Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 116 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. NY, Air Gallery, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in color and b&w. Essay by Flavia Rando. Clean copy.

Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.

Softcover. NY, PaceWildenstein, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color. Catalogue from the exhibit, Naum Gabo Pioneer of Abstract Sculpture November 4 - December 11, 1999. Essay by Graham Williams. Clean, bright copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 60 pages, 15 color and 1 b&w illustration. Text in German and English. With a chronology. This is the hardbound catalogue published in conjunction with noted Leipzig-based artist Neo Rauch's 2004 exhibition of recent large scale works on paper held at Vienna's Albertina. Essay by Harald Kunde.

Softcover. Milan, Stanza del Borgo, limited, 1973, Book: Very Good, Dust Jacket: None, Softcover. Number 966 of 1000 copies. 142 pages, b&w illustrations throughout. Edge wear, rubbing to wrappers; spine slightly yellowed. Previous owner's signature on front fly leaf. Light smudges on top edge. Internally a very clean, tight copy.

Softcover. NY, Pace Gallery/Wilderstein, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog that is actually two catalogs published back to back (unusual format). One side is Maquettes for Monumental Sculpture and the other Wood Sculpture and Collages. Approx. 60 pages all together. B&W and color photography throughout. Sewn bindings with slight wear. Overall, a nice, clean copy.

Softcover. Rockland, Maine, William A. Farnsworth Library, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Exhibition catalog. Perfect binding, covers completely illustrated in full-color, foreword by Marius B. Peladeau. introduction by Dorothy C. Miller, profuse full-page color and b&w plates, biographical summary. Very mild rubbing to covers, else a clean, tight copy.

Softcover. NY, Museum of Modern Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. This is the second in a series of exhibitions organized by The Museum of Modern Art, New York, that shows a small number of artists' recent work on paper. Artists featured: Jonathan Borofsky, Francesco Clemente, Mario Merz, A.R. Penck, and Giuseppe Penone. Introduction by Bernice Rose. Clean copy.

Softcover. Washington DC, Cororan Gallery of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 167 pages illustrated in color and b&w. A pictorial history of Niagara Falls. Three essays on the iconic landmark. Front bottom corner with a light dog-ear crease, otherwise clean.

Softcover. Guggenheim Gallery, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 108 pages in color. Exhibition catalog. Turner transforms the gallery space into an ever-changing environment assembled of objects and furniture from his studio and home, alongside existing artworks that are newly configured and contextualized. With ongoing efforts by the artist, gallery team, and participation of Chapman University students, different elements of the exhibition undergo changes on a daily basis, rendering in material the infinite possibilities of expression of the artistic impulse. INSCRIBED BY TURNER IN BOLD MARKER on the front fly leaf. (to Paul Christensen who contributed an essay in the catalog).

Hardcover. Potomac MD, Glenstone Foundation, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 136 pages. Published in conjunction an exhibition that ran April 2011 through January 2013. Features texts by Jack Bankowsky and Emily Wei Rales. Includes color illustrations of works by Robert Gober, Damien Hirst, Barbara Kruger, Louise Lawler, Sherrie Levine, Jeff Wall, and others. Clean copy.

Softcover. Middletown, CT, Wesleyan University, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Exhibition catalog. Letter from editor laid in. Black-and-white illustrations throughout. Light sun-fade to covers. Previous owner's signature on front flyleaf. A little mark from paper clip on title page. Clean, tight copy.

New York, The Metropolitan Museum of Art, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 233 pages. Hardcover. Color and b/w illustrations throughout. Tan cloth cover boards, gilt title on spine. A light smudge to foreedge. Pages unmarked. Binding tight. Spine straight. Issued in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art, New York, October 1, 2002-January 5, 2003.

Softcover. NY, Denise Bibro Fine Art, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages, 11 color plates. SIGNED BY SPEYER on the front fly leaf. Clean, bright copy.

Hardcover. US, JRP|Ringier, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, no dust jacket issued. Like new in publishers shrink-wrap. The artistic persona Norma Jeane (her birth, says the artist, coincided with Marilyn Monroe's death) presents a series of mind-bending but nevertheless elegantly simple projects in this volume. Gatefold images separate substantial essays and explanations of works, one of which involves a riderless motorcycle that starts and revs when approached, and another a couch that releases pheromones when sat on.

Hardcover. New York, JRP|Ringier, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, no dust jacket issued. Like new in publishers shrink-wrap. The artistic persona Norma Jeane (her birth, says the artist, coincided with Marilyn Monroe's death) presents a series of mind-bending but nevertheless elegantly simple projects in this volume. Gatefold images separate substantial essays and explanations of works, one of which involves a riderless motorcycle that starts and revs when approached, and another a couch that releases pheromones when sat on.

Softcover. NY, Bill Hodges Gallery, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Profusely illustrated with color plates and figures. Accompanied a 2009 gallery exhibition; Includes an artist chronology and list of exhibitions; One of 2000 copies in this edition. Clean copy.

Softcover. London, Dulwich Picture Gallery, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 209 pages, fine fold over card covers. Color throughout. This volume exhibits a remarkable collection of select original works spanning six decades, providing a comprehensive look at his career and including all of his vintage Saturday Evening Post covers. This catalogue was published in conjunction with the exhibition by the same title, on view at Dulwich Picture Gallery in London, England. SIGNED LETTER FROM EDITORS laid in as well as related ephemera, articles.

Softcover. NY, Bill Hodges Gallery, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 96 pages with color and b&w plates throughout. Includes the work of Norman Lewis, Charles Alston, Milton Avery, Edward M. Bannister, Richmond Barthe, Edward Clark, Sam Gilliam, Kara Walker, Carrie Mae Weems, Charles White, Kehinde Wiley, Lynette Yiadom-Boakye and more.

Hardcover. New York, Princeton Architectral Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor wear to dust jacket edges. Otherwise tight copy. A collection of black and white, and color photographs from the Maresca collection housed at the Newark Musuem, featuring images from the 1920s through the 1960s.

Hardcover. New York , Scala Publishers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The history of New York's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organized by the New York Historical Society and El Museo del Barrio, this groundbreaking, interdisciplinary publication will for the first time make visible these connections and the myriad ways in which they have shaped the city for more than four centuries. Hardcover, 286 pages, b&w, some color illustrations.

Hardcover. GR, Museum Folkwang Essen, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Published in conjunction with a traveling exhibition that started in Essen and ran May 13 through July 15, 2001 and then went on to Milan, Rotterdam, and two other cities for additional dates. Text in English and German. Preface by Ute Eskildsen. Essay by Jurgen Muller. Includes a look at Irving Penn's various editorial work in magazines with numerous color images. An excellent copy in a bright dust jacket.