.
Hardcover. Berlin, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. 290 pages with 90 illustrations in color. Edited by Ruth Ronen. Text by Ariella Azoulay, Adi Efhal. Published on the occasion of the exhibition from the KW Institute for Contemporary Art, Berlin 18 November 2007-13 January 2008. Biography.
Softcover. Wilmington, DE, Delaware Art Museum, 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 235 page catalog. Includes 167 artists. Numerous b&w and color illustrations, most of which are accompanied by biographical text on artist. Some mild wear on back cover. Else is very good.
Hardcover. New York, Harry N Abrams, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Presents selections from comic books from 1938 to 1955 that feature the adventures of characters such as Superman, Batman, Pogo, Captain Marvel, and Donald Duck. A list of comics included: Action Comics #1 (First appearance of Superman); Detective Comics #29 (Origin of Bat-man); All-American Comics #20-#14 (First appearance of the Red Tornado, and other Red Tornado stories); Police Comics #1 and #13 (First appearance of Plastic Man, and Woozy Winks); Captain Marvel Adventures #100 (Captain Marvel Battles the Plot Against the Universe); Sub-Mariner #4 (Dr. Dimwit by Basil Wolverton); Tessie the Typist #8 (Powerhouse Pepper by Basil Wolverton); Jingle Jangle Comics #5, 24#, (The Pie-faced Prince by George Carlson); Little Lulu Four Color 74 and Little Lulu #38, #40, #80; Walt Disney's Christmas Parade #1 (Donald Duck Christmas story by Carl Barks); Animal Comics #1, Pogo Possum #3, #8 (Pogo the Possum and Gang by Walt Kelly); The Spirit supplements August 10, 1941, September 5, 1948, September 11, 1949 (Great Spirit stories by Will Eisner); The EC Collection (Frontline Combat No. #4, Two-Fisted Tales #25, Mad #4 (Superduperman vs. Captain Marbles), Mad # 18, Impact #1).
Hardcover. New Haven, Yale University Press in association with the Yale University Art Gallery, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Folio. Like new in publishers shrink-wrap. 230 pages, 302 color illustrations, 62 black and white reproductions. Includes contributions by Ruth L. Bohan, Susan Greenberg, David Joselit, Elise K. Kenney, Dickran Tashjian, and Kristina Wilson. History of the "Societe Anonyme", an organization founded in the 1920's, which acted as America's first "experimental museum" for modern art.
Hardcover. NY, Museum of Modern Art , 2nd pr., 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 184 pages 274 illustrations 16 in color. Clean, bright copy.
Softcover. North Adams, MA, Mass Moca, 1st, 2009, Book: Very Good, Dust Jacket: None, 271 pages. Softcover with paper wrappers. Clean, tight copy. Color plates in rear.
Softcover. Hartford, Wadsworth Atheneum/Stedelijk Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, 207 pages. Oblong softcover with full color and black & white photographs. 406 illustrations. Texts by Alexander van Grevenstein and Jan Debbaut, in parallel English and Dutch. Minor wear. Clean, tight copy.
Softcover. New York , Museum of Modern Art , 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages, illustrated in color and b&w. Softcover exhibition catalog. The Stenberg brothers, like their contemporaries Aleksandr Rodchenko and El Lissitzky, were artists of immensely varied interests and eclectic skills. They were sculptors, architects, and stage and costume designers, and were enamored of the film and montage theories developed in the suddenly burgeoning Soviet film industry. As seen in this book's superb color plates, they brought to film poster design an extraordinary compositional dynamism, originality, and contrast of scale, employing many of the artistic conventions of the Constructivist movement to great effect.
Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. The book features images by a who's who of legendary photographers: Anton Corbijn, Patrick Demarchelier, Steven Klein, Annie Leibovitz, Helmut Newton, Irving Penn, Mario Testino, Tim Walker, and Bruce Weber. The book includes a foreword by Anna Wintour and is punctuated with Posnick's personal memories and irreverence.
Hardcover. Chicago, Art Institute of Chicago, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works' attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy.
Hardcover. NY, Museum of Modern Art, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with tanning to edges, 40 pages. 3 color, 28 b&w plates. Considers the life and work of American modernist Stuart Davis. (1892-1964) "Offers an informal account of Davis' career from its precocious beginning in the school of Robert Henri as a follower of The Eight through the impact of the Armory Show and the subsequent evolution of his work. The text is unique in that the artist, as far as possible, speaks for himself. James Johnson Sweeney has skillfully interwoven Davis' own terse and lively talk of pictures, places, people and esthetic theory with a running narrative and critical commentary."
Softcover. Bratenahl, OH, Cleveland stock images, 1st, 2008, Book: Very Good, Dust Jacket: None, 78 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. London, Victoria & Albert Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, White boards with pink lettering on spine; Color illustrated dj.; 362 pp.; 250 color, 100 bw illustrations. Accompanied a major exhibition at the Victoria & Albert Museum; Includes works by Salvador Dali, Man Ray, Alexander Calder, Max Ernst, Rene Magritte, and others; Extensive annotations; Great overview of the subject.
 "Regarding Warhol: Sixty Artists Fifty Yearsby: Rosenthal, Mark/ Prather, Marla/Alteveer, Ian /Lowery, Rebecca")
 "Renoir Landscapes 1865-1883by: Bailey, Colin and Christopher Riopelle")
 "Richard Misrach: 11.21.11 5:40 PMby: Misrach, Richard (Photographer)")
 "Robert Motherwell on Paper: Drawings Prints Collages by: Rosand, David (Editor)")
 "Robert Rauschenbergby: National Collection of Fine Arts")
 "Ron Janowich: Monotypes 1988 1990 From the Garner Tullis Workshop by: Janowich Ron; Auchincloss Pamela Essay")
 "Rosenwald, Lessing J.: Tribute to a Collectorby: Fine, Ruth E.")
 "Roy Lichtenstein - American Indian Encountersby: Stavitsky, Gail and Twig Johnson")
 "Sacred Arts of Haitian Vodouby: Donald J. Cosentino (Ed)")
 "Smithsonian Book of Comic-Book Comicsby: Barrier, J. Michael/Martin Williams")
 "Soci")
 "Sol Lewitt. The Museum of Modern Art New York...Designed by Sol Lewitt. Essays by Lucy R. Lippard Bernice Rose Robert Rosenblumby: Legg, Alicia and Sol Lewitt")
 "Stenberg Brothers: Constructing a Revolution in Soviet Design by: Mount, Christopher")
 "Surreal Things: Surrealism and Designby: Wood, Ghislaine")