Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Softcover. NY, Martha Jackson Gallery, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, color and b&w plates. Exhibition catalog, Clean, bright copy.

Softcover. NY, Italian American Museum, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated in color. Selections of the artists work featuring paintings inspired by Pompeii. Interview by Maria Cocchiarelli. INSCRIBED BY BOTH THE ARTIST AND COCCHIARELLI on the title page.

Softcover. New York, Bernard Danenberg Galleries, 1st, 1970, Book: Good, Dust Jacket: None, 36 pages. Softcover with moderate soil to paper wrappers. Black and white photos throughout. Moderate darkening to wrappers.

Softcover. New York, Solomon R Guggenheim Foundation, 1st, 1975, Book: Very Good, Dust Jacket: None, 140 pages. Softcover with paper wrappers. Lightly faded on spine. Previous owner's bookplate on front inside wrapper.

Softcover. Columbus, OH, Columbus Museum of Art, 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, 74 pages. B&W photos and plates throughout. Rubbing, soiling, and light edgewear to wrapper. Otherwise a tight and crisp copy.

Softcover. New York , Guggenheim Museum, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 285 pages, b&w and color plates. Art checklist laid in. Half-inch tear at top of spine. Light marking to bottom edge. Else a clean, tight copy.

Softcover. NY, Albright-Knox Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, This solid, authoritative presentation of Gorky's pivotal art of the 1940s accompanies an exhibit of paintings and drawings showing this year at the National Gallery in Washington, D.C., as well as Buffalo and Fort Worth. Biographical and art-historical essays by Auping, a Modern Art Museum of Fort Worth curator, as well as Dore Ashton and Matthew Spender summarize the critical consensus of Gorky, placing him between Surrealism and Abstract Expressionism in the development of 20th-century art. Excellent reproductions of the paintings and drawings in the show are supplemented by close-ups from several paintings, photographs of Gorky, and selections from Gorky's letters. While not a comprehensive or groundbreaking work, this volume is an excellent summary of or introduction to Gorky for both general and informed lay readers. Clean copy.

Softcover. Russia, Contemporary Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, 514 pages. Only 2000 copies printed. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. New Haven, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. This gorgeous volume was published in conjunction with the Metropolitan Museum of Art exhibition "Art and the Empire City: New York, 1825-1861." Its 636 pages include a stunning array of prints and photographs. A painted overlook of New York City wraps around the front and back cover. The front cover has a small crease at the top left edge. On page 240, type is slightly out of register but remains readable.

Hardcover. New York/New Haven, Metropolitan Museum of Art/Yale, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 636 pages, b&w and color illustrations throughout, illustrated end papers. A very clean, tight copy. Between the completion of the Erie Canal and the outbreak of the Civil War, New York City grew to become an economic and cultural center of international importance. This magnificent book discusses the proliferation of the visual arts during this exciting era as well as the development of an increasingly sophisticated New York audience for these arts. The book is lavishly illustrated with hundreds reproductions of works from the period. This book accompanies an exhibition that opened at The Metropolitan Museum of Art on 11 September 2000.

Softcover. Paris, Reunion des Musees Nationaux, 1st, 1990, Book: Very Good, Dust Jacket: None, 204 pages. Softcover. French text only. Previous owners stamp on front endpaper. Illustrated with beautiful full color and black & white examples of religious art and artifacts of Tibet and Nepal. Slight toning to page edges. Clean, tight copy.

Softcover. New Haven, CT, Yale University Art Gallery, 1st, 1985, Book: Good, Dust Jacket: None, Exhibition catalog. 172 pages, illustrated throughout in b&w. Blue pictorial stiff wrappers. Covers slightly sunned and lightly worn around the edges. Writings in ink on front cover. Nice, tight copy.

Charlottesville VA, University of Virginia, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog illustrated in color, 266 pages. The Kluge-Ruhe Collections, now held by the University of Virginia in Charlottesville, is one of the largest and best-documented collections of Australian Aboriginal art outside Australia. Art from the Land focuses on the desert region and Arnhem Land, drawing on the many fine works in the collection and on the authors' detailed knowledge of the artists and their communities to illustrate the unique and complex nature of Australian Aboriginal artistic expression. Previous owner's inscription on front fly leaf, otherwise clean.

Softcover. Boston, New York Graphic Society, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 123 pages plus appendix, bibliography, etc. B&w and color illustrations throughout. Mild soil to back cover, small marks on fore-edge. Light rubbing to spine. Else a clean, tight copy.

Softcover. Berkeley CA, University of California Press, 1st, 1958, Book: Very Good, Dust Jacket: None, Softcover, tight, bright, clean and especially sharp-cornered. Physical description; 96 pages illustrations (some color), portrait. 23 color, 39 bw plates. The first significant look at the artwork of American modernist Arthur G. Dove (1880-1946). With a foreword by Duncan Phillips, and a lengthy illustrated essay by Wight. Includes a collections history, exhibitions history, and a sizable selected bibliography. Clean copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Hardcover. New York, Spanierman Gallery, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket. Clean, tight copy. This book was published to go along with an exhibition of Dow's work that showcased the work of a leading figure in the development of American modernism.

Softcover. NY, Thames & Hudson/Fine Arts Museum of San Francisco, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages illustrated in color. A colorful survey of the often provocative and always highly creative relationship between art and fashion. A crocheted wool coat of exuberant textures and glowing colors, a dyed and pleated silk vest of baroque sensuousness, a headdress of ribbon intricately ruched in the shape of a leaping fish, an evening gown made from shredded dollar bills, a kimono that carries art appliqued on its sleeve-these are just a few of the beautiful, imaginative, even surreal works of wearable art included in this richly illustrated book, published to accompany an exhibition at the Fine Arts Museums of San Francisco. Clean copy.

Softcover. Boston, University of Massachusetts Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 116 pages, 68 color, 14 b&w plates. Indochina Arts Project of the William Joiner Foundation. Essays by Quach Van Phong. Tran Viet Son, Lucy R Lippard and David Kunzle. Clean copy.

Softcover. New Haven CT, Yale University Art Gallery, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, b&w illustrations, some color. Bright, clean copy.