art magazines

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with laminated boards. Clean, tight copy with color illustrations throughout. Inspired by magazines like Mad and traditional superhero comics, Real Deal magazine was a self-published,independent comic book created in the 1990s by Lawrence Hubbard (a.k.a "RawDog") and H.P. McElwee (a.k.a. "R.D. Bone"). Peopled with a cast out of a blaxploitation movie - convicts, hustlers, drug addicts,crack whores, car thieves,and murderers - these cult-classic comics straddle the line between satirizing and showing the harsh realities of urban life.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Founded by Paul Krassner, "The Realist" was a satirical magazine that took aim at American culture during the period of 1958 to 2001. Paul Krassner collaborates with Fantagraphics to create a collection of the best of "The Realist" drawings with contributions by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Wallace Wood and others. Illustrated front board, 291 pages plus annotations, black/white and 2-color images. Volume numbers and year published accompanies each cartoon.

Hardcover. NY, Knopf, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. In this chatty, self-absorbed memoir told with a hefty dose of name-dropping and a devout reverence for fame and fortune, British interior decorator Haslam proudly reveals his intimate connections with many members of British and American high society from the 1950s to the present, from his distant relation to Princess Diana to his brief but adoring encounters with Tallulah Bankhead, Mick Jagger, the Beatles, Joan Crawford, and many more. Indeed his busy social life started young; for most of the first hundred pages he is a fairly wide-eyed ingenue at Eton, followed by stints in London, New York, California, and back to London as a magazine editor, interior designer, and columnist. His has been a life where everyone and everything is darling and divine; in his world, elevator doors open to reveal Salvador Dali, and Andy Warhol is a frequent and amusing dinner companion. While claiming to be telling all, Haslam hides most of what makes many memoirs truly personal and affecting; in exchange readers get a chance to feel as if they are on a first-name basis with the stars. His superficial obsession with high society is, still, highly entertaining and refreshingly honest, and will delight those who travel in international circles of design and fashion.

Hardcover. NY, The Modern Library, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 344 pages. Food articles collected from Gourmet Magazine, dispatched from Paris over the last 60 years and published together in print for the first time. Clean copy.

Hardcover. Cambridge MA, MIT Press, 2nd Pr., 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 251 pages, with her photo-illustrated dust jacket. Who speaks? Who is silent? Who is seen? Who is absent? These questions focus on how cultures are constructed through pictures and words, how we are seduced into a world of appearances: into a pose of who we are and aren't. On both an emotional and an economic level, images and texts have the power to make us rich or poor. In these essays and reviews, written over the last decade, Barbara Kruger addresses that power with intelligence and wit, in the hope of engaging both our criticality and our dreams of affirmation.Barbara Kruger is an artist whose pictures and words engage issues of power, sex, money, difference, and death. Her work has appeared throughout America, Europe, and Japan in galleries, newspapers, magazines, and museums and on billboards, matchbooks, TV programs, t-shirts, postcards, and shopping bags. She has written about television, film, and cultures for Artforum, Esquire, the New York Times, and the Village Voice.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Hardcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Reproduces all 728 of the magazine's covers and includes behind-the-scenes stories and excerpts from articles and interviews with the idols of rock and rythym-and-blues.

Hardcover. Boston, Little Brown & Co, reprint, 1982, Book: Very Good, Dust Jacket: None, Illustrated boards, 96 pages. A collection of Searle's cat cartoons,and caricatures. Some of these drawings were originally published as covers on the New Yorker magazine. Others in this anthology have been previously published in The Square Egg, More Cats, Searle's Zoodiac and the monograph Ronald Searle.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Originally published in magazine form in All Top Comics 8-18, Tegra/Zegra Aug 1948 - Apr 1949, and Seven Seas Comics 1-6.

Softcover. London, Strange Attractor Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, oblong format, pictorial wrappers. B&w art. Collected together for the first time, these Trip or Squeek strips offer acerbic, lysergic and razor sharp observations on music, art and life. Featuring extensive notes, a discography and never-before-seen preparatory sketches by Savage Pencil, and an illustrated foreword by artist Gary Panter.Savage Pencil's Trip or Squeek strips have been appearing in music magazine The Wire since 2002.

Softcover. Seattle, Fantagraphics, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 192pages. Collects, for the first time, the complete adventures of four of the influential Mad magazine cartoonist's more arcane comics creations: Scoop Scuttle, Mystic Moot, Bingbang Buster, and Jumpin' Jupiter - restored, as they've never been seen before! In this rip-roaring retrospective of the influential Mad magazine cartoonist, Basil Wolverton's often-warped imagination combines with his outlandishly wacky visual humor to fascinate and delight. It collects the ultra-rare treasures Scoop Scuttle, Mystic Moot, Bingbang Buster, and Jumpin' Jupiter - as they've never been seen before! Due to the rock-bottom printing methods of ten-cent comic books, Wolverton's intricate line work was routinely obscured, and often obliterated. In this collection, every effort has been made to restore the art to its original splendor, and to at last present the uniquely detailed graphics of this justly revered comic book master. Full-color illustrations throughout.

Softcover. NY, See Publishing Co,, 1954, Book: Good, Dust Jacket: None, Single magazine issue, color wraps, Elaine Stewart on cover. 42 pages, b&w photos throughout. Vintage tabloid magazine published monthly and devoted to celebrity sightings, sports, war, some emphasis on scantily clad women wearing high heels. Articles on brain-washing, should women be banned from sports, Jackie Gleason and his dancers, Dorothy Dandridge. Paper tanning.

Hardcover. London, Phaidon Press, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 272 pages. Color illustrations throughout, very clean and tight copy. American adman and image-maker George Lois (b. 1931) was a leader of the Creative Revolution of the 1960s and is the mind behind an astonishing array of branding campaigns and unforgettable magazine covers during his fifty-year career. Illustrated with the original ads and images, $ellebrity presents the stories behind the ads, explaining how each ad was conceived and produced, and the unexpected pitfalls, scuffles, and friendships that ensued.

Hardcover. East Windsor, NJ, Vanguard Classics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 176 pages. Like new in publisher's shrink-wrap. Vampirella, Weird Science, Dejah Thoris: This deluxe edition comes with a bonus 16-page folio and slipcase. Vampirella, Weird Science, Dejah Thoris... No one renders exotic women better than Frazetta, the World s greatest Fantasy artist. Until now, only the most ardent collectors possessed the elusive grail items from the short period of Frazetta s early-1960s Men's magazine and risque paperback illustrations. Often selling for hundreds of dollars each, these rare publications bridged Frazetta's exodus from traditional comics work, to his now-legendary Conan, John Carter of Mars and Death Dealer oil paintings. Now, in an affordable volume, Vanguard expands their authorized line of Frazetta books with this, the most complete collection ever, of rare, vintage, Sensuous Frazetta.

Hardcover. UK, ACC Editions, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial bpards. Felicity Green brought a new, original voice and look to the fashion pages of the '60s' Daily Mirror. For the first time in newspaper history she created fashion pages designed to appeal to both sexes as the circulation soared to more than 5 million copies a day. Great pictures, great photographers, top designers, top models - Felicity made these Swinging '60s fashion stories FUN! bringing the glamor and style of glossy magazines to the Mirror. These award-winning pages broke the fashion mould and captured the stellar time when London fashion conquered the world. Under Felicity Green's by-line comes stories of the stars of the '60s - they're all talking in this original book: Mary Quant, Barbara Hulanicki, Vidal Sassoon, Twiggy, Terry O'Neill, and a sparkling foreword by Barbara Hulanicki, of Biba fame, tells the story of a fashion collaboration/friendship whose gingham dress made fashion history. Still in publisher's shrinkwrap.

Hardcover. US, Prestel USA, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. 208 pages. Edited by Barbara Rix-Sieff and Iris Stehmann. Text in English. Jeanloup Sieff was born in 1933 in Paris. His parents were of Polish origin. He died on September 20, 2000 from cancer. As a fashion photographer, he worked for magazines such as Nova, Elle, Vogue, Twen, Jardin des Modes, Harper`s Bazaar, Esquire, Glamour etc. As for advertising photography, one owes him credit for the picture of a naked Yves Saint Laurent publicising his eau de toilette and for the memorable campaigns for Rosy lingerie, or Carel shoes.

Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.

Hardcover. London, Punch Office, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover, Beige cloth titled in red, cover soil, spotting, else clean internally. A decade of May's work which originally appeared in Punch Magazine. 111 b&w drawings. Published on the ocassion of his death in 1903.

Hardcover. New York, Henry Holt, 1st, nd, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated paper over boards, blue cloth spine. Introduction by Oliver Herford. No date but assumed 1920s. 128 pages of b&w cartoons reprinted from the humor magazine Life. Covers have light soiling, rubbing. Corners worn. Overall very good, clean inside.

Softcover. 1999, Book: Very Good, Dust Jacket: None, Softcover. Article: Beyond the Blue: The Art of Maxfield Parrish, 11 page article, color illustrations. Related newspaper articl laid-in. Clean, sharp copy.

Softcover. Houston, Art Magazine Publishers, 1979, Book: Very Good, Dust Jacket: None, Softcover. 178 pages, color and b&w illustrations. Articles and art by Joe Beeler, Frank Tenney Johnson, Don Mieduch, others. Clean copy.