France

Hardcover. Paris, France, Vilo, 1st, 1967, Book: Good, Dust Jacket: None, 72 pages. Hardcover. FRENCH TEXT. B/w illustrations throughout. Decorated glossy cover boards, some chipping of lamination at spine and corners, a couple scratch marks. Previous owner's bookplate on front endpaper. Back cover boards slightly warped so it curls just a touch at top and bottom. Pages clean. Binding tight. A beautifully photo-illustrated volume featuring performance photos and portraits of the world-famous prima ballerina.

Hardcover. New York, Robert M. McBride & Co., 5th pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, 173 pages. Illustrated with b&w plates. 12mo. Dark blue cloth, gilt titles on spine.

Hardcover. NY, Bloomsbury , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with wrap-around dust jacket band with title. 403 pages, color and b&w illustrations. Claude Monet's water lily paintings are among the most iconic and beloved works of art of the past century. Yet these entrancing images were created at a time of terrible private turmoil and sadness for the artist. The dramatic history behind these paintings is little known; Ross King's Mad Enchantment tells the full story for the first time and, in the process, presents a compelling and original portrait of one of our most popular and cherished artists. Clean, bright copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. A new account of Cezanne's complex relationship with his wife, who served as the subject of some of his most iconic portraits. Paul Cezanne's (1839-1906) portraits of Hortense Fiquet (1850-1922), his wife and the subject of some of his iconic portraits, rank among the most powerful of their kind in French modernism. Yet, posterity has not been kind to Madame Cezanne. She was called a distraction, blamed for her husband's "lackluster" landscapes, and disdained for her impenetrable expression in the paintings. The reality is more complex, for while Fiquet may not have been the passion of Cezanne's lifetime, she was a willing accomplice, as model, mother of his only son, and unwavering partner against all odds. Still in publisher's shrinkwrap.

Hardcover. NY, St. Martin's Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 330 pages, b&w illustrations. Paris in the 1920s was bursting with talent in the worlds of art, design and literature. The city was at the forefront of everything new and exciting; there was no censorship; life and love were there for the taking. At its center was the gorgeous, seductive English socialite Nancy Cunard, scion of the famous shipping line. Her lovers were legion, but this book focuses on five of the most significant and a lifelong friendship. Her affairs with acclaimed writers Ezra Pound, Aldous Huxley, Michael Arlen and Louis Aragon were passionate and tempestuous, as was her romance with black jazz pianist Henry Crowder. Her friendship with the famous Irish novelist George Moore, her mother's lover and a man falsely rumored to be Nancy's father, was the longest-lasting of her life. Cunard's early years were ones of great wealth but also emotional deprivation. Her mother Lady Cunard, the American heiress Maud Alice Burke (who later changed her name to Emerald) became a reigning London hostess; Nancy, from an early age, was given to promiscuity and heavy drinking and preferred a life in the arts to one in the social sphere into which she had been born. Highly intelligent, a gifted poet and widely read, she founded a small press that published Samuel Beckett among others. A muse to many, she was also a courageous crusader against racism and fascism. She left Paris in 1933, at the end of its most glittering years and remained unafraid to live life on the edge until her death in 1965. Remainder dot top edge otherwise clean.

Hardcover. NY, William Morrow, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 350 pages, B&w frontispiece of Houssaye. A condensation of his six-volume Confessions. Entertaining observations of nineteenth century Parisian life, culture and government. Clean copy in a lightly worn dust jacket.

Softcover. New York, Delano Greenidge Editions, 1st, 2000, Book: Very Good, Dust Jacket: None, 104 pages. Softcover. Black and white photographs. Light edgewear to wrappers. May Ray's iconic black and white photographs, originally published in Paris and New York in 1934. Introduction in English with French, German, Spanish, and Italian translations. Includes bibliography.

Hardcover. La Fabrica, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 391 pages, profusely illustrated. This excellent catalog contributes a wealth of new information, providing a valuable contribution to our understanding of Man Ray. The treasure trove of images and objects collected here is drawn from the large archives of the Man Ray Trust in Long Island, New York, and includes little known early works, documents and objects from his private life, working drawings and sketches for major works as well as innumerable familiar masterpieces.

NY, Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, 93 b&w plates. This volume is a retrospective of the work of famed French photographer Marc Riboud. Photographs from Paris, China, Vietnam, and the Middle East are included. Printed in rich duotone, spanning the years from the early 1950s to the late 1980s. Clean, in a bright dust jacket.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 356 pages. One of the world's largest tyre makers and an international corporation with interests in countries around the world, Michelin is also a uniquely French company, one that throughout its history has closely identified itself with the country's people and culture. In the process, it has helped shape the self-image of 20th-century France. This volume offers a provocative history of the company and its innovative advertising campaigns between 1898, when Bibendum - the company's iconic "Michelin Man" - was first introduced, to 1940, when France fell to the Nazis and the company's top executive, Edouard Michelin, died. Both events indelibly changed the company and the national context in which it operated. Clean copy.

Hardcover. Durham NC, Duke University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with magenta gilt lettering on spine, 269 pages, b&w illustrations. Masculine Singular is an original interpretation of French New Wave cinema by one of Frances leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Genevive Sellier focuses on the social and cultural turbulence of the cinemas formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they wrote in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema.Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. No dust jacket, Clean copy.

Hardcover. University Park, Pennsylvania State Univ Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets. Professor Armi posits that the great third abbey at Cluny is the building where regional masons of different traditions first combined their talents to develop a new design, and that the artisans responsible for the masonry also created its sculpture. Volume I Text, 204 pages; Volume II contains 238 b/w Illustrations.

Hardcover. NY, Knopf, reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover, white, red & blue decorative cloth covers, no dust jacket. Clean copy. The bible of French cooking for the American chef.

Hardcover. NY, Knopf, 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover, white, red & blue decorative cloth covers, no dust jacket. First Edition stated on copyright page. Here, from Julia Child and Simone Beck, is the sequel to the cooking classic that has inspired a whole American generation to new standards of culinary taste and artistry. On the principle that "mastering any art is a continuing process;" they themselves continued, during the years since the publication of the now~celebrated Volume One, to search out and sample new recipes among the classic dishes and regional specialties of France ~ cooking, conferring, tasting, revising, perfecting. Out of their discoveries they have made, for Volume Two, a brilliant selection of precisely those recipes that will not only add to the repertory but will, above all, bring the reader to a yet higher level of mastering the art of French cooking. This second volume enables Americans, working with American ingredients, in American kitchens, to achieve those incomparable flavors and aromas that bring up a rush of memories ~ of lunch at a country inn in Provence, of an evening at a great Paris restaurant, of the essential cooking of France. Clean copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages. Throughout his long career, Henri Matisse (1869-1954) continually expanded the boundaries of his art. By repeating images in pairs, trios, and series, he conducted an ongoing dialogue with his earlier works in order to, as he put it, "push further and deeper into true painting." In this fresh approach to a much-studied artist, prominent scholars from the United States and Europe examine more than sixty works in concise chapters that focus on this aspect of Matisse's working process. From early pairs such as Young Sailor I and II (1907-8) through a series of late studio scenes from Venice (1946-48), Matisse is shown revisiting a given theme with the aim of devising innovative, often radical, solutions to such problems as how to portray light, handle paint, select colors, and manipulate perspective.New technical studies of the early paired works and photographs documenting the evolution of his later paintings help to elucidate Matisse's complex evolution. In numerous excerpts from letters and interviews, he is revealed as an artist who regularly questioned himself and his methods, a man of powerful intellect who regarded each new painting as an adventure. A significant addition to art historical literature, Matisse: In Search of True Painting is a revelatory study of a seminal figure in 20th-century modernism.

Hardcover. Paris, Huillery, reprint, 1868, Book: Good, Dust Jacket: None, Hardcover, bound in half red calf over marbled boards. Frontispiece portrait, b&w engraved illustrations. Eugene Vidocq (1775-1857) was a French police officer and adventurer who rose in rank to become chief of a small, specialized detective force in Paris (the Police de Surete). He later organized a daring robbery which he was ironically put in charge of investigating. Eventually found out, he was dismissed from the police force and died in poverty and obscurity. First published 1n 1828. FRENCH TEXT.

Hardcover. NY, D. Appleton & Company, 1st US, 1894, Book: Very Good, Dust Jacket: None, Hardcovers, Three volumes complete, blue cloth hardcovers with gilt titles and oval decorations on the front covers. Gilt titles and decorations on the spines. Top edges gilt. Volume I: 421 pages, [4] pages advertisements, Volume II: 484 pages, [8] pages advertisements, Volume III: 541 pages, [2] pages advertisements. Illustrated with frontispieces in the three volumes. Illustrations and folding facsimile autographs and manuscripts. Previous owner's inscriptions written on inside front cover of Vol. 1, Otherwise a bright, clean set. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Seven Stories Press, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 431 pages. A fascinating document of an extraordinary life, Memoirs of A Breton Peasant reads with the liveliness of a novel and bristles with the vigor of an opinionated autodidact from the very lowest level of peasant society. Brittany during the nineteenth century was a place seemingly frozen in the Middle Ages, backwards by most French standards; formal education among rural society was either unavailable or dismissed as unnecessary, while the church and local myth defined most people's reasoning and motivation. Jean-Marie Deguignet is unique not only as a literate Breton peasant, but in his skepticism for the church, his interest in science, astronomy and languages, and for his keen--often caustic--observations of the world and people around him. Born into rural poverty in 1834, Deguignet escapes Brittany by joining the French Army in 1854, and over the next fourteen years he fights in the Crimean war, attends Napoleon III's coronation ceremonies, supports Italy's liberation struggle, and defends the hapless French puppet emperor Maximilian in Mexico. He teaches himself Latin, French, Italian and Spanish and reads extensively on history, philosophy, politics, and literature. He returns home to live as a farmer and tobacco-seller, eventually falling back into dire poverty. Throughout the tale, Deguignet's freethinking, almost anarchic views put him ahead of his time and often (sadly, for him) out of step with his contemporaries. Deguignet's voluminous journals (nearly 4,000 pages in total) were discovered in a farmhouse in Brittany a century after they were written. This narrative was drawn from them and became a surprise bestseller when published in France in 1998. Clean copy.

Hardcover. Pittsburgh, Luke Loomis, 1st American, 1832, Book: Very Good, Dust Jacket: None, Hardcover, leather bound, 246 pages, marbled endpapers. The chronicles of a pastor in a small French village in the mid-to late 1700s. Leather with minor scarring, overall clean and tight copy. Red leather label with gilt title on spine.

Hardcover. NY, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. When the French designer Christian Dior presented his first collection in Paris in 1947, he changed fashion forever. Dior's "New Look" created a striking, romantic vision of femininity, luxury, and grace, making him-and his last name-famous overnight. One woman informed Dior's vision more than any other: his sister, Catherine, a Resistance fighter, concentration camp survivor, and cultivator of rose gardens who inspired Dior's most beloved fragrance, Miss Dior. Yet the story of Catherine's remarkable life-so different from her famous brother's-has never been told, until now. Drawing on the Dior archives and extensive research, Justine Picardie's Miss Dior is the long-overdue restoration of Catherine Dior's life. The siblings' stories are profoundly intertwined: in Occupied France, as Christian honed his couture skills, Catherine dedicated herself to the Resistance, ultimately being captured by the Gestapo and sent to Ravensbruck, the only Nazi camp solely for women. Seeking to trace Catherine's story as well as her influence on her brother, Picardie traveled to the significant places of Catherine's life, including Les Rhumbs, the Dior family villa with its magnificent gardens; the House of Dior in Paris; and La Colle Noire, Christian's chateau that he bequeathed to his sister. Remainder dot top edge.

Softcover. New York, Simon and Schuster, 1st, 1969, Book: Very Good, Dust Jacket: None, 188 pages. Softcover. Illustrated with black & white photographs. Darkening to spine, light wear. Clean, unmarked text.

Hardcover. NY, Tudor Publishing , 1st US, 1934, Book: Very Good, Dust Jacket: None, Hardcover, deep green cloth with gilt lettering. 164 pages, 110 plates. Covers modern French art of the early twentieth century in text and through black and white illustrations. Discusses such topics as Fauvism, Futurism, and popular art as well as specific French painters.

Hardcover. NY, Harcourt Brace And Company , reprint, nd, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 424 pages, 10 tipped-in color plates & 48 double-sided b/w plates. index. This book is an attempt to tell the story of modern French painting as developed by the Impressionists and subsequent adventurers in the last hundred years in Paris. No date, most likely early 1950s. Clean copy.