Hardcover. NY, Thames & Hudson, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. Autochromes--plates made from a pioneering color photography process--are too light sensitive to exhibit, and as such one of the world's greatest collections has been hidden from view until now. Offering unprecedented access to the V&A's collection of autochromes--one of the greatest collections of early color photography in the world--Color Mania presents the pioneering photographic process in its full, vibrant, and painterly beauty. Fragile and light sensitive, autochromes cannot be displayed in public, and so this volume provides a rare and breathtaking opportunity to view them true to size. Newly photographed specially for this book, the V&A's abundant collection of autochromes is brought to the public for the very first time. Organized thematically and with sections focusing on the photographers who engaged with the process, Color Mania is built upon the latest scholarship and research by curator Catlin Langford and includes insights into how these extraordinary photographs are being preserved for future generations.

Hardcover. Canada, Deutscher Kunstverlag, 1st, 2012, Book: Very Good, Dust Jacket: None, 159 pages. Like new in publisher's shrink-wrap. The material that was saved from Warsaw in 1939 included more than ten color slides. These slides are the only color photo documents showing that historic moment from the perspective of city residents. The slides were found only in recent years by the photographer's son, Sam Bryan. In addition to color slides this album also includes photographs recorded by Julien Bryan on black-and-white film at that time and iater subjected to a complicated process of colorizing. The colorizing took piace after Bryan's return to the United States in 1939.

Hardcover. NY, Mallard Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 220 pages, color illustrations by Michael Codd.

Hardcover. Atglen PA, Schiffer Publishing, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 255 pages. illustrated in color. Explore the rise and fall of pre-Code comics with 500 covers revealing America's cultural shifts, censorship, and controversy. From 1940 to 1955, American society and culture underwent dramatic changes, including the introduction of the Comics Code in October 1954, which heavily impacted comic books. The Code aimed to moderate comic content in response to public opinion, including such topics as juvenile delinquency, wartime sentiment, teenage sex, drugs, violent crime, and more. While compliance was technically voluntary, most publishers followed its strict rules. Those who didn't faced ruin when wholesalers and distributors refused to handle noncompliant comics, returning them unopened to publishers, who soon self-destructed. Comic Book Apocalypse! explores this downfall through 500 examples of pre-Code cover art, highlighting why some deemed the Code necessary. The book also examines who decided what content was acceptable, demonstrating how pre-Code comics reflect the larger story of 1950s America. DOMESTIC SHIPPING ONLY.

Hardcover. London, Bradbury, Agnew & Co, reprint, nd, Book: Good, Dust Jacket: None, 308 pages. Black & white illustrations by John Leech plus 10 hand-colored plates by him. Raised bands on spine. Marbled covers and end papers. Previous owner's signatures on front flyleaf. Foxing to flyleaves. Wear to spine and corners, edges. Heavy rubbing to covers. Marbled edges.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 696 pages illustrated in color, b&w. Tells of Fantagraphics Books' key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana the way insiders share the saga with one another other: in anecdotal form, in the words of the people who lived it and saw it happen. Comics historian and critic Tom Spurgeon and longtime Comics Journal editor Michael Dean assemble an all-star cast of industry figures, critics, cartoonists, art objects, curios, and groundbreaking publications to bring you a detailed account of Fantagraphics' first 40 years.

Hardcover. Jackson MS, University Press of Mississippi, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, b&w illustrations. A reprint of the classic survey published in 1947. In a bright dust jacket, clean.

Hardcover. Milwaukie, OR, Dark Horse Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 500 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Features 670 illustrations and photos. This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles.Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.

Hardcover. NY, Fordham University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 280 pages. The Ninth Massachusetts Infantry, which saw duty with the Army of the Potomac, was composed primarily of Irish immigrants and their descendants who hailed from Boston. One officer, Patrick R. Guiney, eventually rose to command the regiment as a colonel prior to suffering a service-ending wound in 1864. He left a full record of his men's activities in his letters to his wife, Jeannette; the letters also reveal that Guiney's political views, which leaned toward Lincoln and the Republicans, were not shared by most of his fellow officers or men. Editor Samito has provided a rather detailed prolog and annotation for the letters, which tell us as much about Guiney as a husband as they do about matters at the front. Among the numerous collections of Civil War letters that appear in print, these are distinguished for the author's forthright discussion of political and military affairs. Clean copy.

Hardcover. NY, Praeger Publishers, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 331 pages. This is an eyewitness account of the The Anglo-Boer War of 1899-1902. In 1899 Reitz then 17 years old, enlisted in the Boer army to fight the British. After the Boer loss of Pretoria General Jan Smuts, who wrote the forward, decided to conduct guerrilla operations. The book is about Reitz's experiences in the guerrilla war. After the Boers lost the war, Reitz fought with the British in a South African unit in WWI. He later studied law and became a politician and ultimately the South African Deputy Prime Minister. Originally published in Britain in 1929. Clean copy.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 508 pages, handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1826 first edition. Bright, clean copy.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 528 pages ,handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1827 first edition. Bright, clean copy.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 550 pages, handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1830 first edition. Bright, clean copy.

Hardcover. Birmingham AL, The Legal Classics Library , reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, 1093 pages, black calf, decorative gilt stamping, all edges gilt, marbled endpapers, ribbon marker. Facsimile reprint of the First English Edition by W.E. Grigsby. London: Stevens and Haynes, 1884. Clean, bright copy.

Hardcover. New York, Appleton & Co., 1st, 1900, Book: Good, Dust Jacket: None, Hardcover, light green cloth with gilt and b&w decoration, 480 pages. Top edge gilt. Front and rear hinges tender. Cloth covers rubbed at corners and along edges. Clean copy.

Philadelphia, Westminster Press, Reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Black & white illustrations and color dust jacket drawing by James Hough. Crease to top of page 16. Dust jacket with top & bottom of spine worn.

Hardcover. NY, Schocken Books, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 326 pages. Ivan Roots covers the period from 1642-1651, during which the English Civil War took place. The book discusses the causes of the war, the battle of Worcester, the fall of the Protectorate, and the aftermath of the war. Name on front fly leaf, otherwise clean.

Softcover. NY, Schocken Books, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 439 pages. Reprint of a work first published in 1875, b&w illustrations. Name on front fly leaf, otherwise clean. An historical account written during the late 19th century. The book explores various communistic communities in the United States, documenting their origins, practices, and social structures. Nordhoff's investigation is based on personal visits and observations, aiming to provide insights into how these societies operate and their contributions to the labor question.

Hardcover. NY/Paris, Pergamon Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Approximately 7000 pages, 5 hardcover volumes complete, each book is 10" by 15'', bound in burgundy cloth covers with gilt lettering. Reproduced from the original 1651 17-volume edition, reduced here allowing 4 pages per sheet. French text. Clean, bright copies. No dust jackets ever issued. HUGE VOLUMES, DOMESTIC SHIPPING ONLY.

Hardcover. London, Routledge, 1st, 1993, Book: Very Good, Dust Jacket: None, Two hardcover volumes, 1806 pages. Previous owner's name on front fly leaf, otherwise a tight, clean set.

Hardcover. University Park, Pennsylvania State University Press, 1st Edition, 2012, Book: Very Good, Dust Jacket: Very Good, 346 pages. Hardcover. Dust jacket with only minor wear. Clean, unmarked and tight copy.