Poetry

Hardcover. NY, Macmillan, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 78 pages. Previous owner's pencil inscription on front endpaper. Dust jacket chipped, edgeworn, unclipped with 4.50 price.

Hardcover. New York, Macmillan, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a brigh dust jacket with light edgewear. SIGNED BY KHERDIAN on front end paper.

Hardcover. NY, Clarion Books, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover. 127 pages. Color, black and white illustrations by Leslie Brooke. Dust jacket price-clipped. Clean.

Hardcover. Rochester NY, BOA Editions, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. 251 pages. A later anthology of poems from this prolific writer. A fine copy in black cloth boards and in a fine dust jacket. INSCRIBED BY SNODGRASS on the title page.

Softcover. Baylor University Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 226 pages. The English poet U. A. Fanthorpe (1929-2009) liked to call herself "a middle-aged drop-out," having abandoned a successful teaching career to focus on her poetry, even concealing her Oxford degree so she could find paid work--at Hoover, then as a hospital receptionist. This gave her a chance to study people, which is what her wonderful poems do best. Fanthorpe's verse is instinctively English, often very moving, frequently funny, invariably rooted in her faith. Fanthorpe and her partner, Rosie Bailey, became Quakers in the 1980s. These poems touch on spiritual matters, dramatize Bible stories, and are underpinned by a profound moral sense. Fanthorpe does not judge; rather, she watches, records, and allows her words to do their work. Clean copy.

Hardcover. New Brunswick, NJ, Rutgers University Press , 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover, 68 pages. INSCRIBED BY AUTHOR on half title page. Light edgewear and tanning to dust jacket. Otherwise, a tight clean copy.

Hardcover. New Brunswick, NJ, Rutgers University Press , 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, unclipped dust jacket, 68 pages. A tight clean copy.

Softcover. Burlington VT, Rumble Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 28 pages, plain stiff white paper wraps, outer layer of light purple rice paper with title label pasted on front, pages tied with string at spine, hand printed by Bruce Conklin, #82/400 copies, poems of self-awareness published in celebration of Sarton's eightieth birthday, Clean copy.

Hardcover. London, Methuen & Co., 1st, 1927, Book: Very Good, Dust Jacket: Very Good, Hardcover, 103 pages, b&w drawings throughout by Ernest H. Shepard. Dark red cloth with gold gilt image to front board of Christopher Robin playing with his train and gold gilt image to back cover of Pooh Bear & Piglet. Also gilt edge rulings, gilt titles to spine & gilt to top leaf edge. Tight binding with only minimal wear to top of spine. Pictorial pink endpapers, front & back, showing Christopher Robin with Pooh and various other friends, are very nice. Pale blue dust jacket has darkening to spine and tiny chips to corners, larger chip to top of spine. Front and rear panels with Shepard's drawings.

Hardcover. NY, Norton, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A dark, no-holds-barred, and often hilarious collection from a prize-winning poet, veering between the poles of self and world. Kim Addonizio's sharp and irreverent eighth volume, Now We're Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarikannit-drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet's characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more. Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.

Hardcover. NY, Doubleday and Co., reprint, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with publisher's sticker on front. INSCRIBED BY KENNEDY on the front fly leaf and signed "Joe Kennedy". 71 pages, his first book of poetry. No First Edition statement but 1961 on title page, $2.50 on flap. Clean copy.

Hardcover. London, Duckwoth & Co., 1st, 1916, Book: Good, Dust Jacket: None, 63 pages, hardcover. illustrated in B&W by Macdonald Gill. Weak hinges.

Softcover. San Francisco, Kayak Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps. One of 800 copies, decorative blue wraps, colored papers, colorful silkscreen art prints by George Hitchcock mixed in text. Second book by the Swedish-American poet, 68 pages. Small name on copyright page otherwise clean.

Hardcover. NY, New Directions, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, quarter brick-colored cloth, green marbled paper boards. Winner of the 1969 Pulitzer Prize for Poetry. 64 pages, stated First Edition. Clean copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1947, Book: Good, Hardcover, beige boards with green and red text; light wear to corners and spine, light spotting to covers. Nash's poems set to music by Vernon Duke. Each song accompanied by playful two tone illustrations by Frank Owen. Inscription on front fly leaf, clean internally. 48 pages, no dust jacket.

Hardcover. Boston, Joseph Knight, 1st, 1892, Book: Very Good, Dust Jacket: None, Floral decorated boards with a green cloth spine that has an ornate gilt design. Ten pages printed on thin Japanese tissue tipped to heavier paper. Earliest work by the Victorian photographer Mrs. Mary A.N. Gray Bartlett. The words done in calligraphy. Moderate foxing to title page and some light foxing to a few other pages. Mother Goose page has vertical crease across Mother Goose image, and very fine ripples in paper. Despite the fragility of the plates, all are intact. Scarce.

Hardcover. NY, Farrar Straus Giroux, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 193 pages. In a bright, unclipped dust jacket with $4.95 price on flap. Clean. Lowell's first dramatic work, The Old Glory, consists of three plays, Benito Cereno, My Knisman, Major Molineux, and Endecott and the Red Cross. Based on stories by Hawthorne and a novella by Melville, they are held together by the unifying symbol of the flag.

Hardcover. Boston, Houghton Mifflin, 1st, 1996-06-20, Book: Very Good, Dust Jacket: Very Good, Hardcover, 134 pages. SIGNED BY AUTHOR on title page. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. New York, Thomas Nelson and Sons, 1st Thus, 1925, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover. 1925 date is estimate. Full color and black & white illustrations by Anne Anderson. Red cloth with full color paste down illustration on front cover. Endpapers with Illustrations in red. Foxing to preliminary/dedication page. Light foxing to page 73. Light rubbing to cover corners, top/bottom of spine. Three small spots on back cover. Hinges intact but tender. Overall very good.

Hardcover. New York, Harper and Brothers, reprint, 1889, Book: Very Good, Dust Jacket: None, 122 pages. Nineteenth century poetry profusely illustrated with pen line drawings by Abbey and Parsons. Green cloth with dark green design, gutter cracked at half title page, otherwise very good.

Softcover. Ann Arbor MI, University of Michigan Press, 2nd pr., 1985, Book: Very Good, Dust Jacket: None, Softcover, 462 pages. Illustrated in b&w. Includes bibliography. From rear cover: "From Kenneth Rexroth to the Czechoslovakian secret police, from Marianne Moore to the F.B.I., from Diana Trillling to Time magazine - Allen Ginsberg's work has always drawn a spirited response. Now, for the first time, these responses - remarks, reviews, and essays - have been collected in a single volume. Beginning with William Carlos Williams's early letters of support and ending with James Breslin's biographical analysis of 'The Origins of Howl and Kaddish', this collection reflects a full thirty years of praise, complaint, debate, and analysis of the work of one of the most innovative poets of our century". Previous owner's name on front fly leaf, otherwise clean.

Softcover. El Paso TX, Cinco Puntos Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. SIGNED ON THE TITLE PAGE BY BYRD. "Byrd sure shoots a mean game with words. His language, his subject matter, his sensibility are there to remind us that 'we really inhabit / the holy body of God,' that we are all 'hungry ghosts / all of us." Ultimately, Byrd's book is about the community Byrd has learned to embrace--his book is a work that pays homage to those who have formed him--his neighbors, his children, his wife, the poets whose voices still urge him to write. This is a book for everybody." --Benjamin Alire Saenz. Small name on front fly leaf, otherwise clean.

Softcover. New York, The Spiral Press, 1st, 1953, Book: Very Good, Dust Jacket: None, 12mo. Printed wrappers. Decorations by Philip Grushkin. First edition of Frost's Christmas poem for the year. INSCRIBED BY FROST on first page: "To Garry Simpson from Robert Frost/At Miami arranging (?) March 4, '57". Light soil to outer wraps, Otherwise very good.

Hardcover. Denver CO, Big Mountain Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. INSCRIBED BY GLAZIER on the front fly leaf and signed "Lyle". The poet's first book. Clean copy.