art magazines

Softcover. Fairfield CT, Cartoonist Profiles, 1985, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on political cartoonist Kate Salley Palmer, Howie Schneider, Mort Drucker on caricature, editorial cartoonist Jimmy Margulies, others.

Softcover. Fairfield CT, Cartoonist Profiles, 1977, Book: Very Good, Dust Jacket: None, Softcover, 94 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on Bill Keane and Family Circus, Roy Crane, Milton Caniff, C.C. Beck's Human Bomb, Mort Leav: TV art director and comic book artist.

Softcover. Fairfield CT, Cartoonist Profiles, 1978, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on Allen and John Saunders of Mary Worth and Steve Roper, the dog artist Edwina, Sherlocko the Monk, Newton Pratt editorial cartoonist, Roy Crane's sketchbook, behind the scenes at the Disney animation studio, cartoonist Jack Markow.

Softcover. Fairfield CT, Cartoonist Profiles, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on animator Grim Natwick, John Romita the Spider-Man artist, Garfield and Jim Davis, Alfred Andriola, c.omic strip history by Bill Blackbeard.

Softcover. Fairfield CT, Cartoonist Profiles, 1979, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on Dik Browne and Hagar the Horrible, editorial cartoonist Jim Borgman, Reminensces by Jack Markow and I. Klein, the Walt Disney archives, Q and A's by Bill Blackbeard.

Softcover. Fairfield CT, Cartoonist Profiles, 1979, Book: Very Good, Dust Jacket: None, Softcover, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on animator Art Babbitt, Fred Lasswell of Barney Google, Charles Schulz, Gordon Campbell comics historian, Lurie caricatures, editorial cartoonist Eldon Pletcher, Bringing Up Father by George McManus, others.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. At the age of 21, Gene Deitch discovered The Record Changer, a jazz fan magazine. Every jazz swinger in the '40s was called a "cat," so Gene Deitch created a cartoon feature titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951. Deitch's stylistically virtuoso images exquisitely embodied the essence of the 1950s hipster, and was a visual paean to the joy of collecting records and appreciating jazz. The Cat on a Hot Thin Groove collects all of Deitch's Record Changer work in one gorgeous, coffee-table art book, with commentary and reminiscences by Deitch himself.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. At the age of 21, Gene Deitch discovered The Record Changer, a jazz fan magazine. Every jazz swinger in the '40s was called a "cat," so Gene Deitch created a cartoon feature titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951. Deitch's stylistically virtuoso images exquisitely embodied the essence of the 1950s hipster, and was a visual paean to the joy of collecting records and appreciating jazz. The Cat on a Hot Thin Groove collects all of Deitch's Record Changer work in one gorgeous, coffee-table art book, with commentary and reminiscences by Deitch himself.

Softcover. Cambridge MA, Harvard University Asia Center, 1st pbk, 2004, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 445 pages, b&w illustrations. In China Made, Karl Gerth argues that two key forces shaping the modern world-nationalism and consumerism-developed in tandem in China. Early in the twentieth century, nationalism branded every commodity as either "Chinese" or "foreign," and consumer culture became the place where the notion of nationality was articulated, institutionalized, and practiced. Based on Chinese, Japanese, and English-language archives, magazines, newspapers, and books, this first exploration of the historical ties between nationalism and consumerism reinterprets fundamental aspects of modern Chinese history and suggests ways of discerning such ties in all modern nations. Clean copy.

Hardcover. France, Editions Artlys, 1st, 2005, Book: Very Good, Dust Jacket: None, 256 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. At once Dior scrapbook, survey and autobiography, this magnificent compendium offers a panorama of the life and art of one of the twentieth century's most influential fashion designers. It reprints Dior's 1956 autobiography Christian Dior et moi--in which the designer contrasted his reputation as both an individual and as a company with his own sense of himself--alongside eight articles by Dior first published in Elle magazine in 1951, which were then collected as Je suis couturier. Throughout, the volume takes as its thematic anchor the designer's beautiful childhood home in Granville, elaborating his lifelong attachment to the house (now the Christian Dior Museum) and its gardens, and showing how his work was influenced by these resplendent environs--a theme that especially preoccupied Dior himself, who once affirmed his "tender and wonderful memories of my childhood home," declaring that "my life and my style owe everything to its location and architecture." Many of the copious illustrations that accompany these writings are supplied by the Christian Dior Museum collection, and reproduce family albums and archival photographs, fashion sketches and formal presentations of classic Dior dresses, hats, shoes and jewelry. Dior scholar Jean-Luc Dufresne conducts a tour of the Dior house and garden, narrating its long and fascinating history.

Softcover. UK, FAB Press, 3rd pr., 2024, Book: Very Good, Dust Jacket: None, Softcover, 191 pages illustrated in b&w. A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Author and comic artist Robin Bougie takes a dive to the bottom of the cesspool of sexploitation, doing so in a distinctive manner that has made him famous amongst a loyal following of cult film fans. Issues 17 to 20 of this celebrated underground smash magazine are exhaustively revised and collated in this third wild volume, together with an additional 80 pages of never-before-seen interviews, rants, comics, hard-to-find classic movie advertising, and graphic illustrations by Bougie and a host of his talented friends from both the comic book and animation industries. Clean copy.

Hardcover. New York , Norton , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 190 pages, illustrated in color and b&w. Cipe Pineles was art director for leading fashion magazines between 1930 and 1960. Tracing Pineles's career from young immigrant to "ranking" female in the design world, Martha Scotford chronicles a time when few women were involved in design and assesses Cipe's brilliant contributions to graphic design and magazine design in particular.

Hardcover. US, Prestel Publishing, 1st, 2012, Book: Good, Dust Jacket: Good, This comprehensive monograph explores the conceptual complexity and diversity of Claes Oldenburg's early work to reveal this influential artist's extraordinary inventiveness. Accompanying an exhibition of Oldenburg's seminal early work, this publication examines the breadth of his artistic career from the late 1950s to 1970. It features works including the landmark installations The Street and The Store and their accompanying performances; the highly influential spectacular sculptures of everyday objects as well as drawings and preparatory collages for public projects from the 1960s. The book traces the development of Oldenburg's practice as it follows his work up to the Mouse Museum. Also included in the publication is an extensive chronology, alongside notes as well as a variety of installation views that showcase the careful consideration given to modes of presentation. In addition to imagery of his Pop icons, this richly illustrated book contains an extensive selection of drawings, collages, and magazine and newspaper clippings as well as a wealth of previously unpublished notebook pages, preparatory studies, and photographs taken by the artist. This volume probes diverse aspects of his work to offer fresh perspectives on Oldenburg's artistic development and unprecedented insights into the conceptual process of his artistic explorations.Gash through dust jacket on front cover.

Hardcover. New York, Viking Press, 1st, 1961, Book: Very Good, Dust Jacket: Fair, 153 pages. Hardcover with dust jacket. Color/b&w photographs. Brodart covered dust jacket shows heavy wear on all edges. closed tear on upper front, spine edge. The internationally renowned photographer and filmmaker Eliot Elisofon (1911-1973) demonstrates the means he used to produce the distinguished pictures that made him famous. A frequent contributor to Life magazine, he also created an enduring visual record of African life from 1947 to 1973.

Softcover. Baltimore MD, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 326 pages, b/w illustrations, softcover. These 4 cartoonists worked at the New Yorker between 1925 and 1975, mocking the status quo without alienating that magazine's readers. For many aficionados of the New Yorker magazine, the drawings of Peter Arno, William Steig, Charles Addams, and Saul Steinberg epitomize its sophisticated wit and disarming humor. In The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg, the first full-scale scholarly study of the subject, Iain Topliss considers the work of each artist, traces the development of his art, and recalls the cultural and social context in which it was created.

Softcover. New York, Fantagraphics Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 199 pages. Softcover with minor wear to paper wrappers. Spine cracked on sencond page. Library embossed stamp on front cover, otherwise clean, tight copy. Minor wear on edges.

Hardcover. New York, Farrar & Rinehart, Inc, 1st, 1938, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated, over 40 b&w full page cartoons, cloth-bound cover, acetate-protected dust jacket. Wear and fading to edges and corners of dust jacket, price-clipped, discoloration to endpages, foxing on cloth cover; still, a neat and tight copy overall. Paul Webb"s hillbilly cartoons were a popular feature in Esquire Magazine in the 30s and 40s.

Hardcover. New York, NY, Prestel, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover without dust jacket. Like new in publishers shrink wrap. Conde Nast launched the careers of many great photographers. The discovery of most of the biggest names in fashion photography and the nurturing of their talent into full bloom can rightly be credited to that visionary publisher. Conde Nast himself was gifted at spotting future stars, and, by surrounding himself with the very best and most creative, he placed Vogue magazine, along with other titles such as Glamour, at the forefront of the photographic avant-garde and propelled them to positions of great social and cultural influence. This glorious volume, the result of unprecedented access to the empire's archives, reaches back to 1910 to demonstrate this history of excellence. A constellation of luminaries, legends, and stars, the list of photographers included in this treasury is truly breathtaking. Edward Steichen, Cecil Beaton, Irving Penn, Helmut Newton, Patrick Demarchelier, Ellen von Unwerth, and Mario Testino are just some of the figures who, working with masterful art directors, created a legacy that left its mark on the history of photography and is being built upon in the present day. Chronologically arranged with beautiful reproductions throughout, this stunning volume will become an important addition to the libraries of fashionistas of all ages and tastes.

Softcover. NY, 1947, Book: Very Good, Dust Jacket: None, Softcover magazine, digest size. Articles on Norman Rockwell (The People's Painter) and Milton Caniff (Secrets of a Comic Strip Artist). Nice copy. Wrap-around cover illustrations by Stan Eckman.

Hardcover. Brooklyn NY, Melville House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is the original 30,000 word article Agee wrote for Fortune magazine in 1936 that was never published. Accompanied by 30 Walker Evans photos. Clean copy.

Hardcover. New York, Viking, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages. Documents over 3,500 covers, reproduced in color. An indispensible volume for the collector or researcher.

Hardcover. New York , Viking Studio Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages, reproduces 3500 covers in color. An indispensable volume for the collector or researcher. Three thousand and five hundred reproductions include virtually every cover of the America's most popular magazine during its entire run, from 1899 to 1969, complemented by an essay tracing the magazine's evolution. 15,000 first printing.

Hardcover. London/NY, Collins Living, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages, fully illustrated with color reproductions of photographs. Features articles and cover art from October 1969 through December 1987 issues. Fine in original pictorial paper-covered boards and fine pictorial dust jacket.