art graphic

Hardcover. Seattle, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 248 pages illustrated in color. Displays Everett's brilliant cartooning and energetic storytelling growing by leaps and bounds. Never-before-reprinted, beautifully restored, full-color stories from one of comic books' greatest visionaries and accomplished artists. This book also includes an introduction about the man, his art, the history of the era, and his relationship with Marvel Comics.

Hardcover. New York, Thames and Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Minor soiling to front dust jacket cover. A very clean, unmarked copy with only minor edgewear to dust jacket. Hipgnosis created some of the most innovative and surreal cover art of the 1960s, 70s, and early 80s for the biggest names of the era-Pink Floyd, Led Zeppelin, Wings, Yes, Genesis, 10cc, Peter Gabriel, Bad Company, Syd Barrett, and Black Sabbath, to name just a few. The sublime prism cover for Pink Floyd's The Dark Side of the Moon continues to be one of the most pervasive images in all popular culture. Hipgnosis's highly conceptual approach and graphic appeal earned them five Grammy nominations for cover design, and they profoundly influenced not only the history of music, but also all other creative fields from advertising to fashion.

Hardcover. London, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. The complete catalogue of design collective Hipgnosis, showcasing groundbreaking cover art created for iconic rock "n" roll giants, including the Rolling Stones, Paul McCartney, Led Zeppelin, and Pink Floyd. 320 pages, 500 color illustrations. Hardcover.

Hardcover. New York, Knopf, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Brings together for the first time the artist's extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs--his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist's extraordinary output.

Hardcover. New York, Taschen, 1st, 2004, Book: Very Good, Dust Jacket: None, 460 pages, illustrated with color photographs culled from girlie magazines of the 1950s. Issued without dust jacket, pictorial boards. Still in publisher's shrinkwrap.

Hardcover. New York, Taschen, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 460 pages, illustrated with color photographs culled from girlie magazines of the 1950s. Issued without dust jacket, pictorial boards. Still in publisher's shrinkwrap.

Hardcover. NY, Walker and Company, 1st US, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout in b&w and with 17 full color plates. Previous owner's signature on front fly leaf, dust jacket edge wear and minor foxing on top and fore edge. Otherwise, very clean and tight copy.

Softcover. New York, Dover, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, large format. 45 color posters by the German artist. Excellent condition.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Hardcover. New York Graphic Society, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 pages, illustrated in color, black & white. Describes the art of filmmaking and includes discussions with the creators of film--producers, directors, designers, technicians, and the stars.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: None, Limited to 1300 copies in English, this being #521. Two volumes in a slipcase with a label. Dark blue cloth covers, top edge gilt, spines with maroon and gilt design. Vol. 1: The Paintings, 446 pages with 208 b&w plates, 19 b&w text illustrations and tipped-in b&w photo of Daumier by Nadar as frontispiece. Vol. 2: The Watercolours and Drawings, 619 pages with 325 b&w plates(most with multiple images), 31 text illustrations, tipped-in errata slip. Previous owner's signature on front fly leaf of volume 1, otherwise clean, tight set. Slipcase is very good with some rubbing to blue cloth.

Softcover. New York, Faber & Faber, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 229 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Andrzej Klimowski has already produced two intriguing graphic novels that have combined his skill as a poster designer with his exceptional narrative gifts. Both were stories without words. In his third novel, which alternates text and pictures, he has become more ambitious.

Softcover. NY, Feral House, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover. 224 pages. The book Horizontal Collaboration encompasses the Jazz Age, Depression, World War and Occupation, and Liberation. It concludes with the shuttering of the licensed brothels in 1946, which some Parisian intellectuals thought was the final "destruction of French civilization". The term "Horizontal Collaboration" refers to the sexual liaisons between French civilians and German occupiers from 1940 to 1944. These were extremely widespread and included both individual wartime relationships in addition to prostitution. As Allied armies swept across the French countryside, thousands of young women?and some men?were savagely punished by the authorities or by vigilante crowds, becoming a source of deep national shame. Author Gordon redefines the pejorative term to mean something much broader: French men and women "horizontally collaborated" to overcome all social obstacles, divisions, and regulations. These obstacles include married and unmarried couples, straights and homosexuals, foreigners and locals, gun-toting soldiers and their vanquished subjects. The natural yearning for sexual pleasure equally corrupted all cohabitating partners. Clean copy in publisher's shrinkwrap.

Softcover. Seattle, WA, Fantagraphics Books, 3rd Edition, 2002, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. B/w illustrations throughout. Wrapper very good. Pages clean and unmarked. Light shelf wear to bottom edge. Binding tight. Love and Rockets Collection Book 5.

Softcover. NY, Regan Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 118 pages illustrated in b&w. Claudia Corvette. From her tousled bedroom hair to her name-all the porn stars in this world take their names from supermodels and sports cars-she is adult entertainment's prototypical femme fatale. Her life is the collision of countless troubled-childhood cliches and grown-up wet dreams, projected onto her as surely as her videos project their blue light onto lonely men around the world. From its first panel, How to Make Money Like a Porn Star draws the reader into the dark world of girls like Claudia, the men who fantasize about them, and the monsters who control them. In the hands of Rolling Stone writer Neil Strauss and illustrator Bernard Chang, this adult graphic novel weaves together black humor and blacker reality. Clean copy.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, square black cloth boards w/reflective green printing, illustration & red printing. 143 pages, color illustrations, reflective silver pages. Vivid color illustrations throughout. Exhibition held University Art Museum, University of California, Berkeley, October 8-November 10, 1968. The commentaries include: Hundertwasser's relationship with Klimt, Klee, self-exploration the spiral the human image archaism titles words & images transautomatism. It has Joachim Jean Aberbach's reminiscence of this artist and the artist's 'Mouldiness Manifesto'. Clean copy.

Softcover. NY, Villard, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Huntington, West Virginia "On the Fly" is prime Pekar, recounting the irascible everyman's on-the-road encounters with a cross section of characters--a career criminal turned limo-driving entrepreneur, a toy merchant obsessed with restoring a vintage diner, comic-book archivists, indie filmmakers, and children of the sixties--all of whom have stories to tell. By turns funny, poignant, and insightful, these portraits a la Pekar showcase a one-of-a-kind master at work, channeling the stuff of average life into genuine American art.

Hardcover. Seattle, Fantagraphics Books, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, oblong format, pictorial boards, 319 pages illustrated in b&w. Royston Campbell Crane (1901-1977), who signed his work Roy Crane, created the comic-strip characters Wash Tubbs, Captain Easy, and Buz Sawyer. His work continues to inspire cartoonists today. A collection of his classic Captain Easy and Wash Tubbs. The very best of the indispensable daily comic strip adventures featuring Wash running a dinky railroad in a comic-opera version of Eastern Europe, the gripping narrative of Easy waging total war against The Phantom King, battles with pirates in the South Seas, and the harrowing story of Easy and Wash as prisoners on the infamous Devil's Island. Clean copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2006-12-20, Book: Very Good, Dust Jacket: None, Light shelf-wear to illustrated boards, else a clean, tight copy.

Hardcover. Seattle, WA, Fantagraphics, Reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In addition to being one of the seven, original Zap Comix contributors, Robert Williams's influence on alternative art is immeasurable. From his endeavors to broaden the possibilities for young artists to gain exposure sprang the well-known art chronicle, Juxtapoz magazine.

Softcover. NY, Princeton Architectural Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. The designers at San Francisco-based design firm Cahan & Associates, in their hunger for fresh ideas, find inspiration in the most unexpected places, such as an oddly sculptural piece of discarded metal in the alley near their office, or a conversation with an elaborately tattooed bicycle messenger. From these eclectic ingredients the office serves up in-your-face graphics that are exceptional for their visceral impact yet still convey the strategic thinking behind each piece. The firm's working methods, involving extensive exploration, collaborations, and play, are documented in this monograph through interviews with founder Bill Cahan, clients, and vendors; writings by colleagues; photo essays; proposals to clients that were accepted and rejected; and finished pieces, providing a portrait of a firm for whom process is just as important as product. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Ten Speed Graphic, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 201 pages. Everyone knows Stan Lee: His work at the creative helm of Marvel Comics resulted in the creation of many of the superheroes we know and love today, including Spider-Man, Iron Man, Black Panther, Doctor Strange, and more. During his decades-long career at Marvel, Lee turned the comic book publisher into a cultural juggernaut that shaped and defined the burgeoning industry. In I Am Stan, critically acclaimed artist Tom Scioli reveals the man behind the comics and cameos using the same medium Stan Lee revolutionized. This stunning graphic novel takes readers from his early days in the comics industry through his rise at Marvel (then Timely Comics), where his career was touched by other iconic creatives including Jack Kirby and Joe Simon. Their collaboration would lead to the creation of the most iconic superheroes of today, and bring about the Marvel Age of the 60's and 70's that introduced new industry stars like Steve Ditko, and John Buscema. Readers will follow Lee's trajectory from his daily life at Marvel to his later years as a spokesperson for the company and for comics as a whole, and finally to his last years away from the spotlight. Scioli provides a clear-eyed view of Lee's triumphs at Marvel as well as the controversies that surrounded the creator at the end of his life. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, fine in fine dust jacket. (10 1/2" X 12 1/4"). Color and b&w illustrations throughout. In celebration of the thirtieth anniversary of the Summer of Love, the Rock and Roll Hall of Fame and Museum has launched a major exhibition examining how rock & roll came of age in the late Sixties and influenced everything from fashion and art to politics and literature. I Want to Take You Higher expands on that exhibit, showcasing the infamous icons of the era - from John Lennon's Sgt. Pepper uniform to Janis Joplin's hand-painted Porsche. A host of revealing new interviews offer never-before-published tales from the land of psychedelic wonder. Country Joe McDonald, Allen Ginsberg, Grace Slick, Mickey Hart, Donovan, Bob Weir and members of the influential bands Big Brother and the Holding Company, Quicksilver Messenger Service, Moby Grape and many others contribute fresh perspectives on now-legendary events. I Want to Take You Higher also features posters, paraphernalia and an illustrated time line (just in case you forgot), as well as classic and previously unpublished images from the greatest rock photographers of the era: Jim Marshall, Baron Wolman, Robert Whitaker, Michael Cooper, Herb Greene, Bob Seidemann and others. Due to size and weight, DOMESTIC SHIPPING ONLY.

Softcover. Seattle, University of Washington Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Chief Joseph's exhausted words of surrender, 'Hear me, my chiefs, I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever', are the accepted end of the Nez Perce War of 1877, in which several bands of Nez Perce attempting to find a new home outside their diminished Idaho reservation clashed with the U.S. military (and occasionally other Indians) along the Clearwater and Big Hole Rivers, and finally at the foot of the Bear Paw Mountains. However, a number of Nez Perce escaped transportation to Indian Territory with Joseph and continued their flight to Canada, with perhaps a hundred eventually joining Sitting Bull's Lakota."I Will Tell of My War Story" reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life and celebrations during the war and after. The drawings are preserved in a small pocket ledger labeled 'Cash Book' on the front, which was acquired by Indian Agent Charles D. Warner in the 1880s. It was willed by him to a family living in northern Idaho, and is now in the collection of the Idaho State Historical Society. Scott Thompson worked closely both with the owners and with members of the Nez Perce community in preparing his manuscript. Thompson's detective work and research methods to identify Nez Perce and other parties pictured in the Cash Book make fascinating reading. He is careful to point out what is speculation and what has been documented or attested to by experts on dress, weapons, ceremony, and other aspects of Native culture. The Cash Book drawings are unique in several ways. They are one of very few firsthand pictorial records of the Nez Perce War, representing an even scarcer record of this war as seen from the Indian viewpoint. They contain invaluable historical and ethnographic information not only explicit in the form of military and Native dress, regalia, and quite graphic battle scenes, but also implicit. The drawings reveal an important stage of cultural adaptation as shown by the mixture of white and Native goods combined in Nez Perce material culture during the 1870s and 1880s, and by the artist's assimilation of white/European drawing techniques such as texture and perspective. The artist combined these drawing techniques with Native art traditions to make exceptionally effective pictorial communications. Scott M. Thompson is an art teacher at Chase Middle School in Spokane, Washington.