Softcover. Copenhagen, Court Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in b&w and color. Clean copy.

Softcover. NY, Guggenheim Museum, 1st, 1975`, Book: Good, Dust Jacket: None, 140 pages. Softcover. Exhibition catalog. Full color and black & white examples of works by Jiri Kolar. Foxing to cover edges, and to top edge. Clean, unmarked pages.

Softcover. Albany NY, Opalka Gallery, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 62 pages in color. Exhibition catalog. Clean, bright copy.

Softcover. Wayne NJ, William Paterson College, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, gray illustrated wraps with black lettering; French flaps. 86 pages with 43 b&w illustrations. Divided into four sections: Sitting on the Gate, Ways and Means, The Aged, Aged Man, and Haddock's Eyes; includes a list of illustrations, and with supplementary footnotes. Clean copy.

Softcover. NY, Stephen Haller Gallery, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, 12 color plates of the artist's paintings. Essay by Joyce B. Korotkin. Clean copy.

Softcover. Springfield, Mass., Museum of Fine Arts, 1st, 1985, Book: Good, Dust Jacket: None, Softcover, 72 pages, b&w illustrations, 8 color plates. Edge wear, small tears to wrappers and spine. Else a clean, tight copy. Of the three great nineteenth-century American trompe l'oeil artists--William Michael Harnett (1848-1892), John Frederick Peto (1854-1907), and John Haberle (1856-1933)--the least well known is Haberle. Haberle approached painting with an informed and sophisticated connoisseurship. A highly original artist, he often alluded to complicated, ingenious, and entertaining aspects of contemporary society. The rarity of his work only adds to its allure.

Hardcover. London, Tate Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy. Includes an insightful essay and more than 150 full-color reproductions of Heartfield's work.

Softcover. New York, Christie's Houston, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover auction catalog, 435 pages, b&w and color illustrations. Light edge wear to wrappers. Else a clean, tight copy.

Hardcover. Los Angeles, Los Angeles County Museum of Art , 1st, 1970, Book: Very Good, Dust Jacket: Fair, Hardcover, 100 pages, colored paper over boards in lettered glassine wrapper. 10 3/4 x 9 1/4 " 27 pages of text, 89 illustrations - 12 in color. Introduction by Sheldon Reich. Lengthy essay by Larry Curry. Catalog lists 157 works. Selected bibliography. A significant exhibition. Glassine wrapper worn, frayed, book is clean, very good.

Softcover. New York, Kennedy Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. Unpaginated, illustrated throughout with 86 plates in color and b&w. Pictorial stiff wrappers. Slight wear to edges and spine, else a very nice, tight copy.

Softcover. New York, Coe Kerr Gallery & Wittenborn Art Books,, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. Unpaginated, illustrated throughout with 65 plates in color and b&w. White pictorial stiff wrappers. Light wear and foxing to covers and spine, else a very nice, tight copy.

Hardcover. Boston, Boston Book & Art, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 215 pages, 176 illustrations in b&w and color. A book issued in conjunction with an exhibition at the National Gallery of Art in Washington celebrating the centennial of Sloan's birth. Includes a list of books illustrated by the artist, other selected bibliography. Dust Jacket with light edgewear, rubbing.

Softcover. New York, Gerald Peters Gallery, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. 63 pages.; four pages, biographical information by Avis Berman with 4 etchings and photo of John and Dolly Sloan; 23 color plates with identifying information; additional 5 etchings plus those on inside covers; large photos of Sloan at easel. Catalogue to accompany joint exhibition by Gerald Peters and Kraushaar Galleries in New York. 2008.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. The American realist artist John Sloan is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan's artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career-at newspapers like the Philadelphia Press and later for mass-market magazines-and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan's illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. The American realist artist John Sloan is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan's artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career-at newspapers like the Philadelphia Press and later for mass-market magazines-and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan's illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

Softcover. New York, Dover, 1st, July 1978, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 66 b&w plates. Light edge wear to wrappers, top right corner slightly bent. Else a clean, tight copy.

Softcover. Wilmington, DE, Delaware Art Museum, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 150 pages. Exhibition catalog. Mostly black-and-white, with some color, illustrations. Light sun-fade to spine. A little wear to bottom corner of front cover. Very good, unmarked copy.

Hardcover. Seattle, WA, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 182 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. A tight copy. Filled with reproduced artwork from the comic books Little Lulu, and his creations Melvin Monster and Thirteen (Going on Eighteen); rare drawings and cartoons; and never-before-seen photographs. Bill Schelly tells Stanley's life story through interviews with his family, friends, and colleagues.

Softcover. Philadelphia, PA, Philadelphia Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 201 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minor wear to edges, slight wrinkle to lower front cover, else like new. This exhibition catalog explores the artist, his history, his views and his works in as comprehensive a fashion as any living artist could desire. Black and white and full-color plates on heavy coated paper. Essays by Mark Rosenthal and Richard Marshall. Exhibition travelled to Philadelphia, the Whitney in NY, Berkeley U. Art Museum, Walker Art Center and the Corcoran in Washington.

Softcover. Boston, Gallery NAGA, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 20 pages illustrated in color.

Softcover. New York, Museum of Modern Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, numerous b&w illustrations and 32 plates in full color. Blue pictorial stiff wrappers. Minor bump to lower edge, else like new.

Softcover. Baltimore MD, Maryland Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Pictorial wraps with color illustration and white lettering; 173 pages. 45 color, 88 b&w plates. Exhibition catalogue lists 83 extensively annotated works, and a Supplemental Catalogue lists an additional 13 works. Selected bibliography and short-list of titles. Each essay includes extensive notes. The definitive work on the early Afro-American portrait painter. Published to accompany the exhibition held in Baltimore, MD: Maryland Historical Society, Sept. 26, 1987 to Jan. 3, 1988, three other locations. Scarce. Previous owner's stamp and bookplate, short inscription on inside front cover. Related clipping, brochure laid in.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. Known for his cool, clean, comics-inspired pictorial language, Julian Opie has been one of the leading figures in contemporary British art since the early 1980s. Equally at home in museum settings--like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one-person exhibitions and projects--and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer-assisted abandon. In the early days, Opie transgressed the boundaries between painting and sculpture by applying paint to the everyday articles he used in his steel objects. More recently he has experimented with digital technologies in the applied arts. Now, he is probably best-known for his hypnotically low-tech moving images generated by LCD and LED technologies. This volume assembles a representative collection of portraits, half-length figures and new works that draw from the motifs of baroque portraiture.

Hardcover. NY, Guggenheim Museum, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, die-cut dust jacket. 319 pages, 95 color plates and many additional images in color and black and white. Color plates and checklist of 95 works in the exhibition, six essays, a chronology and selected bibliography. This volume presents abstract Russian painter Wassily Kandinsky (1866-1944). It reproduces scores of recently rediscovered paintings that had languished for decades in Soviet museums and in private collections. The author provides new details on Kandinsky's life and art, discussing his little-known experimental stage plays which strove for a synthesis of all the arts, and his friendships with Paul Klee, Arnold Schonberg and composer Thomas de Hartmann. Clean, like new.

Hardcover. Minneapolis MN, Walker Art Center, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, publisher's light-brown cloth over boards, stamped lettering, and illustration to the spine, and boards. Richly illustrated in black-and-white and color throughout. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography." Clean copy.

Softcover. Koln GR, Galerie Rudolf Zwirner, 1st, 1985, Book: Very Good, Softcover, 'Z' on front white card wrappers. Fotos: Otto Nelson & Frank Oleski. 9 illustrations in color. Christiaan Karel Appel (1921- 2006) was a Dutch painter, sculptor, and poet. Clean copy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Softcover. Art Gallery of Ontario, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 72 pages, exhibition catalog. Essay by Jay Clarke. Kathe Kollwitz (1867-1945) was a leading 20th century German artist. Kollwitz's art was rooted in socialism and naturalism, and focused on the lives of the common people, usually working class women. Through her involvement in the sufferings of the poor in the slums of Berlin, her exposure to the horrors of two world wars, and the experience of living through several personal tragedies, she came to see herself as the "voice of suffering" and "an advocate" for the people. Among her preferred themes were motherhood, sacrifice, separation, oppression and death. She also created many moving self-portraits. Includes 45 reproductions (15 colour, and 30 b&w). Contents of the catalogue include: a brief history of the Stuttgart Kollwitz collection by the former curator Dr. Gunther Thiem.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Very clean, like new in publishers shrink-wrap. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Both very clean, unmarked copies. Only minor edgwear to slipcase. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Softcover. New York, Andre Emmerich Gallery , 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, softcover. Unpaginated, 40 pages, illustrated throughout in color. White stiff wrappers. Slight foxing to covers, light wear to spine, else a very nice, tight copy.

Softcover. US, University of Kentucky Art Museum, na, 1981, Book: Good, Dust Jacket: None, 151 page catalog of the January 25-March 15, 1981, exhibition at the University of Kentucky Art Museum. Numerous black and white illustrations. Five color plates. Mild crease on front and back cover. No marking. Kentucky's Resident-painters: From the Ante-Bellum Era to World War I by Arthur F. Jones; In Pursuit of Success: Kentucky and the Visiting Artist, 1805-1865 by Bruce Weber; Selected Bibliography; Catalog Entries; Illustrations.

Softcover. NY, Whitney Museum of American Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, profusely illustrated in both color and black and white. 300 pages. 4to, glossy pictorial wrappers. Extensive monograph of artist's life and work. Published to accompany the exhibition held in NY: Whitney Museum of American Art, February 29 to June 2, 1996; two additional venues. Two exhibition mailings laid in, one addressed to film director Bob Rafelson. Clean copy.

Softcover. NY, Modern Art Foundry, 1st, 2005, Book: Very Good, Dust Jacket: None, Stapled softcover exhibition catalog, 16 pages illustrated in color. Clean copy.

Softcover. Paris, Beaux Arts Magazine, 1st, 1994, Book: Very Good, Dust Jacket: None, 65 pages, illustrated throughout in color and b&w. Text in French. Light edgewear to wrappers, else a clean, tight copy.

Softcover. Tokyo, Fuji Television Gallery, 1st, 1982, Book: Good, Dust Jacket: None, Softcover, staple-bound, 24 pages; in English and Japanese. Illustrated in b&w. Crease to top corner/pages of catalog, otherwise clean.

Hardcover. 2012, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages illustrated in color and b&w. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac. No dj issued, clean copy.

Softcover. Barcelona, Actar/Bom, 1st, 2006-12-30, Book: Very Good, Dust Jacket: Very Good, Softcover, 511 pages. Like new in publishers shrink-wrap.

Softcover. Milano, Edizioni di Vanni Scheiwiller, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, unpaginated (122 pages). Text in Italian, English, Spanish. Many b&w photos of the sculptor's work. Clean copy.

Softcover. New York, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. A very clean, unmarked copy with only minor wear to edges. Black and white portraits of citizens of Indiana, taken over 4 decades.

Hardcover. NY, Tibor de Nagy Gallery, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, unpaginated, illustrated in color. Introduction by John Yau. Clean, bright copy of this exhibition catalog.

Hardcover. New York, D.A.P./Distributed Art Publishers, Inc., 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. 168 pages. 84 black and white photos. Edited by: Sharon Helgason Gallagher. "Lee Friedlander`s exploration of one of photography`s most enduring genres began almost by chance, in the late 1970s, when a teacher colleague at Rice University in Houston lined up a regular schedule of nude models for his students. Almost immediately, Friedlander found that he preferred to photograph the models at their homes, and ingeniously deployed household objects such as bedside lamps, potted plants and sofa fabrics to play off against the angular poses of the models and the emphatic framing of the overall composition. "

Softcover. NY, McKee Gallery, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Softcover, 48 pages illustrated in color. Essay by Randy Rosen.

Softcover. San Francisco, Franklin Bowles Galleries, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 128 pages illustrated in color. Features over 150 works of art on paper by the famous Playboy illustrator.

Softcover. St. Paul MN, Minnesota Museum of Art, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Paintings; Drawings; Watercolors; Prints 1949 - 1975. 50 color and b&w illustrations.

Softcover. Collection du Musee Reattu , 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, 4to in French wraps. Color and b&w reproductions. Clean, bright copy. FRENCH TEXT.

Softcover. San Francisco , Chronicle Books, 1st, 1992, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. A very clean, unmarked copy with only minor edgewear. A history of American typography and graphic design throughout the industrial age. 200 color illustrations throughout.

Softcover. NY, Nohra Haime Gallery, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, color cover, b&w photos of his sculpture inside. Clean copy.