1908, Book: Very Good, Two-color art of running girl in black bathing suit by James Montgomery Flagg. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."
Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."
Softcover. NY, Sotheby's, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 131 lots, illustrated in color and b&w. Light wear to edges and spine, else in very nice condition.
Hardcover. NY, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages, profusely illustrated in color and b&w. This thought-provoking volume transports readers to France of the eighteenth, nineteenth, and twentieth centuries, beginning with Napoleon's love of perfume and the erotic importance he attached to it, through the lore and symbolism fragrance enjoyed in eighteenth and nineteenth-century Europe. By the early twentieth century, perfume's place as one of France's most important luxury industries was recognized and celebrated, and timeless fragrances--such as Chanel No. 5, Shalimar, Arpeges, and Joy--were launched. The distinctive bottles for these new essences and the art movements that inspired their design are detailed throughout the book, as are paintings, poetry, and literature that reveal the power of perfume and its ability to recall the past and evoke sensuality. According to nineteenth-century perfumer Eugene Rimmel, "the history of perfume is, in some manner, the history of civilization." Through fascinating text accompanied by gorgeous imagery, including packaging, labels, and advertisements, Perfume: Joy, Scandal, Sin explores perfume's impact on history, culture, society, art, and attitudes.
Hardcover. Philadephia, Charles J. Peterson, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 3/4 leather with black cloth covers, raised bands on spine, gilt lettering. January thru December 1870, all hand-colored plates and fold-outs present, dozens of steel and wood engravings. Edge and corner wear, chipping to black leather, front hinge cracked but volume is solid, binding sound. Previous owner's leather label, ruled and lettered in gilt, on front cover.
Hardcover. Philadelphia, Peterson's Magazine, 1st, 1864, Book: Very Good, Dust Jacket: None, Hardcover, 12 issues bound in half leather, brown calf spine with raised bands, gilt lettering. All edges gilt. 12 monthly issues January - December 1864, 464 pages. With twelve (12) hand colored dress fashion plates, 12 color lithographed plates (some folding), numerous steel engravings and many wood engraved images throughout. Endpapers have tan spotting from aging of glue used in binding. Previous owner's name dated 1864 on blank prelim page, otherwise clean.
Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. Gilt stamped black cloth. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. Small chunk gone from rear of dust jacket. 407 pages.
Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth with gilt lettering, no dust jacket. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. 407 pages. Clean copy.
Hardcover. New York, Metropolitan Museum of Art/Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Exhibition catalog with 180 illustrations, 158 in full color. Measures 12x14.5 inches. Introduction by Nancy J. Troy and contributions by Mary E. Davis, Caroline Evans, Jared Goss, Heather Hess, Caroline Rennolds Milbank, and Kenneth E. Silver. Paul Poiret (French, 1879-1944) dominated haute couture in the first decade of the twentieth century. The catalogue features photographs of a number of garments by Paul Poiret, as well as pochoir prints by graphic artists, who created deluxe albums of Poiret's designs for his elite clients.
Hardcover. NY, Rizzoli, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This special volume presents a visual timeline of Ralph Lauren's remarkable history as a lifestyle innovator. Lauren's unparalleled ability to seamlessly blend fashion and the home is illustrated with the groundbreaking designs and innovative use of materials that have distinguished the home collection since its inception in 1983: menswear-inspired Oxford Cloth bedding that required the creation of special looms and took two years to refine; the sleek RL-CF1 chair, crafted of carbon fiber and inspired by Lauren's McLaren F1 racecar; and an appreciation for a timeworn, weathered aesthetic, as exemplified in the iconic Writer's Chair with its hand-burnished leather and rich patina. Historic achievements such as the opening of his first New York City flagship on Madison Avenue - which invited guests to experience the complete World of Ralph Lauren in a residential environment - and his renowned restaurants that offer the epitome of gracious hospitality, demonstrate the magnitude of Ralph Lauren's influence on the worlds of lifestyle design and hospitality. The timeline is complete with quotes from distinguished members of the design world and prominent figures of our culture including Oprah Winfrey, Hillary Rodham Clinton, and architecture critic Paul Goldberger. Ralph Lauren's signature ability to create transportive environments begins with his private homes that inspire his iconic lifestyle collections. Ralph Lauren: A Way of Living offers an in-depth look at all the places Lauren calls home, from a sprawling ranch in Colorado and an island retreat in Jamaica, to a Fifth Avenue penthouse overlooking Manhattan's Central Park, a seaside home in Montauk and a country estate in Bedford. Lauren's homes are deeply personal expressions of his vision for living; captivating imagery is complemented by essays and descriptions written in his own words that intimately express the meaning of home and share inspiration and anecdotes for each residence. The photos of Lauren's captivating homes are followed by a celebration of Ralph Lauren Home's lifestyle collections - cinematic worlds that are brought to life with iconic imagery showcasing Lauren's pioneering lifestyle approach and all-encompassing home collection. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY.
Hardcover. New York, Harper Design, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, 158 pages. Hardcover with dust jacket. Clean, tight copy with minor wear to edges.
Hardcover. Hatje Cantz Publishers, 1st, 2005, Book: Very Good, Dust Jacket: None, Text is in English and German. Oversized hardcover issued without a dust jacket. Cover has faint wear to corners and edges. Inside is bright and clean, 210 b&w photographs throughout. This handsomely illustrated volume reproduces fine vintage prints from Relang's early reportage career and from the height of her days as a documenter of style, while also providing valuable insight into the historical background of her work.
Hardcover. NY, Rizzoli, 1st, 3009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Like an around-the-world vacation through resort locations and timeless fashions, the history of resort clothing is fashion at its most fun. Crossing continents, styles, and generations, the book travels through the tradition of vacation style, taking a visually stunning trip from early beach pajamas by Chanel and Schiaparelli to sailor stripes, to Pucci and Pulitzer prints, and, of course, to the bikini. Resort Fashion features rare photographs and never-before-published images by photographer legends, including Louise Dahl-Wolfe, Toni Frissell, Norman Parkinson, Jacques-Henri Lartigue, Helmut Newton, and Scavullo. The fashions showcase renowned designers from the past and present who have contributed their unique touch to resort wear, including Claire McCardell, Michael Kors, Rodarte, and many more. From Palm Beach to Montego Bay to St. Tropez, this book celebrates resort wear's vibrant history with an allure that extends beyond runways to the most exotic, far-flung destinations.
Hardcover. NY, Rizzoli, 1st, 3009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Like an around-the-world vacation through resort locations and timeless fashions, the history of resort clothing is fashion at its most fun. Crossing continents, styles, and generations, the book travels through the tradition of vacation style, taking a visually stunning trip from early beach pajamas by Chanel and Schiaparelli to sailor stripes, to Pucci and Pulitzer prints, and, of course, to the bikini. Resort Fashion features rare photographs and never-before-published images by photographer legends, including Louise Dahl-Wolfe, Toni Frissell, Norman Parkinson, Jacques-Henri Lartigue, Helmut Newton, and Scavullo. The fashions showcase renowned designers from the past and present who have contributed their unique touch to resort wear, including Claire McCardell, Michael Kors, Rodarte, and many more. From Palm Beach to Montego Bay to St. Tropez, this book celebrates resort wear's vibrant history with an allure that extends beyond runways to the most exotic, far-flung destinations.
Hardcover. London, Merrell Publishing, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 254 pages illustrated with 85 color and 100 b&w plates. Essays by William Ewing and Adelheid Rasche. In publisher's shrinkwrap. A lavishly illustrated retrospective of one of the greatest international fashion photographers. From the 1950s until his death in the crash of TWA Flight 800 in 1996, Puhlmann worked with most of the top models, stylists and designers in the fashion industry. Features arresting portraits of Isabella Rossellini, Cindy Crawford, Cheryl Tiegs, Mel Gibson, Calvin Klein, Jerry Hall, Naomi Sims and many others.
Hardcover. teNeues, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Photographer Edward Quinn chronicles the sweet life of the French Riviera in the 1950s and 60s in this homage to the stylish celebrities who lived and loved on this chic coastline. Born in Dublin in 1920, Edward Quinn played Hawaiian guitar in Belfast, then went into the Royal Air Force. He eventually made his way to the Cote d'Azur, where he photographed world leaders, glamour girls and playboys, as well as figures from the worlds of art, music and literature. His most memorable work included images of an unknown Audrey Hepburn, Grace Kelly's first meeting with Prince Rainier, and a precocious Brigitte Bardot. His exacting eye showcased Picasso, T.S. Eliot, and Gary Cooper. With a polished technique and great patience and charm, Quinn caught some of the post-war Riviera's most memorable moments.
Hardcover. NY, Flammarion, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume--which features an open spine binding so that it lays flat to show off the photographs to their best advantage--showcases Doisneau's best photographs for Vogue Paris. Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the cafe society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life--from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau's photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux's personal homage to the photographer--who was her friend and colleague--offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.
Softcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 202 pages. color and b&w illustrations. Italian couturier Roberto Capucci (b. 1930) is revered by contemporary fashion designers for his innovative silhouettes and masterful use of color and materials. Capucci refers to his creations as "studies in form," and draws inspiration from a multitude of sources, including art, architecture, and nature. This beautifully illustrated book, the companion to the first exhibition of Capucci's work in the United States, examines his career from the 1950s to the present in the context of the rise of Italian fashion.
Hardcover. US, The Curated Collection, 1st, 2013, Book: Very Good, Dust Jacket: None, 224 pages. Like new in publisher's shrink-wrap. A visual journey of over 300 photographs with fashion's most cutting-edge photographers, designers and stylists exposes the ominously beautiful obsession with the bad boy aesthetic and reveals what draws us into the darkness, providing a daring testament to the love affair with the gloomy, sultry side of Rock 'n' Roll. Divided into five chapters that explore the different dark sides of high fashion: Dark Angel, Vamp Glam, Tribal Nomad, Hard Rock, and Future Punk.
Hardcover. US, The Curated Collection, 1st, 2013, Book: Very Good, Dust Jacket: None, 224 pages. Like new in publisher's shrink-wrap. A visual journey of over 300 photographs with fashion's most cutting-edge photographers, designers and stylists exposes the ominously beautiful obsession with the bad boy aesthetic and reveals what draws us into the darkness, providing a daring testament to the love affair with the gloomy, sultry side of Rock 'n' Roll. Divided into five chapters that explore the different dark sides of high fashion: Dark Angel, Vamp Glam, Tribal Nomad, Hard Rock, and Future Punk.
Hardcover. NY, powerHouse, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Acclaimed photographer Larry Fink's behind-the-scenes photographs from the fashion shows in Milan, New York, and Paris, Fink's distinctive take of the perversely unusual world of fashion teases, baits, and whets our morbid fascination with its glamour with humor and style like no other photographer possibly could. B&w photos throughout.
Hardcover. New York, PowerHouse, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photography by Larry Fink. Introduction by Guy Trebay. Unpaignated. A collection of black and white photographs set in and around the fashion industry. Clean. tight copy.