art history

Hardcover. New York, Simon & Schuster, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 423 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy. With "humanism, generosity, and a passionate, beating heart" (The Times, London), Janice Galloway's Clara reignites, from between the lines of history, the great love of Robert and Clara Schumann. In her lifetime, Clara was a celebrated concert pianist and composer, editor and teacher, friend of Brahms -- as well as mother of the eight Schumann children and caretaker of her husband through a series of crippling mental illnesses. In its luminous integrity the novel brings Clara Schumann to life as a woman of genius. Galloway is at once a meticulous researcher of her subjects' remarkable and highly dramatic artistic careers and a virtuoso storyteller whose imagination and empathy lead her to that place off limits to history and biography -- inside the human mind. Distilling the memories, poetry, and musical notes therein, she examines the ways artists divine patterns out of life's chaos. "Passion," writes Galloway of Clara's performance philosophy, "one might take for granted -- its control is the mechanism through which all else flows." Though music may have bent to Clara's will, love served her far more tragically. Dismissing the cliches of Great Art and rejecting the romantic conflation of Madness and Creativity, Clara boldly ventures that in a life marred by alienation and isolation, "Work alone endures."

Princeton University Art Museum, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages. Clarence H. White (1871-1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White's contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar "modernism" to paint a more nuanced picture of American culture in the Progressive era. The illustrations are well reproduced and comprehensive.

Softcover. New York, Metro Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 272 page, illustrated throughout in color and b&w. Light shelf-wear to wrappers, else a clean, tight copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 358 pages, color and b&w illustrations. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. Clean copy.

Softcover. NY, British Film Institute/Palgrave, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 119 pages, b&w photos, Cleo de 5 a 7, Agnes Varda's classic work of 1962 depicts, in near real time, ninety minutes in the life of Cleo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinema group of critics turned filmmakers. Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda's early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cleo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cleo's formal and technical complexity alongside an analysis of its status as a document of a specific historical moment.

Hardcover. Golden CO, Colorado Railroad Museum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 238 pages. B&w and color illustrations. Five of the articles are on passenger and mixed (passenger and freight) trains and trolleys in a topographic setting that owing to mineral resources had a phenomenal network of rail lines. Written for the train buff, the historian of western transportation will find good material here. Heavily illustrated with modern and period photos. The sixth piece is on the steam-powered meter-gauge trains of Zimbabwe. Clean copy.

Hardcover. NY, Praeger Publishers, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 156 pages with 10 color and 232 b&w plates. The chapters are: general history before 1850 with factory marks; excavations on the Caughley site: other early Coalport porcelain; Messrs Antice, Horton & Rose's Coalport porcelain; 1815-1850 & the factory pattern-books; porcelain from 1850: Coalport artists; early Coalport porcelain mentioned in 19th century catalogues; the 1841 & 1861 census returns. Clean, bright copy.

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Softcover. Rochester VT, Park Street Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. A lavishly illustrated history of coca wine and the revolutionary advertising methods that made it a world-wide success. Follows 19th-century pharmacist Angelo Mariani's interest in coca from medical uses to the development and healing effects of his world-famous coca wine, Vin Mariani. In this full-color illustrated history of coca wine, the first of its kind, author Aymon de Lestrange follows Mariani's interest in coca from its medicinal applications to the creation of the tonic wine. The author explores the botany of coca, how it differs from cocaine, its traditional use in pre-Columbian America, and scientific studies on coca from the 17th through 19th centuries, including from Sigmund Freud, who was a known user. He describes the introduction of coca in the U.S. and France and the many coca preparations then available at drugstores. He also studies the introduction of cocaine in these two countries and the prohibition laws that followed.

Hardcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, Collage has a relatively short, but incredibly rich history. The popularity of collage is on the increase again, partly as a result of such postmodernist concerns as pluralism, multiplicity and hybridity. This book features works by international artists Picasso, Schwitters and Ernst, through to Hannah Hoch, Martha Rosler, John Stezaker, Richard Hamilton, Layla Curtis, David Salle, Eduardo Poalozzi, Javier Rodriguez, Robert Rauschenberg, Mimei Thompson, David Thorpe, Fred Tomaselli and many more.

Hardcover. Boston, Houghton Mifflin, reprint, 1913, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering and design on spine. SIGNED BY BRIGGS opposite title page. Introduction is dated January, 1913. The author was Dean of the faculty of Arts and Sciences at Harvard University. This volume contains four essays, two each from two of Briggs' earlier works -- School, College, and Character, and Ideals -- focused mainly on students. 124 pages. Clean copy. Laid in is a folded mimeographed sheet: "Message from Dean Briggs of Harvard", date unknown.

Hardcover. Cambridge, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 459 pages. Green cloth with silver gilt lettering on spine. Book comes with a press release from "News From Cambridge". Black and white plates throughout. Thirty-one essays on colonial painting organized in three chronological sections: Origins and Beginnings, to 1680; The Transition, 1680-1840; and The Culmination, 1740-1790. Bibliography.

Hardcover. New York, Hastings House, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover, 574 pages. Nearly 400 photographs pictures 345 still standing houses of worship ranging from English medieval Gothic to classical Georgian, most of them pinpointed on 15 maps. Blue cloth, gilt lettering to spine and front cover. Dust jacket with minor edge wear. Original blue slip case, edge wear at bottom and opening edge. previous owner's inscription in front. Otherwise a clean, tight and crisp copy.

Hardcover. Los Angeles, Rizzoli, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 251 pages, illustrated in color. Accompanies a major touring exhibition on the history of ceramic art in the second half of the twentieth century. Illustrated with more than 250 color photographs, Color & Fire explores the roles of key artists and the major stylistic movements they developed during the decades of pioneering innovation. Based on the premise that the history of studio ceramics can be regarded as a series of breakthroughs or milestones, Color & Fire highlights the moments when talented artists came together to produce work in clay that challenged traditions and promoted aesthetic freedom. Small sticker on front thanking a museum member for their support.

Hardcover. Atglen PA, Schiffer Publishing, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 255 pages. illustrated in color. Explore the rise and fall of pre-Code comics with 500 covers revealing America's cultural shifts, censorship, and controversy. From 1940 to 1955, American society and culture underwent dramatic changes, including the introduction of the Comics Code in October 1954, which heavily impacted comic books. The Code aimed to moderate comic content in response to public opinion, including such topics as juvenile delinquency, wartime sentiment, teenage sex, drugs, violent crime, and more. While compliance was technically voluntary, most publishers followed its strict rules. Those who didn't faced ruin when wholesalers and distributors refused to handle noncompliant comics, returning them unopened to publishers, who soon self-destructed. Comic Book Apocalypse! explores this downfall through 500 examples of pre-Code cover art, highlighting why some deemed the Code necessary. The book also examines who decided what content was acceptable, demonstrating how pre-Code comics reflect the larger story of 1950s America. DOMESTIC SHIPPING ONLY.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 696 pages illustrated in color, b&w. Tells of Fantagraphics Books' key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana the way insiders share the saga with one another other: in anecdotal form, in the words of the people who lived it and saw it happen. Comics historian and critic Tom Spurgeon and longtime Comics Journal editor Michael Dean assemble an all-star cast of industry figures, critics, cartoonists, art objects, curios, and groundbreaking publications to bring you a detailed account of Fantagraphics' first 40 years.

Hardcover. Jackson MS, University Press of Mississippi, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, b&w illustrations. A reprint of the classic survey published in 1947. In a bright dust jacket, clean.

Hardcover. Milwaukie, OR, Dark Horse Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 500 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Features 670 illustrations and photos. This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles.Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.

Hardcover. New York, NY, Prestel, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover without dust jacket. Like new in publishers shrink wrap. Conde Nast launched the careers of many great photographers. The discovery of most of the biggest names in fashion photography and the nurturing of their talent into full bloom can rightly be credited to that visionary publisher. Conde Nast himself was gifted at spotting future stars, and, by surrounding himself with the very best and most creative, he placed Vogue magazine, along with other titles such as Glamour, at the forefront of the photographic avant-garde and propelled them to positions of great social and cultural influence. This glorious volume, the result of unprecedented access to the empire's archives, reaches back to 1910 to demonstrate this history of excellence. A constellation of luminaries, legends, and stars, the list of photographers included in this treasury is truly breathtaking. Edward Steichen, Cecil Beaton, Irving Penn, Helmut Newton, Patrick Demarchelier, Ellen von Unwerth, and Mario Testino are just some of the figures who, working with masterful art directors, created a legacy that left its mark on the history of photography and is being built upon in the present day. Chronologically arranged with beautiful reproductions throughout, this stunning volume will become an important addition to the libraries of fashionistas of all ages and tastes.

Hardcover. NY/Paris, Pergamon Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Approximately 7000 pages, 5 hardcover volumes complete, each book is 10" by 15'', bound in burgundy cloth covers with gilt lettering. Reproduced from the original 1651 17-volume edition, reduced here allowing 4 pages per sheet. French text. Clean, bright copies. No dust jackets ever issued. HUGE VOLUMES, DOMESTIC SHIPPING ONLY.