Fashion

Hardcover. NY, PowerHouse Book, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Still in publishers shrinkwrap. During the 1950s and 60s, Tom Palumbo was part of an influential group of young photographers working for the best fashion magazines in America -Harper's BazaarandVogue. Tom perfected his craft under the guidance of legends like Alexey Brodovitch, Carmel Snow, Diana Vreeland, and Alex Liberman. Tom's serene style contrasted with Richard Avedon's jazzed-up images and Lillian Bassman's soft blurred effects. Often Tom's particular layouts provided the balance in an issue. His pictures invariably enhanced the fashions of the 50s, where women were thought of as objects of worship, and beauty was thought of as an ideal. Tom photographed every day, producing unique images like jazz legend Miles Davis laughing. He loved taking pictures of artists like next-door neighbors Comden and Green; the young Mia Farrow and Jane Fonda; novelist Jack Kerouac. Late in life, Tom worked in theatre. But to him there was never much difference in the photographs he took or the plays he directed since both contained drama. Paradox and revelation-these two elements energized Tom Palumbo's life.These rediscovered photographs, celebrated in their time but not seen in decades, are presented here in book form for the first time ever, by award-winning author and Palumbo's widow, Patricia Bosworth.

Hardcover. Minneapolis, Twenty-First Century Books, 1sy, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages illustrated in color. For most of human history, the garments women wore under their clothes were hidden. The earliest underwear provided warmth and protection. But eventually, women's undergarments became complex structures designed to shape their bodies to fit the fashion ideals of the time. In the modern era, undergarments are out in the open, from the designer corsets Madonna wore on stage to Beyonce's pregnancy announcement on Instagram. This feminist exploration of women's underwear reveals the intimate role lingerie plays in defining women's bodies, sexuality, gender identity, and body image. It is a story of control and restraint but also female empowerment and self-expression. You will never look at underwear the same way again. Clean copy.

Hardcover. New York, Macmillan Pub Co, 1st US, 1975, Book: Good, Dust Jacket: Good, Hardcover, 228 pages, illustrations in color and b&w. Light edgewear, creasing and rubbing to dust jacket. Clean, tight copy.

Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages illustrated in color. The sumptuous fashions of Valentin Yudashkin, the first post-Soviet designer to bring a contemporary Russian look to the international fashion world.

Hardcover. New York, Rizzoli , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. Like new in publisher's shrink-wrap. Valentina was the twentieth century's first American fashion designer celebrity, working and living on equal social footing with the clientele she dressed (Greta Garbo, Gloria Swanson, Katharine Hepburn, Millicent Rogers, and Audrey Hepburn, among others). One of the few designers who proved that America could live without the Parisian haute couture, her career is a much needed missing link in the history of American fashion. Beyond merely turning out show-stopping evening gowns, Valentina's exotic beauty, dramatic personality, and incomparable style earned her a legendary reputation. Kohle Yohannan explores the carefully constructed persona and lore of this designer who helped define American Couture. Published in association with the Museum of the City of New York's exhibition Valentina: New York Couture and the Cult of Celebrity, this book includes photographs, never-before-seen personal ephemera, sketches, and original platinum prints from master photographers such as Cecil Beaton, Horst P. Horst, and George Hoyningen-Huene.

Hardcover. US, Rizzoli, 1st, 2013, Book: Very Good, Dust Jacket: None, 110 pages, illustrated throughout in color. Light shelf-wear to boards, else a clean, tight copy. Valentino: Master of Couture is an exhibition at the Somerset House co-organized by Valentino himself, who selected over 130 dresses for the exhibition. The book focues as much on Valentino and his glamorous lifestyle as it does on his legendary dressmaking techniques and atelier.

Hardcover. New York, Clarkson N Potter, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 203 pages. Hardcover with clipped dust jacket. Clean, tight copy with black and white photographs throughout. Collects vivid photographic portraits of a wide variety of authors, artists, movie stars, politicians, dancers, and other celebrities.

Hardcover. New York, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 384 pages, 100 color, 200 b&w images by the world's best photographers. Essays by Christopher Hichens, others. In publisher's shrinkwrap. Vanity Fair: The Portraits brings together 300 iconic portraits from Vanity Fair's 95-year history in a remarkable book that captures the image of modern fame--the magical thing that happens when individual talent and beauty (and sometimes genius) is caught in the spotlight of popular curiosity and passion. The photographers--from Edward Steichen and Cecil Beaton to Annie Leibovitz and Mario Testino--are a glittering and celebrated group themselves. Their portraits have become the iconic likenesses of the best-known figures from the worlds of art, film, music, sports, business, and politics.

Hardcover. NY, Random House, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Attractive monograph dedicated to Avedon's photographs of the fashion work of Versace. Includes 69 four color and 49 duotone images. 173 pages. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. London, Collins Design, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages, covers 100 years of shoe history, from Andre Perugia's designs for society women in the 1920s to the red-soled shoes from Christian Louboutin favored by celebrities. This book explores the key designers, technical developments and cultural influences that shaped shoe fashions.

Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Color and black and white pictures throughout. Originally born in Algeria, Yves Saint Laurent moved to Paris when he was 18, and only three years later he was handpicked by Christian Dior to take the reins as designer of his fashion house. Over time, Saint Laurent resurrected haute couture from the casual mores that predominated in the 1960s, but also offered chic cachet to ready-to-wear clothing. He was among the earliest of designers to incorporate non- European references into his work, and in 1983 he became the first living designer to be feted with a solo exhibition at The Metropolitan Museum of Art in New York. Vogue on Yves Saint Laurent is a stellar volume in the series from the editors of British Vogue, featuring 20,000 words of original biography and history and studded with more than 80 images from their unique archive of images taken by leading photographers.

Hardcover. Rome, Salvatore Ferragamo, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, illustrated with 80 color photographs of the innovative designer's stylish shoes. Four essays on his art and place in fashion history.

Hardcover. Zurich, Edition Stemmle, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. 130 of Chin's striking fashion and celebrity portraits in color and b&w. In a bright, unclipped dust jacket.

Hardcover. New York, Glitterati, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 176 pages illustrated in color and b&w. A visual survey of Black style from the 1940s through the 1970s. In publisher's shrinkwrap. Featuring snapshots of over 150 black men and women's most unforgettable "style moments", the book includes personal photographs taken from the author's own family and circle of friends including Oprah Winfrey, James Baldwin, Iman, Naomi Campbell, Tyra Banks, Tracy Reese, Patrick Kelly, Kimora Lee, Bobby Short, Bethann Hardison, and Portia LaBeija, among countless others. This is the 2006 first printing with a different cover than the later reprint.

Hardcover. New York, Glitterati, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. illustrated in color and b&w. A visual survey of Black style from the 1940s through the 1970s. In publisher's shrinkwrap. This is the 2006 first printing with a different cover than the later reprint.

Hardcover. New York, Rizzoli, reprint, 2011, Book: Very Good, Dust Jacket: Good, Hardcover, 248 pages. Extensive color photography throughout. Some shelf wear and minor tear to printed acetate dust jacket. Slight rubbing to top corner. Otherwise clean, tight copy. "This book showcases a wide range of styles by such fashion luminaries as Cassini, Chanel, Dior, Armani, and McQueen, among others. The beautiful fashions, photographed by such notable photographers as Patrick Demarchelier, Benno Graziani, Horst, Arthur Elgort, Milton Greene, David LaChapelle, and Irving Penn capture the effervescent spirit that is associated with the wedding dress. The Wedding Dress begins with an overview of the sumptuous wedding gown, chronicling its history from royal weddings to today's celebrities."

Hardcover. NY, Harper, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 672 pages. 16 pages of photos. What Becomes a Legend Most is the first definitive biography of this luminary--an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon's coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life. Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon's life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists--Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols--who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement--and not a little gossip--plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion--and his legacy as one of the most consequential artists of his time.

Hardcover. NY, Harper, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 672 pages. 16 pages of photos. What Becomes a Legend Most is the first definitive biography of this luminary--an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon's coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life. Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon's life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists--Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols--who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement--and not a little gossip--plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion--and his legacy as one of the most consequential artists of his time.

Hardcover. New York, NY, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 223 pages, hardcover. Extensive color photography throughout. Illustrated frontispiece. Slight rubbing to corners, reminder dot to bottom edge. Bump to bottom corner.Otherwise clean, tight copy. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskeys, clothing lines, airlines, jewelry, cigars and cigarettes, and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn and gives viewers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin, and Ali McGraw offer insights into the lusty, creative spirit of William Helburn. 200 illustrations, 80 in color

Hardcover. New York, NY, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 223 pages, hardcover in a bright dust jacket. Extensive color photography throughout. Illustrated frontispiece. Slight rubbing to corners, reminder dot to text edge. Otherwise clean, tight copy. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskeys, clothing lines, airlines, jewelry, cigars and cigarettes, and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn and gives viewers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin, and Ali McGraw offer insights into the lusty, creative spirit of William Helburn. 200 illustrations, 80 in color.

Softcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Full page color photographs. William Wegman is an American artist best known for creating series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses. See Fay in all the big shot designer clothes of the day in color. Folio sized. Clean.

Hardcover. Milan IT, Edizioni L'archivolto (Acc), 1st, 2008, Book: Very Good, Hardcover, 187 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Although relatively short-lived, store window displays are a vital constituent of the daily scenery of today's cities, and offer an important outlet for disciplinary cross-pollination. Store-window design always involves defining a specific message that is conveyed using an array of means, including architecture and set-design, advertising and graphics, multimedia, and at times fine art, with the aim of firing the buyer's imagination while also transmitting a clear brand identity.

Hardcover. New York, Simon & Schuster, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. (SIGNED BY AUTHOR) Color illustrations throughout. White cover boards, gilt title on spine and design on front cover. Dust jacket unclipped, excellent, has previous bookstore's label on back cover.

Hardcover. New York, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 248 pages, illustrated with 10 color and 125 tritone plates. A collection of the photographer's portraits of women, 1945-2004. Essay by Anne Hollander. This volume includes photos of Elton John, Brigitte Bardot, Marilyn Monroe, Janis Joplin, Maria Callas, Isak Dinesen, Suzy Parker, Twiggy, Kate Moss, Tina Turner and many more.. Remainder dot to top edge otherwise very good in similar dust jacket.