Hardcover. Leipzig, K.F. Koehler, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt title block on spine and a gilt design of a naval battlship on the front cover. 166 pages. b&w plates, GERMAN TEXT. Inscription in German on front fly leaf dated 1934. Copyright states 1920. Clean copy.
Hardcover. Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap. Due to size and weight, DOMESTIC SHIPPING ONLY.
Hardcover. NY, The New Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 280 pages. Dedicated readers and fans of Theodor Seuss Geisel, or Dr. Seuss, know of Seuss's fascinating, long-forgotten career as a political cartoonist for the New York daily newspaper PM during World War II. Dr. Seuss, however, was only one of a number of distinguished cartoonists whose work appeared in PM. In Dr. Seuss & Co. Go to War, we discover an astonishing treasure trove of over three hundred incisive political cartoons by Seuss as well as a cohort of other legendary cartoonists of the time, including Saul Steinberg, Al Hirschfeld, Arthur Szyk, Carl Rose, and Mischa Richter. These fascinating cartoons offer a totally different picture of the war, both at home and abroad. Sure to fascinate and surprise readers across the generations, Dr. Seuss & Co. Go to War lets readers ?time travel to a remarkable time when editorial cartoons really mattered". Clean copy.
Hardcover. NY, New Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, A collection of Dr. Seuss's political cartoons commenting on World War II. Featuring handsome, large-format reproductions of more than two hundred of Geisel's cartoons with commentary by Richard Minear.
Hardcover. NY, HarperCollins, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 518 pages with index. B&w illustrations. The allied bombing of Dresden created a massive fire that swept the city center, killing thousands of people and destroying its medieval heart. Debate began almost immediately: Was the destruction of this seemingly civilian city necessary militarily, or was it, some asked, equivalent to a war crime? Not just another in an endless parade of books on Dresden, Taylor's account may go a long way toward putting such questions to rest. It opens with the start, by British bombers, of the nighttime attack, and immediately turns to the past, meandering through several centuries of Dresden history, from its founding in the Middle Ages to the 20th century and the rise of the Nazis. Taylor, translator of The Goebbels Diaries, also covers the history of aerial bombardment and its international laws; gives glimpses of life under the Nazi regime; details the Allied bombing campaign against Germany; and, most excitingly, puts forth new information concerning Dresden's part in the German war effort, which turns out to be much greater than postwar information generally portrays. Clean copy.
Hardcover. New York, Coward, McCann & Geoghegan, Inc. , 1st Edition, 1975, Book: Good, Dust Jacket: Fair, 510 pages. Hardcover. Decorated endpapers. Red cover boards, white quarter cloth, gilt title on spine and front cover board, agewear to covers. Dust jacket has edgewear (see image). Binding good. Spine straight. Pages unmarked. A historical narrative about WWI in the United States.
Softcover. UK, Arundel Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 202 pages, b&w illustrations. Geoffrey Pidgeon (1926-2021) worked at Bletchley Park during the Second World War on wireless transmission and output. An account of the wartime activities of Edgar Harrison who was a senior colleague of Geoffrey Pidgeon in M16 (Section VIII) and had the most extraordinary adventures during the Second World War. Clean copy.
Hardcover. NY, W. W. Norton, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a worn, chipped dust jacket, 119 pages, maps, index. As WWII ground to a close, whose forces would be the first to reach Berlin? General Dwight David Eisenhower, supreme commander of the British and American armies, chose to halt at the Elbe River and leave Berlin to the Red Army. Could he have beaten the Russians to Berlin? If so, why didn't he? If he had, would the Berlin question have arisen? Would Germany have been divided as it was? Name on front fly leaf, otherwise clean.
Hardcover. Chicago, University of Chicago Library, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publisher's shrink-wrap. With 2014 marking the one-hundredth anniversary of the commencement of World War I, En Guerre offers a fresh, thought-provoking exploration of the impact of the Great War as viewed through the lens of French graphic illustration of the period. Published in conjunction with an exhibition of these illustrations at the University of Chicago Library's Special Collections Research Center, this catalog draws from illustrated books, magazines, and prints to present a wide range of perspectives on themes essential to a deeper understanding of the war in France: patriotism, nationalism, propaganda, and the soldier's experience, as well as the mobilization of the French national home front as seen through fashion, music, humor, and children's literature. With a text by noted historians Neil Harris and Teri J. Edelstein and featuring more than one hundred reproductions of the vivid and colorful work of French illustrators, En Guerre reaffirms the persuasive role that art can play in the service of political and military power.
Hardcover. NY, W. W. Norton , 2nd pr., 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 209 pages. Many b&w photos, some color. The author and S. Oughterson and Shields Warren, as part of the United States Atomic Bomb Causality Commission, were sent immediately (September 1945) to survey Hiroshima and Nagasaki, Japan after the bombing and surrender of Japan to study the devastation and the subsequent irradiation sickness.
Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs, text illustrations., maps, bibliog., Foreword by Lew Kopelew. GERMAN TEXT. Highly pictorial account of the disastrous German campaign 1942-43. Cllean copy.
Hardcover. Chicago, Quadrangle Books, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a rubbed, worn dust jacket, 277 pages. Name on front fly leaf, otherwise clean.
Softcover. West Lafayette IN, Purdue University Press , 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 529 pages, b&w illustrations. Eva and Otto is a true story about German opposition and resistance to Hitler as revealed through the early lives of Eva Lewinski Pfister (1910-1991) and Otto Pfister (1900-1985). It is an intimate and epic account of two Germans-Eva born Jewish, Otto born Catholic-who worked with a little-known German political group that resisted and fought against Hitler in Germany before 1933 and then in exile in Paris before the German invasion of France in May 1940. After their improbable escapes from separate internment and imprisonment in Europe, Eva obtained refuge in America in October 1940 where she worked to rescue other endangered political refugees, including Otto, with the help of Eleanor Roosevelt. As revealed in recently declassified records, Eva and Otto later engaged in different secret assignments with the US Office of Strategic Services (OSS) in support of the Allied war effort. Despite their vastly different backgrounds, Eva and Otto gave each other hope and strength as they acted upon what they understood to be an ethical duty to help others threatened by fascism. The book provides a sobering insight into the personal risks and costs of a commitment to that duty. Their unusually beautiful writing-directed to each other in diaries and correspondence during two long periods of wartime separation-also reveals an unlikely and inspiring love story.
Hardcover. Boston / New York, Houghton Mifflin Company, 1st US, 1920, Book: Very Good, Dust Jacket: None, TWO VOLUMES. Volume I, 621 pages. Volume II, 581 pages. In depth history of WWI. In very good condition, some wear to maroon boards and soiled edges of pages. Otherwise clean and well-bound. Pages unmarked.
Hardcover. NY, Charles Scribner's Sons, reprint, 1926, Book: Very Good, Dust Jacket: None, Hardcover, salmon-color pictorial boards with green cloth spine with gilt lettering. Profusely illustrated by author with color frontis. and many b&w plates and text drawings, Thomason's semi-fictionalized first book, based on his own experiences as a career officer in the Marines as part of the AEF. A clean, bright copy.
Hardcover. NY, Charles Scribner's Sons, reprint, 1926, Book: Very Good, Dust Jacket: None, Hardcover, salmon-color pictorial boards with green cloth spine with gilt lettering. Profusely illustrated by author with color frontis. and many b&w plates and text drawings, Thomason's semi-fictionalized first book, based on his own experiences as a career officer in the Marines as part of the AEF. Previous owner's signature on inside front cover and on blank preim page. Otherwise a clean, bright copy.
Hardcover. NY, Reynal & Hitchcock, 1942, Book: Very Good, Dust Jacket: Fair, Hardcover, blue cloth covers with silver lettering, price-clipped dust jacket worn with large chunk gone from bottom 2" of spine and rear panel. The recollections of the author of a French photography sortie carried out a 33,000' in defiance of the German fighter planes during May 1940. Illustrated Bernard Lamotte. No indication of printing, illustrated endpapers. No date on title page, Copyright page states 1942. Clean copy.
Hardcover. New York, G.P. Putnams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by the author. SIGNED BY TALBOTT on title page.
Hardcover. Chicago, The Disabled Veterans of the World War, reprint, 1939, Book: Very Good, Dust Jacket: None, Two volumes complete, 496 pages total. INSCRIBED BY MACKEY on title page. Matching hardcover volumes in blue striped moire cloth boards with silvered title and ornament on front; silvered ornament on spine. No dust jackets, as issued. Both books are crisp and clean and almost as new, with barely any wear at all. Interior pages are in fine condition, with page after page of photos and maps documenting the First World War and its aftermath. Produced by the Disabled Veterans of the World War, Department of Rehabilitation. Folio. The two volumes are numbers sequentially. Volume 2 concludes with a Pronouncing Dictionary of War Names and a bibliography. Very heavy-- about 12 pounds; will require substantial additional postage if shipped outside the U.S.
Hardcover. London, Tate, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. British artist Francis Bacon (1909-1992) was one of the most important artists of the 20th century. Here, Martin Hammer presents him as a "painter of modern life," whose concern was to distill the feelings associated with living through the rise of Fascism in the 1930s, World War II, the revelations of the Holocaust, and then the early Cold War period. Against a backdrop of changing attitudes toward wartime memories and a gradual resurgence of interest in the war, Hammer offers extensive evidence of Bacon's use of prewar Nazi propaganda photography as a springboard for painting. By exploring some of Bacon's best-known and most compelling works, Hammer illuminates the artist's aim to transmute challenging photographic sources into a reflection on the contemporary world.