art Graphic

1971, Book: Very Good, Color art by Le-Tan of man in window with green plants. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color art by Getz of 4 bike riders near seaport area. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1974, Book: Very Good, Color art by Francois of sun warrior chasing the moon. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Karasz of trees with fall foliage. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Stevenson of jack-o-lantern on front porch. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1977, Book: Very Good, Color art by Martin of park scene in the mist. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color cartoon by Steig of witchy woman dancing as cat plays fiddle. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1963, Book: Very Good, Color art by Birnbaum of umpire calling sliding baseball player safe at home. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Francois of water towers, skylights and spires atop city buildings. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color cartoon by Levin of umpire next to giant cornucopia filled with baseballs. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Getz of conference room with reflection of city on glass top table. A stunning image, one of his best covers. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color art by Steig of farmer with pitchfork standing in a hayfield. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1967, Book: Very Good, Color art of moon over house by Francois.8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1974, Book: Very Good, Color art by Suares: winter light, autumn hues, Indian summer, spring fever in bottles. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Saxon of a street news stand with owner peeking behind magazines. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1972, Book: Very Good, Color art by Martin of conductor and orchestra in shades of blue. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 2. 240 pages, illustrated throughout in color. Clean, tight copy. Complete Issues #7-12. It was the tail end of the heyday - one might say Golden Age - of the horror comics, the final years of pre-code comics. OUT OF THE NIGHT brought more mature, sophisticated, high-quality creative horror to the newsstands. Featuring some of the best artwork in the genre, including Al Williamson in the early issues, OUT OF THE NIGHT was one of American Comics Group's top entries in to the world of the vampire, werewolf, ghost, undead and mysterious entities. The series lasted 17 exciting issues.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 3. 208 pages, illustrated throughout in color. Clean, tight copy.

Softcover. Seattle, Fantagraphics Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 188 pages illustrated in color and b&w. Out of the Shadows collects the best of Golden Age comics artist Mort Meskin's comic book stories from the '30s, '40s, and '50s. For decades Meskin's comics were relegated to the yellowing newsprint pages of collectors. Now finally Mort Meskin steps "out of the shadows." The variety of genres shows the breadth and versatility of Meskin's craft, from the noirish chiaroscuro of his crime work to the chiseled, gritty realism of his Westerns.

Hardcover. NY, PictureBox, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages. Color illustrations. Overspray is the conclusive account of the rise of airbrush art, and of the equally bright and glossy Los Angeles culture alongside which it came to prominence in the 1970s. Inspired by surf graphics, psychadelia and the slick shine of Hollywood, a generation of young artists began to make every lip and palm tree glisten, and every record cover shine. Fueled by a combination of intense demand, sleepless nights and brutal competition, the four men at the center of L.A.'s airbrush art market--Charles E. White III, Peter Palombi, Dave Willardson and Peter Lloyd-embarked on careers encompassing work for Playboy, Levi's, the Rolling Stones, Rod Stewart and major studio films including American Graffiti and Tron. Together, their work came to define the look of illustrative graphics for a generation of viewers. This book tells the story of these four artists for the first time through hundreds of images of the artists' best and best-known work, unseen production roughs, documentary photographs and other ephemera. Viewed now, their surreal, funny and utterly slick imagery seems all the more fantastic-combining technical precision with wild flights of imagination that bring to mind the work of some of today's top artists, from Takashi Murakami to Matthew Barney. Essay by Mike Salisbury, acclaimed designer of everything from Disney logos to Jurassic Park ad campaigns to Sassy magazine.

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."

Softcover. Fine Arts Museums of San Francisco, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Along with cutting-edge art, literature, and jazz music of 1920s Paris, there was also experimental new dance, exemplified by the Ballets Suedois, the "Swedish Ballet." Choreographed almost entirely by Jean Bsrlin but visualized by 32 painters from 11 nationalities, it boasted costumes and backdrops from the likes of Fernand LZger, Gssta Adrian-Nilsson (GAN), Nils Dardel, and Gerald Murphy, with music by Erik Satie and even Cole Porter, in 23 ballets produced during the company's brief, brilliant existence. Illustrated with 78 archival photos and sketches and 67 color reproductions of posters and production paintings, this catalog is as much an art book as it is a dance history, with works seldom seen in over 80 years.

Hardcover. Seattle, Fantagraphics, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 180 pages. After 14 years, Fantagraphics' Feiffer resumes with late-fifties and early-sixties popular-magazine stories emphasizing social satire. "Passionella" is Cinderella gone Hollywood: a chimney sweep is transformed into a sexpot. Other stories depict a despondent neurotic who solves romantic problems by inventing a compliant robot, a self-absorbed man who has the entire moon to himself, and the world's greatest athlete, scorned for shunning competition--all done in Feiffer's sketchy, economical cartoon style. An illustrated fable about a village jester searching for his serious side and several one-act plays fill out the volume. In these trenchant pieces, the era's anxieties--conformity, male insecurity, troubled relationships--don't seem a half century old.