art comic

Softcover. NY, Simon and Schuster, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, 127 pages in b&w. Purple pictorial wrappers. Walt Kelly's career in animation began in 1936 at Walt Disney Studios, where he contributed to Pinocchio and Fantasia. In 1941, Kelly resigned at the age of 28 to work at Dell Comics, where he created Pogo. He started drawing the comic strip in 1943 but it was not widely published until 1948. He based his characters on animals native to the Okefenokee Swamp. Pogo, a possum, was the central character and some of his friends were cigar chomping Albert the Alligator, Churchy LeFemme (a turtle), Dr. Howland Owl complete with glasses, and others. His biting political satire was aimed a Senator Joseph McCarthy (Kelly s nickname for him was Simple J Malarkey ), the FBI, the John Birch Society, Nikita Khrushchev, and later, Presidents Lyndon Johnson and Richard Nixon. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist's daughter, Carolyn Kelly, who is also handling much of the restoration work.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist's daughter, Carolyn Kelly, who is also handling much of the restoration work.

Hardcover. Seattle, Fantagraphics, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 344 pages, illustrated in b&w and color. Presents the years 1959 and 1960 of the politically progressive, influential newspaper strip. This is the first time Pogo has been complete and in chronological order anywhere-with all 104 Sunday strips from these two years presented in lush full color for since their original appearance in Sunday newspaper sections. In Volume 6, Albert Alligator and Beauregard Bugleboy fend off a man-from-Mars, and Howland Owl investigates Communist espionage in the postal system. Then, it's election year and Okefenokee Swamp gets a new presidential candidate, Fremount the Bugboy. His campaign slogan, "Jes' Fine," sparks political debates about just who can and should be president - maybe even a woman! Clean copy.

Hardcover. Seattle WA, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Volume 3. 355 pages, illustrated throughout in color and b&w. Light creasing to front flap, else a clean, tight copy. It's in this volume (featuring another two years worth of Pogo strips) that we meet one of Walt Kelly's boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. This volume includes a pig with an ominous resemblance to Nikita Khrushchev and a scruffy goat who looks exactly like Fidel Castro. Both assure Okefenokeeans that a one-party system is the way to go; all will be well economically, they explain, because "the shortage will be divided amongst the peasants." Other storylines spotlight Kelly's remarkable cast: Pogo Possum, Albert Alligator, Howland Owl, "Churchy" LaFemme, Beauregard Bugleboy, Porky Pine, Miz Ma'm'selle Hepzibah, Deacon Mushrat, and so many others. All 104 Sunday strips from those two years are included, with supplementary features (including comprehensive annotations and index) by comics historians R.C. Harvey, Maggie Thompson, and Mark Evanier. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages. Foreword by Jimmy Breslin. B&w and color illustrations throughout. This first volume introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols.

Softcover. UK, PS Artbooks, 1st, 2025, Book: Very Good, Dust Jacket: None, Softcover, reprints the first three issues, (No. 1-3), 192 pages in full color. Police Comics, published by Quality Comics in August 1941 was known for introducing several iconic characters who became staples of the Golden Age of Comics. The series combined superhero action, crime stories, and detective tales, reflecting the era's diverse storytelling styles. Some of the most notable characters that debuted in Police Comics include Plastic Man, Phantom Lady, Firebrand, and the Human Bomb. Art by Reed Crandall, Jack Cole, Gill Fox and others. Clean, bright copy.

Hardcover. New Texture, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 135 pages. A lush visual archive collecting some of artist Samson Pollen's most memorable pieces, selected from the hundreds of jaw-dropping illustrations Pollen provided for men's adventure magazines (MAMs) from the 1950s through the 1970s. Sexy women were a regular component of story illustrations published in the more than 160 MAM titles that flourished from the early 1950s through the mid-1970s, and nobody painted beautiful and dangerous femmes like Pollen. Much of the artist's work--literally, hundreds of pieces--saw print in the Atlas/Diamond group of MAMs from Marvel Comics founder Martin Goodman's Magazine Management Company. Until now, almost none of these illustrations have seen print since their original publication in those latter-day pulps. POLLEN'S WOMEN collects the artist's sexiest and most lethal female portraits in a deluxe hardcover edition, with an autobiographical introduction by the artist.

Softcover. NY, New York Review Comics, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. The first-ever collection of comics by Ed Subitzky--comedy writer, National Lampoon legend, Atari spokesperson, "The Impostor" on The David Letterman Show, and an enduring influence on an entire generation of cartoonists and humorists. For the entire run of National Lampoon, Ed Subitzky bent, broke, and reimagined what a cartoon could do: A cartoon that hypnotizes you. A cartoon that goes to prison. A cartoon that folds up and flies away. Framed by an interview with Mark Newgarden, this first-ever collection of Subitzky's work is a portrait of one of the funniest, most prolific humorists of the '70s and '80s. Clean copy.

Softcover. Seattle, Fantagraphics , 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover in a cardboard slipcase. An irresistible alchemy of screwball comedy, tender romance, and rags-to-riches fantasy, Elsie Crisler Segar's newspaper comic strip, starring Popeye the sailor man, captivated readers of the Roaring Twenties and beyond. This second volume in the Fantagraphic series shifts the focus to a dynamic connection between that of J. Wellington Wimpy and his one true object of desire: a delectable hamburger. A notorious chiseler without a penny to his name, Wimpy is forever scheming new ways to bamboozle the local diner out of a mouth-watering morsel of his favorite meal. And the audacious chicaneries Wimpy employs in pursuit of his greatest love are as riotous today as they were when these strips first appeared in the '30s. Still in pulisher's shrinkwrap.

Softcover. Seattle, Fantagraphics , 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover in a cardboard slipcase. An irresistible alchemy of screwball comedy, tender romance, and rags-to-riches fantasy, Elsie Crisler Segar's newspaper comic strip, starring Popeye the sailor man, captivated readers of the Roaring Twenties and beyond. In this third volume, Popeye and company set sail in search of buried treasure but must contend with the malevolent Sea Hag and her spine-chilling sidekick, Alice the Goon. Still in publisher's shrinkwrap.

Hardcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, 182 pages, illustrated throughout in color and b&w. Oversized hardcover with illustrated boards. Clean, unmarked copy with only minor wear to covers. Pictorial paper over boards, with an illustration of Popeye and a cutout on the front cover, so that the white and yellow lettering on the half title page is visible from the front cover. Measures 10.5 x 14.5". Volume one of a six-volume set. B+W daily strips, with the color Sunday strips. Biographical article by Bill Blackbeard. Foreword by Jules Feiffer.

Hardcover. Seattle, Fantagraphics Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's second volume of the acclaimed hit series collecting the entirety of E.C. Segar's original Popeye (a.k.a. Thimble Theatre) comic strips begins with a foreword by Beetle Bailey creator Mort Walker, and continues with an introduction by noted film and cartooning critic Donald Phelps. This second volume features work from 1930 to 1932, and most notably includes the debut of Segar's second greatest character: J. Wellington Wimpy, which stands as a one-of-a-kind icon some 70 years after his creation - the most likeable lowdown cad ever to grace the comics page. Popeye Volume 2 includes the stories: "Clint Gore" (continued from the cliffhanger last volume); "A One-Way Bank," in which Popeye opens a bank that allows withdrawals but no deposits; a long war story featuring King Blozo that begins with "The Great Rough-House War"; and "Skullyville," which wraps up the daily strips for this volume.

Hardcover. Seattle, Fantagraphics Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's third volume collecting Segar's original Popeye (Thimble Theatre) covers 1932-1934 includes the never-republished extra-large strips set at the Chicago World's Fair and an insightful scholarly essay by Donald Phelps.

Softcover. New York, King Features Syndicate, 1st, 1937, Book: Very Good, Dust Jacket: None, Softcover, 12 pages. Folio (9 1/2 x 13 1/8") flexible linen-like pictorial wraps, some cover soil, internally clean, overall VG. Illustrated on every page with large bright, vibrant color lithos featuring all of the familiar characters. There are 7 lines of text beneath each picture. with illustrations by E. C. Segar (his "cigar" logo printed on one of the illustrated pages). Story of Popeye and Wimpy's fishing trip. Clean.

Hardcover. East Yorkshire, UK, PS Artbooks Ltd., 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, unmarked copy. Color illustrations throughout. Tight copy. A collection of "Ghost" comic books from 1951 to 1953. Issues 1 through 7.

Hardcover. NY, Vertigo/DC Comics, reprint, 2009/2010, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets. Book One collects issues 1-12 and features a new introduction by Ennis. Book Two collects issues 13-26 with an introduction by original editor Stuart Moore. In this now-legendary graphic novel series that serves as the inspiration for the hit AMC television series, Jesse Custer was just a small-town preacher in Texas... until his congregation was flattened by powers beyond his control and the Preacher became imbued with abilities beyond anyone's understanding. The creative powerhouse team of Garth Ennis and Steve Dillon bring readers on a violent and riotous journey across the country in this award-winning Vertigo series that collects the first 26 issues which debuted in 1995. Clean, bright copies.

Hardcover. NY, New York Review Comics, 1st US, 2017, Book: Very Good, Dust Jacket: None, Harcover, pictorial boards, 149 pages. The first book to appear in English by the acclaimed Belgian artist Dominique Goblet, Pretending is Lying is a memoir unlike any other. In a series of dazzling fragments--skipping through time, and from raw, slashing color to delicate black and white--Goblet examines the most important relationships in her life: with her partner, Guy Marc; with her daughter, Nikita; and with her parents.The result is an unnerving comedy of paternal dysfunction, an achingly ambivalent love story (with asides on Thomas Pynchon and the Beach Boys), and a searing account of childhood trauma--a dizzying, unforgettable view of a life in progress and a tour de force of the art of comics. This NYRC edition is a hardcover with extra-thick paper, full color throughout, and features new English hand-lettering by the artist.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, in a lightly worn dust jacket. Non-paginated. Black & white cartoons by W. Miller, mostly from The New Yorker. Clean, tight copy.

Hardcover. NY, Nostalgia Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages, b&w art. This book presents Foster's original drawings in a new format that works well for the book, doing away with the original text in the margins for new expanded text enhanced by Max Trell. So it reads more like a illustrated book that a comic strip. To see Foster's draftsmanship in the inked form without color allows you to really appreciate the quality of his artistry. Another nice treat in the book are the special educational front endpapers, titled "Knightly Arms & Armor", drawn by Foster.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Two years of the Sunday strips in color. Clean, unmarked copy with only minor wear to covers. The eleventh volume of Fantagraphics award-winning Prince Valiant series concludes our heroes' adventures in Cornwall, and marks the first appearance of Arvak the Red Stallion. At the Council of Kings, Prince Valiant stands alone in the decision to avoid a ruinous war. Val returns to Aleta, and the two are summoned to Camelot, where Queen Guinevere becomes jealous of Aleta's popularity. Meanwhile, Val leads a bloody campaign to secure the Eastern marches and learns the tragedies of war. As the book ends, Prince Valiant begins searching for Gawain. There may just be another adventure afoot. Bonus features include a gallery of Foster's rare and never-before-reprinted advertising art from the 1920s. Hal Foster's Prince Valiant is the most illustrious heroic saga ever written and drawn for the Sunday newspapers. In full, glorious, restored color, this is the finest reproduction of this enthralling, romantic adventure serial ever published. Full color illustrations throughout