art history

Hardcover. NY, Doubleday/Dolphin, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Collects articles, interviews, photos on The- Not-Ready-For-Prime-Time-Players: Chevy Chase, Garrett Morris, Laraine Newman, Gilda Radner, John Belushi, Dan Aykroyd, Jane Curtin, Bill Murray and some of the guests: Candice Bergen, Steve Martin, Paul Simon, Lily Tomlin, more. Photos by Edie Baskin. Filled with bios and photos in color and b & w of the early days of Saturday Night Live. Clean copy.

Hardcover. NY, Universe Books, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt titles. 196 pages, illustrated throughout in color and b&w. Discusses the history of the movement and shows examples of architecture, sculpture, metalwork, ivories, stained glass, wall paintings, and book illuminations. Clean, tight copy.

Hardcover. NY, Museum of Modern Art, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth, 143 pages, color frontis., b&w plates. A pioneering exhibition, with essay and catalogue by James Thrall Soby and Dorothy C. Miller. The exhibition checklist cites 213 works by 121 artists, and nearly all are names you would recognize. More than 100 pieces are pictured here. One of 7500 copies. Clean copy.

Softcover. New Jersey, Princeton University Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 278 pages including plates. (INSCRIBED) Softcover. B/w illustrations throughout. Wrapper has a touch of age yellow, otherwise very good. A small bit of soil on bottom edge. In very good condition.

Softcover. NY, Pierpont Morgan Library,, 1979, Book: Very Good, Dust Jacket: None, Softcover, stiff paper wrappers. 298 pages. Catalogue of Rubens and Rembrandt drawings in the Pierpont Morgan Library, New York. Introduction, indexed by artists and former owners. 130 black and white plates. Index of artists. Illustrations of 57 watermarks.

Softcover. Ithaca NY, Cornell University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 309 pages. A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration.Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. Clean, bright copy.

Hardcover. New York, Oxford University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Minor edge wear to dust jacket. Else a very clean, tight copy. The dramatic events of the twentieth century have often led to the mass migration of intellectuals, professionals, writers, and artists. One of the first of these migrations occurred in the aftermath of the Russian Revolution, when more than a million Russians were forced into exile. With this book, Marc Raeff, one of the world's leading historians of Russia, offers the first comprehensive cultural history of the "Great Russian Emigration." He examines the social and institutional structure of the emigration and describes its rich cultural and intellectual life. He points out that what distinguishes this emigration from other such episodes in European history is the extent to which the emigres succeeded in reconstituting and preserving their cultural creativity in the West. The flourishing Russian communities of Paris, Berlin, Prague and Kharbin not only enriched Russian arts and letters, but also significantly influenced the culture of their Western hosts, and Raeff concludes with an assessment of their impact on the development of modern Western and Soviet culture.

Hardcover. Moscow, Sovietsky Khudozhnik, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 359 pages. Hardcover with dust jacket. Russian text only. Profusely illustrated in full color and black & whiite. A survey of Russia's brief Art Nouveau movement in architecture. Bright, clean copy in a similar dust jacket. In a plain cardboard slipcase.

Hardcover. London, VIVAYS, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. "This volume, based on rarely seen Russian archives, traces the history of the silent film poster in Russia, starting with a poster designed by Paul Assaturov ("Stenka Razin", 1908) in the style of ancient naive Russian imagery to the latest advertise- ment for a silent movie by Yuri Pimenov from 1934. Full-page reproductions of 161 Russian silent film posters are presented here in chronological order - from the very beginning of the 20th century until the 1930s.

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.

Hardcover. NY, Little, Brown and Company, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 763 pages, b&w illustrations. From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandily steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. NY, Barnes & Noble, reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. Includes a bibliography of Bannerman's books and 47 reproductions of the first British and first American editions and her illustrations for them. Phyllis Yuill and Justin Schiller helped with the publishing history and supplied illustrations. Hay shows that it was the illustrations of later artists that provoked the controversy over THE STORY OF LITTLE BLACK SAMBO, not Bannerman's original text or pictures. Bound in the original gilt-stamped red boards. From the dust jacket: "This first biography of Helen Bannerman covers much new ground and is based on the vast collection of letters to the children, usually lovingly illustrated, in the possession of the Bannerman family. As well as telling the story of one of the most popular children's books of all time, Elizabeth Hay's biography offers an intimate picture of the daily life of a British memsahib in the heyday of the Raj." Clean copy.

Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages. Samuel Colt first patented his Colt revolver in 1835 and thereby redefined the architecture of handguns. This book is the first to present in detail the evolution of his most famous invention and to document the unsurpassed Colt firearms collections held by the Wadsworth Atheneum. Edited by Elizabeth Mankin Kornhauser. With essays and entries by Carolyn C. Cooper and Elizabeth Mankin Kornhauser. Index.

Softcover. Thousand Oaks CA, Dragon Books, 3rd pr., 1993, Book: Very Good, Dust Jacket: None, Softcover, 145 pages, b&w illustrations. This book, as well as being a practical training manual, is an attempt to inform the reader of the history of Aikijujutsu and it's masters. Clean copy.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Softcover. Saratoga Springs NY, Lyrical Ballad Book Store, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Conceiving of the City of Saratoga Springs as a museum in which the exteriors of buildings are the works of art, many key examples of architecture are carefully placed within the context of local and national history and of architectural style. Illustrated with many black and white photos. Clean copy

Softcover. NY/Oxford, Osprey Publishing, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. An unrivaled illustrated reference source on fighting men and commanders of the period. The Sassanians ruled the last great imperial Empire of Persia before the Arab conquests of the 7th century. Rome's only equal in the classical world, the Sassanian Empire had an enormous impact on the development of architecture, mythology, arts, music, military tactics and technology. Within the Sassanian military, the cavalry was the most influential element, and Sassanian cavalry tactics were adopted by the Romans, Arabs, and Turks. Clean copy.

Hardcover. Adelaide, Libraries Board of South Australia, reprint, 1969, Book: Very Good, Dust Jacket: None, Two hardcover volumes, red cloth covers with gilt lettering on spines, Vol. I. xii, 340 pages; tinted frontispiece; 9 illustrations; Vol. II. viii, 280 pages; tinted frontispiece; 10 illustrations 7 are tinted; appendix. Facsimile of title originally published London, Smith, Elder & Co, in 1847. Library stamp to front endpapers otherwise clean, bright copies.

Hardcover. Ontario CA, John Wiley & Sons, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Who was the first goaltender to wear a mask in a game? Who was the last to go without one? When did goalies start painting their masks?These are just a few of the questions that are answered in this definitive book on goalie masks. Saving Face looks at the development of the mask from its earliest days as a rudimentary face-saving device to its current high-tech design, bullet-proof construction, and cutting-edge artwork.The book offers a visual journey, too. More than 150 historic and modern photos, including thirty-plus full-page shots of some of the most famous masks ever created, support a text that weaves the tale of the mask's development. Clean copy.

Hardcover. London, Ashgate, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Silver gilt on spine. 'Like "the ring" itself, this book is viral: it gathers into itself literature and film, disease and survival, cultural studies and aesthetics, Japan and America, technology and the family. We won't read Suzuki's novels or watch the films in the same way again. A thoroughly readable and teachable text!' Steven Bruhm, Robert and Ruth Lumsden Professor of English, The University of Western Ontario, and author of Reflecting Narcissus: A Queer Aesthetic 'Taking as its point of departure the phenomenon of The Ring in all its manifestations"the Japanese novel, the Japanese film, the American film, and the various sequels"The Scary Screen offers an in-depth and sustained speculation about the anxiety created by the development of communication technologies. The collection introduces startling insights into the relationship between changes in media forms and widespread fears of contagion, while also identifying a new universal form of horror that has emerged in recent decades as the status of reproduction"both technological and biological"has undergone a profound transformation. The essays included here represent a powerful theoretical response to this transformation.' Todd McGowan, University of Vermont, and author of The Impossible David Lynch and The Real Gaze '... The Scary Screen is a useful contribution to studies of The Ring, horror film, and cultural anxieties evoked by technology.' Journal of the Fantastic in the Arts.