Hardcover. London, Chris Boot, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 252 pages. In this volume, ten Magnum photographers turn their lenses on contemporary Georgia. Situated on the cusp of Russia and Asia, but with a European culture dating back to the 7th century BC, Georgia was forcibly incorporated into the Soviet Union in 1922. Its independence was restored in 1991, but it then suffered from civil war and a breakdown of its economic infrastructure. In the last decade, however, despite ongoing tensions in its relations with Russia, Georgia has mounted a spirited comeback. Magnum photographers Antoine d'Agata, Jonas Bendiksen, Thomas Dworzak, Martine Franck, Alex Majoli, Gueorgui Pinkhassov, Martin Parr, Paolo Pellegrin, Mark Power and Alec Soth visited the country during spring 2009, each pursuing their own theme (Alec Soth goes in search of the 'most beautiful woman in Georgia', for example). All found themselves enchanted by the Georgian people, something strongly conveyed in their photographs as well as in personal text journals which accompany the images. This well-designed volume also includes a fold-out map, marked with each photographer's journey; a chapter showing the best of Magnum photographers' work over 60 years (including by Magnum's founders Robert Capa from his visit to Georgia with John Steinbeck in 1948 and Henri Cartier-Bresson); and an illuminating introduction by the Paris-based New Yorker writer, and Georgia expert, Wendell Steavenson.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 414 pages. Translation by Richard Taylor. Dust jacket spine faded. Previous price sticker on dust jacket front flap. Else a clean, tight copy.

Hardcover. Ann Arbor, MI, Ardis, 1st English, 1981, Book: Very Good, Dust Jacket: Good, Hardcover, 565 pages. B/w illustrations throughout. Gilt title on spine. Decorated endpapers. Dust Jacket shows some wear due to age: yellowing, fraying and chipping to edges of front, spine and back, but still in tact. Cover boards clean, covered in teal fabric and in good shape. Pages clean, edges slightly yellowed. From the front flap: "...a landmark work in Russian theater scholarship, this study reveals Meyerhold in the context of his time, as seen by friends and enemies, actors and critics, and analyzes the development of his remarkable career as Russia's most celebrated and influential experimental director."

Hardcover. Stanford CA, Stanford University Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 308 pages, map endpapers. Light edge wear to dust jacket, small sticker on front cover. Else a very clean, tight copy.

Hardcover. NY, Cambridge University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This pioneering study documents the extent and diversity of the impact of Nietzschean ideas on Soviet literature and culture. It shows for the first time how these ideas, unacknowledged and reworked, entered and shaped that culture and stimulated the imagination of both supporters and detractors of the regime. 421 pages, a bright, clean copy.

Softcover. Cambridge MA, MIT Press, 1st, 1978, Book: Very Good, Softcover, 128 pages. INSCRIBED BY BOTH EDITORS on the front endpapers. Contributors include Dziga Vertov ('The Factory of Facts and Other Writings'), Alfred H. Barr, Jr. ('Russian Diary 1927-28', along with Jere Abbott, John E. Bowlt, and Elizabeth Jones), A. V. Lunacharsky ('Gogol-Meyerhold's "The Inspector-General"'), Paul Schmidt (on Meyerhold), Margit Rowell (on Vladimir Tatlin), and Michelson. Related ephemera laid in.

Hardcover. NY, Oxford University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 312 pages. The first book to document the peasant rebellion against Soviet collectivization, Peasant Rebels Under Stalin retrieves a crucial lost chapter from the history of Stalinist Russia. The peasant revolt against collectivization, as reconstructed by author Lynne Viola, was the most violent and sustained resistance to the Soviet state after the Russian Civil War. Conservative estimates suggest that over the course of the 1920s and early 1930s, more than 1,100 people were assassinated, more than 13,000 villages rioted, and over 2.5 million people participated in this active struggle of resistance. This book is about the men and women who tried to preserve their families, communities, and beliefs from the depredations of Stalinism. Their acts were often heroic, but these heroes were homespun, ordinary people who were driven to acts of desperation by cruel and brutal state policies. Clean copy.

Softcover. Oxford, Clarendon Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 391 pages. Light pencil underlining in introduction. Some fading to covers. Otherwise, tight clean copy.

Hardcover. NY, Four Winds Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 32 pages. hardcover with dust jacket. Illust. in color by Stanley. Dust jacket with chip, light soil to rear. Tight copy.

Hardcover. Manchester UK, Manchester University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 312 pages. Clean, tight copy.

Hardcover. London, Thames and Hudson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, green cloth, gilt lettering, 144 pages. Discovered in Paris in 1987, these 80 color and 30 b&w photographs, taken about 1910-14, are artistic studies of the expressionist Russian writer, his family and friends, his home, and the countryside around St. Petersburg. Includes a biographical essay and a review of the Lumiere autochrome photographic process. Mild wear to top of dj spine, otherwise a clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 238 pages. Like new in publisher's shrink-wrap. Covering the period from the Revolution to the beginning of World War II, this book considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.

Hardcover. Cambridge, Cambridge University Press, 1st UK, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 269 pages. Clean, bright copy. This is the first scholarly account by a Western historian of the Time of Troubles, the period of civil war and foreign invasion in early-seventeenth-century Russia. The author focuses on the various pretenders or royal imposters who appeared at this time; she traces their careers and offers explanations for their success. Her analysis of the phenomenon of pretense illuminates popular perceptions of the monarchy in early modern Russia, and demonstrates how social protest could take the form of support for imposters claiming to be the "true tsar".

Hardcover. Princeton, N.J., Kingston Press, Incorporated, The, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, SIGNED BY AUTHOR. 227 pages. Light foxing to top and fore-edge. Minor wear to dust jacket; spine slightly faded. Else a very clean, tight copy.

Hardcover. Princeton NJ, Kingston Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, bibliography and index. A scarce scholarly history. Slight sunning to dust jacket spine, otherwise like new, clean and tight.

Softcover. University Press of Maryland, 2000, Softcover, 306 pages. Memoir (translated from the German by Henny Wenkart) of a Jewish woman in 19th-century Russia, with scholarly introduction and analysis. Pauline Wengeroff's memoir tells what it was like to be a Jewish girl and a Jewish woman in 19th-century Russia, as foundations of faith and tradition eroded around her. Clean copy.

Hardcover. Stanford CA, Stanford University Press, 1st, 1992, Book: Good, Dust Jacket: Very Good, Hardcover, 443 pages. This book contains UNDERLINING which is mainly confined to chapter 7. Otherwise a bright, tight copy in an unclipped dust jacket.

Hardcover. Toronto, Trafalgar Press, 1st, 1986 , Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright "(Skillfully traces the causes of the Crimean War and sketches a vivid picture of an age which made possible 'the world's most curious and unneccesary struggle'. Troubetzkoy ingeniously weaves together the varied developments in diplomacy, trade, nationalistic expression and personality conflict in the decade which led to the hostilities. The armies of the belligerents are described (and the) reader is introduced to the principal personages of the drama - Napoleon III, Marshal St. Arnaud, Lord Raglan and the great Russian engineer, Todleben, who, apart from Florence Nightingale, was the only one to earn true distinction during the War. Vividly described are Nicholas I and the Russian Empire." Clean copy.

Hardcover. New York, Oxford University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Minor edge wear to dust jacket. Else a very clean, tight copy. The dramatic events of the twentieth century have often led to the mass migration of intellectuals, professionals, writers, and artists. One of the first of these migrations occurred in the aftermath of the Russian Revolution, when more than a million Russians were forced into exile. With this book, Marc Raeff, one of the world's leading historians of Russia, offers the first comprehensive cultural history of the "Great Russian Emigration." He examines the social and institutional structure of the emigration and describes its rich cultural and intellectual life. He points out that what distinguishes this emigration from other such episodes in European history is the extent to which the emigres succeeded in reconstituting and preserving their cultural creativity in the West. The flourishing Russian communities of Paris, Berlin, Prague and Kharbin not only enriched Russian arts and letters, but also significantly influenced the culture of their Western hosts, and Raeff concludes with an assessment of their impact on the development of modern Western and Soviet culture.

Hardcover. NY, Henry Holt and Company, 1st, 1899, Book: Good, Dust Jacket: None, 411 pages. Hardcover. Previous owners name on inside front cover. Green cloth with gilt title and decoration. Front and rear hinges cracked. Missing front endpaper. Heavy foxing to preliminary pages up to contents page, and last 5 pages at end of book; including map. Front fold-out map at title page and rear most map both badly damaged. Foxing to edges. Moderate wear to covers. Clean, unmarked text.

Hardcover. Moscow, Sovietsky Khudozhnik, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 359 pages. Hardcover with dust jacket. Russian text only. Profusely illustrated in full color and black & whiite. A survey of Russia's brief Art Nouveau movement in architecture. Bright, clean copy in a similar dust jacket. In a plain cardboard slipcase.

Hardcover. New York, Harper & Brothers, 1st, 1887, Book: Very Good, Dust Jacket: None, Hardcover, 310 pages. Brown cloth, gilt lettering to spine. Light wear and rubbing to covers and edges of spine. Clean, tight copy.

Hardcover. Boston, G. K. Hall & Co., 1st, 1981, Book: Very Good, Dust Jacket: None, 632 pages. Hardcover. Red cloth. Minimal wear. Clean, tight copy.

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.