Hardcover. New Haven CT, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 126 pages. Like new in publisher's shrink-wrap. Thomas Eakins wrote and illustrated this drawing manual for students, based on his famous lectures at the Pennsylvania Academy of the Fine Arts. After his forced resignation in 1886, Eakins abandoned plans to publish the manual. The manuscript and illustrations remained in his studio, where they were recovered after the death of the artist's widow in 1988. Published here for the first time, the drawing manual offers readers a unique opportunity to meet Eakins in his own words.

Softcover. New York, Faber & Faber, 1st, 2002, Book: Very Good, Dust Jacket: None, 342 pages. Softcover. Light edgewear to wrappers otherwise Clean, unmarked copy in very good condition.

Hardcover. NY, Watson Guptill, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Publisher's full blue cloth, silver lettering on spine and front cover, contains 80 color plates and 28 black & white illustrations. Looks at the working methods of American artist Charles Pfahl (b. 1946), and includes "step-by-step photographic demonstrations of paintings in progress, with detailed technical captions showing how each step is painted."

Hardcover. Los Angeles, Vidal Sassoon Inc., 1st, 1978, Book: Very Good, Dust Jacket: None, 169 pages. Hardcover. Illustrated with black & white photographs. Original receipt from Vidal Sassoon Shop in London, England laid-in. Book has damp odor. Light foxing to edges. Light wear.

Hardcover. New York, Vanguard Press, 1st, 1944, Book: Very Good, Dust Jacket: Good, Hardcover, 39 pages. Illustrated with black & white photographs and instructive drawing outlines. Pea size piece of paper missing at top of dust jacket spine. Closed tears along dust jacket edges. Clean, tight copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1949, Book: Very Good, Dust Jacket: Fair, 60 pages, illustrated with many instructional drawings in b&w and red by Brown. Yellow cloth covers, dust jacket very worn, chipped, pieces gone from spine.

Hardcover. Leicester UK, Dryad Press, NA, NA, Book: Very Good, Dust Jacket: None, Hardcover, bound collection of 'Dryad Leaflets' related to crafts, hobby, and art. Stamp residue on front endpaper. Light foxing to top edge. Some soiling to yellow cloth covers.

Hardcover. New York, Watson Guptill, 1st Ed., 1946, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in 3 colors. 300 b&w illustrations, 24 in color. Profiles famous illustrators of the 1940s and includes their photo, examples of their work, a step-by-step demonstration of their working methods, and text written from interviews. Artists are: Constantin Alajalov, Boris Artzybasheff, John Atherton, Ernest Hamlin Baker, Walter Biggs, V. Bobri, Harrison Cady, Fred Cooper, Mario Cooper, Dean Cornwell, Gregory D'Alessio, Floyd Davis, Stevan Dohanos, Albert Dorne, Harvey Dunn, Carl Erickson, John Gannam, Glenn Grohe, George Giusti, Stuart Hay, Peter Helck, Earl Oliver Hurst, Walter Klett, Robert Lawson, Ervine Metzl, Wallace Morgan, William Oberhardt, Henry C. Pitz, George Price, Ray Prohaska, Robert Riggs, Leslie Ragan, Norman Rockwell, Martha Sawyers, Howard Scott, Amos Sewell, Donald Teague, Aldren A. Watson, Denys Wortman, and N. C. Wyeth. Top of spine has cloth frayed, rear edge of spine, previous owner's signature on front fly leaf otherwise clean.

Hardcover. NY, Workman Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Pictorial boards, 150 pages illustrated in color. Design is all around you. And whether you realize it or not, you are already a designer. In Go, renowned graphic designer Chip Kidd explains not just the elements of design, including form, line, color, scale, typography, and more, but most important, how to use those elements in creative ways. Like putting the word "go" on a stop sign, Go is all about shaking things up.Kidd writes about scale: When a picture looks good small, don't stop there--see how it looks when it's really small. Or really big. He explains the difference between vertical lines and horizontal lines. The effect of cropping a picture to make it beautiful--or, cropping it even more to make it mysterious and compelling. How different colors signify different moods. The art of typography, including serifs and sans serifs, kerning and leading. The book ends with ten hands-on design projects for kids. Clean copy.

Softcover. Belmont, CA, Wadsworth Thompson, 1st, 2003 , Book: Near Fine, Dust Jacket: None, 378 pages. Softcover. Color and b/w illustrations throughout. Wrapper excellent, like new. Pages clean and unmarked. Binding tight. Looks nearly new and barely used. designed for both beginning and advances drawing classes, this best seller explores all topics, media, and techniques that guide students in mastering basic skills and using those skills creatively and expressively.

Softcover. Rochester, NY, Home Institute, 1939, Book: Very Good, Dust Jacket: None, Softcover, stapled 2-color wrappers, 40 page booklet, b&w illustrations throughout. Not credited but presumed the author. Nice period drawings.

Softcover. Watkins Glen NY, American Lfe Books, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover, pictorial orange wrappers, facsimile reprint of the 1871 edition, "Sign Writing and Glass Embossing; A Complete Practical Illustrated Manual of the Art" by James Callingham. heavily illustrated with solid introduction, drawing essentials, many different alphabets, numerals and more. Clean, bright copy.

Hardcover. New York, Reinhold Publishing Company, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, 144 pages. Green cloth covers, yellow titles, green dust jacket, color frontispiece, profusely illustrated with b&w instructional illustrations. Clean covers, light wear to dust jacket, pages crisp and unmarked, stiff binding; a very neat, tight copy.

Hardcover. US, Titan Books, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. New Haven, CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Illustrated with full-color reproductions of the artists' works, including some that have been published and others not originally intended for publication, such as sketchbooks and personal projects. Additional illustrations show behind-the-scenes working processes of the cartoonists and particular works by others that have influenced or inspired them. Through the eyes of these artists, we see with a new clarity the achievement of contemporary cartoonists and the extraordinary possibilities of comic art.

Hardcover. New Haven, CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Illustrated with full-color reproductions of the artists' works, including some that have been published and others not originally intended for publication, such as sketchbooks and personal projects. Additional illustrations show behind-the-scenes working processes of the cartoonists and particular works by others that have influenced or inspired them. Through the eyes of these artists, we see with a new clarity the achievement of contemporary cartoonists and the extraordinary possibilities of comic art.

Hardcover. Tokyo/NY, Kodansha International, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. Nineteen kata ("forms") of karate, the art of self-defense without weapons, are presented here in complete detail. They are the ones selected by the great master and teacher, Gichin Funakoshi, to give comprehensive training in Karate-do, the way of karate. Fully illustrated demonstrations by the translator cover not only every technique of the kata but also the fundamentals and applications: how to make a fist; the correct form of the open hand; preliminary training in blocking, striking and kicking; the seven stances; and sparring. The author presents, besides kata that he himself originated, beginning and advanced kata from both the Shorei school and the Shorin school, the former remarkable for their forcefuless and development of strength, the latter characterized by their gracefulness and lightning swiftness. Clean copy.

Hardcover. Tokyo/NY, Kodansha International, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 119 pages, b&w illustrations. Karate-do Nyumon literally means a passage through the gates of the Karate way--in other words, an introduction to the world of Karate. Karate-do Nyumon is the result of Master Funakoshi's wish to clarify Karate thought and practice for those who know nothing about it. It comprises unpublished writings from the years before his death in 1957, together with simplified kata--sequences of movements--synthesized by Funakoshi from the traditional Okinawa Karate-do kata, for beginners.Master Funakoshi begins by exploding some of the myths of Karate- "Karate-do is a noble martial art, and the reader can rest assured that those who take pride in breaking boards or smashing tiles, or who boast of being able to perform outlandish feats like stripping flesh or plucking out ribs, really know nothing about karate. They are playing around in the leaves and branches of a great tree, without the slightest concept of the trunk." Clean copy.

Hardcover. NY, Watson-Guptill, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards with a gray cloth spine. The practice of drawing distilled to its essential elements. The companion DVD enclosed inside, beautifully filmed in Florence, Italy, provides real-time drawing lessons so that any gaps in the learning process are filled in with live instruction.  In this elegant and inspiring primer, master contemporary artist and author Juliette Aristides breaks down the drawing process into small, manageable lessons; introduces time-tested principles and techniques that are easily accessible; and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. Clean copy.

Hardcover. New York, Van Nostrand Reinhold , 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages. INSCRIBED BY AUTHOR ON TITLE PAGE. Yellow cloth covers, dark yellow dust jacket, 207 b&w illustrated figures. Light edgewear and rubbing to dust jacket, light edgewear to covers, pages crisp and unmarked, tight binding.

Softcover. London UK, Winsor & Newton Ltd., reprint, Book: Very Good, Dust Jacket: None, Softcover, 20 page booklet, light gray wrappers. First published in 1892 it covers all technical aspects and chemistry of the manufacturer's oil and watercolor paints. No date, probably 1970s.

NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Color illustration of a stern male teasher looking down on a laughing boy. Art by Chas. A. MacLellan. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Clarkson N. Potter, Inc., 1st American Edition, 1991, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. Color and b/w illustrations throughout. Binding tight, spine straight. Decorated cover boards, red quarter cloth, white title on spine. Pages and edges clean and unmarked. In beautiful condition. Combines practical advice and fascinating narrative to teach the aspiring artist how to paint the nude.

Hardcover. New York, Praeger, 1st US, 1953, Book: Very Good, Dust Jacket: Good, 64 pages. Hardcover. Black & white illustrations. Introduction and Translation by Sibyl Moholy-Nagy. Dust jacket with chunk of paper missing at top of spine, some additional lesser chipping along edges - jacket now protected with clear plastic cover. Clean, unmarked text.

Hardcover. New York, Watson - Guptill, 1st, 1949, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated with black & white examples of pen and ink drawing and brush techniques. Previous owners signature on front endpaper and bookplate on inside front cover. Light wear to dust jacket.

Hardcover. NY, InterVisual, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover. Eight intricate and highly designed pop ups engineered by James Diaz. This book takes everyday paper and creates origami that pops! Imagine legal paper transformed into a paper bird orgiami and then it pops off the page.

Hardcover. Burlington, Owl Press, 1st, 1900, Book: Very Good, Dust Jacket: None, Hardcover, 238 pages. Full color and black & white illustrations. Gilt title on cover and spine. A very nice copy of this rare book.

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Near Fine, Dust Jacket: None,

Softcover. Rochester NY, Home Institute, 1940, Book: Very Good, Dust Jacket: None, Softcover, 40 page booklet profusely illustrated in b&w by the author who was an instructor at New York University as well as a professional illustrator. #92 in a series of self-help pamphlets published by the Home Institute. Clean, 6 X 9".

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 286 pages, a comprehensive and inspirational guide to editorial design packed with contemporary examples of sophisticated and effective solutions for virtually any design challenge. Moser's thorough understanding of the process, combined with intriguing juxtapositions of layouts, no-nonsense comments and original insight make for an entertaining and useful book. Chapters range from Grid Systems and Formats to Covers, Logos and Inside Pages, Types of Page and Themes, even a section on the design of magazine spines-illustrated with over 1500 examples from publications around the world, and drawn from the author's personal collection of over one million magazines! A great reference book for all graphic designers, art directors and editorial writers.

Paperback. Minneapolis, Art Instruction Inc., 1st wraps, Book: Very Good, Dust Jacket: None, Softcover, large format. Rubin was a journeyman illustrator of the 40's & 50's whose work appeared in many ads & magazine stories. Short biography. Color, black & whtie illust. 32 pages. Light water stain to top corner otherwise very good,

Softcover. NY, Watson-Guptill, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. For the aspiring artist who wants to become an expert comic book inker, The DC Comics Guide to Inking Comics is the definitive, one-stop resource!Americas leading comic book publisher brings its superstar creators and classic characters to the third in an authoritative series of books on how to create comics. Legendary comic book inker Klaus Janson uses DCs world-famous characters-including Batman, Superman, and Wonder Woman-to demonstrate an array of inking techniques, covering such topics as using textures, varying line weights, creating the illusion of three-dimensionality, and working with light and dark. Jansons lively, step-by-step instructions are informative, exciting-and clear enough for even beginners to follow. In addition, every technique shown in this guide conforms to actual industry standards.The perfect how-to on everything from basic inking materials to storytelling techniques, this one-stop sourcebook is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring comic artist.

Hardcover. London, Ward Lock & Co., 4th Ed., nd, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with embossed design and bright gilt decoration, 143 pages plus publisher's ads. A standard mid-century book covering pencil-sketching, figure and object drawing, perspective and isometrical drawings, and engraving on metal and woo with 300 illustrations. Most likely late 1850s, 1860. Name on first blank page, otherwise clean, tight copy.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 374 pages. This beautifully typeset and illustrated book offers a singular collection of 35 in-depth articles on typography and the printing arts, from the earliest type design techniques to the latest in digital typeface and design development. Originally printed in Matrix, the renowned and highly respected journal of the printing arts, the articles cover a number of individual typefaces, techniques of making type using both historical and contemporary means, and arguments for the continuing use of obsolete printing technologies. Here too are detailed examinations of book design, ornamentation, and mathematical and other non-Latin typography.

Hardcover. Scranton PA, International Textbook Company, reprint, 1919, Book: Very Good, Dust Jacket: None, Hardcover, thin black textured cloth covers with embossed titles, gilt lettering on spine, marbled endpapers, 104 pages. With drawings, illustrations, a few in color, diagrams, a few as foldouts, questions and exorcises, and index. Clean, bright copy.

Hardcover. New York , Watson Guptill, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages illustrated in color. The author was a successful New York illustrator and tells us her working methods in this instructional book. Bright, clean copy in a similar dust jacket.

Softcover. Waltham MA, Brandeis University Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers. Written and illustrated by master wood engraver Barry Moser, this primer on the art of wood engraving is filled with valuable knowledge including how to prepare a printing block; how to think in the mediums properties of line, shape, and ink; and how to transfer a drawing onto a block. It also offers practical advice on which tools to use for a project and which ink works best. A highly illustrated guide to this art form, Wood Engraving will be useful to experienced and beginner engravers alike. This book features stunning examples of Mosers art and skill to admire and inspire. "This primer on the art of wood engraving is filled with knowledge and instructions including how to prepare a printing block, how to think in the medium's properties of line, shape, and ink, and how to transfer a drawing onto a block". Clean copy.

Hardcover. NY, Watson Guptil, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white and color illustrations. 271 pages. Light edgewear to dust jacket. Clean, tight copy.