Poetry

Hardcover. Reilly & Britton Co., 1st Edition, 1910, Book: Good, Dust Jacket: None, 110 pages. Hardcover. Also included: "The Bells", "Annabel Lee" and "The Philosophy of Composition", an essay by Edgar Allan Poe. Gorgeous Color & B/W Illustrated Drawings by John Rea Neill, Cover boards bound in green cloth, with illustrated paste-on on front cover board. Previous owner's bookplate on verso of front fly leaf. Some wear and soil to covers. Top edge gilt. Tanning to edges and pages, doesn't affect text or illustrations. Binding tight. Spine straight. Previous bookstore proprietary stamp on page 21.

Softcover. New Haven CT, Dia Art Foundation/Yale, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, illustrated gatefold wraps. 298 pages. Edited and annotated by the poet and editor with color photographs throughout at the gala readins. A wide representation from Bruce Andrews and Rae Armantrout to Lewis Warsh and John Yau. For over three decades, Dia Art Foundation has gathered renowned and visionary poets to present their work in conversation with one another in monthly events through its Readings in Contemporary Poetry series. This collection anthologizes ninety-four poets who gave readings between 2010--when the program resumed under the direction of Vincent Katz after a short break--and 2016. Clean copy.

Softcover. Santa Rosa CA, Black Sparrow Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 398 pages. Softcover with paper wrappers. Clean, tight copy with light wear to edges.

Hardcover. New York , Harper & Row, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, in a bright unclipped dust jacket. INSCRIBED BY ORR on title page. Previous owner's signature on front fly leaf. Otherwise clean, very good.

Hardcover. NY, St. Martin's Press , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 81 pages. Clean copy. Poet's second collection; he was a professor at The University of Bridgeport.

Softcover. London, Anvil Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 300 pages. Bright, clean copy. "Stanley Moss is American poetry's best-kept secret, better known as the innovative publisher of other poets than for his own highly charged, stingingly beautiful lyrics. That should change with the publication of his long-awaited and gorgeous new poems. " --John Ashbery.

Hardcover. Boston, MA, Ticknor and Fields, 1st Edition, 1867, Book: Very Good, Dust Jacket: None, 107 pages. Hardcover. B/w illustrations throughout. Previous owner's dated (1868) inscription on preliminary page (faded). Red cloth cover boards with beveled edges (slight moisture damage to front cover board), gilt title with decoration on spine and front cover board. Some agewear. Gilt top edge. Binding tight. Spine straight. Pages unmarked and clean.

Hardcover. London & Boston, Faber and Faber, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A series of poems inspired by the photographs taken by Fay Godwin, preceded by the Rainbow Press limited edition, which only had four of the sixty-three included here. The work reflects on the landscape and people of the Calder valley, the place of Hughes's birth and early childhood. Scarce in such nice condition.

Hardcover. Madison WI, University of Wisconsin Press, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to the spine. "Cary Nelson performs an invaluable service to the reader by recovering the work of dozens of forgotten poets, especially women, blacks, and writers on the left, while making it clear that the texts we recover inevitably gain new meaning from their positioning within contemporary culture." Nicely illustrated in b&w and some color, mostly book jackets and title pages of books discussed. Some light pencil marking in margins.

Hardcover. New York, New Directions, 1st, 1948, Book: Very Good, Dust Jacket: Good, Hardcover, 148 pages. Limited to 1,000 copies. Dust jacket age darkened along spine and edges. Clean, tight copy.

Hardcover. London, William Heinemann, 1st thus, 1921, Book: Very Good, Dust Jacket: Fair, 116 pages, illustrated with 4 color and 12 b&w plates by G.D. Armour. Green cloth covers with brown lettering and design, gilt lettering on spine. The green dust jacket is worn, chipped with a small hole at the edge of the spine. SIGNED & HANDWRITTEN LETTER BY AUTHOR tipped inside cover, also ANOTHER SIGNED NOTE W/ENVELOPE laid in.

Hardcover. NY, Viking, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, 80 pages, Hardcover with dust jacket. B&w cartoon illustrations by Quentin Blake. Clean, tight copy.

Hardcover. NY, Macmillan, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth covers stamped with design and title. Worn dust jacket with a small sticker on front. Calligraphy and silhouette drawings by the author showing children's adventures in NY city. Clean copy.

Hardcover. Boston, Roberts Brothers, 1st, 1892, Book: Good, Dust Jacket: None, Hardcover, brown cloth stamped in silver, 143 pages. Black & white illustrations by various artists, including Harriet Roosevelt Richards and E. H. Garrett. Tear to middle of front end paper. Lower part of front hinge cracked. Spine frayed at top & bottom and corners worn.

Softcover. Boston, Expression Company, 1st, 1940, Book: Good, Dust Jacket: None, Softcover, 40 pages illustrated in b&w and colors by Edmonds. Previous owner's bookplate on inside front cover.

Hardcover. New York, New Directions, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, 179 pages. Hardcover with dust jacket that is lightly chipped and price-clipped. Clean, tight copy.

Softcover. New York, New Directions, 2nd pr., 1965, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. Pulitzer Prize for Poetry. AUTHOR'S INSCRIPTION on title page. Foreword by author. Very minor wear to cover and spine edges, corners slightly bumped. Previous owner's pencil inscription on page 3. B/W pictorial wrappers.

Hardcover. Alexandria VA, Orchises Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 80 pages. SIGNED BY AUTHOR on title page. Light shelf-wear to dust jacket, else a clean, tight copy.

Softcover. Barrytown NY, Station Hill Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 93 pages. Clean, unmarked copy with only minor wear to wrappers.

Indianapolis, Bobbs-Merrill, reprint, 1920, Book: Very Good, Dust Jacket: Good, Hardover in a worn dust jacket. Illustrated black & white "Hoosier Pictures" by Will Vawter. 188 pages. Previous owner's signature front end-paper. Dust jacket with chunk gone from top edge. Chips to bottom edges. Scarce in dust jacket,

Hardcover. Indianapolis, Bobbs Merrill Company, 1st, 1909, Book: Good, Dust Jacket: None, Hardcover with green cloth covers and gilt lettering. Color illustrations by Howard Chandler Christy throughout. Heavy stock pages, gutter cracked in several places. Glue repair abrasion on first chapter. Cover boards clean with minimal wear.

Hardcover. New York, Henry Holt and Company, 1ST, 1929, Book: Good, Dust Jacket: Fair, 43 pages. Hardcover with dust jacket. Top edge of dust jacket torn and chipped. SIGNED AND NUMBERED 916/1000. Previous owner's name on front fly leaf.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Heavy, 1186 pages. Introduction, afterword, notes, glossary, chronology, bibliography, index of titles. Comprehensive edition of America's pre-eminent post-war poet's works, from the early triumph of Lord Weary's Castle, winner of the Pulitzer Prize to the late spontaneity of his History, winner of another Pulitzer, and of his last book of poems, Day by Day. Includes several poems never previously collected, as well as a selection of Lowell's drafts. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 585 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Black & white photographs throughout.