Hardcover. Rochester, Chase Brothers Company, 1st, Book: Very Good, Dust Jacket: None, Flexible tan cloth covers, 134 pages. Illustrated with beautiful, bright, full color illustrations and blow-in sheets of flowers and fruit. A fine, bright copy. No date but appears to be early 1900s.
Hardcover. Boston, Little, Brown and Company, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 214 pages. INSCRIBED BY ECK on half-title page and SIGNED on title page. In addition, a handwritten note from co-author Winterrowd laid-in.
Hardcover. Philadelphia, J. B. Lippincott & Co., Eleventh Ed., 1857, Book: Very Good, Dust Jacket: None, 637 pages. Hardcover. Eleventh Edition - 1857. Black & white illustrations. Varying degrees of foxing to pages 349-356 - this due to leaves being pressed between pages at some point. Overall, pages are bright and unmarked. Original brown cloth covers with faded spine and edges. Firm binding.
Hardcover. Boston, Houghton, Mifflin and Company, 1st, 1907, Book: Good, Dust Jacket: None, Hardcover, 252 pages, illustrations throughout, 2nd spine label in rear, edited by John Nolen and typeface by Bruce Rogers. Edge wear and corner bump, minor rubbing, otherwise, clean and tight copy. Illustrated with 22 black and white plates (of which nine have overlays), 28 text figures, and a colour frontispiece (also with an overlay).
Hardcover. North Clarendon, VT, Tuttle Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color photographs throughout.
Hardcover. Antique Collectors Club , reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket 272 pages. This charming book, first published in 1912 as Gardens for Small Country Houses by Country Life at a time when both Jekyll and Weaver were writing for the magazine, contains the substance of a legend. It embodies the period when the Arts and Crafts Movement had evolved into country house architecture and then found its most delightful expression in the making of gardens. This new edition, which has been re-titled to distinguish it from the original book, is now illustrated with color photographs and reproductions of contemporary paintings and watercolors which bring new color and light to a vanished world. In their collaboration on this book, the authors found common ground and reveled in their mutual intuitive approach to artistic and historic gardening ideas. Arts and Crafts Gardens is a practical handbook with invaluable information on garden restoration, insights into craftsmanship and planting relationships, and provides a fascinating classic text on garden design.
Hardcover. New York , Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 240 pages. Photographer Ian Macdonald-Smith has captured more than forty of the most characteristically innovative extant houses designed by M.H. Baillie Scott (1865-1945), as well as their gardens, in color photographs that express the craftsmanship and planning of this early-20th-century master. Like new in publisher's shrink-wrap.
Hardcover. Austin, University of Texas Press , 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, 249 pages, color photos. Green cloth, gilt title on spine. No dust jacket. Faint foxing to top edge and end papers. Clean, tight copy.
Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1884, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.- Dec. 1884) of the journal. Features eight bright color lithographs of flowers and fruit. One black & white plate. Portrait of editor Beadle. 295 pages. Half-leather with marbled boards. Spine with gilt lettering, label, raised bands.
Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1885, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.-Dec. 1885) of the journal. Features 12 bright color lithographs of flowers & fruit. 292 pages. Half-leather with marbled boards with light corner wear. Spine with gilt lettering, label, raised bands.
Hardcover. NY, Harper & Bros., 1st US, 1940, Book: Very Good, Dust Jacket: None, Hardcover. Black & white photos by Bryan & Norman Westwood. Previous owner's signature on front end paper.
Hardcover. Boston, Little, Brown Books for Young Readers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Brown. SIGNED BY BROWN. While out exploring one day, a little boy named Liam discovers a struggling garden and decides to take care of it. As time passes, the garden spreads throughout the dark, gray city, transforming it into a lush, green world. This is an enchanting tale with environmental themes and breathtaking illustrations that become more vibrant as the garden blooms. Red-headed Liam can also be spotted on every page, adding a clever seek-and-find element to this captivating picture book.
Hardcover. ITHACA NY, Comstock Publishing Associates/Cornell University Press, 3rd pr., 1983, Book: Very Good, Dust Jacket: Good, Hardcover in a shelfworn dust jacket with light tape repairs, chipped. In this authoritative guide, illustrated with more than 150 b&w drawings and photographs, there is a wealth of information invaluable to terrace and suburban gardeners, commercial fruit growers and advenced amateur growers. No markings.
Hardcover. Boston, MA, Beacon Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 276 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Foxing to top edge of dust jacket.
Hardcover. London, Merrell Holberton/Natural History Museum, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 62 color plates, 33 b&w illustrations. A detailed monograph on this early 19th century natural history artist. In publisher's shrinkwrap.
Hardcover. Princeton NJ, Princeton Architectural Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 326 pages, illustrated with b&w photographs, several color plates and architectural drawings by Vitale. Foreword by Horace Havemeyer III. Ferruccio Vitale is America's forgotten landscape architect. Though his works like Skylands and Longwood Gardens are well known, his name has been eclipsed by his contemporary, Frederick Law Olmsted, Jr. Yet Vitale's influence on the modern direction of landscape design and his promotion of it as a profession is arguably more significant than Olmsted's. His unique designs and philosophy, which challenged the then-dominant pictorial mode of landscape architecture, influenced generations of followers, and is still felt today. Vitale (1875-1933) developed his rationale designs, based on the principles of composition from the fine arts and architecture, in both civic commissions and, most notably, at the country estates of captains of industry and finance. He introduced an idealized and abstracted type of formal design that created beautiful spaces, structured large sites, and reflected informal and relaxed plant compositions. Ferruccio Vitale tours over 40 of his masterworks, photographed by some of the best landscape photographers of the time, including Samuel Gottscho. It recounts the compelling story of a life in the early twentieth century, influenced by immigrant dreams, social clubs, and professional connections, and its culmination in some of the greatest landscapes of the 20th century.
Hardcover. Princeton NJ, Princeton Architectural Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 326 pages, illustrated with b&w photographs, several color plates and architectural drawings by Vitale. Foreword by Horace Havemeyer III. Ferruccio Vitale is America's forgotten landscape architect. Though his works like Skylands and Longwood Gardens are well known, his name has been eclipsed by his contemporary, Frederick Law Olmsted, Jr. Yet Vitale's influence on the modern direction of landscape design and his promotion of it as a profession is arguably more significant than Olmsted's. His unique designs and philosophy, which challenged the then-dominant pictorial mode of landscape architecture, influenced generations of followers, and is still felt today. Vitale (1875-1933) developed his rationale designs, based on the principles of composition from the fine arts and architecture, in both civic commissions and, most notably, at the country estates of captains of industry and finance. He introduced an idealized and abstracted type of formal design that created beautiful spaces, structured large sites, and reflected informal and relaxed plant compositions. Ferruccio Vitale tours over 40 of his masterworks, photographed by some of the best landscape photographers of the time, including Samuel Gottscho. It recounts the compelling story of a life in the early twentieth century, influenced by immigrant dreams, social clubs, and professional connections, and its culmination in some of the greatest landscapes of the 20th century.
Hardcover. Portland, OR, Timber Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 273 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped and pristine. Gilt title on spine. Binding tight. Clean inside and out. In excellent shape.
Hardcover. Philadelphia, Lippincott, 1st US, Book: Very Good, Dust Jacket: None, Hardcover, 161 pages, 8 color plates, many b&w drawings by Charles Robinson. Purple cloth with gilt design, blank page in rear has a list in pencil, otherwise clean. Printed from the English sheets.
Hardcover. New York , Random House, 1st US, 1994, Book: Very Good, Dust Jacket: Good, Hardcover, 240 pages. Illustrated with color photos. Lavishly illustrated, THE GARDEN MAKERS profiles more than seventy gardeners, profesional and amateur, from Frederick Law Olmsted to Vita Sackville-West.
Hardcover. Boston, Houghton Mifflin , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Illustrated with full color woodcuts by Mary Azarian. SIGNED BY AZARIAN. Clean, tight copy. Revealing the variety of life underground, the bright comfort of a greenhouse on a winter's day, or the anticipation of starting seeds indoors in early spring, this striking alphabet book celebrates the simple joys of gardening. Without neglecting the frustrations--the nibbling critters and the toil--or wry, humorous moments spent in the garden. Mary Azarian's spare words and lovely woodcuts capture the essence of turning a bare plot of ground into fragrant flowers and lush vegetables and trees. Her depictions of insects, manure, and compost piles are as delightful as her fountains, pumpkins, and Queen Anne's lace. Whether we are young or old, our gardens both exhaust and renew us. They are our source of magic and wonder and perhaps our best way to live closer to the land and to the rhythm of the seasons.
Hardcover. Boston, Houghton Mifflin , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Illustrated with full color woodcuts by Mary Azarian. SIGNED BY AZARIAN. Clean, tight copy. Revealing the variety of life underground, the bright comfort of a greenhouse on a winter's day, or the anticipation of starting seeds indoors in early spring, this striking alphabet book celebrates the simple joys of gardening. Without neglecting the frustrations--the nibbling critters and the toil--or wry, humorous moments spent in the garden. Mary Azarian's spare words and lovely woodcuts capture the essence of turning a bare plot of ground into fragrant flowers and lush vegetables and trees. Her depictions of insects, manure, and compost piles are as delightful as her fountains, pumpkins, and Queen Anne's lace. Whether we are young or old, our gardens both exhaust and renew us. They are our source of magic and wonder and perhaps our best way to live closer to the land and to the rhythm of the seasons.
Hardcover. New York, Kodansha International, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black & white and color photographs throughout. A tight copy.
Hardcover. New York, Stewart Tabori & Chang, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Oversized. Green cloth cover with some bumping to edges and corners. Dust jacket has slight wear to edges. Color and b&w illustrations and photographs throughout. A clean, bright copy.
Hardcover. New York, Charles Scribner's Sons, 1st US, 1924, Book: Very Good, Dust Jacket: Very Good, Folio-size hardcover, two-tone green cloth stamped in gilt. 237 pages, illustrated throughout with the author's b&w designs and sketches for gardens. Translated from French by Helen Morgenthau Fox. Spectacular copy, clean and bright with the original green dust jacket, which has only minor edgewear, small piece gone from the top of the spine and no fading or price-clip (originally $12 in 1924). Scarce thus.
Hardcover. Cambridge, Mass, The MIT Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Illustrated throughout, traces the evolution of greenhouse construction. Minor rubbing and edge wear on dust jacket, otherwise, in very good condition.
Hardcover. London, J. Davis, 1st, 1791, Book: Very Good, Dust Jacket: None, 22 (of 24) hand-colored plates proceeded by 22 pages of description. Bound in marbled boards with a linen spine and spine label. Missing plates 13 and 19. The flowering plant illustrations, executed by James Sowerby, are all bright and clean. Original blue-gray wrappers bound-in. First issued in 1792 (despite title page date of 1791, preface is dated May 1792). Previous owner's note (tipped onto front fly leaf and dated 1936) states this copy came from the Czar's Hermitage Library. No way to confirm this as there is no label or Double Eagle stamp.
Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs of secret marijuana growing communities. Published under the pseudonym "H. Lee" to protect those whom she photographed.
Hardcover. New York, Basic Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 217 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Price clipping to dust jacket.
Hardcover. Boston, The Stratford Company, 1st, 1931, Book: Very Good, Dust Jacket: Good, Hardcover, 295 pages, with black & white illustrations throughout, foreword by Richardson Wright, gilt top edge and relevant 1930 article from Horticulture Magazine laid-in. Dust jacket has corner and spine chip with some edge fade, previous owner's signature on title page, otherwise, very clean and tight.
Hardcover. Tokyo/Amsterdam, Bijutsu Shuppan-Sha/Abrams, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, 554 pages, illustrated with hundreds of color and b&w plates of Japanese temples from the year 552. Photographs by Tatsuzo Sato, Shihachi Fujimoto, Yoshio Watanabe, Ken Domon, Yasukichi Irie, Yukio Futagawa. Bijutsu Shuppan-Sha. Bibliography. Large folio, brown silk cloth with gilt lettering. In a edgeworn green slipcase. Heavy volume, extra charges for priority shipping.
Softcover. Baltimore, John Hopkins University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in illustrated wrappers, 304 pages. Illustrated with B&W engravings. Jens Jensen was one of America's greatest landscape designers and conservationists. Using native plants and "fitting" designs, he advocated that our gardens, parks, roads, playgrounds, and cities should be harmonious with nature and its ecological processes-a belief that was to become a major theme of modern American landscape design. In Jens Jensen: Maker of Natural Parks and Gardens, Robert E. Grese draws on Jensen's writings and plans, interviews with people who knew him, and analyses of his projects to present a clear picture of Jensen's efforts to enhance and preserve "native" landscapes.
Softcover. The John Bartram Association, 2nd Ed., 1953, Book: Very Good, Dust Jacket: None, Softcover, stapled green card wraps, 36 pages, b&w illustrations. Written by Emily Read Cheston. Clean copy.
Hardcover. Conran, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. John Brookes is one of the world's most respected master gardeners; his more than 1,200 designs have forced a major rethinking of what gardens can be. This first-ever illustrated retrospective of Brookes's career is fascinating reading both for its rich insight into his life, and for opening a wondrous new window onto the garden designs he created for private clients, many of which have never been publicly viewed. More than 50 of the best examples of his work are on display, highlighted by 170 color photographs. Also featured are his explorations in adding movement and dimension to garden design, thoughts on the special considerations for garden entrances, and his understanding of the cultural context of the "room outside."
Softcover. Bibliotheque de l'Image, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, features 46 large color plates of vegetables rendered in watercolor and printed on one side of pages. Limited text in French. Small tear to paper at bottom of spine. Great graphic reference. Clean copy.
Hardcover. NY, Norton, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages, illustrated with photographs, plans and drawings. A survey of the work on seventy pre-war Long Island country houses by six landscape architects and designers: Beatrix Farrand, Maertha Hutcheson, Marian Coffin, Ellen Shipman, Ruth Dean, and Annette Flanders, as well as later work by Rose Standish Nichols, Marjorie Cautley, and ten others.
Hardcover. New York , Henry Z. Walck, 2nd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 39 pages illustrated in color and b&w by Jane Paton. Bright dust jacket with light wear.
Softcover. Leopard Publishing Ventures, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, illustrated. Built in the cottage orne style from a plan by the Regency architect John Nash (1752-1835), Old Came Rectory is the historic home of the poet philologist, William Barnes (1801-1886), Thomas Hardy's mentor. Amid gatherings of poets, writers and historical figures, how many discussions around the fire of this homely home have gone on to shape the world we know today? INSCRIBED BY AUTHOR on Dedication page.
Softcover. College Station, Agricultural and Mechanical College of Texas, 1st, 1939, Book: Good, Dust Jacket: None, 315 pages. Softcover. Previous owners name at top right corner of front cover. Black & white photographs and illustrations. Darkening to spine paper, light surface rubbing to front cover. Clean, unmarked copy.
Hardcover. NY, Frederick A. Stokes, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, green cloth stamped in black. 332 pages. This edition features a color frontispiece, full-page plates in both color and black & white, and in-text illustrations throughout by William Walworth Stilson. A reprint of the 1901 edition. No date, probably the 1930s. Owner's name on inside front cover, otherwise clean.
Hardcover. Portland, Timber Press, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Couple pages creased.
Hardcover. New York, P. Blakiston's Son & Co., 2nd, 1911, Book: Good, Dust Jacket: None, 372 pages. Hardcover. Second edition, revised and enlarged with 152 b/w illustrations. Cover boards bound in deep red cloth. Gilt title on spine. Original owner's dated (Sept. 10, 1912) signature on front endpaper. flyleaf and back endpaper. In very good condition for its age. Half title page partially separated from gutter, but still attached. Binding still quite tight. Illustrations incredibly detailed. Pages slightly age-yellowed. A little bit of age-wearing to cover boards, but overall in great shape.
Hardcover. New York, Atlantic Monthly Press, 1st, 1991, Book: Good, Dust Jacket: Good, 258 pages. Hardcover. INSCRIBED BY AUTHOR. Also includes note signed and inscribed by the author. Bind stamp on cover. Foxing to edges and dust jacket. Cover slightly warped, otherwise clean, tight copy.
Hardcover. Venice IT, Arsenale Editrice, 2nd Ed., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages, color photos throughout. This edition of Secret Gardens in Venice, entirely in color, is intended to satisfy the growing desire of Venetians and tourists to know more about this fascinating city and its history. Examining both the present reality and the past history of the gardens of Venice, the authors seek to understand the special fascination of these places. Gianni Berengo Gardin has created a series of fascinating poetic images, which reveal a wholly new and unknown side of Venice. Clean copy.
Hardcover. NY, St. Martin's Press, 1st US, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 382 pages, 150 b&w photos and 24 pages in color. Clean copy. From 1946 to 1957, Vita Sackville-West, the British poet, bestselling author of All Passion Spent and maker of Sissinghurst, wrote a weekly column in the Observer depicting her life at Sissinghurst, showing her to be one of the most visionary horticulturalists of the twentieth-century. With wonderful additions by Sarah Raven, a famous British gardener in her own right who is married to Vita's grandson Adam Nicolson, Sissinghurst draws on this extraordinary archive, revealing Vita's most loved flowers, as well as offering practical advice for gardeners. Often funny and completely accessibly written with color and originality, it also describes details of the trials and tribulations of crafting a place of beauty and elegance.
NY, Harpercollins/Cliff Street , 2nd pr., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 239 pages, bibliography, appendices, maps on end-papers, illustrated with wonderful b&w line and color drawings by the author. A highly readable account of the author's 300-acre woodland in Maine, which he uses as a camp and outdoor laboratory.
Softcover. Cambridge MA, The MIT Press, 1st, 1997, Book: N, Softcover, 119 pages. Ultimately, Viewing Olmsted is a savvy and thought-provoking, yet diminutive picture book. The collaboration of three brilliant photographers under the sponsorship of the Canadian Centre for Architecture, it guides the reader down three highly personal, present day tours of legendary parks designed by Olmsted, the patron saint of American landscape architecture. Happily, though, its readers are left to intellectually fend for themselves as to meanings or implications of Frederick Olmsted's work, genius, and lasting influence as the man who designed such famous spaces as Central Park. Academics and artists will appreciate the fresh visual perspectives offered on the man's legacy, the sometimes soothing, sometimes haunting nature-by-design retreats for the urban soul. Those with more than a passing interest in the ways in which man interacts with his `natural' surroundings will appreciate vistas evocative of place rather than time. To the authors' credit, the book raises more questions than it answers, and is of a scale to fit neatly into a travel case. Far from definitive, the book is, nevertheless, a must have for architects, landscape architects, photographers, and Olmsted aficionados.
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