France

Hardcover. New York, Frederick A Stokes, 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, 215 pages. Red cloth, gilt lettering. Very minor wear to spine. Full illustrated plates by Edwards, some with tissue guard. Frontispiece illustration. Illustrated end papers. Top edge gilt. Some pages uncut.

Hardcover. Chicago, Rand McNally & Co , reprint, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, The squirrel family leaves their home in the woods, which is threatened by woodsmen, and seek refuge in a nearby garden. 64 pages with eight color plates and additional b&w drawings by Frances Beem. Several of the drawings have been colored by a child.

Hardcover. New York, Pantheon, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover. Limited to 1,200. 137 plates, 80 pages of commentary & description, minor chipping to dust jacket .

Hardcover. NY, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An exquisitely illustrated volume that emphasizes the importance of drawing in Fragonard's creative process One of the most forward-looking artists in 18th-century France, Jean-Honore Fragonard (1732-1806) is considered the preeminent draftsman of his time. This fresh assessment of the artist focuses on the role of drawing in his creative process and showcases Fragonard's mastery and experimentation with drawing in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. Unlike many old master painters, Fragonard explored the potential of drawings as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. Still in publisher's shrink wrap.

Hardcover. NY, Thames & Hudson, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "While it seems we've already seen photographs of every centimeter of Paris from every angle, it's a pleasure to look at the postwar city through Child's viewfinder. A trained draftsman, painter and lithographer, he had strong theories about composition and light, as well as a desire to distill 'some aspect of each place,' whether it be fishermen on the Seine, geometrically framed by the overlapping arches of a bridge, or an old woman unwittingly anchoring an angular shadow in the South of France. As accomplished as the photographs are, and as engaging a character as Paul Child is revealed to be, the real draw here will undoubtedly be his intimate portraits of Julia Child before she was, well, Julia Child. What ultimately makes this enjoyable celebration of his work an important part of the Child archive is that it illuminates the third side of that fabled triangle, connecting us to his love of Julia - and France." (NYTimes) Clean copy.

Hardcover. NY, E. P. Dutton, 1st, 1941, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 335 pages. The author was the chief foreign correspondent for Paris-Soir. He kept a diary from October 9, 1939 until he evacuated in the war to the United States. Translated from the French by Anne Green. He observed," ...Mr. John Frenchman paid the price of unpreparedness for Total War. He had plenty of butter-that was what he wanted. He lacked airplanes, tanks, canon..."

Racine, Wisconsin, Whitman Publishing Co., 1st, 1935, Book: Good, Dust Jacket: Fair, Hardcover, 62 pages. Black & white and color illustrations by Frances Tipton Hunter. Dust jacket with major edgewear, chipping and soil. Pieces missing from edges.

Chicago, University of Chicago Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following--an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.

Softcover. United Printing , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 120 pages, illustrated in color. INSCRIBED BY AUTHOR on title page. Contents include Histories of les Cinq Grands (Nevers, Rouen, Moustiers/Marseilles, Strasbourg); Decline of French Faience; Faience in the Age of Industrialization; Faience Fine: Montereau, Creil, Gien; Grand Feu: Quimper, Boulogne-sur-Mer, Desvres, Malicorne, Blois, Angouleme; Petit Feu: Faienceries of the East: Luneville and St. Clement, Sarreguemines; Index of Marks; Bibliography; Index. Clean copy.

Hardcover. New York, Pantheon Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 484 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to dust jacket. Nice copy.

Hardcover. London, Faber and Faber, 1st UK, 1976, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt and red title block on spine. 422 pages, b&w map. Light bump to top corner otherwise very good, clean copy. "An analysis That carries an indictment of the whole colonial system."

Hardcover. Mamaroneck, N.Y., Harbor Hill Books, reprint, 1989, Book: Very Good, Dust Jacket: Very Good, Softcover, 218 pages. Light pencil markings by previous owner, else a clean, tight copy.

Hardcover. London, Phaidon Press Limited, 1st Edition, 1967, Book: Very Good, Dust Jacket: Good, Text Volume - 450 pages. Hardcover. Blue cloth boards with gilt titles & gilt decorations to cover, spine. Frontis illustration, Parement Master and Workshop: Annunciation, Paris, in full color, tipped-in. Previous owner's signature to front flyleaf. Dust jacket with foxing, toning, now protected with plastic cover. Light foxing to edges. Otherwise very good, clean condition.Plate Volume - Hardcover, blue cloth boards with gilt titles & decorations. 845 plates, 12 full page, full color, tipped-in & beautifully presented. Dust jacket with light foxing, now protected with plastic cover. Light foxing to edges. Bright, clean copy.

Hardcover. Hamden CT, The Shoe String Press, 1st, 1971, Book: Very Good, Dust Jacket: None, 265 pages, hardcover. SIGNED BY AUTHOR on front flyleaf. Non-discrept tan boards clean and tight. French policy regarding the Chinese inhabitants of Madagascar. Scarce. A bright copy.

Hardcover. New York, Harper & Brothers, reprint, 1887, Book: Good, Dust Jacket: None, Two complete hardcover volumes, with numerous engravings, gilt top edge and title. Minor corner and edge wear, previous owner's signature on front fly leaf, light edge fade, otherwise, unmarked and tight copy.

Hardcover. Berkeley, University of California, 1st US, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 258 pages, b&w illustrations. Written in 1929, when Marc Bloch was 42 years young, page after page of this book infects with the exhuberance of a difficult project turning out well.Bloch chose to write a history of the social impact of economic events on everyday life. Back then that meant to take a long and winding road through uncharted territory. For documentary evidence on how the common people lived by working the land - on "oxen, wheeled ploughs or crop rotations" - was scarce and much of it had to be drawn from neighbouring disciplines. Considered a classic in it's field, this is the first US edition, translated from the French by Janet Sondheimer. Dust jacket spine faded, otherwise a clean, tight copy.

Hardcover. NY, Hacker Art Books, reprint, 1973, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt lettering on spine. 98 pages of text followed by 90 b&w plates with captions on opposite page. Clean copy.

Hardcover. New York, Assouline Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 124 pages. Hardcover with dust jacket. Like new in publishers shrink-wrap. A tight copy. 165 color illustrations. With rich and dynamic photographs juxtaposing concepts from haute couture and scientific advancements to pop stars and popular culture, French Style is as sophisticated and chic as the nation it celebrates. This lavishly illustrated, fun and informal yet surprisingly informative compendium brings to life the savoir faire and joie de vivre that is French Style.

Softcover. Middlebury VT, Rural Society Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 212 pages, b&w illustrations. This is a very interesting and detailed read about the history of a French village; but not just any village, this is the famous Roussilion in Provence. It is famous because it has been built out of the red ochre that is found in the Roman quarries all around and under the cliffed village; ochre quarries which were re opened in 1785 and then declined after WW 2. The red coloured houses, of course, make the village very photogenic. The book tells the changing fortune of the village as it went from decline in 1945, to needing larger car parks for the tourist coaches after the 1960's. It is well written and gives a good indication of what a village needs to do to survive in today's world. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages, illustrated in b&w and color. Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau Realisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world. Clean copy.

Softcover. US, Somogy Art Publishers , 1st, 2008, Book: Very Good, Dust Jacket: None, 320 pages. Softcover with little to no wear on edges. Still in publisher's shrinkwrap. Bringing the famed Parisian illustrator to light, this biography centers on Gabriel de Saint-Aubin, who studied at the prestigious Royal Academy but failed to win the coveted Prix de Rome. The study relates that the subject reacted to this disappointment by throwing aside all hopes of a traditional artistic career and hastening out into the thoroughfares of Paris to sketch everything in sight, living an errant, bohemian existence and succumbing increasingly to an obsession with drawing. Detailed and engaging, this recollection demonstrates that, despite his personal eccentricities, Saint-Aubin was employed as an artist all his life.

Hardcover. Monte-Carlo, Andre Sauret, 1st, 1967, Book: Good, Dust Jacket: Very Good, INSCRIBED BY AUTHOR. French text. 156 pages, b&w and color illustrations throughout. Slightly warped. Foxing to top edge. Light edge wear to dust jacket; in brodart. Else a clean, tight copy.

Hardcover. Geneva, Skira, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, 115 pages with tipped-in color plates. publisher's textured white cloth, red lettering on spine, Skira "S", red, embossed on cover. Translated by James Emmons. Chronological Survey. Bibliography. Index. The first title in "The Taste of Our Time" Series. No dust jacket, a clean, bright copy.

Hardcover. New Haven, Yale University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages. Clean, unmarked copy with only minor wear to dust jacket. George Sand was the most famous and most scandalous woman in nineteenth-century France. As a writer, she was enormously prolific. She wrote more than ninety novels, thirty-five plays, and thousands of pages of autobiography. She inspired writers as diverse as Flaubert and Proust but is often remembered for her love affairs with such figures as Musset and Chopin. Her affair with Chopin is the most notorious: their nine-year relationship ended in 1847 when Sand began to suspect that the composer had fallen in love with her daughter, Solange.