Literature Poet

Softcover. Louisville KY, Sarabande Books, 4th pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w photos. Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence. The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. Clean copy.

Softcover. Minneapolis, University of Minnesota Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 305 pages. "In The Dark End of the Street, Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of one group of artists as they address improtant questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the 'dark end of the street' of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social 'outsiders."

Hardcover. London, Oxford University Press, 1st, 1933, Book: Very Good, Dust Jacket: Good, 140 pages. Hardcover with price-clipped dust jacket. Clean, tight copy.

Hardcover. NY, Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 346 pages. An intimately perceptive account, by a poet who knew them all, of the brilliant circle of poets who lived and worked in Boston through the half-decade beginning in 1955. That was the year Peter Davison, coming to Boston as a book editor. was swept up in a world -- in a tumult -- of poetry. He rediscovered his father's old friend Robert Frost. He briefly squired Sylvia Plath. He came to know Robert Lowell (whose poems and private disasters dominated the period) and Adrienne Rich, Stanley Kunitz, Richard Wilbur. Anne Sexton, W. S. Merwin, and others who, closely bound together in friendship or rivalry or both, defined the shape of American poetry at mid-century Through their eves as well as his own, and often in their words, Davison presents a sharply fresh vision of the shift from confidence to a troubled questioning that overtook America -- a transformation that was, in a sense, foreshadowed in the sensibilities, in the writings, sometimes in the lives, of some of our finest poets. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 248 pages. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, facsimile reprint of a pamphlet, an early feminist document in the form of a poem with a 14 page introduction by Gae Holladay. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover. Facsimile reprint of 17th century (1754) edition; stapled wraps; 44 pages with a 12 page introduction by Jocelyn Harris.

Softcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 139 pages. How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery. Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate. Clean copy.

Softcover. Santa Cruz CA, Kayak Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, tan wrappers with paper label on front, 48 pages. Pictures by Douglas McClellan. An uncommon experimental work, 1000 copies printed.

Hardcover. NY, Pantheon, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, chipped dust jacket. This is the first detailed and balanced biography of one of the most controversial literary figures of the twentieth century. It includes much material - poetry, prose, and letters - which has not previously been published. Ezra Pound, an American who left home for Venice and London at the age of twenty-three, was a leading member of "the modern movement," a friend and helper of Joyce, Eliot, Yeats, and Hemingway, and an early supporter of Lawrence and Frost. Clean copy.

Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.

Hardcover. NY, Pellegrini & Cudahy, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover in a mildly soiled dust jacket with tanning to spine,name on front fly leaf, otherwise clean.

Softcover. NY, W.W. Norton & Co., 1st pbk., 1962, Book: Very Good, Dust Jacket: None, Softcover, 205 pages. Clean, bright copy.

Hardcover. NY, Free Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 270 pages, b&w illustrations. Light edgewear to dust jacket, else a clean, tight copy. Recounts the life of the English poet who died during World War I, looks at the group of his friends and fellow poets known as the Neo-Pagans, and discusses the influence of homosexuality on his life. His sonnet "The Soldier" and early death in World War I made British poet Rupert Brooke a key figure in the nation's myth of patriotism and youthful valor. Biographer Delaney places him among the Neo-pagans, a small circle of writers, artists, and intellectuals who flourished from 1908 to 1912. The group honored youth, comradeship, and the simple life and aimed to set aside the constraints of Victorianism. Delany shows how the internal dynamics of the group, not shock of war, led to its disintegration.

Softcover. Seattle, Wave Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 219 pages. A collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016. Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares 'I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.' Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde-among many others-into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet's need to speak, and the resulting responsibilities. Clean copy.

Hardcover. NY, Mcdowell, Obolensky, 1st, 1957, Book: Good, Dust Jacket: None, Hardcover, brown cloth with faded gilt lettering to spine, 347 pages. Edited with an introduction by John C. Thirlwall. Clean copy.

Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.

Softcover. Madison WI, Coda Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Square softcover. Two titles bound in one volume, texts in English and French. The Voice in the Closet by Raymond Federman has text in English. Bound upside down at other end of book is La Voix Dans le Cabinet de Debarras by Federman, now in French, plus Echoes by Maurice Roche, also in French. English cover is white; French cover is black. INSCRIBED BY AUTHOR on the title page.

Softcover. NY, New York University Press, 1st pbk, 1978, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. With bibliography and index. A complete biography of Dahlberg's life and career with an examination of the writings. Contains fourteen illustrations. Clean copy.

Hardcover. San Francisco, Sierra Club Books, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 51 pages, illustrated with wood engravings by Michael McCurdy. Bly's commentary sheds important new light on the intellectual and spiritual development of a major American literary figure. Mild fade to dj spine. Clean copy.

Hardcover. NY, W.W. Norton & Co., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 299 pages. The author investigate the trauma behind poets Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz. They formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as 'confessional.' But partly as a result of their openness, they have become better known for their tumultuous lives-afflicted by mental illness, alcoholism, and suicide-than for their work. This book reclaims their achievement by offering critical 'biographies of the poetry'-tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. Clean copy.

Softcover. Saint Paul MN, Graywolf Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 53 pages. Gallagher was born in 1943 in Washington state, and studied at the University of Washington under Theodore Roethke. She later married the poet and writer Raymond Carver.

Hardcover. Albany NY, State University of New York Press, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and tanned dust jacket, 262 pages. A critical introduction to major English poetry of the nineteenth century with an analysis of the changes in subject matter form, tone, and technique resulting from romantic influences. Clean copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, bound in publisher's cloth backed boards and issued without a jacket. 260 pages. Clean, bright copy.