Softcover. London, Marvel Comics, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 49 pages illustrated in color by Ian Gibson. Clean, bright copy.

Hardcover. New York , Norton , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 190 pages, illustrated in color and b&w. Cipe Pineles was art director for leading fashion magazines between 1930 and 1960. Tracing Pineles's career from young immigrant to "ranking" female in the design world, Martha Scotford chronicles a time when few women were involved in design and assesses Cipe's brilliant contributions to graphic design and magazine design in particular.

Hardcover. US, Collins & Brown, 1st, 2012, Book: Very Good, Dust Jacket: None, 191 pages, illustrated throughout in color. Clean, tight copy. The dynamic 1970s saw the optimistic ideals of the previous decade achieving mainstream acceptance even as a conservative backlash took shape. Little wonder this turbulent time was reflected in its diverse music--and in iconic album covers that came to symbolize an era. Classic Album Covers of the 1970s is a visual journey through more than 200 of the very best, from psychedelia-influenced artwork to punk anti-design, from Pink Floyd, Led Zeppelin, and David Bowie, to Patti Smith, The Ramones, and the Sex Pistols.

Hardcover. US, Collins & Brown, 1st, 2012, Book: Very Good, Dust Jacket: None, 191 pages, illustrated throughout in color. Clean, tight copy. The dynamic 1970s saw the optimistic ideals of the previous decade achieving mainstream acceptance even as a conservative backlash took shape. Little wonder this turbulent time was reflected in its diverse music--and in iconic album covers that came to symbolize an era. Classic Album Covers of the 1970s is a visual journey through more than 200 of the very best, from psychedelia-influenced artwork to punk anti-design, from Pink Floyd, Led Zeppelin, and David Bowie, to Patti Smith, The Ramones, and the Sex Pistols.

Softcover. New York , Princeton Architectural Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 200 pages, illustrated throughout in color. A collection of the legendary graphic designer's best work over 40 years. Foreword by Milton Glaser. Like new.

Hardcover. NY, Metro Books, 1st, 2012, Hardcover, 256 pages. Rock on, with more than 500 classic music posters--many unseen for years! Organized chronologically from the 1950s to the present, this gallery of images from the very best illustrators in the genre captures the interplay of music and art, revealing how both evolved over the years. From gritty bar bands to the superstars, from the Fillmore to CBGBs, this is a remarkable visual journey. Includes interviews with key artists such as Stanley Mouse and Alton Kelley of Family Dog; Michael English and Nigel Waymouth of Hapshash and the Coloured Coat; Roger Dean; Dave Little; and Emek. The posters capture the most famous names in music, from R&B to classic rock, metal, punk and rap, including: Muddy Waters, the Beatles, the Rolling Stones, James Brown, the Who, Led Zeppelin, the Grateful Dead, Bowie, the Clash, the Sex Pistols, Springsteen, Pearl Jam, and more--plus cult favorites.. Features on significant music promoters and venues, including Chet Helms, Bill Graham, and CBGBs. Showcases a diverse range of design styles, from letterpress and DIY punk to the rise of computer graphics and the retro illustrations of the modern era.

Softcover. New York, Metro Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 272 page, illustrated throughout in color and b&w. Light shelf-wear to wrappers, else a clean, tight copy.

Softcover. Boom! Studios, 1st thus, 2011-2012, Book: Very Good, Dust Jacket: None, 20 softcover volumes, like new, all pristine condition. Various artists, authors.

Softcover. Rochester VT, Park Street Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. A lavishly illustrated history of coca wine and the revolutionary advertising methods that made it a world-wide success. Follows 19th-century pharmacist Angelo Mariani's interest in coca from medical uses to the development and healing effects of his world-famous coca wine, Vin Mariani. In this full-color illustrated history of coca wine, the first of its kind, author Aymon de Lestrange follows Mariani's interest in coca from its medicinal applications to the creation of the tonic wine. The author explores the botany of coca, how it differs from cocaine, its traditional use in pre-Columbian America, and scientific studies on coca from the 17th through 19th centuries, including from Sigmund Freud, who was a known user. He describes the introduction of coca in the U.S. and France and the many coca preparations then available at drugstores. He also studies the introduction of cocaine in these two countries and the prohibition laws that followed.

Hardcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, Collage has a relatively short, but incredibly rich history. The popularity of collage is on the increase again, partly as a result of such postmodernist concerns as pluralism, multiplicity and hybridity. This book features works by international artists Picasso, Schwitters and Ernst, through to Hannah Hoch, Martha Rosler, John Stezaker, Richard Hamilton, Layla Curtis, David Salle, Eduardo Poalozzi, Javier Rodriguez, Robert Rauschenberg, Mimei Thompson, David Thorpe, Fred Tomaselli and many more.

Softcover. Baltimore MD, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 326 pages, b/w illustrations, softcover. These 4 cartoonists worked at the New Yorker between 1925 and 1975, mocking the status quo without alienating that magazine's readers. For many aficionados of the New Yorker magazine, the drawings of Peter Arno, William Steig, Charles Addams, and Saul Steinberg epitomize its sophisticated wit and disarming humor. In The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg, the first full-scale scholarly study of the subject, Iain Topliss considers the work of each artist, traces the development of his art, and recalls the cultural and social context in which it was created.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Richly illustrated with many images taken from original artwork and rare artefacts, Comics Art gives a fascinating, accessible guide to some of the special properties of sequential art, such as panels, page layouts, speech balloons and wordless or 'silent' narration. It addresses concerns about how comics perpetuate stereotypes and support the status quo, while assessing their growing significance, notably through autobiography and reportage, as vehicles for provocative voices often silenced in other media. Comics Art also explores the diversity of styles, media and approaches now possible in the medium and exciting developments in digital comics and in comics conceived for galleries and installations.

NY, Harry Abrams, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, 575 illustrations, more than 100 plates in color. Like new condition.

Hardcover. NY, Harry Abrams, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, 575 illustrations, more than 100 plates in color. A comprehensive survey of fifty years of comics explores how such characters as Buster Brown, Krazy Kat, and Li'l Abner reflected societal attitudes and changes in the first half of the twentieth century, providing in-depth biographies of twenty-one influential comic creators and featuring rare original depictions of those creator's work. Lacks dust jacket but a clean, bright copy.

Hardcover. NY, Harry Abrams, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, 776 illustrations, more than 100 plates in color. Contents include comic strips from the post war years followed by each decade to the nineties concluding with the twenty-first century. Lacks dust jacket but a clean, bright copy.

Hardcover. Milwaukie, OR, Dark Horse Comics, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 498 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Features 670 illustrations and photos -- including dynamic and bizarre cover art compiled under such curious headings as Atomic Bombs, Death with Indignity, Gorillas, Headlights, Hooded Menaces, and Skulls. Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.

Hardcover. San Diego, IDW Publishing, 3rd pr., 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, Presenting a deluxe hardcover collection of Chester Gould's timeless comic strip, Dick Tracy. The second volume of this multi-year project includes nearly 500 comic strips from May 1933 to January 1935. This special second volume also features an exclusive essay from Consulting Editor and longtime Tracy writer Max Allan Collins.

Softcover. Poughkeepsie, Father Tree Press/Warp Graphics, 1st, 1988, Book: Very Good, Dust Jacket: None, The Complete Elf Quest Graphic Novel - Book Five: Siege at Blue Mountain. Softcover. 112 pages of full color graphic novel followed by full color character gallery and black & white portfolio and comics. Illustrated by Wendy Pini in full color and black & white. Light wear. Clean, unmarked copy.

Hardcover. Seattle, Fantagraphic Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Orange cloth boards. Comic strips by McCay reproduced in color. Nice, crisp copy in a dust jacket.

Hardcover. San Diego CA, Idea & Design Works/ IDW, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 319 pages. Color and b&w strips from the newspapers between 1927 and 1929. Little Orphan Annie -- the original female comics hero -- takes on chiseling business men and a gang of thieves, armed only with her sharp wit and a good left hook. Then she helps her surrogate parents by nursing "Daddy" Warbucks to health and helping save the Silos' family farm. And only that little chatter-box could become a cross between Robinson Crusoe and Dr. Doolittle when she and Sandy are shipwrecked on a deserted island.

Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.

Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.

Softcover. New York, Nantier Beall Minoustchine, 1st, 1987, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. First volume of reprinting, covering 1924-1925. With an introduction by Bill Blackbeard. An unmarked, clean and tight copy with only light edge wear to wrappers.

Hardcover. Casterman, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. FRENCH TEXT. The history of Pratt's most famous character told in pictures and words. Illustrated in color and b&w. Clean copy.

Hardcover. NY, Harry N. Abrams, 2nd pr., 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 320 pages, 9.9x1.2x12.3 inches. Color illustrations throughout. Michael Benson, one of the world's leading authorities on the visual legacy of space exploration and astronomy, tells a riveting story of the discovery of the universe through pictures. Selecting strikingly powerful and intriguing illustrations and maps, many hidden away in the world's great science libraries and virtually unknown today, he chronicles more than three thousand years of humanity's ever-expanding understanding of the size, shape and visual texture of the cosmos from the planets of our Solar System to the Milky Way and to the large-scale structure of the greater universe, with its teeming swarms of galaxies. These illustrations - some are maps, some are diagrams, some are speculative works of representation- are among history's most powerfully compelling works of data visualization, an art that is increasingly necessary in today's data-intensive world. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. US, JRP|Ringier, 1st, 2009, Book: Very Good, Dust Jacket: None, 244 pages. Softcover with no dust jacket. Clean, unmarked copy with only minor wear to wrappers. Like new in publisher's shrink-wrap. This is the End: Cover Art by H5 focuses entirely on the company's music design, and includes several essays and an interview. It comes with a vinyl EP specially produced for this publication, with contributions from Alex Gopher, Air and de Crecy & Darkel.

Softcover. US, Laurence King, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 318 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. The album cover is a subject of perennial interest among graphic designers. Sleeve design remains a popular subject for college projects, and many young working designers aspire to design for the music industry. Revealing state-of-the-art contemporary music graphics, Cover Art By: is packed with more than 400 examples of sleeve art. As well as CD and album covers, the insides of CD booklets and the backs of vinyl sleeves are shown. The book opens with an in-depth essay reviewing the current scene, then focuses on the work of 30 international designers/labels who are the most influential in the field, making this a must-have for designers and students, as well as music industry professionals and fans.

Hardcover. New York , Viking Studio Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages, reproduces 3500 covers in color. An indispensable volume for the collector or researcher. Three thousand and five hundred reproductions include virtually every cover of the America's most popular magazine during its entire run, from 1899 to 1969, complemented by an essay tracing the magazine's evolution. 15,000 first printing.

Softcover. Beverly Hills, CA, Lawrence Bassoff Collection, 1st, 1997, Book: Very Good, Dust Jacket: None, Large softcover, 159 pages, illustrated throughout in color. Light wear to pictorial covers, else a very nice, tight. clean copy. Foreword by Robert Wise. 100 beautiful reproductions of classic crime film posters.

Softcover. London, Korero Press, 1st, 2017, Book: Very Good, Dust Jacket: None, 576 pages. Softcover. Very clean, unmarked copy with only minor edgewear to wrappers. A celebration of the stunning and stylistically varied headline lettering that existed before the advent of phototypesetting or the computer. Collects more than 4500 examples

Hardcover. London, Hawk Books, 1st, 1989, Book: Very Good, Dust Jacket: None, 144 pages. oversized hardcover with no dust jacket. Clean, unmarked copy with only minor wear to laminated boards. Color comics throughout.

Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Many color illustrations and photographs throughout. Artist David Shillinglaw is as comfortable in the street as in the studio, as likely to paint on found objects as on canvas, as interested in tiny hand-made artist's books as in large-scale public murals. His mural in the Olympic Park in East London is the longest mural ever commissioned in Great Britain, while his brilliantly inventive creations enliven construction hoardings throughout London's changing cityscape. The Dance of 1000 Faces is the first book to gather a significant number of Shillinglaw's works. It presents his art in full color in all its many forms: not only paintings and murals, but journals drawings, sketches, and more. It reveals Shillinglaw's particular genius for depictions--and distortions--of the human face, grimacing and grinning, shifting and shaping as it becomes no one and everyone at once.

Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. An illustrated history of the fabulous pulp magazines from 1896 to 1953. After tracing the birth of the pulps back to the 1882 launching of Golden Argosy magazine, printed on pulpwood pages, Server organizes his unwieldy subject into categories of pulps: adventure, romance and sex, horror and fantasy, private eye, weird menace, science fiction. Each receives a lively capsule history that covers trends, reader (and sometimes, as in the case of the ``Spicys,'' government) response, and writers' bios--which, though sketchy (Hammett's Hollywood experience gets one sentence), resurrect a number of relatively obscure but seminal and fascinating figures, like Conan- creator Robert E. Howard, who shot himself dead at age 30 on the day his mother died, and Frederick Faust (a.k.a. Max Brand), who sometimes wrote around the clock, piling up two or three million words a year. Server attributes the pulps' demise to, among other factors, the advent of TV, paperbacks, and comic books, and he winds up with a note on pulp-collecting. For all of the author's savvy, though, it's above all the eye- popping illustrations (100 color, 57 b&w) that will have readers beaming. Magazine covers (some lurid, some of eerie beauty), sample pages of text and ads (``Raise Giant Frogs'')--the pulps come alive once again here, in all their eccentric glory.

Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with lavender cloth spine. 160 pages in color. The audacious exploits of ten great adventurous female stars from the Golden Age of comic strips.In the 1920s they were socialites and flappers. In the 1960s they were homemakers and heartthrobs. But from the late 1930s to the early 1950s, female stars of the newspaper comic strips were detectives, spies, soldiers of fortune, even superheroes. Accomplishing everything the male comics stars of the time achieved, except they did it in high-heels and flowing skirts. Follow the daring exploits of these smart, tough, independent AND sexy Dauntless Dames.Both a product of their era and ahead of their time, the women in these stories gave their audience just what they needed. Through the Sunday Comics readers could escape from the woes of the Depression, travel to exotic foreign lands, feel the glamor and gangsters of the entertainment world, and support the Allied efforts in World War II. Presented in an extra-large format, here are the colorful, pulse-pounding tales of ten incredible women, both known and unknown to comics fans - and most are reprinted here for the first time in three-quarters of a century! The book also includes a special bonus: an insert section with a dozen paper doll cutouts starring the most popular women comic strip characters of the day. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. New York, Pantheon, 1st, 2000, Book: Very Good, Dust Jacket: None, 136 pages. Softcover. Black and white comic. Light edgewear to wrappers. Meet David Boring: a nineteen-year-old security guard with a tortured inner life and an obsessive nature. When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is. And what seems truest in Boring's life is that, given the right set of circumstances (in this case, an orgiastic cascade of vengeance, humiliation and murder) the primal nature of humankind will come inexorably to the fore.

Softcover. NY, DC Comics, 1st, 2025, Book: Very Good, Dust Jacket: None, Softcover. Uncover the origin of one of DC's wackiest heroes in this collection spanning the early days of Plastic Man! He can bounce, stretch, and crack wise, but can he save the day? And, more importantly, does he even want to? What business does a petty crook have playing superhero anyway? This volume collects Police Comics #1-36; Plastic Man #1-2. Patrick 'Eel' O Brian s life of crime just became a whole lot stranger! After an unfortunate accident leaves Eel s body transformed to have the properties of rubber, Plastic Man is born! But can Eel overcome his worst impulses and use his new abilities for good? Clean copy.

Softcover. New York, Four Walls Eight Windows, 3rd pr., 1996, Book: Very Good, Dust Jacket: None, 136 pages, b&w art throughout. Coe's graphic tirade against animal abuse in our food chain. A nationally prominent, politically oriented artist offers an unsparingly critical view of the meat industry in scores of illustrations, documenting the skewing, flaying, dismembering, castrating, debeaking, electrocuting, and decapitating of animals.

Hardcover. Humanoids, Inc., 1st Ltd Ed., 2021, Book: Very Good, Visionary author, filmmaker, and philosopher Alejandro Jodorowsky has created -- along with some of the world's most singular and talented sequential artists -- an incredible Sci-Fi universe, full of love, revenge, intrigue, betrayal, and redemption: THE JODOVERSE. The Jodoverse's two cornerstone series are The Incal and The Metabarons, which together have sold over 5 million copies worldwide. This deluxe box set (two oversized books in one deluxe slipcase box) is limited at 1500 numbered copies.Book 1 contains the reference guide on The Incal, Deconstructing the Incal, which lifts the veil on many of the mysteries and secrets surrounding the seminal science-fiction graphic novel. This encyclopedic reference book is packed with fascinating insights from the creators, Jodorowsky and Moebius, alongside revealing text and rare and unseen preliminary illustrations. The book also contains the original 56 pages drawn by Moebius of the unfinished first version of the sequel story (After The Incal).Book 2 features the second reference guide to the Jodoverse, Deconstructing the Metabarons, focused on unveiling the secrets of the universe's fiercest warrior clan: the Metabarons. Book 2 also includes Weapons of the Metabaron, the seminal series' spin-off story recounting how the mightiest warrior in the universe built his arsenal of war and featuring A-list comics star Travis Charest's (Wildcats, WildC.A.T.s/X-Men: The Golden Age, and Star Wars comics covers) interpretation of The Metabarons' mythology. 376 total pages. Still in publisher's shrinkwrap.

Hardcover. London, Titan Comics, 1st, 2015, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor rubbing to boards. A tight copy. Before Marilyn and Madonna, Betty booped and wriggled her way into hearts worldwide with her unique mix of wide-eyed innocence and powerful cartoon sensuality. Although she made her film debut as a curvaceous canine cabaret singer in the Max Fleischer short Dizzy Dishes on August 9, 1930, Betty Boop remains animation's first leading lady and a glamorous international icon. This beautiful volume collects Betty's adventures as they appeared in the funny pages of daily newspapers in the 1930's, capturing all the cheeky fun embodied by the character.

Softcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. Presenting a new type of graphic fiction from a legendary family in American cartooning. Underground cartoonist Kim Deitch has recruited his entire cast of siblings to produce a unique, all-new "picto-fiction" pocket book. Deitch's Pictorama leads off with Kim's comic "The Sunshine Girl." Then it's time for Seth's prose short story "Children of Aruf," about a man and his dog... in a world where dogs talk. Third up is "Unlikely Hours," a paranoid picto-story about a conspiracy of sentient rats written by Seth and illustrated by Kim. Next comes "The Golem," once again written by Seth and decorated with a series of superb pencil illustrations by Simon, a prose novella about the mythical Jewish monster/protector. Kim wraps with "The Cop on the Beat, the Man in the Moon and Me," one last comic - this one autobiographical. The book features an introduction by the Academy Award-winning animator, cartoonist and illustrator Gene (Tom and Jerry) Deitch, who happens to be the proud father of the author.

Softcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. Presenting a new type of graphic fiction from a legendary family in American cartooning. Underground cartoonist Kim Deitch has recruited his entire cast of siblings to produce a unique, all-new "picto-fiction" pocket book. Deitch's Pictorama leads off with Kim's comic "The Sunshine Girl." Then it's time for Seth's prose short story "Children of Aruf," about a man and his dog... in a world where dogs talk. Third up is "Unlikely Hours," a paranoid picto-story about a conspiracy of sentient rats written by Seth and illustrated by Kim. Next comes "The Golem," once again written by Seth and decorated with a series of superb pencil illustrations by Simon, a prose novella about the mythical Jewish monster/protector. Kim wraps with "The Cop on the Beat, the Man in the Moon and Me," one last comic - this one autobiographical. The book features an introduction by the Academy Award-winning animator, cartoonist and illustrator Gene (Tom and Jerry) Deitch, who happens to be the proud father of the author.

Softcover. Yonkers NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, stapled exhibition catalogue. Pictorial wraps, 32 pages, 37 illustrations (9 color). Lists 92 posters, magazine covers, book illustrations, sketches, etc. Foreword by Rick Beard.

Softcover. Univ of Washington Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 111 pages. America between 1885 and 1905 was in the heat of a poster craze. The country's finest artists and illustrators were commissioned to design advertising posters whose popularity soon overshadowed the products they were meant to promote. Designed to Sell presents vintage posters by 45 artists, including Maxfield Parrish, Blanche McManus, and Maurice Prendergast. Essays describe innovations in printing, compare American and European posters, and explain the emergence of a new profession -- graphic design. Biographical notes on the artists include eight women. Special technical notes outline historic printing methods and explain how an artist's drawing becomes a poster.

Hardcover. Northampton MA, Tundra/Heavy Metal, reprint, 1992, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, 48 pages in color. Clean copy.

Softcover. San Diego, CA, IDW Publishing, 1st Edition, 2011, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. INSCRIBED BY AUTHOR/ILLUSTRATOR. Created, written, drawn and colored by Palle Schmidt. Color illustrations throughout. Clean and tight copy, inside and out.

Hardcover. US, Sunday Press (CA), 1st, 2016, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Over-size volume. This selection of Dick Tracy Sunday pages from 1931 to 1939 features Gould's most infamous villains of the decade, with four complete stories, plus forty more fabulous Sundays highlighting the villains and heroes not seen in the featured cases. 168 pages, 11" X 16", color throughout.

Softcover. London, Plexus Publishing, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w illustrations. Dick Tracy is America's most famous detective and after Sherlock Holmes, the second most in the world. However, until now, an overview of this landmark comic strip has never been published. Full of history, old comic strips, Chester Gould interviews and sections of the most famous Dick Tracy strips. A bright, clean copy that has a light smoker's odor.

Softcover. New York , Catalan Communications, 1st US, 1990, Book: Very Good, Dust Jacket: None, Softcover, 88 pages illustrated in b&w by Manara. ADULT CONTENT