Softcover. Baltimore, MD, Baltimore Museum of Art, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 151 pages, b&w and color illustrations. Light edge wear, rubbing to wrappers. Else a clean, tight copy.
Softcover. Tucson, AZ, Southwest Parks , 1st, 1999, Book: Very Good, Dust Jacket: None, 88 pages. Softcover. Yellowing to front and back covers. An otherwise clean, unmarked copy with minor edgewear. Color photographs throughout.
Softcover. NY, New York Museum of the American Indian, 1st, 1926, Book: Very Good, Dust Jacket: None, Softcover, leaflet of the Museum of the American Indian, account of a rare blanket, thought to be woven of dog hair, of the Salish Indians along with discussion of technique. Very good condition, bound between stiff card wraps.
Hardcover. Garden City, Doubleday, Doran & Company, Reprint, 1938, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover. Previous owners inscription on title page. Black & white illustrations by Kurt Wiese. Full color dust jacket with light wear, minor chipping along edges - jacket now protected with clear plastic cover. Clean, unmarked text.
Hardcover. New York, Wise-Parlow, Reprint, 1935, Book: Very Good, Dust Jacket: Good, 96 pages. Full color illustrations by John Rae. 1935 reprint of the Volland edition. Dust jacket shows small chips along edges with small chunk missing from top of spine. Scarce in dust jacket. Clean, tight copy.
Hardcover. Springfield, Ma, Milton Bradley and Co., 1st, 1939, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Illustrated by George Gray. Red cloth boards with title on front and spine. Some fading on front and back endpapers. Previous owners inscription on front endpaper. Flyleaf has childrens crayon drawing of cowboy and indian. Illustrated dust jacket has minor chipping. Still a very nice copy.
Hardcover. Toronto, L. K. Cameron, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, white cloth spine, gilt. Spotting to covers. Six annual reports for 1903. 05, 06, 07, 11 and 12 - all bound into one volume. Illustrated with black & white and some color photographs, b&w drawings of archaeological finds. Two fold-out maps. Some pages tanned by age otherwise clean.
Hardcover. Greenfield, MA, Ansel Phelps, 1st, 1824, Book: Fair, 312 pages. Hardcover with detached front cover to title page. All pages present. Moderate foxing to internal pages, light soil. Good candidate for rebinding.
Softcover. New York , Aperture, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. This issue features the work of Raghubir Singh, Raghu Rai, Roaslind Solomon, Linda Connor, Mitch Epstein, Alex Webb and others.
Softcover. Paris, Reunion des Musees Nationaux, 1st, 1990, Book: Very Good, Dust Jacket: None, 204 pages. Softcover. French text only. Previous owners stamp on front endpaper. Illustrated with beautiful full color and black & white examples of religious art and artifacts of Tibet and Nepal. Slight toning to page edges. Clean, tight copy.
Hardcover. Seattle, WA, University of Washington Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover black cloth with silver lettering. 410 pages. 32 pages of color plates; near 1000 black-and-white photographs. Bibliography and index. Authoritative guide to the collections at the University of British Columbia. Clean copy in a bright dust jacket.
Hardcover. New York, William Morrow & Co, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. "A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender". Gorgeous color plates.
Hardcover. New Delhi, Lalit Kala Akademi, 1st, 1959, Book: Very Good, Dust Jacket: Good, 52 pages. Hardcover. Illustrated with black & white photographs. Dust jacket with tape repaired tears along edges, areas of fading. Clean, tight copy.
Hardcover. Norman OK, University of Oklahoma Press, 1st , 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dustjacket. Ground plans of the Indian villages of New Mexico and Arizona with aerial photos & scale drawings.
Hardcover. New York, Charles Scribner's, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, 87 pages illustrated in b&w by Phongsun. In a lightly worn dust jacket with large wrinkle on top edge with tear to fore edge, closed tear on rear. INSCRIBED BY AUTHOR on half-title page.
Hardcover. New York, Umbrage Editions, 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Hardcover. Non-paginated. Full color and black & white photographs. Clean, bright copy.
Softcover. Chennai India, Dakshinaa Publishing, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 8 1/2 X 11", 436 pages, b&w illustrations. The science and technology of Vaastu Shastra, archetypal building forms illustrated and explained. The text is enhanced by measured drawings. A work of scholarship by India's leading authority on the subject. Scarce.
Hardcover. New York, NY, Derby & Jackson, 1st, 1856, Book: Very Good, Dust Jacket: None, Hardcover, 401 pages with 8 pages of advertisements. 2 illustrations before title page. Brown embossed cover with gilt title and decoration to spine. Wear to back cover. Soiling to edges. Previous owner signature on front flyleaf and rear pastedown.
Hardcover. London, Cassell Petter & Galpin, unknown, unknown, Book: Good, Dust Jacket: None, Two volumes in one. Volume I is 576 pages. Volume II is 588 pages. Blue cloth cover, gilt lettering and design, corners and edges are worn and frayed. Top edge gilt. Heavy foxing on title page and frontispiece, light foxing on some pages throughout, otherwise inside is bright and clean with many b&w illustrations. Previous owner's sticker on front endpage, reads "Used in tour around the world, 1881-1882." Previous owner was author and traveller Joseph Cook. A impressive and thorough copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, Harry N. Abrams, Inc., 1st Edition, 1989, Book: Very Good, Dust Jacket: Very Good, 155 pages. Hardcover. Color and b/w illustrations throughout. Cover boards bound in orange cloth, gilt title on spine, all excellent. Dust jacket unclipped, has small puncture near spine on front cover (patched from inside a with tape, see image), otherwise very good. Binding tight. Spine straight. In beautiful condition. Hassrick's illuminating discussion of Russell's work, based on much new research, is set against the backgrond of the artist's experiences in the West.
Hardcover. London/Calcutta, Seagull Books , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Circuses provide surreal, fantastic entertainment. At times magical and at others chilling, the circus is a world of magic and spectacle for the viewer, but for the performer, a career in the circus often brings with it a nomadic, lonely life. In Circus Girl, photographer Saibal Das captures beautiful and unusual images of circus girls, photographs which evokes this sense of darkness and resignation that underlies the otherworldly feats they perform under the big top. For instance, in one photograph, a circus girl whose act involves a lioness is seen sitting in front of a mirror putting on her makeup. The lioness that she usually whips in the ring stands behind her, her paw touching the girl's shoulder affectionately. But both wear a solemn look. In another, the girl sits on her props, staring silently at the snack packets strewn on the ground. The giant marquee is empty. Internationally renowned mime Nola Rae provides a haunting accompanying text that poetically comments on the transient wanderings of the circus performers who often yearn for a conventional family life while donning their costumes and taking hold of the trapeze. Rae gives voice to the circus girls, articulating the thoughts too often hidden by the brilliant illusion of stage lights.
Hardcover. Seattle, Salisbury Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. Illustrated in full color and black & white. Book with original wrap around band on cover. A nice copy.
Hardcover. NY, Farrar, Straus and Giroux , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Pohrt. Coyote-a creator, a messenger, and, above all, a trickster-is at his mischievous best in these adventures retold from Native American sources. Brilliant illustrations depict the playful character in four tales: "Coyote Creates a New World," "Coyote and Mice," "Coyote and Woodpecker," and "Coyote and the Buffalo Bull."
Hardcover. NY, Greenwillow, 1st, 1980, Book: Very Good, Dust Jacket: None, Nice condition, some wear to cover but mostly new-looking. Color illustrations by Tony Chen. Hardbound, no dust jacket.
NY, Clarion Books, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 48 pages. Color photos and illustrations. Illustrated end papers. More than 130 full-color photographs adorn this handsome re-creation of daily life in a Plains Indian village in 1868. Readers will meet Real Bird and his family, part of a Northern Cheyenne tribe in southeastern Montana. Each member has an important role: Men prepare to become warriors and hunters, while women learn to raise crops and build a home-a tipi-from poles and buffalo hides. The clothes the family wears, from elaborate ceremonial headdresses to colorful beaded moccasins; the foods they eat; the games they play; the crafts and jewelry they make; and the spiritual rituals they perform are among the many topics included. This large-format book, with clear text and informative sidebars, provides a detailed pictorial account of the Plains Indian life more than a century ago. Clean copy.
Hardcover. Washington, D.C., Prestel, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 408 pages, illustrated throughout in color. Large oversized book. Devi, the Great Goddess of India is beautiful, beneficent, terrifying, all-powerful, and glorious. Ubiquitous in India's social and spiritual fabric, she has, over the millennia, been painted, sculpted, carved, and wrought from silver and bronze in a myriad of shapes and forms. Devi: The Great Goddess brings together one hundred and twenty of these diverse examples of Devi and a group of distinguished essayists who explore facets of Devi worship and tradition, including ritual, architecture, literature, history and contemporary issues such as feminism and gender politics. Light edgewear to dust jacket, else a clean, tight copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. London, John Murray, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, 313 pages, b&w photos. Orange cloth, gilt titles to front and spine, no dust jacket. Faint spotting to rear cover, light wear to edges of spine. Clean, tight copy.
Hardcover. Philadelphia, J. W. Bradley, 1st, 1860, Book: Good, Dust Jacket: None, 473 pages plus ads. Hardcover. Some darkening and fading to endpapers. Blue cloth covers with title and illustration in gilt on spine. Covers show light wear with minor rubbing to corners and edges. Clean, unmarked text.
Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. This publication presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian Drawings, which was recently acquired by the Philadelphia Museum of Art. This exceptional collection, which has never previously been published, consists of 65 works on paper created between the 16th and 19th centuries.
Hardcover. Salem MA, Cushing and Carlton, 1st US, 1795, Book: Very Good, Dust Jacket: None, 144 pages, 2 parts bound in one volume, bound in leather. Front cover hinge partially cracked, loose. Light pencil writing on last blank page, otherwise clean, tight copy.
Hardcover. NY, Coward McCann, 1st US, Book: Good, Dust Jacket: Good, Hardcover in a colorful edgeworn dust jacket with tanning to edges, 240 pages. 9 color plates, 12 b&w illustrations and 13 line drawings by Lear. No date, bound from English sheets, circa early 1950s. Clean copy.
Hardcover. London, John Murray, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. This is a magnificent portrait of post-Raj India before the modern world swept across the subcontinent. Featuring 100 superbly reproduced, full-page photographs, this is Derry Moore's splendid photographic evocation of an independent India that had all but vanished by the late 1970s--above all, an India still untouched by mass tourism. Initially, Moore set out to photograph the princely palaces, but he became increasingly intrigued by the lesser-known buildings, and those that inhabited them. In them, he found eccentricity, originality, and an extraordinary hybrid of Indian and British taste.
Softcover. Berkeley CA, University of California Press, reprint, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. Taking Gandhi's statements about civil disobedience to heart, in February 1922 residents from the villages around the north Indian market town of Chauri Chaura attacked the local police station, burned it to the ground and murdered twenty-three constables. Appalled that his teachings were turned to violent ends, Gandhi called off his Noncooperation Movement and fasted to bring the people back to nonviolence. In the meantime, the British government denied that the riot reflected Indian resistance to its rule and tried the rioters as common criminals. These events have taken on great symbolic importance among Indians, both in the immediate region and nationally. Amin examines the event itself, but also, more significantly, he explores the ways it has been remembered, interpreted, and used as a metaphor for the Indian struggle for independence. The author, who was born fifteen miles from Chauri Chaura, brings to his study an empathetic knowledge of the region and a keen ear for the nuances of the culture and language of its people. In an ingenious negotiation between written and oral evidence, he combines brilliant archival work in the judicial records of the period with field interviews with local informants. Clean copy.
Softcover. NY, Knopf, 1st, 1981, Book: Good, Dust Jacket: None, Illustrated throughout in color. Softcover with light edgewear and rubbing to wrappers. Foxing to edges, faint musty smell. Falkland Road is a notorious street of prostitutes in Bombay. It is like any busy lower-class street in Bombay, densely populated by vendors, merchants and shops, but also overcrowded with girls, from 11-year-olds to 65-year-old ex-madams. The street is lined with old wooden buildings, which teem with prostitutes hanging out of the windows, in the viewing cages on the ground floor, and on the steps. From sunrise to sunset the customers pass down the street to survey the girls. Mary Ellen Mark's extraordinary portrait of Falkland Road was first published in 1981 and has long been recognized as one of the major bodies of work in the canon of this significant Magnum photographer. The book contains 65 photographs made over six weeks that show the daily life lived by the women (and men) of the street. Mark's images are beautiful, electric, shocking and remarkable for their emotional power and for the visceral brilliance of their color. Together with Mark's captions and introductory text, Falkland Road is an astonishing work of insight into a raw and frightening world, made accessible by the completeness of the photographer's involvement, by her humanity, and by the way she captures the variety of individual life and the color, passion and tenderness that still abide there.
Hardcover. Berlin, Steidl, reprint, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 123 pages, 65 color plates. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.
Hardcover. Gottingen, Steidl, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.
Hardcover. Gottingen, Steidl, reprint, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.
Hardcover. India, Mapin Publishing Group, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 171 pages, color and b&w illustrations. This very visual work features the religious and historical significance of feet and footwear in Indian culture as reflected in the civilization's art, sacred writings, and literature. Like new in publishers shrink-wrap.
Softcover. Washington DC, Smithsonian's National Museum of the American Indian, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 263 pages. Color plates throughout. Five essays by contributors. Clean copy.
Hardcover. New York, Crown Publishers, 1st Thus, 1971, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. Black & white illustrations. Dust jacket in protective clear plastic cover. Clean, unmarked text.
Hardcover. New York, Knopf, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 434 pages, three novels. Very clean and tight copy.
Hardcover. Hamden CT, The Shoe String Press, 1st, 1971, Book: Very Good, Dust Jacket: None, 265 pages, hardcover. SIGNED BY AUTHOR on front flyleaf. Non-discrept tan boards clean and tight. French policy regarding the Chinese inhabitants of Madagascar. Scarce. A bright copy.
Hardcover. NY, Eaton and Means, 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover, decorated cloth, gilt lettering on spine, 262 pages. An Account of the visitation of Bishop Foss and Dr. Goucher to the Indian and Malaysian Missions of the Methodist Episcopal Church. This book gives the reader new information as to the needs of the different fields which are under discussion, grasps more vividly the magnitude of the modern missionary movement, and gathers fresh confidence in the final triumph of the Messiah throughout the heathen world. B&w illustrations. Old ink price on front fly leaf, otherwise clean.
Hardcover. Spain, La Fabrica, 1st, 2011, Book: Near Fine, Dust Jacket: None, Hardcover, 63 pages. Like new in publishers shrink-wrap. Reveals the Mexican photographer's extended explorations in (mostly) cities in the north of India--Varanasi, Delhi and Calcutta, as well as Bombay--over the past 13 years. Iturbide`s black-and-white images are strikingly at ease with their subject matter, able to locate arrangements of objects, architectural outline and urban signage without ever lapsing into visual tourism. Text in English and Spanish.
Hardcover. Spain, La Fabrica, 1st, 2011, Book: Near Fine, Dust Jacket: None, Hardcover, 63 pages. Like new in publishers shrink-wrap. Reveals the Mexican photographer`s extended explorations in (mostly) cities in the north of India--Varanasi, Delhi and Calcutta, as well as Bombay--over the past 13 years. Iturbide`s black-and-white images are strikingly at ease with their subject matter, able to locate arrangements of objects, architectural outline and urban signage without ever lapsing into visual tourism. Text in English and Spanish.
 "Bird's Eye View of the Pueblosby: Stubbs, Stanley A.")
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![First American Art: The Charles and Valerie Diker Collection of American Indian Art by: Bernstein, Bruce [Editor]; McMaster, Gerald [Editor]; Ash-Milby, Kathleen E. [](https://www.browsingisarousing.com/shop/images/First-American-Art-The-Charles-and-Valerie-Diker-Collection-of-American-Indian-Art_by_Bernstein-Bruc378700-411946.jpg "First American Art: The Charles and Valerie Diker Collection of American Indian Art by: Bernstein, Bruce [Editor]; McMaster, Gerald [Editor]; Ash-Milby, Kathleen E. [")
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