Hardcover. London, Walter Scott Publishing, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with gilt lettering on spine, 348 pages plus publisher's ads in rear. Walter Savage Landor's most celebrated prose work. This collection features a series of dialogues that blend historical and fictional figures, spanning from antiquity to Landor's contemporary period. The conversations are structured in various formats, including classical dialogues, discussions between sovereigns, and exchanges among literary figures, showcasing Landor's classical influences and intellectual rigor. Spine color faded, name on front fly leaf otherwise clean.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1900, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt and three colors, 384 pages plus publisher's ads in rear. 12 b&w illustrations by Charles Sheldon. Desmond Kennedy is a young Irish lad who left Ireland to join the Irish Brigade in the service of Louis XIV of France. In Paris he incurred the deadly hatred of a powerful courtier from whom he had rescued a young girl who had been kidnapped, and his perils are of absorbing interest. Captured in an attempted Jacobite invasion of Scotland, he escaped in a most extraordinary manner. As aid-de-camp to the Duke of Berwick he experienced thrilling adventures in Flanders. Transferred to the Army in Spain, he was nearly assassinated, but escaped to return, when peace was declared, to his native land, having received pardon and having recovered his estates. Previous owner's signature on a blank prelim page, otherwise clean.

Hardcover. London, Griffith Faqrran & Co., Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in gilt and 2-colors, 343 pages. Illustrated with 19 b&w plates, illustrator uncredited. All edges gilt. Previous owner's inscription on inside front cover (dated 1895). A story set during the Indian Rebellion of 1857. The story follows two British brothers, Dick and Ned Warrender, who are the sons of an officer in the local garrison. Clean copy.

Hardcover. NY, Grove Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, b&w photos of stage performers, 115 pages. First printing. Name on front fly leaf otherwise clean.

Hardcover. Atglen PA, Schiffer, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages illustrated in color. Hollywood's Golden Age was graced with thousands of breathtaking looks by a designer who was known simply as Irene. Based on unprecedented access to the records and remembrances of Irene's personal artist, Virginia Fisher, this insider's look tells the story of Irene's years at MGM studios. Marvelously illustrated with more than 150 original sketches and photography from the time period, Irene's exhilarating story, filled with memories that have a cloying edge and are, at times, chilling, comes to life in this thoroughly researched resource on her career and legacy. From her early years as a designer with a successful dress shop catering to Hollywood clientele to her ascendancy at MGM studios to the beginning of her own label, Irene, Inc., this volume captures Irene's struggles and triumphs surrounding her time at MGM. Complete with a filmography of Irene's designs and full of insightful cameos by stars like Judy Garland, Lana Turner, and others, this is the ideal book for film and costume historians, fashion designers, and fans of Hollywood's Golden Age. Clean copy.

Softcover. Philadelphia, Temple University Press, 1st pbk, 1993, Book: Very Good, Dust Jacket: None, Softcover, 379 pages. A collection of ten essays covering topics ranging from the expansion of Islamic civilization to gender issues in the Industrial Revolution and European global expansion. Each essay provides an overview of the problems and themes relating to critical processes and periods in global history. Clean copy.

Hardcover. NY, Mnuchin Gallery , 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, 65 pages, fully Illustrated fabric bound catalogue designed by McCall Associates, New York and authored by art historian, professor and scholar Clayton Press. "Mnuchin Gallery is proud to present Joan Mitchell--Christine Ay Tjoe: an exhibition which sparks a dialogue between, Joan Mitchell and Christine Ay Tjoe, two trailblazers of 20th and 21st century abstraction... These two distinct artists use alternative means to address the same question: "What does it mean to make an abstract painting?" Mitchell and Ay Tjoe both engage with the canvas using a bevy of brushstrokes that vary in degrees of strength and depth. Through this process, they yield deeply introspective paintings that simultaneously allude to the real world with playful titles and harmonic color palettes. The paintings presented in Joan Mitchell-Christine Ay Tjoe underscore how these artists draw from their environments and cultures, as they ultimately seek to transcend generational boundaries and prescribed definitions of Eastern and Western artistic traditions." Clean copy in shrinkwrap.

Hardcover. Boston, Little Brown & Co., 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 436 pages with b&w illustrations. A detailed biography of the eccentric naturalist, John Muir, traces his influence on the American national park system and on the diverse and tumultuous history of the American conservation movement. Clean copy.

Hardcover. NY, PublicAffairs, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 220 pages. Robert Skidelsky brilliantly synthesizes Keynes career and life, and offers nervous capitalists a positive answer to the question we now face: When unbridled capitalism falters, is there an alternative? Clean copy.

Softcover. Philadelphia, University of Pennsylvania Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 286 pages. Kitchen Culture in America is a collection of essays that examine how women's roles have been shaped by the principles and practice of consuming and preparing food. Exploring popular representations of food and gender in American society from 1895 to 1970, these essays argue that kitchen culture accomplishes more than just passing down cooking skills and well-loved recipes from generation to generation. Kitchen culture instructs women about how to behave like "correctly" gendered beings. One chapter reveals how juvenile cookbooks, a popular genre for over a century, have taught boys and girls not only the basics of cooking, but also the fine distinctions between their expected roles as grown men and women. Several essays illuminate the ways in which food manufacturers have used gender imagery to define women first and foremost as consumers. Other essays, informed by current debates in the field of material culture, investigate how certain commodities like candy, which in the early twentieth century was advertised primarily as a feminine pleasure, have been culturally constructed. The book also takes a look at the complex relationships among food, gender, class, and race or ethnicity-as represented, for example, in the popular Southern black Mammy figure. In all of the essays, Kitchen Culture in America seeks to show how food serves as a marker of identity in American society. Clean, bright copy.

Hardcover. NY, Abrams Image, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 223 pages. Kraken is the traditional name for gigantic sea monsters, and this book introduces one of the most charismatic, enigmatic, and curious inhabitants of the sea: the squid. The pages take the reader on a wild narrative ride through the world of squid science and adventure, along the way addressing some riddles about what intelligence is, and what monsters lie in the deep. In addition to squid, both giant and otherwise, Kraken examines other equally enthralling cephalopods, including the octopus and the cuttlefish, and explores their otherworldly abilities, such as camouflage and bioluminescence. Accessible and entertaining, Kraken is also the first substantial volume on the subject in more than a decade. Clean copy.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. The American Southwest has shaped the lives and work of many artists and literary figures over the last century--Georgia O'Keeffe, D. H. Lawrence, N. Scott Momaday, to name a few--individuals unquestionably drawn to the unrivaled landscape, moved to express its beauty through the written word or through their art, and forever altered by the experience. The survey of photographers and photography in the Southwest between 1870 and 1970 begins with Timothy O'Sullivan and other late nineteenth-century expedition photographers and ends with the color landscape photography of Eliot Porter. In between are Laura Gilpin's portraits of Navajos taken during the 1930s and the documentary images of rural Hispanic communities by Farm Security Administration photographers John Collier Jr. and Russell Lee in the 1940s. Nineteen photographers in all are represented--also including Ansel Adams, Paul Strand, Edward Weston--along with 102 photographs. Clean copy.

Hardcover. NY, Rudd and Carleton, 1st US, 1860, Book: Good, Dust Jacket: None, Hardcover, embossed brown cloth with gilt lettering on spine, 407 pages plus publisher's ads. A collection of correspondence written in the 19th century. This compilation features Humboldt's letters to his friend Varnhagen von Ense, reflecting their intellectual friendship and offering insightful glimpses into Humboldt's thoughts, scientific inquiries, and the sociopolitical landscape of his time. The letters encapsulate Humboldt's legacy as a pioneering scientist and thinker, showcasing his multifaceted contributions to various fields of knowledge. At the start of the work, we are introduced to Humboldt as he begins his correspondence with Varnhagen, exemplifying their close friendship and the candid nature of their exchanges. Humboldt expresses gratitude for Varnhagen's acknowledgement of his literary endeavors and shares details about his scholarly work, specifically discussing the titles and themes of his upcoming publications. The initial letters highlight Humboldt's artistic and scientific pursuits, while also touching on broader social issues of the era, providing a rich context for readers interested in the intersection of science, literature, and personal relationships among intellectuals of the time. Light edgewear to covers, faint marginal water stain to first 10 pages along foredge.

Hardcover. Boston, Houghton Mifflin, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 149 pages. Life of a Japanese, rescued from shipwreck by an American whaler, who spent his youth in New England, returned to Japan, and was important in the opening of Japan to the Occident in the 19th century. Clean copy.

Hardcover. St. Joseph MI, A.M. & R.W. Roe, 1st thus, 1958, Book: Very Good, Dust Jacket: None, Hardcover, gilt stamped decorative blue binding by Elizabeth Kner. Illustrated with 21 color woodcuts by Philip Reed. Publisher's press release laid-in. Acetate dust jacket. Clean, bright copy.

Softcover. NY, Columbia University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 264 pages, b&w illustrations. The first book to chart responses in the Muslim Middle East to modernity through an examination of the evolution of the Baha'i faith--a millenarian movement led by the nineteenth-century Iranian prophet Baha'u'llah ("the Glory of God"). This volume illuminates the complexity and ambiguity that characterized the changing relationship of Baha'u'llah and his followers to modernity, considered as a transnational and fluid political and cultural field of contestation. The insights presented here into these responses to modernity illuminate not only the genesis of a new world-religion but also important facets of Middle Eastern-particularly Iranian-social and cultural shifts in the nineteenth century. Drawing on the work of Habermas, Giddens, Touraine and Bryan Turner, among others, Juan R. I. Cole considers some of the ways in which Middle Eastern society was affected by five developments central to modernity: the lessening entanglement of the state with religion, the move from absolutism to democracy, the rise of sovereign nation-states, the advent of nationalism, and the women's movement. Clean copy.

Hardcover. NY, Citadel Press, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages, b&w illustrations. They were the Godfathers of the Movies. Groundbreaking pioneers of the Hollywood Dream Factory, Joseph and Nicholas Schenck may not have been household names like the Warner brothers or Louis B. Mayer, but they were infinitely more powerful, influential--and ruthless. A pair of Russian immigrants with giant ambitions, the Schencks turned their small nickelodeon business in New York's Bowery into a partnership with Loew's movie theaters and a controlling interest in three major studios: MGM, Twentieth Century-Fox, and United Artists. They painted the silver screen silver, laid the foundations for the all-powerful studio system, and ruled a global movie empire from their Gatsby-sized mansions on the East and West Coasts. Clean copy.

Softcover. Princeton/New York, Markus Wiener, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 186 pages, b&w illustrations. Napoleon's conquest of Egypt in 1798 was the first contact between a Western power with imperial goals and an ancient regime of an African society. Sheik Al-Jabarti's chronicle is a unique combination of historical narration and reflection combined with daily observations about the atmosphere in Cairo and the mood among the local population. The book is an Arab view of a turning point in modern history.

Hardcover. NY, HarperCollins, 2nd pr., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 436 pages. A great historian crowns a lifetime of thought and research by answering a question that has haunted us for more than 50 years: How did one of the most industrially and culturally advanced nations in the world embark on and continue along the path leading to one of the most enormous criminal enterprises in history, the extermination of Europe's Jews? Giving considerable emphasis to a wealth of new archival findings, Saul Friedlander restores the voices of Jews who, after the 1933 Nazi accession to power, were engulfed in an increasingly horrifying reality. We hear from the persecutors themselves: the leaders of the Nazi party, the members of the Protestant and Catholic hierarchies, the university elites, and the heads of the business community. Most telling of all, perhaps, are the testimonies of ordinary German citizens, who in the main acquiesced to increasing waves of dismissals, segregation, humiliation, impoverishment, expulsion, and violence. Clean copy.

Hardcover. NY, Museum of the City of New York, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 327 pages, illustrated in color and b&w. In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. Clean copy.

Hardcover. NY, Doubleday and Co., reprint, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with publisher's sticker on front. INSCRIBED BY KENNEDY on the front fly leaf and signed "Joe Kennedy". 71 pages, his first book of poetry. No First Edition statement but 1961 on title page, $2.50 on flap. Clean copy.

Hardcover. NY, Birch Lane Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 414 pages, b&w illustrations. A biography of controversial designer Calvin Klein draws on interviews with friends, business associates, and lovers to trace his dramatic rise to fame in the fashion world and his self-indulgent personal life.

Hardcover. NY, Doubleday, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages, b&w illustrations. The story of oil wildcatter Frank Phillips and the legendary empire he created reveals his beginnings as a barbershop owner and how he became a financier, one of the richest bankers in Oklahoma, and the founder of Phillips Petroleum in 1905.

Hardcover. Rutland VT, Chas. E. Tuttle Co., reprint, 1936, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. Fine green textured cover with gilt to front and spine. Foreword by Arthur Schomburg, Robinson biography by Mary Robinson Perkins. A collection of tales capturing the essence of 19th-century rural life, primarily set in Vermont. These stories explore themes of freedom, community, and the challenges of everyday existence with a distinct American voice. Robinson's vivid descriptions and engaging characters provide a window into a bygone era, making this collection a valuable contribution to American literature. Clean copy.