american art

Hardcover. New York, Morrow, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. Still in shrink wrap. Beautifully illustrated with 68 full color reproductions, several double page spreads and two foldouts. Impressive paintings of cowboys, Indians, buffalo, cavalry, mountain men, immigrant wagons, spectacular rock formations and vistas, etc. McCarthy was a successful book cover and movie poster illustrator before becoming one of our finest Western artists.

Softcover. Sacramento CA, Crocker Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, 47 pages, illustrated throughout in color. SIGNED BY ARTIST on front end paper. Clean, unmarked copy with only minor wear to wrappers. Robert Cremean (1932 - Present) is a sculptor (and occasional painter) born in Ohio, now based in Tomales Bay, California. Cremean does superlative figurative work. However, he has largely isolated himself from the American art mainstream to the extent that any showing is a considerable rarity. He's developed, via a benefactor, an "arrangement" with the Fresno Art Museum whereby it displays most of his new work. This book is from a show at the Crocker Art Museum, Sacramento, in 2005. Now 88, Cremean was early--and unsurprisingly-- influenced by medieval art, particularly the illuminated Chaucer manuscript at the Huntington Library. "I was amazed at the way the words and pictures met one another on the page." Most of his painted words are transcribed from his own notebooks.

Hardcover. New York , Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages, 91 illustrations in color and b&w. In a bright, clean dust jacket. Introduction by John A Williams. "The numerous large illustrations of Bearden's drawings, paintings, and collages from 1940 to the present, give depth to this portrait of an unusually fine American artist." 91 illustrations of the artist's work, including 46 in full color: one four-page spread over two folding pages, and one folding two-page spread. Chronology. List of exhibitions. Bibliography. Silver-blocked blue-cloth-covered boards with facsimile signature on front board. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Ten Speed Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color, b&w illustrations. THE ART OF S. CLAY WILSON is the long-awaited career retrospective of the most extreme of the Zap cartoonists of the late 1960s. A self-described "graphic agoraphobe," Wilson draws manically dense scenes of lurid mayhem that rank among the seminal works of underground, counterculture American art. It's all here, from the classic chronicles of the Checkered Demon to salacious stories about the pirates, prostitutes, and poets that inhabit Wilson's divinely depraved world.The definitive collection of the art of legendary Zap comic artist S. Clay Wilson.Features 200 full-color images, including new work and previously unpublished prints commissioned for private collections.Introduction by R. Crumb touts Wilson's role as one of the originators of underground comix."Wilson was the strongest, most original artist of my generation that I had yet met. . . . There was something very familiar about the drawings, yet something entirely new, never before seen! It looked like folk art, like old-time tattoos, like some high school hotrodder's notebook drawings. They were rough, crazy, coarse, deeply American."

Softcover. College Park MD, University of Maryland Art Gallery, 1st, 1971, Book: Very Good, Dust Jacket: None, 96 pages, oblong softcover. 43 b&w illustrations. Catalogue of 174 exhibits. Forewords by Alain de Leiris and Marchal E. Landgren; biographies of and notes on 116 American cartoonists, with bibliographical references for each; chronology of the American comic strip, 1846-1971. Light shelf wear.

Hardcover. Seattle, WA, University of Washington Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover black cloth with silver lettering. 410 pages. 32 pages of color plates; near 1000 black-and-white photographs. Bibliography and index. Authoritative guide to the collections at the University of British Columbia. Clean copy in a bright dust jacket.

Softcover. Seattle, University of Washington, 1st PB, 1989, Book: Very Good, Dust Jacket: None, Softcover, 188 pages, illustrations in b&w. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. New York, Alfred A Knopf , 1st, 1971, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 336 pages, illustrated throughout in color and b&w. Pictorial gray cloth with gilt title to spine. Pictorial dust jacket. Light wear and sun to covers and spine, else a very nice, tight copy.

Hardcover. New York, Morrow, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. In a clean, bright dust jacket. A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender and the Fifty-fourth Massachusetts' assault (in film, the climax of Glory). His spark of inspiration is usually to visualize an incident he has read of in the journals of the first white explorers and trappers, such as those of Lewis and Clark. Whether it's Clark firing his rifle or Indians encountering a cannon lost by Fremont, Native Americans are generally presented as wary but curious about the newcomers; Lovell puts the warfare outside of the frame. Themes aside, he works expertly with natural color, and though not a modern George Caitlin, his attention to the detail of Indian dress, carriage, and equipage is quite affecting, fully reflective of his respect for the cultures of Apache, Sioux, etc. A rich tribute to a captivating artist who evokes the West's vast landscape and its individual braves and traders in moods of exuberance and perseverance.

Hardcover. New York, William Morrow & Co, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. "A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender". Gorgeous color plates.

Hardcover. Nantucket MA, Nantucket Historical Association, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with color pastedown on front cover, gilt lettering on spine. 269 pages illustrated with color and b&w plates. Number 1242 of 2000 copies. Introduction by Stuart P. Feld. Printed dedication to Walter Beinecke. No dust jacket, a clean, bright copy.

Hardcover. New York, Hyperion Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 278 pages. SIGNED BY AUTHOR. Very good in very good dust jacket. Stated first American edition with all numbers starting with 1.

Hardcover. Seattle/New York, Lucia Marquand and D.A.P., 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. offers a fresh look at the art, life and literature of seminal American modernist painter Arthur Dove (1880-1946). It also introduces Dove's long-forgotten biographer Suzanne Mullett Smith, who worked with Alfred Stieglitz and the artist from 1943 to 1944 assembling a chronicle of Dove's art and life as well as a catalogue raisonne. By examining previously unpublished material, this volume explores the differences between Dove's public and private personas, especially the development of his art while living in Westport, Connecticut, from 1910 to 1920; his successful career as a chicken farmer; his complex relationship with his family; and the impact of his Christian background on some of his best-known works. 239 pages, 100 pages of large color plates. 47 color figures in text section. Still in publisher's shrinkwrap.

Softcover. Berkeley CA, University of California Press, 1st, 1958, Book: Very Good, Dust Jacket: None, Softcover, tight, bright, clean and especially sharp-cornered. Physical description; 96 pages illustrations (some color), portrait. 23 color, 39 bw plates. The first significant look at the artwork of American modernist Arthur G. Dove (1880-1946). With a foreword by Duncan Phillips, and a lengthy illustrated essay by Wight. Includes a collections history, exhibitions history, and a sizable selected bibliography. Clean copy.

Softcover. NY, Dover, reprint, 1984, Book: Very Good, Dust Jacket: None, 89 pages, paperback. Ninety b&w evocative photos documenting American social history. Unmarked. A bright and tight copy.

Hardcover. Warren, ME, Warren Historical Society, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 40 pages followed by 38 plates. Red cloth cover with embossed lettering to front cover and gilt lettering to spine, blue dust jacket with b&w illustration to front, 5 b&w illustration throughout text, biography, reminisces of author, record of paintings, list of exhibitions. Light edge wearing and rubbing to dust jacket; overall a clean, tight copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Hardcover. New York, Spanierman Gallery, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket. Clean, tight copy. This book was published to go along with an exhibition of Dow's work that showcased the work of a leading figure in the development of American modernism.

Hardcover. Fort Worth, TX, Amon Carter Museum, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 102 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped, excellent. Pages and edges clean and unmarked. Binding tight, spine straight. Cover boards bound in tan cloth, gilt title on spine. In beautiful condition. More than a biography of an important western artist, it is a saga of the times as related through an artist's eyes, along with a timely account of the artist's life on the frontier.

Hardcover. Charlottesville, VA, Virginia Historical Society/University Press of Virginia, 1st, 1983, Book: Near Fine, Dust Jacket: None, Lists hundreds of artists, both famous and largely unknown, who spent some or all of their careers in Virginia. Near fine condition; virtually no flaws except for very slight wear at one end of the spine.

Hardcover. NY, American Artists Group / Duell, Sloan & Pearce, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with faded gilt lettering on spine. 304 pages. SIGNED BY THE AUTHOR on the half-title page. An autobiography by the artist and writer. He was an important part of the American art scene in the 1920's and 30's. He was an art critic, writer and editor of art magazines as well as an artist. Two color plates, others in b&w. No dust jacket, clean copy.

Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Tucked away among the letters, diaries, and other ephemera in the Smithsonian's archives lies a trove of rarely seen snapshots of some of the twentieth century's most celebrated artists. Unlike the familiar official portraits and genius-at-work shots, these humble snaps capture creative giants with their guard down, in the moment, living life. Pablo Picasso stands proudly on a balcony with young daughter Maya--a tiny, meticulously inked annotation penned by an unknown hand proclaims that "he's very much in love." Jackson Pollock morosely carves a turkey while his mother, Stella, and wife, Lee Krasner, look on. A young Andy Warhol clowns for the camera with college friend Philip Pearlstein, and in a later shot more closely resembles his famously enigmatic public self at a gallery opening with John Lennon and Yoko Ono.

Hardcover. NY, Knopf, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover. Foreword by Thomas S. Buechner. Color plates of paintings, b/w reproductions of caricatures. 206 pages. Levine, 1926-2009, was an American artist and illustrator. He studied at the Pratt Institute and served in the Army after World War II. Many of his paintings of garment workers were destroyed in a 1968 fire. He later became a political illustrator, and his caricatures often appeared in the New York Review of Books. In a bright, unclipped dust jacket.