Literature Poet

Softcover. Chicago, Gateway Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 517 pages. Clean copy.

Hardcover. Lewisburg ME, Bucknell University Press, 1st, 2005, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with fading to spine and spine edge, 144 pages. Clean copy.

Hardcover. NY, Rinehart & Co., 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover, 241 pages. The author Cook was an English professor at Middlebury College for many years, and involved with Bread Loaf Writer's Conference almost from its inception, as Robert Frost was. INSCRIBED by Robert Frost (the subject) to Cook (the author).

Hardcover. Washington DC, University Press of Washington D.C., 1st, 1953, Book: Good, Dust Jacket: Good,

Hardcover. NY, Pantheon, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 213 pages, clean copy.

Hardcover. New York , Bollingen Foundation/Pantheon, 1st thus, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcovers, four volumes in a slipcase. Blue cloth covers with red spine labels, gilt lettering. Unclipped dust jackets. 345,547,540, and volume 4 index 109 pages and photo reproduction of the original 1837 edition in Russian. Bollingen Series LXXII. Slipcase is sound. Clean, bright set with only minoe shelf wear.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1996, Hardcover, 106 pages, color plates. Edited with an Introduction by William Benton. Illustrated with full-page color reproductions of 40 paintings by Elizabeth Bishop. Elizabeth Bishop (February 8, 1911 October 6, 1979) was an American poet and short-story writer. She was Consultant in Poetry to the Library of Congress from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956, the National Book Award winner in 1970, and the recipient of the Neustadt International Prize for Literature in 1976. Bump to bottom lower corner of book. Clean copy.

Hardcover. Philadelphia, John Patterson and Friends, 1st, 1924, Book: Good, Dust Jacket: None, 25 pages, b&w frontispiece portrait of Stevenson, green cloth spine over patterned boards. Some wear, fraying to spine, light residue to front pastedown where bookplate may have resided.

Hardcover. Nashville TN, Vanderbilt University Press, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth with black and gilt title block on spine. 224 pages, Introduction by Louis D. Rubin Jr. B&w frontis portrait of participants: Allen Tate, Robert Penn Warren,Merrill Moore, and others. The Fugitive was a poetry magazine published in the 1920s and this is a record of their gathering some 30 years later with their commentaries. Small name on front fly leaf, otherwise clean.

Hardcover. NY, Alfred A. Knopf, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 589 pages. Hardcover with dust jacket. Remainder mark on bottom text block. Tight copy. Light rubbing to dust jacket.

Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.

Hardcover. Baltimore, Johns Hopkins University Press , 1st, 1977, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers, silver lettering, 152 pages. Light pencil marking in text.

Softcover. NY, Grove Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 239 pages. Hettie Jones presents an intimate memoir of her life--from her middle-class Jewish family in Queens to her marriage to the controversial black poet LeRoi Jones and her search for her own artistic voice. Clean copy.

Hardcover. Saint Paul MN, Paragon House, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 231 pages. Nearly twenty years of letters beginning with the poet's encouragement of guidance, and the sharp critic's mentoring, developing into a sparring intellectual relationship discussing philosophies of literature and culture, and then mental dueling, and finally a rejection of one another. Clean copy.

Softcover. NY, Archipelago Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 171 pages. One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish's self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of immortality, the poet looks back at his own existence, intertwined with that of his people. Clean Copy.

Softcover. NY, Archipelago Books, reprint, 2021, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 171 pages. One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish's self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of im/mortality, the poet looks back at his own existence, intertwined with that of his people. Clean Copy.

Hardcover. US, University Of Chicago Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. INSCRIBED BY AUTHOR on title page. Light edgewear to dust jacket with light soil to rear cover.

Hardcover. NY, Philosophical Library, 1st US, 1948, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, 265 pages. B&w frontis. portrait. Previous owner's long inscription on front fly-leaf, otherwise clean.

Hardcover. New York, Henry Holt & Company, 1st, 1998, Book: Very Good, Dust Jacket: Good, 332 pages. Light shelf-wear to dust jacket with slight crease to rear cover, else a clean, tight copy.

Softcover. St. Louis, Washington University Libraries, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. First edition. From an edition of 1500 copies. Small quarto. illustrated wrappers. 40 pages. With many facsimiles of pages from James Merrill manuscripts, correspondence, etc. Includes short essays on several different aspects of his work as well. Clean copy.

Softcover. Durango CO, Logbridge-Rhodes, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 150 pages, b&w illustrations. Poems by Wright, with letters, interviews, memoirs, elegies, a chronology, and bibliography. Light fade to spine, otherwise clean copy.

Hardcover. UK, Oxford University Press, 2nd pr., 1926, Book: Good, Dust Jacket: None, Hardcover, pale orange cloth with title on spine label. Former copy belonging to COUNTEE CULLEN (1903-1946), with his signature on the front fly leaf. Cullen was an American poet, novelist, children's writer, and playwright, particularly well known during the Harlem Renaissance. 248 pages, b&w frontis. Small paper scars to front endpapers, otherwise clean.

Hardcover. Cincinnati, Poe & Hitchcock, 1st, 1860, Book: Very Good, Dust Jacket: None, Hardcover, 762 pages, b&w illustrations. Cloth and leather covers. Some foxing to pages, edgewear to covers, some pages dog-eared, else a very nice, tight copy.

Hardcover. NY, Frederick A. Stokes, 1st thus, 1890, Hardcover, 3/4 decorated white cloth with gilt stamped decorative pattern. Vignette edition with engraved frontispiece and 100 illustrations by Thos. McIlvaine. An Oriental romance, originally published in 1817, consisting of four narrative poems connected by a prose section. Small blank label on inside front cover, otherwise a tight, clean copy.