Softcover. NY, Brooklyn Museum, 1st, 1978, Book: Very Good, Dust Jacket: None, 208 pages. Softcover published for the exhibition, May 13 - July 16, 1978. Cover image from Robert Rauschenberg, "Airport" series. Full color and black & white photographs throughout. Sections devoted to Philip Pearlstein, Charles Hinman, Mel Ramos, Ed Ruscha, James Rosenquist, Robert Rauschenberg, Jim Dine, more. Clean unmarked text.

Softcover. NY, Metropolitan Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 238 pages. Illustrated profusely in b&w and 16 plates in color. An exhibition sponsored by the government of the Republic of Greece and the Musee du Louvre. Metalwork, bronze, clay, marble: all manner of objects 4th millennium B.C. to 4th century B.C.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Softcover. NY, Brooklyn Museum : exclusively distributed by H. N. Abrams, 1st, 1978, Book: Good, Dust Jacket: None, 176 pages, illustrated throughout in color and b&w. Previous owner's blind stamp on front end paper. Light edgewear, rubbing and creasing to wrappers, else a clean, tight copy.

Softcover. Athens, Blurb Inc., Reprint, 2010, Book: Very Good, Dust Jacket: None, 384 pages. Softcover printed to accompany the exhibition by the same title, appearing in multiple venues, including, Ruby Green Gallery, Nashville TN May - June 2003 and Athens Institute for Contemporary Art, Athens GA, August - September 2010. Bright, full page, full color photographs throughout. Clean, unmarked copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.

Softcover. New York, WMAA/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Full color illustrations. Shallow crease at bottom right corner of front cover. Clean, unmarked copy. Goodman's book, with essays by Clement Greenberg and Irving Sandler and the artist's own statements, provides an excellent introduction to the life and work of the man frequently called the dean of the New York School of Abstract Expressionism.

Softcover. Belgium, Ludion , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, color illustrations throughout. Clean copy.

Softcover. San Francisco, Stephen Wirtz Gallery, 1st, 1978, Book: Very Good, Softcover, plastic comb binding, Soft white and color illustrated wraps with gray and black lettering. Color plates. Interior pages printed on thick, gray paper. Includes text by Stephen Wirtz. INSCRIBED BY THE ARTIST on the inside cover. Created to announce the exhibition "Harold Paris: The 26 Days of John Little", held from February 7 through March 8, 1978 at Stephen Wirtz Gallery in San Francisco, CA. Clean, bright copy.

Softcover. Old Lyme. CT, Florence Griswold Museum, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 89 pages, b&w illustrations, 29 color plates, illustrated tissue guard. Light wear to wrapper corners. Else a very clean, tight copy. A book examining the life and work of an artist noted for his joie de vivre and for his versatility as an artist from winter views of New England to undersea paintings of the Bahamas. 89 pages, 29 color & 40 b/w illustrations with unique color frontispiece on vellum.

Hardcover. NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages, illustrated throughout in color. Illustrated, laminated boards, no dust jacket issued. Clean, tight copy. This is a beutifully produced catalog of a NY retrospective for the Australian/British/American painter Hayley Lever (1876-1958). His painting also crossed boundaries including elements of Impressionism, Post-Impressionism & Tonalism. Perhaps it was this refusal to sit in one box that accounts for his being so nearly forgotten. There are many lovely pictures here, mostly of St Ives & the coasts of New England.

Softcover. New York, Metropolitan Museum of Art, First Edition, 1993, Book: Very Good, Dust Jacket: None, Softcover published to accompany the exhibition, Church's Great Picture, The Heart of the Andes, held at the Metropolitan Museum of Art, October 5, 1993 - January 2, 1994. Clean, bright copy.

Softcover. NY, Museum of Modern Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover, 36 pages illustrated in b&w. Printed card wrappers, staple bound. Exhibition shown from March to May 1970. Architect Hector Guimard is the best-known representative of the French Art Nouveau style of the late nineteenth and early twentieth centuries. Clean copy.

Softcover. NY, Andre Emmerich Gallery, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Includes 16 full page color illustrations printed on glossy card stock; black and white photograph of Frankenthaler on verso of title page. Catalog for exhibition held Nov. 30 - Dec. 31, 1983. Clean copy.

Softcover. Houston TX, Janie C. Lee Gallery, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in light tan wrappers. 10 color plates, 16 pages. For an exhibition November-December 1980. Clean copy.

Softcover. NY, Andre Emmerich Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 28 pages, 14 color plates, gives sizes and medium for each. Exhibition catalog for October 4 - November 3, 1984. Clean copy.

Hardcover. Munich, Prestel Verlag, 1st Edition, 2012, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover published to accompany the exhibition William Wegman - Hello Nature, at Bowdoin College Museum of Art, Brunswick, July 13 - October 21 2012. Features works by Wegman, Kevin Salatino, Padgett Powell, Diana Tuite. Full color, full page illustrations throughout. Dust jacket in very good condition. Clean, unmarked copy.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with price-clipped dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. London, Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: None, 256 pages. Oversize hardcover with no dust jacket. Very clean, like new copy still in publishers shrink wrap. Large black and white & color photographs throughout. Tight copy. Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself. In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947.In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.

Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.

Hardcover. Amsterdam, Ludion Ghent/Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, 208 pages with 282 color plates, 53 in b&w. No dust jacket. Published to coincide with a major exhibition of the artist's work in Europe, this loving tribute to one of the greatest, and most bizarre, of the medieval painters introduces readers to the often grotesque vision expressed in his work.

Softcover. Amsterdam, Ludion Ghent/Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, Oversized softcover. Published with the the exhibition "Hieronymus Bosch" at the Museum Boijmans Van Beuningen, Rotterdam, September-November 2001. Minor wear to corners and edges of cover. Inside is bright and clean. Many color illustrations throughout. A nice copy.

Softcover. New York, Metropolitan Museum of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrinkwrap.