Softcover. Baltimore, MD, Baltimore Museum of Art, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 151 pages, b&w and color illustrations. Light edge wear, rubbing to wrappers. Else a clean, tight copy.
Hardcover. Milwaukee WI, Kalmbach Publishing, reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover. Kalmbach facsimile reprint of the Simmons-Boardman 1941 edition. 1312 pages featuring steam locomotives, elecrtic locomotives, diesel locomotives, industrial locomotives, locomotive shops, and engine terminals. Many hundreds of photographs and dimensional diagrams of locomotives and their various parts. Impressive color foldout on heavy stock of Alco-GE diesel-electric locomotives in paint schemes for The Milwaukee Road, Rock Island, Santa Fe, Southern, and New Haven. A similar foldout for EMD features early shovel nose E-units in schemes for Union Pacific, Burlington, Santa Fe, Rock Island, Missouri Pacific, plus nine more, plus FT schemes for Santa Fe, Seaboard, Rio Grande, Great Northern, Western Pacific, Milwaukee, and Southern. Bound in dark blue cloth. Clean.
Hardcover. US, Soul Jazz Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 200 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to laminated cover boards. Color and black and white pictures throughout. The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity. A melting pot of races born of the 400-year slave trade--Africans, indigenous Americans and their French, Spanish, German, Dutch and English colonizers--the identity of the Caribbean stands at the intersection of tourism, colonialism and tropicality. This deluxe large-format volume features hundreds of fascinating and unique photographs that span 100 years of Caribbean history, culture, industry and more, as well as the subsequent diaspora of its people to America, England and elsewhere. The photographs show the many ways in which the region has been portrayed, from tropical backdrop of tourism and hedonism to colonial outpost and revolutionary threat in North America's own backyard.
Hardcover. NY, Hyperion/Miramax, 1st, 1997, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 191 pages, b&w illustrations. Light waviness to some pages, otherwise clean copy. In an expert guide to the history of American film, enhanced by many wonderful full-color and black-and-white photographs and film stills, the acclaimed director takes a look at many American movies while exploring them from a both a professional and personal perspective. An academically trained filmmaker (NYU film school) who is among today's most innovative directors, Scorsese presents an engrossing, idiosyncratic memoir of his experiences with motion pictures, including recollections of his first boyhood journeys to movie theaters and the impressions the films made on him. In analyzing American film since the silent era, he especially highlights Westerns, musicals, and gangster movies, genres that originated in America. No markings.
Hardcover. NY, Farrar, Straus, Giroux, 2nd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Introduction by Edmund Wilson, translated from French by Derek Coltman. "When A Season in the Life of Emmanuel first appeared in 1966, it was hailed as a masterpiece both in North American and in Western Europe. Marie-Claire Blais's stunning accomplishment was to evoke rural Quebec with both the knowledge and the passion of a latter-day Zola." Clean copy.
Hardcover. Boston, Houghton Mifflin, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt and red, white and blue decoration to front cover, gilt lettering on spine. 192 pages including index, frontis. portrait plus b&w pales including onr fold-out. Dr. Kimball was on the Yellowstone Expedition of 1873 with Generals Stanley and Custer and became quite a good friend of Custer. It was Dr. Kimball who attended to Lieutenant Charles Braden and may have saved his life, after Braden was shot through the left leg by Indians on August 4, 1873. The Battle of the Little Big Horn is also covered. Bright, clean copy.
Softcover. Waco TX, J. S. Hill & Co., 1st, 1901, Book: Fair, Dust Jacket: None, Softcover, brown paper wraps, stapled binding, 189 pages. Covers worn and chipped, last 50 pages with top corner chipped or chewed away, not affecting text. West served in Company E., 4th Texas Regiment. "A diary kept by West from April 12 to June 13, 1863, and February 28 to April 20, 1864." Subtitled on cover: A trip of a private soldier from Texas to Gettysburg and Chickamauga in 1863. Paper tanned and fragile.
Hardcover. Lexington, University Press of Kentucky, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, paper-covered boards, 172 pages. One of the most innovative films ever made, Sam Peckinpah's motion picture The Wild Bunch was released in 1969. From the outset, the film was considered controversial because of its powerful, graphic, and direct depiction of violence, but it was also praised for its lush photography, intricate camera work, and cutting-edge editing. Peckinpah's tale of an ill-fated, aging outlaw gang bound by a code of honor is often regarded as one of the most complex and impactful Westerns in American cinematic history. The issues dealt with in this groundbreaking film-violence, morality, friendship, and the legacy of American ambition and compromise-are just as relevant today as when the film first opened. To acknowledge the significance of The Wild Bunch, this collection brings together some of the leading Peckinpah scholars and critics to examine what many consider to be the director's greatest work. The book's nine essays cover an array of topics. Explored are the function of violence in the film and how its depiction is radically different from what is seen in other movies, the background of the film's production, the European response to the film's view of human nature, and the strong sense of the Texas/Mexico milieu surrounding the film's action. Clean copy.
Hardcover. Chicago, The Lakeside Press, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth stamped in gilt, top edge gilt, 137 pages. Tight, attractive copy of this early "Lakeside Classic," the annual keepsake presented by this printer/publisher to friends and clients starting in 1903. Illustrated with two portraits of the author. So many pioneer stories were written at the request of a child or grandchild. What makes Christiana Tillson's humorous memoir different was her background. Tillson's story records the reactions produced upon a refined New England woman by an environment at once predominantly southern and wholly frontier. Her youth in 1822 and her parting from all that she had known in the East were common of many later Western migrants. But when she and her husband went out to try their fortunes, the "West" was what we today call the Midwest. It was still a wild, dangerous, and uncertain place to try to make a future. Clean, bright copy.
Softcover. West Chester, PA, Chester County Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. 3 plates and 16 B&W illustrations. Red pictorial cover with tear to spine and wear to edges. Frontispiece. Overall, a clean, tight copy.
Hardcover. Westport CT, Negro Universities Press , reprint, 1970, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on the spine. Originally published in 1852 this is an in depth study of the African people , both in Africa and in America. A great deal of material on slavery and the South, as well as early material on Liberia. Presented in a series of "conversations", this is an in-depth history of the African continent's peoples, the colonization of Africa, and subsequent African American slavery in the United States. Clean copy.
Hardcover. NY, Norton, 1st, 1997, Hardcover,224 pages, 93 full-color photographs. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular.
Hardcover. New York, Abrams, 1st, 1974, Book: Very Good, Dust Jacket: Good, 360 pages. Hardcover. Illustrations in full color and black & white. Previous owners name at top right corner of front endpaper. Maroon streaks along bottom edge of pages 355-356 due to printers error. Dust jacket with moderate wear. Clean, tight copy.
Hardcover. Norman, OK, University of Oklahoma Press, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 270 pages illustrated throughout with photographs in sepia and drawings in b&w. Autobiography of a Canadian-born sculptor of Western subjects, considered one of the best sculptors of horses in the world. Black cloth spine with red paper boards, no dust jacket. Black pictorial slipcase with light wear. Beautiful copy. Like new.
Hardcover. Amon Carter Museum , 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages. Illustrated with 119 plates (some color), b/w text drawings and photos + 1 map (3 panel fold-out). 4to. Catalogue Raisonne by Karen Reyn.
Hardcover. Amon Carter Museum , 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages. Illustrated with 119 plates (some color), b/w text drawings and photos + 1 map (3 panel fold-out). 4to. Catalogue Raisonne by Karen Reyn.
Chicago, Chicago Review Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The presidential election of 1844 was one of the two or three most momentous elections in American history. Had Henry Clay won instead of James K. Polk, we'd be living in a very different country today. Polk's victory cemented the westward expansion that brought Texas, California, and Oregon into the union. It also took place amid religious turmoil that included anti-Mormon and anti-Catholic violence, and the "Great Disappointment," in which thousands of followers of an obscure preacher named William Miller believed Christ would return to earth in October 1844.Author and journalist John Bicknell details even more compelling, interwoven events that occurred during this momentous year: the murder of Joseph Smith, the religious fermentation of the Second Great Awakening, John C. Fremont's exploration of the West, Charles Goodyear's patenting of vulcanized rubber, the near-death of President John Tyler in a freak naval explosion, and much more. All of these elements illustrate the competing visions of the American future--Democrats versus Whigs, Mormons versus Millerites, nativists versus Catholics, those who risked the venture westward versus those who stayed safely behind--and how Polk's election cemented the vision of a continental nation. Clean copy.
Hardcover. Raleigh NC, TwoMorrows Publishing, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, 263 pages illustrated in color. This 1945-49 volume covers the comic book industry during the aftermath of World War II, when scores of writers and artists returned from foreign battlefields to resume their careers. It was a period when readers began turning away from the escapist entertainment offered by super-heroes in favor of other genres, like the grittier, more brutal crime comics. It was a time when Joe Simon and Jack Kirby created Young Romance, inaugurating a golden age of romance comics. And it was during this five-year period that Timely and National Comics capitalized on the popularity of Westerns, that Bill Gaines plotted a new course for EC Comics in the wake of his father's death, and that Jerry Siegel and Joe Shuster first sued for the rights to Superman. These are just a few of the events chronicled in this exhaustive, full-color hardcover, further documenting the ACBC series' cohesive, linear overview of the entire landscape of comics history! Like new.
Softcover. West Bend WI, West Bend Aluminum Co., 1926, Book: Good, Dust Jacket: None, Softcover, 22 pages, b&w and color illustrations. Mild soil to wrappers.
Softcover. Princeton NJ, Princeton University Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. 113 color plates, 47 in b&w. The painters who came to be known as the Hudson River School - Thomas Cole, Asher B. Durand, Frederic Edwin Church, Jasper Cropsey, Sanford Robinson Gifford, and others - found inspiration in our young country's natural wonders and were the first to paint many of its still-wild vistas. As America was settled and the wilderness receded, their successors - most notably Albert Bierstadt and Thomas Moran - carried their quest for the sublime to the Far West, communicating its breathtaking grandeur in brilliant views of Rocky Mountain peaks, roaring waterfalls, and vast canyons. Within a single generation these artists established the dramatic approach to American landscape painting that is celebrated in this stirringly beautiful book. The freshness of their vision, the intensity of their invention, and the energy of their execution were all born of the urgency these artists sensed in the life of America itself. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. New York, Dover Publications Inc., 1st, 1982, Book: Very Good, Dust Jacket: None, 121 pages. Softcover. Light edgewear to wrappers. Black and white pictures throughout. Rothstein was a photojournalist for more than 45 years and the photographs in this volume are from his years as photographer for the Farm Security Administdration. His job was to photographs small towns, rural areas and general agricultural conditions throughout the country.
Softcover. NY, Aperture Foundation, 1998, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Photographers:Ansel Adams, Robert Adams, Lewis Baltz, Virginia Beahan, H. H. Bennett, Marilyn Bridges, Wynn Bullock, Evelyn Cameron, Paul Caponigro, Tseng Kwong Chi, John Cliett, William Clift, Lois Conner, Lynn Davis, Robert Dawson, Peter Gasser, David Gibson, Laura Gilpin, Frank Gohlke, Nancy Goldring, Wanda Hammerbeck, F. J. Haynes, William Henry Jackson, Barbara Kasten, Robert Glenn Ketchum, Stuart Klipper, Koichiro Kurita, Steve Lawson, Sally Mann, Laura McPhee, Richard Misrach, Eadweard Muybridge, Joan Myers, Herman Nielson, Philipp Scholz Rittermann, Stephen Shore, Art Sinsabaugh, Paul Strand, Jerry N. Uelsmann, Carleton E. Watkins, Brett Weston, Minor White
Hardcover. NY, Bantam, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 518 pages, b&w illustrations. Appetite for America is the incredible real-life story of Fred Harvey--told in depth for the first time ever--as well as the story of this country's expansion into the Wild West of Bat Masterson and Billy the Kid, of the great days of the railroad, of a time when a deal could still be made with a handshake and the United States was still uniting. As a young immigrant, Fred Harvey worked his way up from dishwasher to household name: He was Ray Kroc before McDonald's, J. Willard Marriott before Marriott Hotels, Howard Schultz before Starbucks. His eating houses and hotels along the Atchison, Topeka, and Santa Fe railroad (including historic lodges still in use at the Grand Canyon) were patronized by princes, presidents, and countless ordinary travelers looking for the best cup of coffee in the country. Harvey's staff of carefully screened single young women--the celebrated Harvey Girls--were the country's first female workforce and became genuine Americana, even inspiring an MGM musical starring Judy Garland. Clean copy.
Hardcover. NY, Fraenkel Gallery/Hasselblad Foundation, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 1stpages. The master photographer best known for his extensive, insightful documentation of "the American social landscape"--from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards--has recently been spending more time looking at the literal, natural landscape. His monumental 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American West, while for Olives and Apples, he has looked back over the last decade's work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.