american illustrated

Softcover. NY, Harry N Abrams, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover163 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, with small crease to front cover. Clean, tight copy.

Hardcover. Boston Mills Press , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. For a world coming out of economic depression in the 1930s, the Pan American Airways Clipper "flying boats" symbolized elegance and luxury, adventure and romance. Illustrated with rare period photographs, vintage travel posters, magazine ads and colorful company brochures, this fascinating book covers every aspect of the fabulous era of Pan American's graceful clippers. Like their maritime namesakes, the Clippers used the oceans to form a vast global network of travel routes. Pan Am founder Juan Trippe was a visionary who saw the importance of international travel to a changing world. His Clippers would play a key role in the evolution of transoceanic flight, setting time and distance records over the Atlantic and Pacific, providing airmail delivery between countries, and eventually serving the Allies as troop and cargo transports during World War II. A major appeal is the 200 color images and 100 historical black-and-white photographs. Clean copy.

Hardcover. New York, Merrell Holberton, 1st, 2007, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, illustrated in color and b&w. Still in publisher's shrinkwrap. Punk is most commonly associated with music, fashion and graphics, but its rebellious and iconoclastic spirit also found expression in the visual arts. Panic Attack! reveals the vibrant art scene that exploded in Britain and the United States between 1974 and 1984, when visual artists shared some of the radical attitudes and aesthetics of punk and post-punk musicians and designers.Featuring essays by both British and American commentators, a detailed chronology of the art and music scenes of the time and stunning reproductions of works by over thirty leading artists, Panic Attack! is an account of one of the most exciting periods in modern art.

Hardcover. Lanham MD, Derrydale Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 149 pages. Hardcover. Extensive b&w and color illustrations throughout. Clean, unmarked copy with only minor wear to wrappers. The definitive book on an artist who is widely regarded as the preeminent American illustrator of equestrian subjects. Based on extensive interviews with Brown's family, friends, and artistic contemporaries, Paul Brown includes a biography of the man and contains a complete listing of all the published works that include Brown's art as well as listings of all of Brown's prints, items sometimes attributed to Brown, and methods of identifying first editions of Paul Brown's art. Although Brown is primarily known for his wonderful paintings, drawings and sketches of horses and equestrian sports, he is also well known for his elegant and prolific illustrations for Brooks Brothers catalogs over three decades.

Softcover. Boston, The Paul Revere Memorial Association, 1st pbk, 1988, Book: Very Good, Dust Jacket: None, Hardcover, pictorial black wrappers, 191 pages. Issued in conjunction with a 1988-1989 exhibition featuring the silver work of Paul Revere (1735-1818). With illustrated essays by Patrick M. Leehey, Janine E. Skerry, Deborah A. Federhen, Edgard Moreno, and Edith J. Steblecki. Includes a bibliography and many views of Revere's silversmithing capabilities. 236 b&w illustrations. Clean copy.

Hardcover. New York, Harper & Brothers, 1st, 1939, Book: Very Good, Dust Jacket: None, Non-Paginated. Hardcover. Previous owners inscription in a fine hand along top edge of inside front cover dated 1939. Full color and black & white illustrations by Barbara Latham. Rubbing to edges and corners of covers. Degree of age toning to page edges. Clean, unmarked copy.

Hardcover. NY, Knopf, 2nd pr., 1985, Book: Very Good, Dust Jacket: Very Good, 177 pages. Hardcover with dust jacket. Color illust. by Leo & Diane Dillon. Clean, tight copy with minor wear to dust jacket.

Hardcover. NY, Knopf, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 178 pages. Black & white illustrations by Leo & Diane Dillon. Dust jacket shows some wear and chipping at edges.

Hardcover. NY, Dutton, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 256 pages, Index. Maroon cloth, stamped in gilt. Copiously illustrated with watercolors by Karl Bodmer. Map on endpapers. The Firsthand Account of Prince Maximilian's Expedition Up the Missouri River, 1833-34. Wonderful color plates by Swiss-born Bodmer accompany extracts from Maximilian's text, enhanced by historical background from Thomas and Ronnefeldt. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Miramax/Hyperion, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, in a bright, unclipped dust jacket.Profusely illustrated with black and white film stills. With a knowledgeable text by the director and film historian. Clean.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Illustrated with portraits. Top edge gilt. 412 pages + ads. INSCRIBED BY RANKIN to Livingston C. Lord, President of Eastern Illinois University in 1917. Rankin, who died at 90 in 1927, was an early colleague and friend of Lincoln's from his Springfield days. Small ink number on front fly leaf, otherwise clean.

Softcover. Austin, University of Texas Press, First, 1965, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, profusely illustrated in b/w and color. Slight edgewear otherwise tight, clean copy.

Softcover. US, Alpine Fine Arts Collection, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 275 pages, illustrated throughout in color and b&w. INSCRIBED BY ARTIST on front end paper. Edgewear, rubbing and scratching to wrappers. Faint foxing to top edge and end papers, otherwise a clean, tight copy.

Hardcover. NY, Harry N Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, illustrated throughout in color and b&w. Faint foxing to edges and end papers. Clean, tight copy. 60 color plates, 53 BW illus., 47 sepia duotone, one fold-out. Considers the work of Modern Realist Philip Pearlstein (b. 1924). With a foreword by the artist, known for his "...larger-than-life nudes [posed] under a cold light, motionless and abstracted, in slashing diagonal compositions, often veering off the canvas entirely." Includes one page of notes, chronology and list of exhibitions, selected bibliography and index.

Softcover. Bristol UK, Intellect, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. With a focus on the settler societies of the United States and Australia, Photography and Landscape is a new critical account of landscape photography created through a unique collaboration between a photography writer and a landscape photographer. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this extensively illustrated volume demonstrates the influence of settler societies on landscape photography, in which skilled photographers captured the fascination with and the appeal of the land and its expanse. Clean copy.

Hardcover. US, The MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Hardcover. US, The MIT Press, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Softcover. NY, Camera Workshop Publications , 1st, 1950-53, Book: Very Good, Dust Jacket: None, Four magazines, folio size, each issue 50 pages. Chiefly illustrated from b&w photographs. 4 issues, the complete publication, as follows: Volume 1, No. 1-B, Summer 1950, through Volume 1, No. 4, Winter 1953. Soft creases to the wrappers of Issue No. 3, with minor wear to the others. Near fine. Edited by Peter Martin, this proposed quarterly was issued sporadically, and ceased publication with the fourth issue in 1953. Photographers include Fred Lyon, Ruth Orkin, Jerry Yulsman, Ted Croner, Philippe Halsman and W. Eugene Smith.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Hardcover. Boston , Lothrop Publishing, 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth stamped in red and gilt, 306 pages. Twelve b&w illustrations by Maria L. Kirk. Frontispiece piece protected by tissue guard. Unusually bright, clean copy. Light cornerwear to cover.

Hardcover. New Texture, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 135 pages. A prolific men's action magazine illustrator from the magazines' start in the 1950s until their passing from American newsstands in the 1970s, POLLEN IN PRINT's complete, chronological presentation of Pollen's contributions serves as its own visual history, illuminating both Pollen's growth as an artist, as well as the magazines' (and their readers') shifting focus and changing interests across three decades. Clean copy.

Hardcover. Boston, Little Brown, 1st , 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. A traditional British ballad retold in an American setting. Color illustrations by Moser. Clean. tight copy.