art monograph

Hardcover. Santa Fe, Twin Palms Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Large hardcover folio. 180 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Santa Fe, Twin Palms Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Large hardcover folio. 180 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Macmillan Company , 1st, 1959, Book: Very Good, Dust Jacket: Good, 122 pages. Hardcover with dust jacket. Illustrations by Ed Fisher. Blacka nd white. Dust jacket has light fraying and rubbing. Cover boards have edge wear. clean copy.

Softcover. Boston, Bulfinch Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 138 pages, illustrated by the photographer's miniature tableaux, all in color. INSCRIBED BY TRESS on title page. Cardboard slipcase.

Hardcover. Gloucester MA, Peter Smith, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 100 pages, b&w illustrations. A checklist of 387 paintings, lithographs, watercolors and drawings, with appendix including excerpts from Lane's will and bibliography. One of Wilmerding's first of many works, this is a pioneering monograph on the artist, best known for his luminous marine paintings. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Focusing on Ukiyo-e ("pictures of the floating or sorrowful world"), the colourful woodblock prints that are the most popular form of Japanese art, this book introduces the little-seen collection held by the Library of Congress. This collection of prints, drawings and books, one of the largest outside Japan, has never been exhibited and has rarely been handled. The art form of Ukiyo-e first flourished in 17th-century Edo (now Tokyo), depicting landscapes, portraits of courtesans and actors. This book includes known masterpieces by such names as Hokusai, Hiroshige and Kunisada, as well as rare and unusual prints that have not been explored before, and thus serves as a survey of its subject.

Hardcover. NY, Harry N. Abrams, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover 148 pages. Esther Heins' watercolors of leaves and flowers organized by month of bloom, crisp interior. A full color botanical drawing left-hand page is dedicated to each species. On the right page is explanatory text. Free of any markings, not ex-library. INSCRIBED BY THE ARTIST HEINS on the front fly leaf. Otherwise clean.

Hardcover. US, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 139 pages, illustrated throughout in color. Light shelf-wear to dust jacket with small tear to upper edge. Clean, tight copy. Foliage is an amazing plant book filled with artistic photos of "the architecture of nature." Close-up photos fill the 13" x 11" pages. From grasses and ferns, edibles, leaf coloration, cati and succulents, the essence of green, to seeds of change the reader is in for a visual treat.

Hardcover. London, Philip Wilson Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, color and other plates, chronology, catalogue, bibliography, index. Approx. size 11" by 9". Small tape repair to verso of rear panel otherwise excellent condition. Ford Madox Brown had already pioneered a style of painting which came to be known as Pre-Raphaelite before the Pre-Raphaelite Brotherhood was founded in 1848. His beautifully observed landscapes anticipated the open-air effects of the Impressionists. His art was anti-academic, rejecting easy solutions, prettiness, and conventional Victorian formulae. He depicted children without sentimentality and poor people without condescension. This major monograph provides a general introduction to Brown's art based on new research; all of his important paintings are included, and each one is illustrated and described.

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. SIGNED BY ILLUSTRATOR ON TITLE PAGE. Vibrant color illustrations throughout. small dent on front cover bottom, otherwise tight copy. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.

Softcover. Washington DC, Smithsonian Institution, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 187 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy.

Softcover. New Haven, Yale University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, illustrated throughout in color and b&w. Light edgewear to wrappers and slight crease to spine, else a clean, tight copy. A study of an important painter of the mid eighteenth century, who was the teacher of Gainsborough and whose work included conversation pieces, history painting, book illustration and theatrical painting. Also includes the catalogue of the exhibition in 1987.

Hardcover. NY, Doubleday , 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover in a slipcase. 64 color plates, 100 b&w Illustrations. A compilation of Jaques' work. Gilt flock of geese fying on front board and gilt lettering to spine. Foreword by Roger Tory Peterson. Book and slipcase clean, excellent condition.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Very clean, like new copy still in publishers shrink wrap. Over 200 duotone images throughout. Tight copy. Born in Cork, Ireland, Frank Browne (1880-1960) was both a distinguished Jesuit and an accomplished photographer. At age 17, before commencing his studies for the priesthood, he embarked on a tour of Europe armed with a camera. Browne quickly discovered a strong affinity for photography, and continued to take photographs throughout his life. It was not until 1985, however-when Father Edward O'Donnell SJ discovered a large trunk in the Irish Jesuit Provincial's House and found it packed with negatives and photographs-that Browne was catapulted to international fame. Father Browne's remarkable life is recorded in the superb selection of images presented in this book. With wit and a sharp eye, he observed 20th-century Ireland; life as a Jesuit priest; his experience as a passenger on the first leg of the voyage of the Titanic in 1912; and his later travels throughout Europe, Egypt, Yemen, Ceylon, and Australia. This handsome, copiously illustrated volume offers a complete survey of the photographic work of an exceptional man.

Softcover. Chapellier Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, 71 plates, mostly color. Bibliography. Wrapper with light wear.

Hardcover. D Giles Ltd, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. This is the first major publication in more than 30 years devoted to Duveneck, one of the most influential and widely respected late-nineteenth century American artists.Beloved to his students, Duveneck was lauded by many Gilded Age luminaries such as James Abbott McNeill Whistler and Henry James. Yet a century after his death, he is largely known only for asingle, brilliant painting, The Whistling Boy. By contextualizing his work in the artistic, cultural and social milieus of the time, this publication offers diverse perspectives on Duveneck's life, work, subjects and reputation. The essays span his beginnings as a painter of dark realism to his later impressionistic work and examine his significance as a printmaker and draftsman. The lavishly illustrated volume includes a chronology and selected bibliography. irst half of the book consists of essays which detail the artists uneven life. Numerous photos, drawings and a few great close ups. The second half of the book consists of the catalog. 128 catalog images, mostly paintings with some drawings and pastels. All in color.

Hardcover. New York, Silverstein Photography, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 89 b&w images. Like new in publisher's shrink-wrap. Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City.

Hardcover. New York, Silverstein Photography, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 89 b&w images. Like new in publisher's shrink-wrap. Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City.

Hardcover. NY, Watson-Guptill, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Frank Schoonover, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life. 208 pages. 10 1/2 X 11 1/4. 48 color plates. 150 black-and-white illustrations. Chronology. Index.

Hardcover. NY, Watson-Guptill, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Frank Schoonover, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life. 208 pages. 10 1/2 X 11 1/4. 48 color plates. 150 black-and-white illustrations. Chronology. Index. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Garden City, NY, Doubleday & Company, Inc., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages with full colored plate illustrations, as well as black and white illustrations and photos. Remainder spray on bottom edge. Bound in blue cloth. Tightly bound, clean copy. Dust jacket shows a little bit of wear on corners, protected by a mylar cover.The first complete biography of a major American artist who devoted both his life & his immense talents to the realistic portrayal of the frontier West." Frank Tenney Johnson (1874 - 1939) was a painter of the Old American West, and he popularized a style of painting cowboys which became known as "The Johnson Moonlight Technique".

Hardcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover. VG/VG printed mylar jacket, some foxing to top and edge of text block, else a clean solid copy of the first edition, with no later printings indicated. Book design by Robert Motherwell. Illustrated cloth boards with clear plastic DJ with minor soil, 272 pages, 53 color and 152 BW plates, one fold-out. Mostly plates by American artist Helen Frankenthaler (1928-2011), with some interspersed text by Barbara Rose; also includes a biographical outline and selected bibliography. A fairly comprehensive collection of her work from 1951-1969. DUE TO SIZE AND WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.