Hardcover. NY, Times Books, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Color photographs by Meyerowitz of summer landscapes and people relaxing at the beach and in their yards.

Hardcover. Reno ; Las Vegas, University of Nevada Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, 69 BW and color plates, 36 figures. Essays by Patricia Nelson Limerick, Dave Hickey, and Thomas W. Southall. Includes work by John Pfhal, Terry Evans, Mark Klett and many others, with brief photographer biographies.Clean, unmarked copy with only minor shelf-wear to dust jacket.

Hardcover. Boston, N.Y. Graphic Society, 2nd pr., 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 117 duotone photos. 1st pub. in 1972. This is the second printing. Edited by Liliane DeCock. Foreward by Minor White. Clean copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Hardcover. New York , W. W. Norton & Company, 1st, 2006, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Hardcover. Woodbury, NY, Barron's, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 81 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout.

Hardcover. US, Center for American Places, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Like new in publisher's shrink-wrap. From 2000 to 2007, Jay Wolke photographed in the south of Italy to capture the complexity of a region that is colloquially known as Il mezzogiorno. What he found in this historic and often troubled landscape was an elaborate set of physical, social, and political forces manifested in an extraordinary tapestry of visual information. Both referential and suggestive, Wolke's pictures reveal the marks of a long line of invaders, conquerors, and occupiers from the Greeks to the Spanish to the Camorra. Architectural and structural adaptations and "resignations" are evident in every scene and serve as the photographer's focus. Although the landscape is marred by layers of dysfunction and greed, we can't help but view it through the lens of the timeless belief in the bel paese--the beautiful country.

Hardcover. London, Carpet Bombing Culture, 1st, 2017, Book: Very Good, Dust Jacket: None, 200 pages. Hardcover with no dust jacket. Very clean, unmarked copy. Full page color photographs throughout. Tight copy. A look deep inside the crumbling apocalyptic landscape of America through the eyes of Photojournalist Seph Lawless.

Hardcover. London, Thames and Hudson, 1st UK, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages, 50 color photos by Boyd Norton. Forward by Yevgeny Yevtushenko. The 1990 journey of Matthiessen, Paul Winter and a group of Russian environmentalists who traveled around Siberia's Lake Baikal, the world's oldest and deepest lake, containing one-fifth of the planet's fresh water, is chronicled in diary form. Norton's 50 color photos enhance the text. Map.

Hardcover. Boston, Bulfinch, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated, illustrated throughout with 46 photographs in full color. Foreword by Norman Mailer. Light wear to pictorial dust jacket, faint foxing to top edge. Very nice, tight, clean copy.

Hardcover. US, Schirmer/Mosel, 1st, 2010-02-15, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Text in German. English language booklet included. Text by Kurt Forster. Color photos of Berlin's unseen corners.

Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.

Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.

Softcover. US, Stichting Kunstboek/DAP, 1st, 2005-03-15, Book: Very Good, Dust Jacket: None, Softcover, 160 pages with 120 color plates. Like new in publishers shrink-wrap. Founded in Berlin in 1989, Buro Kiefer is one of today's most important, innovative and respected international landscape design firms. Combining both a mathematic and aesthetic logic, Buro Kiefer's work responds to the ever-expanding responsibilities of landscape design: interaction with the fields of architecture, urban and regional development, and even the cultural tradition of garden art. Presented in this book are many of the firm's important projects, each of which shows a seamless blending of town and landscape, and a contemporary understanding of urban space.

Softcover. US, Stichting Kunstboek, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 160 pages with 120 color plates. Like new in publishers shrink-wrap. Founded in Berlin in 1989, Buro Kiefer is one of today's most important, innovative and respected international landscape design firms. Combining both a mathematic and aesthetic logic, Buro Kiefer's work responds to the ever-expanding responsibilities of landscape design: interaction with the fields of architecture, urban and regional development, and even the cultural tradition of garden art. Presented in this book are many of the firm's important projects, each of which shows a seamless blending of town and landscape, and a contemporary understanding of urban space.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2011, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave.

Softcover. Chicago, Center for American Places, 1st, 2008, Book: Very Good, Dust Jacket: None, 119 pages. Softcover. Black and white pictures. Light edgewear to wrappers.

Hardcover. Benteli Verlags , 1st, 2017, Book: Very Good, Dust Jacket: None, Oblong hardcover with a pictorial label, 192 pages. The faded remnants of a glorious past are captured in all their morbid beauty, in images that manifest the ephemeral and go beyond all conventional associations and conceptions of the American South: Days Gone By combines carefully crafted photographs from the past ten years with a cultural history of the region's social and structural changes. With an unflinching gaze, Jorg Rubbert presents the demise of countless small towns between Georgia, Mississippi and Texas, their suffering particularly tangible following the financial crisis. Rural towns, idyllic at first glance, are soon revealed as forgotten relics of times long past.

Hardcover. NY, DAP/Distributed Art Publishers, 1st, 1996, Hardcover, 108 pages with 94 "tritone" photographs. Introducion by Jamaica Kincaid. Wonderfully evocative b&w photos of cactus landscapes made on a trip to the Sonoran desert. Fine copy in like dust jacket.

Softcover. Carmel CA , Friends of Photography Bookstore, 1st, 1981, Book: Good, Dust Jacket: None, 55 pages. Softcover. Extensive b&w photography throughout. Some rubbing to spine and corners. Some soil to covers, otherwise clean, tight copy. Untitled, No. 25 in the Friends of Photography publications on serious photography. Includes Harry Callahan's distinguished career in photography, "Lee Friedlander, Photographer of 1980," Mark Klett, the 1980 Ferguson Grant recipient, Beaumont Newhall on John B. Green, Anita Ventura Mozley on Imogen Cunningham's beginnings, and more.

Hardcover. NY, W. W. Norton , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, b&w illustrations. Photographer E. O. Hoppe journeyed to Australia in the 1930s with the goal of capturing "the true spirit" of the nation. Enthralled by the country and its people, he traveled for a year tirelessly capturing images of life in bustling cities as well as the remote interior. No other photographer had presented such a comprehensive national portrait at the time; his iconic images captured a land both wild and refined. Very good in a bright dust jacket.

Hardcover. NY, W. W. Norton , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 120 b&w images. Once locked away in European archives, these early modernist photographs of America rival those of Steichen and Evans. Emil Otto Hoppe was born in Munich in 1878 but lived in London from 1900 until his death in 1972. He was an early and important modernist whose seminal views of the United States in the 1920s rival those of his peers: Paul Strand, Edward Steichen, Alfred Stieglitz, and Walker Evans. His work shows us an America as only an outsider could: brave, new, and grand in scale but with a hint of trouble brewing in the gaps between its multicultural and economic diversities.

Softcover. Garden City, N.Y., Doubleday & Co., 1st, 1971, Book: Good, Dust Jacket: None, Small folio. Eight loose reproductions in stiff paper chemise folder with "photographer sheet" by Peter Bunnell. Fine in faintly soiled and faintly rubbed illustrated slipcase. Plates are 11" x 14" and are suitable for framing.

Hardcover. New York, Dahesh Museum of Art, July 2002, Book: Near Fine, Dust Jacket: Near Fine, Hardcover in a dust jacket. Never opened, still in original shrink wrap. Spotless copy. Frederic Church (1826-1900), who gained international renown for paintings such as Niagara (1857), Heart of the Andes (1859), Twilight in the Wilderness (1860), and The Icebergs (1861), was inspired by his extensive travel and study. His work was also informed by his appreciation of a new visual medium. Fire & Ice, a selection from the several thousand photographs and daguerreotypes Church collected at Olana, his Orientalist home on the Hudson River, provides insight into the interests and taste of one of nineteenth-century America's greatest painters.

Hardcover. New York, Kodansha International, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black & white and color photographs throughout. A tight copy.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously iwith the hardcover. In publisher's shrinkwrap.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously with the hardcover. In publisher's shrink wrap.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 416 pages, profusely illustrated. After years of research, this complete retrospective offers, as no volume before it, an assessment of Le Gray's important place in the history of photography. His work had remained largely unknown by the general public until he was rediscovered in the 1960s and was deemed by connoisseurs to be the Monet of photography. Gustave Le Gray began as a young painter in Rome, then became a fashionable portrait photographer in Paris. He received commissions from Napoleon Ill, and astonished viewers with his painterly landscapes and ravishing seascapes. Facing bankruptcy, he feld Paris with Alexandre Dumas to Palermo, travelled to the Middle East, and finally settled in Egypt, where he became drawing master to the ruler's children and continued to make photographs until his death in 1884. Le Gray's work had remained largely unknown by the general public until he was rediscovered in the 1960s.

Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Wandering the streets of Harlem for the past forty years, Camilo Vergara has noticed and miraculously recorded those moments of great human invention that have been largely overlooked by the official chronicles of architecture and urban history. For this reason, his photographs are unique and indispensable.

Hardcover. Portfolio, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 194 pages. A great book by the bestseller author Sigurgeir Sigurjonsson. In this breathtaking new book about Icelandic landscape Sigurgeir entwines nature and culture in a dramatic, vivid and unforgettable moments. You can really feel the energy and flow of all that Iceland has to offer while going through the pages. This is the large edition 25x25 cm. The book comes in a beautiful bag.

Softcover. Boston, Bulfinch, 1st pbk, 2001, Book: Very Good, Dust Jacket: Very Good, Softcover, 130 plates, color and duotone. Like new in publisher's shrink-wrap. This beautifully produced volume features original, unpublished images by Annie Leibovitz, Richard Misrach, Sally Mann, William Wegman, Lee Friedlander, Mary Ellen Mark, Lynn Davis, Hope Sandrow, William Christenberry, Fazal Sheikh, Karen Halverson, and Terry Evans.

Softcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Softcover, 130 plates, color and duotone. Like new in publisher's shrink-wrap. This beautifully produced volume features original, unpublished images by Annie Leibovitz, Richard Misrach, Sally Mann, William Wegman, Lee Friedlander, Mary Ellen Mark, Lynn Davis, Hope Sandrow, William Christenberry, Fazal Sheikh, Karen Halverson, and Terry Evans.

Hardcover. Center for American Places, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. The world of factories and industry is a crucial yet oft-forgotten fact that undergirds the bustling prosperity of contemporary American life. Photographer Andrew Borowiec has spent his career exploring the industrial fields of middle America, and he now turns his camera's eye southward in Industrial Perspective, exploring the panoramic landscapes along and near the Gulf of Mexico where oil and gas industry workers live and work. Borowiec gained permission from oil corporations to enter their high-security sites and was thus able to photograph the delicate balance of land, life, and industry along the Gulf. The region's immense concentration of oil, chemical, and paper plants has created one of America's most unique and misunderstood contemporary landscapes, and Borowiec unravels its complexity in his evocative images. The visual sequence of Industrial Perspective reveals a continually evolving area that was transformed after World War II from a plantation system into an intricate and vast industrial complex built to accommodate the demands of a surging American economy. As Borowiec reveals through his striking images, this world of iron, oil, and heat enabled the American dream to come to fruition, yet its unyielding and stark character is virtually alien to those who do not live near the region.

Hardcover. UK, Papadakis, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, large oblong volume in a bright dust jacket. 'Industrial Scars' is the work of environmentalist and photographer, J Henry Fair, who brings our attention to the tragic effects created by the human impact on our planet. Each of Fair's striking images are accompanied by detailed explanations. Award-winning science writer Lewis Smith writes about each of the processes in captivating detail, describing the development of each industry through time and across the world. 204 pages. Full color photographs.

Hardcover. US, Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Photographs of glaciers and Arctic regions have existed almost as long as photography itself, as a function of documentary and mapmaking endeavors. As early as the 1860s, the medium was used to assess topology, capturing Arctic landscape at a distance and at close quarters, or producing stereoscopic images or panoramas. Glaciologists needed photographs to be taken year after year in order to assess the growth or contraction of the ice, and today repeat photography has become a valuable tool for documenting and demonstrating the real effects of global warming. In Infinite Ice, historical images are reproduced alongside the responses of contemporary artists who have addressed photography and landscape--for example, long, nighttime exposures by Darren Almond, aerial photographs by Olafur Eliasson or panoramic views by Walter Niedermayr. Featuring approximately 100 images, this volume presents a broad variety of glacial photography from 1860 to the present.

Hardcover. Boston, Bulfinch, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages. 68 color plates. The prominent photographer celebrates the diversity of the earth's environments in this breathtaking collection of images that capture the rich natural beauty of Egypt, Costa Rica, the Arctic, Easter Island, and other locales.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. Like new in publisher's shrink-wrap. Janne Lehtinen's bleak yet arresting photographs of his hometown in the south of Finland are reproduced in this slim, elegant volume. In this new autobiographical project, Lehtinen takes us to Lehtiskyla, where the locals believe that everyone who comes to stay will meet with a sad, usually sinister and absolutely inevitable fate. The images and their accompanying memories--his sick uncle's little bottles of pills, a corpse floating in the river, the last meal eaten by his old horse, a schoolmate's accident--do not promise better things to come, yet there is a certain beauty to the "curse" of Lehtiskyla. This very personal, melancholy album of photographs records the journey of Lehtinen and his cousin to their childhood house and other places of their youth.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. Like new in publisher's shrink-wrap. Janne Lehtinen's bleak yet arresting photographs of his hometown in the south of Finland are reproduced in this slim, elegant volume. In this new autobiographical project, Lehtinen takes us to Lehtiskyla, where the locals believe that everyone who comes to stay will meet with a sad, usually sinister and absolutely inevitable fate. The images and their accompanying memories--his sick uncle's little bottles of pills, a corpse floating in the river, the last meal eaten by his old horse, a schoolmate's accident--do not promise better things to come, yet there is a certain beauty to the "curse" of Lehtiskyla. This very personal, melancholy album of photographs records the journey of Lehtinen and his cousin to their childhood house and other places of their youth.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. Like painters and draftsmen before them, photographers turned to the landscape as a source of inspiration after the invention of the medium in 1839. Since then, changing artistic movements and technical advancements have provided opportunities for camera artists to approach the subject in diverse and imaginative ways, as illustrated by the wide range of works from the extensive collection of the J. Paul Getty Museum in Landscape in Photographs.

Hardcover. Chicago, University of Chicago Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. In 1975, German readers were introduced to the Rheinlandschaften, a collection of stunning images of the Rhineland captured in the first half of the twentieth century by photographer August Sander (1876-1964). This fresh edition, now in English, brings Sander's work to a new audience and into our own time.These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander's work while introducing his contemporaries, including the writer Hans Ludwig Mathar and the painter Franz M. Jansen. Also explored are the ties between Sander's landscapes and his portrait photography, which is celebrated worldwide. Crucially, Kemp highlights the need to consider the Rhineland's unique political situation in the 1920s and 1930s for any discussion of Sander's artistic approach.

Softcover. Ft. Worth, Morgan & Morgan/ Amon Carter Museum, 1st, 1973, Book: Very Good, Dust Jacket: None, Unpaginated, 44 b&w images by the photographer, foreword by Ansel Adams. Softcover, clean, tight copy.

Hardcover. NY, Prestel, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. This photographic homage to Los Angeles presents a timeless depiction of the great city. In his book New York Sleeps, Christopher Thomas traveled the empty streets of New York City shooting dreamy cityscapes with a large-format Polaroid camera. For this new book he focuses his lens on Los Angeles, capturing in duotone images of the iconic buildings and spaces in the city: the Chinese Theatre without tourists, the Griffith Observatory peacefully alone, the Hollywood Boulevard without celebrities or onlookers. Around the city's artdeco buildings and mid-century drive-ins, sidewalks, and parking lots are vacant. Shot in the early morning, with the sun's rays just hinting between buildings, or at dusk, when the light is inchoate and mournful, these pictures are a tender valentine to Los Angeles. Fans of New York Sleeps will be thrilled to encounter another sublime project by Thomas. And residents and lovers of Los Angeles will be awestruck at this new interpretation of the City of Angels.

Hardcover. London, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Since the invention of photography, Ireland has been a magnet for photographers, but this book is unique in bringing together the work done by the unrivaled talents of the members of Magnum. From Ireland's first attempts to forge a modern identity in the 1950s to the confident country of the twenty-first century, here is a stunning survey of a beautiful and complex place and people, through times of peace as well as troub

Hardcover. New York, Aperture/SADEV, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages, b&w photographs, small format catalogue with extensive notes. A fine copy in the illustrated dust jacket. Bridges made aerial photographs of the earthworks in Peru, Yucatan and Chiapas, and in the U.S. in California, Arizona, New Mexico, Mississippi, South Dakota, as well as France and England. Preface by Haven O'More. Essays by Maria Reiche, Charles Gallenkamp, Lucy Lippard, Keith Critchlow. Clean, bright in an unclipped dust jacket.

Softcover. NY, Rizzoli, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Color plates throughout. All photographs have been made in NYC from the same apartment window which gives a large view on Central Park and on the street. Ruth Orkin gathers photographs around the Sheep Meadow area of Central Park in New York, and includes shots of parades, rallies, and the Manhattan skyline. Clean, bright copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Softcover. Washington, Smithsonian Institution Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover with light wear to paper wrappers. Clean, tight copy. Landscape images made with a large format panorama camera. Photographs by Lois Conner, with an interview; afterword by Richard Woodward. 61 pages; 31 duo-toned b&w plates; 10 x 8.5 inches. Technical information. From the Smithsonian's Photographers at Work series, edited by Constance Sullivan.

Hardcover. New York, Metropolitan Museum of Art, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 293 pages. Hardcover with dust jacket. Sunfading to spine. Price sticker to rear jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. The photographer Edouard Baldus, a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s....This book, the first to chronicle the life and career of this important artist, brings his work once more before the public. The superb quality of the reproductions captures the subtle tones and soft matte surfaces of the original prints, many of which are published here for the first time.