Europe

Hardcover. Paris, Editions Albert Morance, 1st, 1953, Book: Very Good, Dust Jacket: Fair, 320 pages. Hardcover. Text in French. Illustrated with black & white photographs and drawings of decorative cast iron. Previous owners name and date written on front interior hinge flap. Dust jacket worn with tape repair, chipping along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. Abingdon, Professional Books Limited, Reprint, 1980, Book: Very Good, Dust Jacket: None, Non-paginated. Approximately 600 pages. Hardcover. Latin Text. Clean, tight copy.

Hardcover. New York, Edita Lausanne/Universe Books, 1st U.S.A. Edition, 1973, Book: Very Good, Dust Jacket: Very Good, 345 pages. Hardcover in cardboard slipcase. Color and b/w illustrations throughout. Binding tight, spine straight. Pages and edges clean. Dust jacket price clipped, excellent otherwise, no rips or tears, glossy. Leather bound cover boards, gilt title and decoration on spine and front cover board. Thanks to slipcase in beautiful condition. A passport to our common heritage, which will illuminate and reveal the colorful pageantry of existence in medieval time. A book that links today with the past.

Hardcover. New York, WW Norton & Company, Inc, 1st Edition, 1968, Book: Very Good, Dust Jacket: Good, 678 pages. Hardcover. B/w illustrations throughout. A few specs of foxing to front flyleaf and back page, otherwise pages clean. Dust jacket has some agewear with a touch of chipping and foxing, one small tear on back dj. Decorated endpapers. Red cloth cover boards, gilt title on spine, some spots to covers.

Hardcover. New York, Robert M. McBride & Co., 5th pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, 173 pages. Illustrated with b&w plates. 12mo. Dark blue cloth, gilt titles on spine.

Hardcover. London, Allen Lane/Penguin Books, 1st, June 24, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages, b&w illustrations, fold-out color plate in rear. Light edge wear, rubbing to dust jacket. Previous price sticker inside front cover. Previous owner's signature on half-title page. Pen marking to several pages. Else a very nice, tight copy. Although published almost fifty years ago, Reiff's information and conclusions are fundamental and don't seem to have been superseded by any subsequent study.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Dutch documentary photographer Martin Roemers decided to track down the remains of deserted atom bomb shelters of the Cold War period. For over ten years he traveled through formerly hostile countries on both sides of the line: through eastern and western Germany, England, Belgium, the Netherlands, Poland, Ukraine, and other former East Bloc nations. Hardcover, 144 pages, 73 color plates, essays by Roemers, H.J.A. Hofland, and Nadine Barth.

Hardcover. Middletown, Connecticut, Wesleyan University Press, reprint, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Biography and critical analysis of American painter and portraitist Mather Brown. 297 pages illustrated with 9 full-color plates and 160 other black/white reproductions of paintings. Book is in near fine condition, very slight bumping at the ends of the spine. Dust jacket shows some rubbing and edge wear.

Hardcover. Saint Louis, Saint Louis Art Museum/Prestel-Verlag, 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, 482 pages. Hardcover with dust jacket. illustrated throughout with 297 plates in full color and black & white. Light wear. Clean, tight copy.

Softcover. London, The Hambledon Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. The inner workings of early medieval societies cannot be understood without also studying their links - religious, cultural, economic and political - with their neighbours. In this collection Karl Leyser shows how Ottonian and Salian Germany both influenced and was influenced by the societies with which it came into contact. While the author's central interest is in Germany, his work is of value for the study of medieval European society as a whole. Clean copy.

NY, Frederick Unger, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 383 pages, b&w illustrations. Clean copy.

Hardcover. Munch/London/NY, Prestel, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. 656 pages. Published on the twentieth anniversary of the founding of Neue Galerie New York, this stunning volume celebrates the varied achievements of modern art history in the German-speaking world by examining historical developments in Austria and Germany from 1890 to 1940. Illustrated throughout with exquisite reproductions of the museum's holdings, this book considers the influence of Friedrich Nietzsche and his writings on the fine arts and examines the founding of the Secessionist artists' organizations in Germany and Austria. Insightful essays trace the emergence of Expressionism and abstraction, as well as the development of such movements as Dada and New Objectivity. Evolutions in architecture and design are appraised through the legacy of the Arts and Crafts movement, as well as the establishment of the Darmstadt Artists' Colony and the Wiener Werkstatte. The book also examines the role of the German Werkbund and the founding of the Bauhaus school. Finally, the book briefly addresses the horrific impact of the National Socialists' degenerate art campaign, which resulted in incalculable damage and led to the exile and death of artists and designers of the era. From well-known artists such as Otto Dix, Josef Hoffmann, Vasily Kandinsky, Gustav Klimt, and Egon Schiele, to lesser recognized but equally important figures, including Albert Birkle, Alfred Kubin, Felix Nussbaum, and Dagobert Peche, this book offers an authoritative and kaleidoscopic look at a crucial moment in history and a portrait of radical thought that changed forever the way we experience art in our lives. DOMESTIC SHIPPING ONLY.

Hardcover. London, Hodder and Stoughton, 1st, 1916, Book: Fair, Dust Jacket: None, 158 pages. Hardcover. Features 46 tipped-in plates. Foxing throughout. Front hinged cracked. Covers worn with areas of staining, darkening to spine cloth.

Hardcover. Prague, SNDK, 1st, 1957, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 140 pages. A collection of Czech/Yugoslavian fables illustrated in color by Vladimir Brehovzsky. Clean.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Hardcover. London, Arthur L Humphreys, 2nd pr., 1900, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt staping. 261 pages including index. 261 pages. Written almost 80 years after the Emperor's death, the author attempts to bring together all the contemporary biographies and memoirs relating to the sojourn on St Helena. Mild foxing, otherwise clean.

Softcover. Heidelberg, Kehrer Verlag, 1st, 2003, Book: Very Good, Dust Jacket: None, Flexi-softcover. Illustrated with full color photographs by Sandra Mann. Clean, bright copy.

Softcover. Middletown, CT, Wesleyan University, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Exhibition catalog. Letter from editor laid in. Black-and-white illustrations throughout. Light sun-fade to covers. Previous owner's signature on front flyleaf. A little mark from paper clip on title page. Clean, tight copy.

Softcover. Slovenia, FOTOFO , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, color photos.

Hardcover. Sussex, Denham House, 1st, 1974, Book: Very Good, Dust Jacket: None, 57 pages. Hardcover. Previous owners stamp on front endpaper. Clean, unmarked text. Light wear.

Hardcover. NY, Harper & Row, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 358 pages. A close analysis of some of the typical peasant uprisings of the seventeenth century. The goal of the movements in France and China was a return to an older and more traditional society, rather than a profound transformation of the social structure. In Russia, however, the peasants attempted to overturn the rigid order of a two-class structure and replace it with a more democratic society. Clean copy.

Hardcover. New York, Pace Wildenstein, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages. Illustrated in full color and black & white. Clean, bright copy.

Hardcover. New York, Macmillan Company, 1st Edition, 1918, Book: Very Good, Dust Jacket: None, 310 pages including publisher advertisements. B/w illustrations throughout, including frontispiece. Decorated ribbon bookmark, no longer attached, but laid in. Black cloth cover boards, gilight title on spine. Tanning to pages and edges, otherwise unmarked.

Softcover. Buffalo NY, White Pine Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 181 pages. INSCRIBED BY AUTHOR on the title page. Immigrant writer Novakovich records his journeys to find his roots, some to his native Croatia, some no farther than Cleveland, where he searches for the grave of his grandmother, who refused to return to Croatia with the rest of her family. This moving collection reflects the joys and the difficulties in returning to a homeland left behind. Clean copy.