Softcover. Baltimore MD, International Exhibitions Foundation, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Black illustrated wraps. 95 pages. Numerous b&w plates. Accompanying a loan exhibition from the Tamarind Lithography Workshop, this catalogue includes an introduction by E. Maurice Bloch, prints by such artists as Albers, Altoon, Asawa, Celmins, Cremean, Diebenkorn, Frasconi, Townley and many more, as well as a bibliography. Clean copy.

Hardcover. Italy, NY University Casa Italiana Zerilli-Marimo, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, white pictorial boards with light gray cloth spine. 30 pages illustrated in color, several fold-out plates. Clean, bright exhibition catalog. Opening essay in Italian and English.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London, Tate Publishing, 2008, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London, Fischer Fine Art Limited , 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 92 pages. Published on the occasion of the exhibition held at the Fischer Fine Art gallery from November 1973 to January 1974. Profusely illustrated in color and black-and-white. Including works by Annenkov, Archipenko, Baranoff-Rossine, Bogomazov, Burljuk, Ermilov, Exter, Goncharova, Kliun, Larionov, Lentulov, Lissitzky, Malevich, Matsiushin, Popova, Puni, Rodchenko, Rozanova, Bakst, Chagall, Csaky, Kadar, Kandinsky, and Moholy-Nagy. Clean copy.

Softcover. NY, Ten Americans: Masters of Watercolor , 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, The catalogue of an exhibition at the Andrew Crispo Gallery, New York, May 16 - June 30, 1974. Features the work of 10 artists: Milton Avery (15 works), Charles Burchfield (14 works), Charles Demuth (20 works), Arthur Dove (15 works), Winslow Homer (14 works), Edward Hopper (16 works), John Marin (19 works), Maurice Prendergast (13 works), John Singer Sargent (14 works), Andrew Wyeth (18 works). With 52 color Illustrations and 106 in black and white. Clean copy.

Softcover. NY, Ten Americans: Masters of Watercolor , 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, the catalogue of an exhibition at the Andrew Crispo Gallery, New York, May 16 - June 30, 1974. Features the work of 10 artists: Milton Avery (15 works), Charles Burchfield (14 works), Charles Demuth (20 works), Arthur Dove (15 works), Winslow Homer (14 works), Edward Hopper (16 works), John Marin (19 works), Maurice Prendergast (13 works), John Singer Sargent (14 works), Andrew Wyeth (18 works). With 52 color Illustrations and 106 in black and white. Clean copy.

Softcover. New York , Metropolitan Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: None, 40 pages, exhibition catalog includes intaglios, lithographs, screenprints, woodcuts, and linoleum cuts by the artist.

Softcover. Pittsburgh PA, Carnegie Institute, 1st, 1955, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, but around 220 pages with 125 plates. Clean copy.

Softcover. Boston, Acme Fine Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, color plates. Introduction by James Bennette, David Cowan. Clean, bright copy.

Softcover. Storrs CT, The William Benton Museum of Art , 1972, Book: Very Good, Dust Jacket: None, Softcover, 59 pages. Includes introduction and selected bibliography. The catalog is separated into three sections: one each for Ralph Earl, James Earl, and R.E.W. Earl. 21 b&w reproductions throughout. There is slight water damage to the top left corner of the front cover, otherwise a nice, clean, tight copy.

Softcover. London, Tate Gallery, 1999, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, illustrated in color and b&w. Wonderfully written and illustrated account of the work of the Bloomsbury artists, Vanessa Bell, Duncan Grant and Roger Fry. Contains detailed chronologies of their lives. Catalogue entries on two hundred works, all illustrated in color, bring out the chief characteristics of Bloomsbury painting--domestic, contemplative, sensuous, and essentially pacific. These are seen in landscapes, portraits, and still lifes set in London, Sussex, and the South of France, as well as in the abstract painting and applied art that placed these artists at the forefront of the avant-garde before the First World War. Portraits of family and friends--from Virginia Woolf and Maynard Keynes to Aldous Huxley and Edith Sitwell--highlight the cultural and social setting of the group. Essays by leading scholars provide further insights into the works and the changing critical reaction to them, exploring friendships and relationships both within and outside of Bloomsbury, as well as the movement's wider social, economic, and political. Clean, bright copy.

Softcover. Washington DC, National Gallery of Art , 2nd pr., 203, Book: Very Good, Dust Jacket: None, Softcover, 334 pages illustrated with 224 color plates, 86 black & white. One of America's most innovative artists, Romare Bearden (1911-1988) made colorful and passionate images that reflected his life in a time of creative ferment. His influences ranged from the old masters to African art, as well as the world around him: popular religion and ritual, jazz clubs and brothels, the history and literature of his time, and the places he lived (the rural South, Pittsburgh and Harlem, the Caribbean island of St. Martin). The resulting images are fresh and evocative, filled with quirky details and rhythmic forms. This authoritative and beautiful book, which accompanies a major retrospective opening at the National Gallery of Art in Washington, D.C., provides a provocative and absorbing look at a beloved artist. The Art of Romare Bearden showcases compelling examples of his pioneering work: complex collages and photostats; watercolors, gouaches, and oils; little-known landscapes; his only known sculpture; costume designs; and book illustrations. Mildwear to corners otherwise very good, clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 336 pages. An exploration of the ways in which some of the most influential artists of the 19th and 20th centuries used photography in their painting and sculpture. Paintings, sculpture and photographs by such artists as Bonnard, Degas, Gauguin, Moreau, Munch, Picasso and Rosso are discussed and reproduced. Illustrated in color and B/W, index. Clean copy.

Softcover. Houston, TX, Museum of Fine Arts Houston, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 93 pages, illustrated throughout in color and b&w. White stiff wrappers, black/red titles. Light wear to edges and spine, front cover slightly sunned, small tear to spine, else a very nice, clean, tight copy.

Softcover. Boston, Pucker Safrai Gallery, 1st, Book: Very Good, Dust Jacket: None, Softcover, 20 pages illustrated with color photos of his ceramic art. Essay by the artist. Clean copy.

Softcover. New Haven / Washington DC, Yale University Art Gallery/National Gallery of Art, 1984, Book: Very Good, Dust Jacket: None, Softcver, pictorial wraps, 312 pages. This is the catalog for an exhibition at Yale University Art Gallery, 1984, consisting of 43 folding screens designed by European and American artists from about 1870 to the present were on view. The exhibition was organized by Michael Komanecky of Yale University and by Virginia Butera. Mild sunning to edges of wrappers otherwise clean, tight copy.

Hardcover. NY, Hugh Lauter Levin, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 100 pages. Hardcover with dust jacket. The planning and sketches for the famous installation that took place in 2005. Many black and white and color photographs. Bibliography.

Softcover. Athens, Greek Ministry of Culture, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Richly illustrated catalog for an exhibition in Washington on art from the Geometric, Orientalizing and Archaic periods. With a preface by Melina Mercouri. The chapters are: life in early Greece; the alphabet of history; the art of the Greek dark ages; geometric art; chart of vase shapes; vase painting; terracottas; bronzes; sculpture in stone. Clean copy.

Hardcover. New York, Thames & Hudson, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. A deep dive into the history of the illustrated book jacket, tracing its development across the twentieth century, reflecting some of the most iconic designs of the era.

Softcover. London, Tate Publishing, 1st UK, 2015, Book: Very Good, Dust Jacket: None, Softcover. VG+. Red and color pictorial wraps, French flaps, 272 pages., many color and BW illus. Issued in conjunction with a 2015-2016 exhibition of pop art from a variety of international artists and sources. With eight thematic and illustrated essays. The illustrated catalogue presents 162 specific pieces.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout. A tight copy. Covering many styles and movements, it includes work by pioneers such as Edward Sheriff Curtis, seminal figures like Walker Evans, Cecil Beaton and August Sander, as well as artists such as Martin Parr, Cindy Sherman and Philip-Lorca diCorcia - With over 300 black and white and color photographs, this book offers a new perspective on the history of photography by examining the personalities both behind and in front of the camera.

Softcover. New York, NY, Hirschl & Adler Galleries, 1st, 1989, Book: Good, Dust Jacket: None, Softcover, 79 pages. Exhibition catalog. Black-and-white and color illustrations. Some shelf-wear on rear cover. Light sun-fade to spine. A little soiling to bottom edge. Otherwise, clean, tight copy.

Softcover. Loughborough UK, Loughborough University, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. Color illustrations, essay by Dominique Nahas, Saul Ostrow. Interview by Mark Harris. Clean copy.