art graphic

Softcover. Tahiti, Pacific Comics Club, 1st, 1980, Book: Very Good, Dust Jacket: None, Four softcover volumes that cover the Rip Kirby comic strip for a full year, Dec. 5 1949 through Dec. 23 1950. Color wraps, daily strips in b&w. Titles: "White Inferno", "Gunpowder Dreams", "Buried Treasure", "The Missing Nightingale." Clean copies.

Softcover. Toronto , Dragon Lady Press, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 56 pages of b&w Rip Kirby strips. Clean, very good.

Softcover. Zurich, Galerie Andre Emmerich, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, small format, 24 pages, 9 color plates and b&w photo of Motherwell. Mild crease to rear cover, otherwise clean, very good.

Softcover. New York, Nbm Pub Co, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated graphic novel. Adult content. Light edge wear to wrappers. Else a clean, tight copy.

Hardcover. US, Taschen, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 560 pages. A compilation of more than 750 remarkable album covers, from legendary to rare record releases. Artists as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth are gathered together in celebration of the cover art that defined their albums and their cult status. Each cover is accompanied by a fact sheet listing the art director, photographer or illustrator, year, label, and more, while nearly 250 records that marked particular turning points for a band, an artist, or the music genre, are highlighted with short descriptions. Large heavy volume. Like new in publisher's shrink-wrap.

Softcover. NY, Thames & Hudson;, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Fashion designer Peter Golding's comprehensive collection is a unique, insightful record of the 20th century's most exciting and productive periods of rock poster art and graphics. As part of the '60s and '70s fashion movement, Peter Golding's famous ACE boutique in London's Chelsea district brought him into regular contact with the biggest names in rock 'n' roll, and he went on to create one of the most comprehensive collections of rock 'n' roll graphics in existence. Showcasing the cream of this collection and more, Rock Graphic Originals is packed with vibrant poster art, logos, stage set designs, and promotional ephemera created for artists such as the Grateful Dead, Jimi Hendrix, Bob Dylan, Bruce Springsteen, Pink Floyd, The Doors, and many others.Barry Miles's concise introduction places the key protagonists and their work within their cultural and political context, while reflections from the artists themselves lend unique perspectives on their influences and methods. The book is punctuated throughout with special illustrated features on the social, political, and cultural phenomena that influenced the music scenes and design approaches of the period, including radical collective, The Diggers, US and UK underground comics, the psychedelic shops, and the legalize pot rallies. Rock Graphic Originals is a unique, insightful record of the 20th century's most exciting and productive periods of rock poster art and graphic design. 1,000 color illustrations . Remaider line on bottom edge.

Hardcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Reproduces all 728 of the magazine's covers and includes behind-the-scenes stories and excerpts from articles and interviews with the idols of rock and rythym-and-blues.

Hardcover. US, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. In matching slipcase.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Originally published in magazine form in All Top Comics 8-18, Tegra/Zegra Aug 1948 - Apr 1949, and Seven Seas Comics 1-6.

Hardcover. US, PS publishers, 1st, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.

Hardcover. UK, PS publishers, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. She may still be everyone's favourite yellow-tressed leopard-skin-clad Jungle Jane but, having made her first appearance almost 80 years ago (courtesy of Will Eisner and 'Jerry' Iger in the British mag Wags #1), Sheena, Queen of the Jungle could be forgiven for being somewhat less spritely swinging through the trees righting wrongs and wielding her knife. In 1938, she made it Stateside with her first showing in Jungle Comics #1 where she settled happily in every issue (plus a decade in her own title) until April 1953. There have been other incarnations, of course, but it's this classic material that strikes at the very heart of Good Girl Art! Collects issues #11-18, Spring 1951 to Winter 1952.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 2 only. Hardcover, 312 pages. Color illustrated throughout. Minor shelf-wear to covers, else a clean, tight hardcover.

Hardcover. New York , Simon and Schuster, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 190 pages, b&w cartoon contraptions by the master. Bright, clean copy in unclipped dust jacket. A collection of Rube Goldberg's wackiest inventions features more than two thousand "schematics" from the immensely popular comic for everything from suicide machines to a pick-pocket device designed for politicians.

Hardcover. NY, Thames & Hudson, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oversize format. 408 pages with 534 color illustrations. Rudolph de Harak (1924-2002) is one of the most influential graphic designers of the mid-twentieth century. This beautifully produced, comprehensive monograph is devoted to this fascinating and significant figure and provides an in-depth account of de Harak's life and work.From his early years in Los Angeles to his success as a design consultant and educator in New York City, de Harak brought inventiveness to everything he designed, from record covers to book jackets, from furniture to exhibitions. De Harak's work was influenced by early modernist masters, such as Will Burtin, Gyorgy Kepes, Alvin Lustig, and Max Bill, as well as by the rigor, simplicity, and rationalism of the International Style, Abstract Expressionism, Op Art, and Pop Art. Organized chronologically into six chapters that cover de Harak's life and career, each supported by sidebars on the designers, architects, and art movements that have influenced his work, Rudolph de Harak Graphic Designer documents de Harak's pioneering and prolific fifty-year career in graphic, experiential, industrial, and furniture design for a wide range of clients, including the Metropolitan Museum of Art, Cummins engine company, McGraw Hill publishing, and many others. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. St. Petersburg, Palace Editions, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Color illustrations. Examples by Vasily Elkin 1897-1991; Piotr Galadzhev 1900-1971; Valentina Kulagina 1902-1987; Solomon Telingater 1903-1969; Victor Koretsky 1909-1998; Anatol Brusilovsky b. 1932. Clean copy.

Hardcover. London, VIVAYS, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. "This volume, based on rarely seen Russian archives, traces the history of the silent film poster in Russia, starting with a poster designed by Paul Assaturov ("Stenka Razin", 1908) in the style of ancient naive Russian imagery to the latest advertise- ment for a silent movie by Yuri Pimenov from 1934. Full-page reproductions of 161 Russian silent film posters are presented here in chronological order - from the very beginning of the 20th century until the 1930s.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. Cloth 3/4 spine cover with gilt lettering, with silver foil decoration and illustration on front. Remainder mark on bottom page block, Clean, otherwise unmarked copy with only minor wear to corners.

Softcover. New York , Marvel Entertainment, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 63 pages illustrated in color by Glanzman. Clean, bright copy.

Softcover. New York , Marvel Entertainment, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color by Glanzman. Clean, bright copy.

Hardcover. Dupuis, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 56 pages illustrated in color by Hermann. French text. A graphic novel about the conflict in Sarajevo. Clean copy.

Hardcover. London, Laurence King, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 428 pages. This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

Softcover. New Haven CT, Yale University Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, stiff card wrappers firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-Century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Prestel, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 152 pages illustrated in color and b&w. Featuring many rare works and a large- scale, previously forgotten masterwork, this wide-ranging yet intimate book reintroduces readers to one of the most versatile and beloved artists of the post-war era. Romanian-born Saul Steinberg (1914-1999) had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades, he was equally acclaimed for the drawings, paintings, prints, collages, and sculptures he exhibited internationally in galleries and museums. Through these parallel yet integrated careers, he crafted a rich, playful and constantly evolving visual language. Known to the larger public as the creator of the iconic View of the World from 9th Avenue, Steinberg lamented being most famous as "the man who drew that poster." This beautiful volume goes a long way toward correcting that limited perception. It brings together more than eighty works in a variety of media: collage, drawings, objects, and photographs. It also features Steinberg's astonishing mural, Art Viewers, a gigantic assemblage that was shown on a single occasion in 1966. Still in publisher's shrinkwrap.