Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.

Hardcover. Leipzig, F.H. Brockhaus, 1st?, 1912, Book: Very Good, Dust Jacket: None, Hardbound, 414 pages. German text. Many black & white photos and color plate illustrations. Fold-out map at rear of book. Stapled binding. Big color illustration front cover with engraved dark blue & gold decoration and gold embossed lettering. Spine gold lettering, has markings. Minor scratches to back cover. Endpapers green illustration. Previous owner's signature preliminary page. Corners a bit bumped.

Hardcover. GR, Edition Cantz, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, 255 pages. A collection of b&w portraits of contemporary German workers. GERMAN TEXT. No dj issued. Clean.

Hardcover. New Haven/Atlanta, Yale/High Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, color illustrated. Like new copy in a bright dust jacket. Expressing the anxieties of the late nineteenth century and the uncertainties of the modern world, Edvard Munch (1862-1944) often depicted in his works dangerously seductive fin de siecle women, sickly figures, and isolated characters in barren landscapes. These powerful, haunting paintings are widely recognized and revered, especially his iconic work The Scream (1893). Yet few admirers of Munch's early works realize that the artist lived well into the twentieth century and was enormously productive almost to the time of his death. This compelling book, focusing on more than sixty of Munch's later paintings, reveals the surprising, vibrant work of a fascinating man who never ceased to grow as an artist. Following decades of restless wandering among the capitals of Europe, Munch suffered a breakdown in Copenhagen in 1908 and retreated to his native Norway. In 1916 he purchased an estate near present-day Oslo where he lived and worked, mostly in his outdoor studio, for the next twenty years. Although Munch never abandoned a deeply introspective approach to image-making,

Hardcover. NY, Knopf, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A revelatory history of the transformational decade that followed World War II, when Germany raised itself put of the ashes of defeat, turned away from fascism, and reckoned with the corruption of its soul and the horrors of the Holocaust.

Hardcover. Cambridge MA, MIT Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Albert Renger-Patzsch, together with August Sander and Karl Blossfeldt, was one of the undisputed pioneers of twentieth-century German photography. Indeed, what Sander achieved in portrait photography and Blossfeldt in plant photography, Renger-Patzsch achieved in his renderings of objects and the material world. As a protagonist of the movement that came to be known as Neue Sachlichkeit (New Objectivity), he wanted to record, phenomenologically as it were, the exact appearance of objects -- their form, material, and surface. Thus he rejected any kind of artistic claim for himself. Believing that the photographer should strive to capture the "essence of the object," he called for documentation rather than art.

Hardcover. London, Grub Street, First Edition , 1994, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover SIGNED BY AUTHOR to title page. 50th Anniversary Edition. Red cloth boards with gilt titles to spine. Black & white illustrations throughout. Dust jacket, bright & in very good condition. Clean, unmarked text.

Hardcover. Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages. profusely illustrated in color and b&w. This book assembles key works by leading artists such as Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin, and artists less familiar to audiences in the United States including Friedl Dicker-Brandeis, Albert Paris GA 1/4 tersloh, Karl Hubbuch, Richard Oelze, Franz Sedlacek, Josef Scharl, and Rudolf Wacker, who will each be represented by small groups of significant works. Clean copy.

Hardcover. NY, Norton, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages. Shock waves from the fall of the Berlin Wall in November 1989 continue to pulse through German society. As the difficult process of reunification continues, it is worth recalling the revolutionary moment when immense crowds took to the streets of Leipzig and Berlin under the banner "We Are the People" and brought down one of the world's most oppressive dictatorships. Robert Darnton's eyewitness account of those historic days "is direct and vivid. His prose conveys the immediacy of the drama." He gives us a memorable cast of characters, from two experts on the repair of broken-down Trabis to the environmental councilor for the polluted city of Bitterfeld, and Isaak Behar, a Jew who managed to survive the Holocaust while hiding in wartime Berlin. With wit and insight Darnton takes us behind the scenes to meet "ordinary people grappling with great change, humanizing history."

Softcover. Corte Madera, CA, Gingko Press, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, black & white photograph, 96 pages. "This book is a remarkable collection of photographs that will take you on a fascinating journey back to Berlin of the 1920s and early 1930s". A bright, clean copy.

Hardcover. Berlin GR, Nicolai, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 125 pages, b&w duotone photos throughout. Documents life in post-war Berlin. Essays by Edzard Reuter and Janos Frecot. GERMAN TEXT. Clean in a bright dust jacket.

Hardcover. US, Schirmer/Mosel, 1st, 2010-02-15, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Text in German. English language booklet included. Text by Kurt Forster. Color photos of Berlin's unseen corners.

Hardcover. Koln GR, Walther Konig, 1st, 2007, Book: Very Good, Dust Jacket: None, Text in German and English. 96 pages, illustrated in color and b&w. Light shelf-wear to illustrated boards. No dust jacket. Clean, tight copy.

Hardcover. London, Frederick Muller Limited, 1st, 1963, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. B/w illustrations throughout. Gilt title on spine. Dust jacket unclipped, shows a little age wear, but in good condition. Covers bound in black, excellent. Pages unmarked and clean. Top edge dyed. In very good condition.

Hardcover. Berlin, Brasch & Rothenstein, 1st, 1892, Book: Very Good, Dust Jacket: None, 206 pages. Hardcover. Includes 2 of 3 fold-out maps. Note: Rear fold-out map is missing. Previous owners name in pencil at top of title page. Light wear. Clean, tight copy.

Softcover. US, Block Museum/Northwestern Univ., 1st, 1988-01-01, Book: Very Good, Dust Jacket: None, Softcover, 321 pages, illustrated throughout in color and b&w. Contains works by Erich Heckel, Ernst Ludwig Kirchner, Otto Mueller, Emil Nolde, Max Pechstein, and Karl Schmidt-Rottluff. Light edgewear to wrappers, faint foxing to top edge, else a clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 487 pages. First full-length biography of Walter in English. Black boards, gray cloth spine with silver titles, illustrated dust jacket, 32 pages of b&w photographic plates on glossy paper. Slight rubbing to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.

Hardcover. New York, Thames and Hudson, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 299 pages, 193 illustrations, 150 in color. Clean copy in a bright dust jacket with a mild crease to the dust jacket. Werner Hofmann vividly demonstrates Caspar David Friedrich's extraordinary ability to reproduce the natural world in faithful detail, while at the same time imbuing it with spiritual and religious significance. Caught between the near and the distant, the finite and the infinite, his human figures find a space in which to engage in the thoughtful contemplation of nature and the divine. Carefully placing the artist in a wider context, Hofmann examines contemporary judgments and influences on Friedrich's work. The beautiful illustrations include many of Friedrich's drawings and watercolors as well as over ninety of his works in oils.

Hardcover. Berkeey, University of California, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 305 pages, nearly 150 b&w photos accompany the text. A survey of photography in East Germany; from 1945 to 1989. In a very good dust jacket with light fade to spine. "Behind the Iron Curtain, against all odds, photography flourished as an art in the German Democratic Republic. The many images in this volume amply demonstrate that fact while also providing an illustrated social history of people 'caught' in the conflicting dictates of ideology, artistic oppression, a troubled national past, and basic human desires."

Softcover. Taschen, 2001, Book: Very Good, Dust Jacket: None, Softcover, pictorial stiff wraps, approx. 150 pages, many color photos by Wolfgang Volz

Softcover. Hirmer Verlag Gmbh, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 174 pages, illustrated throughout in color and b&w. Text in German. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Leipzig, E.A. Seemann, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 132 pages of German text followed by 264 b&w plates. A catalog of nature studies by the artist, mostly botanical. Cclean copy.

Hardcover. New York, Algonquin Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright dust jacket, 278 pages. An important pioneer of the artform that became known as photomontage. Hoch (November 1, 1889 to May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Hoch was the lone woman among the Berlin Dada group, however she was dismayed to the Dadaists lip service to women's emancipation and her work echos her feelings that there were difference between women in media and reality. Marriage did not escape her criticism. She depicted brides as mannequins and children, reflecting the idea that women are not seen as complete people and have little control over their lives. A long-time German resident, her work fell out of favor after WWII although she continued to produce her photomontages and exhibit them internationally until her death in 1978.

Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs. GERMAN TEXT.

Hardcover. Berlin, Argon, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 151 pages. Hardcover with dust jacket. Black and white photos throughout. GERMAN TEXT. Clean, tight copy.

Hardcover. Berlin GR, Nicolai Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. GERMAN TEXT. The history of Berlin's grand hotel. The Adlon opened on October 23, 1907, with the Kaiser, his wife, and many other notables in attendance. It quickly became the social center of Berlin. As the rooms in the Stadtschloss were cold and drafty, the Kaiser paid an annual retainer to keep suites available for his guests.[2] Likewise the Foreign Office used the Adlon for accommodation during state visits, with guests including Tsar Nicholas II of Russia and Maharaja Bhupinder Singh of Patiala. Notable guests of the early years included industrialists such as Thomas Edison, Henry Ford, and John D. Rockefeller, as well as politicians like Walter Rathenau, Gustav Stresemann and the French prime minister Aristide Briand. Many wealthy Berliners lived for extended periods of time in the hotel, while its ballrooms hosted official government functions and society events. Many photos. Clean copy.

Hardcover. Amsterdam, Schetern & Giltay, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated boards, 190 pages. A collection of b&w (a few 2-color) political cartoons preceding WW I. Dutch text. Scarce.

Hardcover. Cambridge, Mass., Harvard University Press, 1st thus, 1951, Book: Very Good, Dust Jacket: None, 4 volume set of Geldner's German translation from the original Sanskrit, GERMAN TEXT, Volumes 33-36 of the Harvard Oriental Series edited by Charles Rockwell Lanman. Volume 4 has publication date of 1957. Previous owner's signature on front fly leaf, otherwise, unmarked, bright, and crisp copies. The Rigveda or Rig Veda is an ancient Indian collection of Vedic Sanskrit hymns (suktas). It is one of the four sacred canonical Hindu texts (sruti) known as the Vedas. DOMESTIC SHIPPING ONLY.

Hardcover. Hamburg, Cigaretten Bilderdienst, 1st, 1933, Book: Good, Dust Jacket: None, Hardcover, tan cloth with embossed gilt design on front cover. 150 pages with 225 mounted black and white and color images. German text. There is a frontispiece portrait of Hitler and a few other similar panels. A monumental propaganda work on Herr Hitler, Der Fuhrer, 9" x 12", The quality of the photographs is excellent, but one giant picture at the end, which opens out to 6 solid pages all joined together showing "Standartenweihe im Luitpoldhain1933" A vast sea of Hitler's armed forces in a giant arena. All photographs were taken and carefully selected by Heinrich Hoffmann, Adolf Hitler's official photographer. Hoffmann's photography was used. A chilling piece of German history and a fascinating example of the NSDAP's propaganda machine. Volume shows some shelf wear, name on half-title page, good plus overall.

Hardcover. Oxford UK, Basil Blackwell, 1st thus, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages. "These intimately revealing diaries, now translated into English for the first time, date mainly from the 1880s and 1890s, when Wedekind was leading a bohemian life in Berlin, Munich and Paris, savoring the artistic and erotic delights of a 'decadent' environment." In a bright dust jacket.

Hardcover. Cigaretten-Bilderdienst, Herausgegeben Vom, 1st, 1936, Book: Good, Dust Jacket: None, 2 volumes. Text in German. Approx. 300 pages. B&W tipped in photographs. Dark blue cloth with gilt pictorial bell to cover. Spine cocked. Edges soiled. Inscription in German on front flyleaf of second volume. Overall, a nice set.

Hardcover. Braunschweig GR, Vieweg und Sohn, 1st, 1900-01, Book: Good, Dust Jacket: None, Two volumes, 506 and 527 pages. Ex-library bound in 3/4 leather and marbled boards. The usual stamping, end paper residue, sticker to bottom of spines. Previous owner's signature. Light wear to covers, internally crisp and clean. GERMAN TEXT. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Nordlingen, Greno, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 82 pages, b&w portraits. GERMAN TEXT. Contemporary (1980s) photographic portraits of people from the St.Pauli district of Hamburg.

Hardcover. Leipzig, K.F. Koehler, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt title block on spine and a gilt design of a naval battlship on the front cover. 166 pages. b&w plates, GERMAN TEXT. Inscription in German on front fly leaf dated 1934. Copyright states 1920. Clean copy.

Hardcover. NY, Watson Guptill, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 161 illustrations (8 color plates), 232 pages. Dust jacket with front flap creases otherwise very good.

Hardcover. New York , Arts, Inc., 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages, 128 illustrations, 57 in color, including many tipped-in. Bright dust jacket with price-clipped flap. Previous owner's signature on front fly leaf otherwise clean, very good.

Hardcover. Gottingen GR, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w plates throughout. Hoppe traveled throughout Germany between 1925 and 1938, photographing movie stars, workers and peasants, the birth of the Autobahn, and the explosion of industrial building. This collection includes parts of his 1930 book "Deutsche Arbeit" and many photos never previously seen. Clean copy in a dust jacket.

Hardcover. San Francisco, Chronicle Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 32 pages illustrated by LaMarche. SIGNED BY LAMARCHE on front fly leaf. In a bright, unclipped dust jacket.

Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs, text illustrations., maps, bibliog., Foreword by Lew Kopelew. GERMAN TEXT. Highly pictorial account of the disastrous German campaign 1942-43. Cllean copy.

Hardcover. New York, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 10 x 13", 207 pages. Color and b&w images. Widely considered one of the major works of Expressionist printmaking, this series of spectacular woodcuts by Ernst Ludwig Kirchner is presented for the first time in a comprehensive study, specifically designed to allow readers a full understanding of the artist's achievement. No dust jacket issued.

Softcover. West Lafayette IN, Purdue University Press , 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 529 pages, b&w illustrations. Eva and Otto is a true story about German opposition and resistance to Hitler as revealed through the early lives of Eva Lewinski Pfister (1910-1991) and Otto Pfister (1900-1985). It is an intimate and epic account of two Germans-Eva born Jewish, Otto born Catholic-who worked with a little-known German political group that resisted and fought against Hitler in Germany before 1933 and then in exile in Paris before the German invasion of France in May 1940. After their improbable escapes from separate internment and imprisonment in Europe, Eva obtained refuge in America in October 1940 where she worked to rescue other endangered political refugees, including Otto, with the help of Eleanor Roosevelt. As revealed in recently declassified records, Eva and Otto later engaged in different secret assignments with the US Office of Strategic Services (OSS) in support of the Allied war effort. Despite their vastly different backgrounds, Eva and Otto gave each other hope and strength as they acted upon what they understood to be an ethical duty to help others threatened by fascism. The book provides a sobering insight into the personal risks and costs of a commitment to that duty. Their unusually beautiful writing-directed to each other in diaries and correspondence during two long periods of wartime separation-also reveals an unlikely and inspiring love story.

Softcover. Berkeley CA, University of California Press, 1st, 2001, Book: Near Fine, Dust Jacket: Near Fine, Still wrapped in plastic. Accompanied the exhibition "Expressionist Utopias" at the Los Angeles County Museum in 1993. In great condition. Color illustrations throughout. A nice, tight copy.The notion of utopia exists in every culture, capturing shared dreams and common goals. This book--prepared to accompany the exhibition Expressionist Utopias mounted at the Los Angeles County Museum in 1993--explores how the optimistic themes of utopia and fantasy sustained faith among artists and architects in the power of art to shape a better world during the tumultuous World War I era in Germany. The exhibition's curator, Timothy O. Benson along with David Frisby, Reinhold Heller, Anton Kaes, Wolf Prix, and Iain Boyd White present the diverse manifestations of the utopia metaphor in its progression throughout Expressionism from Arcadian to manmade utopias.

Softcover. Berkeley CA, University of California Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Still wrapped in plastic. Accompanied the exhibition "Expressionist Utopias" at the Los Angeles County Museum in 1993. In great condition. Color illustrations throughout. A nice, tight copy.

Hardcover. New York , Charles Scribner's Sons, 1st, 1972, Book: Very Good, Dust Jacket: Good, 176 pages, illustrated throughout in b&w. Dust jacket price clipped with slight rubbing, wear, sunning to edges and spine. Internally very good.

Hardcover. London, Wolff, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 471 pages. Dust jacket worn, with rubbing and small tears along edges. Clean, tight copy.

Hardcover. Princeton University Press , 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth-covered boards, gilt titles to spine on black ground, 350 pages., illustrated with tables. The book sets out to "describe the inception, organisation, and administration of the Nazi foreign labor program and the relationship of the program to the Nazi war economy and government". It uses captured documents as well as material published during the war. Spine slightly cocked, clean copy.

Gudensberg-Gleichen GR, Wartberg, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, no dust jacket issued. 72 pages of b&w photos of Frankfurt and it's citizens in the 1950s. GERMAN TEXT.

Hardcover. Munich / New York, Prestel / Neue Galerie, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. profusely illustrated in color and black & white throughout, including several full-page illustrations. Includes a preface by Ronald S. Lauder, a foreword by Renee Price and essays by Vivian Endicott Barnett, Erich Franz, Ursula Heiderich, Annegret Hoberg, Isabelle Jansen, and Olaf Peters. This generously illustrated volume focuses on the poignant friendship of Franz Marc and August Macke, two innovative members of the Blue Rider group. During the five years Franz Marc and August Macke knew each other, the two men carried on an artistic and personal friendship that had an immense impact of each of their careers. This book traces their relationship and features meticulously reproduced images that bring their paintings, and the bond they shared, to life. In addition to paintings, watercolors, and drawings from both artists, this book includes objects and documents that show their connection to one another. Clean copy.