Hardcover. San Rafael, CA, Insight Editions, 2nd, 2020, Book: Very Good, Dust Jacket: None, 213 pages. Hardcover with no dust jacket. Laminated boards. Color illustrations throughout. Clean, tight copy. n a world of rascally rabbits, megalomaniacal ducks, and stuttering pigs, what defines greatness? This question was posed to thousands of cartoon fans, historians, and animators to create The 100 Greatest Looney Tunes Cartoons, the definitive Looney Tunes collection. Jerry Beck and the Cartoon Brew team of animation experts reveal the amusing anecdotes and secret origins behind such classics as "What's Opera, Doc?," "One Froggy Evening," and "Duck Dodgers in the 24 1/2 th Century." Featuring more than 300 pieces of original art from private collectors and the Warner Bros. archives, The 100 Greatest Looney Tunes Cartoons settles the debate on the best of the best, and poses a new question: Is your favorite one of the greatest?
Softcover. NY, Collins Design, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 528 pages. 500 Essential Graphic Novels is an all-in-one guide to this exciting form of visual literature. Including more than 350 authors and 400 artists, this lush volume contains an essential mix of some of the finest visually-stunning stories of our time. From politically-charged non-fiction sagas to imaginative fantasy tales, this ultimate guide has something to satisfy everyone's taste. The first of its kind, this book focuses on each graphic novel separately, honing in on art technique, style and prose, plus an age rating system so parents will know what is suitable for their children. Chapters are divided by genre, complete with individual plot synopses and star-scaled reviews for each book, providing the reader with a concise and balanced understanding of today's best graphic novels.
Hardcover. NY, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. This book accompanies a major traveling exhibition that showcases works by some of the most visionary designers and architects, from chairs and tables to jewelry and entire buildings.
Hardcover. New York , R.R. Browker Co., 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 290 pages, red cloth covers with gilt lettering on spine. Clean, tight copy.
Hardcover. NY, Harper & Row, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover. Full color and black & white illustrations. Degree of fading along very top edges of blue cloth covers. Unclipped dust jacket shows light wear - jacket now protected with clear plastic cover. Clean, unmarked pages.
Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.
Hardcover. Greenwich, Ct., 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 128 pages, illustrated throughout in b&w. Black cloth with gilt title to spine. Yellow pictorial dust jacket. Light wear to edges, slight soiling to covers, else a very nice, tight copy.
Hardcover. New York, Abbeville Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, illustrated throughout with 213 plates in color and b&w. Maroon cloth with white title to spine, pictorial dust jacket. Beautiful copy. Like new. The rich artistic and social history of the Arts and Crafts movement in California, as well as the highly collectible objects it produced. In a brief but intensely prolific period between about 1895 and 1930. Essays by Leslie Greene Bowman, Bruce Kamerling, Cheryl Robertson, Joseph A. Taylor, David C. Streatfield, Karen J. Weitze and Richard Guy Wilson.
Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.
Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.
Hardcover. NY, Maurizio Martino, 3rd pr, 1996, Book: Very Good, Dust Jacket: None, Hardcover, 359 pages, b&w illustrations throughout. German text. Red covers w/ gilt lettering on spine. A very clean, tight copy. A reprint of the 1955 edition published by Galerie St.Etienne, New York.
Softcover. New Haven, NJ, Yale University Art Gallery, 1st, 1982, Book: Very Good, Dust Jacket: None, 213 pages, numerous b&w illustrations. Pictorial stiff wrappers. Light wear to edges and spine, else a nice, clean copy.
Hardcover. New York, Hastings House, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover, 574 pages. Nearly 400 photographs pictures 345 still standing houses of worship ranging from English medieval Gothic to classical Georgian, most of them pinpointed on 15 maps. Blue cloth, gilt lettering to spine and front cover. Dust jacket with minor edge wear. Original blue slip case, edge wear at bottom and opening edge. previous owner's inscription in front. Otherwise a clean, tight and crisp copy.
Hardcover. Boston, Geo. H. Ellis Co., 1st, 1905, Book: Very Good, Dust Jacket: None, 90 pages. INSCRIBED NEW YORK MUNSELL ON FRONT ENDPAPER. Brown boards, dark brown cloth spine, top edge stain, full-color tissue-protected frontispiece, lovely b&w illustrated figures throughout. Ex-lib copy with partially removed paper label to spine bottom, bookplate to paste-down front endpaper, and inscription to front endpaper. Mild rubbing and edgewear to covers, pages very crisp and unmarked, tight binding; overall, a very clean, tight copy of an inscribed, scare book.
Hardcover. Milwaukie, OR, Dark Horse Comics, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 498 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Features 670 illustrations and photos -- including dynamic and bizarre cover art compiled under such curious headings as Atomic Bombs, Death with Indignity, Gorillas, Headlights, Hooded Menaces, and Skulls. Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.
Hardcover. New York , Viking Studio Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages, reproduces 3500 covers in color. An indispensable volume for the collector or researcher. Three thousand and five hundred reproductions include virtually every cover of the America's most popular magazine during its entire run, from 1899 to 1969, complemented by an essay tracing the magazine's evolution. 15,000 first printing.
Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. 792 pages. This volume covers the second half of the 1970s, an era marked by the oil crisis and the related global economic crisis. For the first time, architecture and design dealt with alternative resources, ecological building methods, and recyclable materials. Nevertheless synthetics remained present in many fields, especially in interior design. Examples of projects featured are the postmodern and lightflooded buildings by Richard Meier, the modernistic buildings by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the buildings of the Japanese architects Arata Isozaki and Kisho Kurakawa. The industrial design of modern transport systems, office machines, and electrical appliances is also highlighted.
Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. This volume revisits the early 1980s, a time of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned radically and provocatively the ostensible functionality of design objects. Everyday items were reinterpreted, full of relish and fantasy. Ironic redesigns of historic design classics put their role and contemporary use into question. Within the field of architecture, these new ideas found a counterpart in buildings by Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown. At the same time, the first deconstructivist tendencies were recognizable in the designs of Zaha Hadid. In publisher's shrink wrap.//// Postmodernism in the early 1980s. Everyday items were reinterpreted while questioning the functionality of design objects. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages. The International style of the late 1920's and 1930's is the focal point of this volume. Along with groundbreaking buildings, interior decoration, and furniture by international architects and designers such as Le Corbusier, Ludwig Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Alto, and Richard Neutra, is above all the work of the Italian avant-garde, including names like Giuseppe Terragne, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, that provides precise insight into the formative decade of Modernism. Text in English and Italian. Clean copy.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages. The International style of the late 1920's and 1930's is the focal point of this volume. Along with groundbreaking buildings, interior decoration, and furniture by international architects and designers such as Le Corbusier, Ludwig Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Alto, and Richard Neutra, is above all the work of the Italian avant-garde, including names like Giuseppe Terragne, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, that provides precise insight into the formative decade of Modernism. Text in English and Italian. Clean copy.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Taschen's Domus collection is a major publishing achievement and a must-have item for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. /// The first half of the 1990s represented a generational change in architecture and design.//// This title covers the years 1990-1994 - the next generation. The first half of the 1990s, this volume's focus, marked a shifting of the generations in architecture and design. "domus" - up to date as always - documented the work of this new generation with elaborate articles and reports. The architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron made their debuts in domus during this period. In addition, established architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, Santiago Calatrava, and Zaha Hadid were also featured. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison as well as the brothers Fernando and Humberto Campana appeared in the spotlight.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This volume features the newest buildings of the late 1990s by Mario Botta, Arata Isozaki, Josef Paul Kleihues, Richard Meier, Gunther Domenig, Herzog & Meuron, Frank O. Gehry, Peter Zumthor, Daniel Libeskind and many others. Design is represented by names like Philippe Starck, Ross Lovegrove, Jonathan Ive, Alberto Meda, Paolo Rizzatto, Perry A. King, and Santiago Miranda. In publisher's shrink wrap.
Softcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume concentrates on the architecture and design of the first half of the 1960s, characterized by the coexistence of a number of different styles. The aftermath of the International style and Good Design were still noticeable whereas Organic Design, which had developed in parallel since the late 1940s, gradually lost its influence. From the early 1960s onwards, a new force took its place, geared toward Pop Art and popular culture, leading to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood, pointing the way to completely new designs. Volume V documents this with examples of designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. On the architectural side, the impressive buildings of Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and others./// Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume focuses on the architecture and design of the first half of the 1960s. A new force lead to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood.
Hardcover. New Haven, Yale University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Two hardcover volumes. V.1; 164 pages with text, V.2; 227 plates in color and b&w. Gray cloth, gilt title spine. Lacking slipcase and dust jacket, but in excellent shape. A very nice, tight, clean set.
Softcover. London/NY, Routledge , 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 288 pages, illustrated in b&w. Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West.The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace.Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.
Hardcover. Milano, Skira, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy. This catalog of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public and private collections, including the Fokine collection in the St. Petersburg Theatre Museum.
Hardcover. Flagstaff AZ, Northland Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, original dark blue cloth stamped with a wolf and rattler in silver on front cover and lettered in silver on spine. Fine/pictorial dust jacket (lightly rubbed). Half folio. Illustrated Contains articles and check lists on, amongst many, Peter Hurd, N. C. Wyeth, Frederic Remington, Charles M. Russell, Maynard Dixon, Edward Borein and Will James.
Hardcover. New York, Weybright and Talley, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover. Illustrated with 370 black & white plates and a color frontispiece. Introduction by Henry Moore. Photographs by Ilario Bessi in collaboration with Henry Moore. Brown canvas, spine lettered in gilt, upper cover blocked in gilt with publishers' device, Dust jacket with light surface wear to back cover. Clean, tight copy.
Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.
Hardcover. Burlington, VT, Lund Humphries, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout.
Hardcover. New York, George Braziller, 1st, 1974, Book: Very Good, Dust Jacket: Good, 189 pages. Hardcover. Black & white illustrations. Dust jacket with spine fading, light wear at corners, edges. Clean, tight copy.
Hardcover. London, Phaidon, 1st, 1963, Book: Good, Dust Jacket: Fair, Part III of Pope-Hennessy's Introduction to Italian Sculpture. 3 Volumes - Plate Volume - non-paginated. Illustrated with black & white plates. Bump at top of spine. Dust jacket age darkened, wear along edges. Clean, tight copy. Text Volume - 126 pages. Black & white illustrations. Bottom right corner bumped. Dust jacket age darkened, wear along edges. Clean, tight copy. Catalogue Volume - 183 pages. Dust jacket age darkened, wear along edges. Clean, tight copy.
Hardcover. New Haven, Yale University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 146 pages of text followed by large section of black & white photographic illustrations. Hardcover. Previous owners name at top right corner of front endpaper. Dust jacket worn, with chipping along edges, fading to spine. Clean, tight copy.
Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.
Hardcover. NY, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 95 pages. 77 beautiful full color illustrations. Foreword by Bernard McTigue, Introduction by Rodney Engen. Like new. After more than a century, the never-before-published complete facsimile pages of the artist's two sketchbooks, in which she designed this little masterpiece, are presented in a single volume, the work as crisp and colourful as the day it was made.
Hardcover. Princeton, NJ, Princeton University Press, 1st, 1982, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 144 pages, b&w illustrations. Cream cloth with gilt title to spine. Black pictorial dust jacket. Beautiful copy. Like new.
Hardcover. Boston, Museum of Fine Arts, 1st, 1962, Book: Very Good, Dust Jacket: None, Two hardcover volumes, quarto, 337 + 352 pages., indices, well illustrated in color and b&w. Organized by academic artists, folk artists, visiting foreign artists and artists of the Civil War, with detail biographical information on the artists, this has become an indispensable reference work. near fine copies in gilt decorated gray boards with terra-cotta cloth spines. Clean copies.
Softcover. Minneapolis, Creative Publishing International, First Edition, 2009, Book: Very Good, Dust Jacket: None, 144 pages. Softcover with french flaps. DVD ROM laid in. Full page, full color illustrations & details throughout. Clean, unmarked copy.
Hardcover. New York, 1st, February 1991, Book: Very Good, Dust Jacket: Very Good, 414 pages. illustrated throughout in color and b&w. Maroon cloth, gilt title to front and spine, pictorial dust jacket. Slight foxing to top edge and upper edge of lightly worn jacket, else a very nice, tight copy.
Hardcover. Boston, Massacusetts, D. Lothrop & Co., 1st, 1879, Book: Very Good, Dust Jacket: None, Unpaginated. Green cloth covers with black titles and gilt illustration, all edges gilt, beveled edges, multiple full page b&w tissue-protected plates, 12 chapters on different American artists. Very light foxing to tissue paper, mild wear to cover edges and spine; overall a very clean, tight copy in great condition.
Hardcover. Cambridge MA, The MIT Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 362 pages, hardcover in a bright dust jacket. Generously illustrated account [435 b/w photo reproductions] of the photogrphy produced by various well-known Bauhaus associates such as Laszlo Moholy-Nagy, Lucia Moholy, T. Lux Feininger, Florence Henri, Herbert Bayer, and others during the mid-1920s and early 1930s. An invaluable compilation of images and information about the work of this dynamic group of artists, designers, photographers and their students who had such an important impact on Western aesthetics and culture throughout the subsequent decades of the 20th century.
Hardcover. Burlington, Owl Press, 1st, 1900, Book: Very Good, Dust Jacket: None, Hardcover, 238 pages. Full color and black & white illustrations. Gilt title on cover and spine. A very nice copy of this rare book.
Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.
Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.
Softcover. Cambridge MA, Boatner Norton Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, Illustrated with black & white examples of works by Robert Crumb - 4 pages in full color.
Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].
Hardcover. New York, W. W. Norton & Company, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover. Full color and black & white illustrations. Remainder marks on top edge at spine. Light wear. Clean, unmarked copy.
Hardcover. New York, Thames and Hudson, 3rd Revised, 1988, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges and spine. Previous owners inscription in pen to top edge of front flyleaf. An otherwise very clean, unmarked copy with only minor edgewear. 206 photographs, 16 in color. Follows the developments in the art and science of photography from the invention of the wet-collodion process through the evolution of dry plates.
 "Covers of the Saturday Evening Post: Seventy Years of Outstanding Illustration from America's Favorite Magazine by: Cohn, Jan")
