art monograph

Hardcover. NY, Harry N. Abrams, 1st, 2004-11-16, Book: Near Fine, Dust Jacket: Near Fine, 175 pages, illustrated throughout with 150 illustrations, including 120 plates in full color. Clean, unmarked copy in excellent condition.

Softcover. Neshannock PA, Hermes Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Extensive color and b&w illustrations by Jaro Fabry throughout. Clean, unmarked copy with only minor wear to wrappers. During the Golden Age of Hollywood no illustrator chronicled the great stars, pin-ups and good girls better than Jaro Fabry-he was even engaged to one of the era's hottest starlets! His artwork graced such magazines as Colliers, Harpers, and The New Yorker. Now see his behind the scenes illustrations of Hollywood nightlife in the 1930s through the early 1950s together with glamorous and alluring pin-ups and good girls. The style and romance of this by-gone era are captured in the over 220 full color illustrations presented in this definitive monograph. See finished artwork, drawings, covers, and documentary artwork in this tribute to the Golden Age of Hollywood. The cover features actress and sex symbol Lana Turner!

Softcover. New York, Abbeville Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Light wear to edges and covers, else a very nice, tight, clean copy.

Hardcover. Wahington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover,. Published to accompany an exhibition held at the National Gallery in Washington (and later at the Kunstmuseum Basel, Switzerland) and concentrating on the pivotal decade 1955-1965 when Johns produced his most famous works, this catalogue is filled with well-produced reproductions. Jasper Johns (born 1930) is an important American painter who is variously said to belong to the Minimalist, Pop Art or Neo-Dadaist schools. This catalogue presents paintings from the first decade of his creative output.

Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 170 pages. Hardcover with dust jacket. A very clean, unmarked copy still in shrink wrap. Many color illustrations throughout. Jasper Johns most popular works spanning 1950 through 1960. Tight copy.

Hardcover. Germany, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. A thematic presentation of the groundbreaking and provocative art of Jean-Michel Basquiat, this volume offers a new appreciation of his tragic but highly influential career. From his early years spray painting the walls of lower Manhattan to his first solo show in 1982 and his untimely death at the age of 27 in 1988, Jean-Michel Basquiat has become a symbol of the 1980s New York art scene.

Hardcover. NY, Abbeville Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover. 168 pages. Profusely illustrated with color plates including many gatefolds. In a bright, unclipped dust jacket.

Hardcover. NY, Hudson Hills Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The American son of great German Surrealist master Max Ernst, Jimmy Ernst (1920-1984) developed a distinct style, marrying abstract, crystalline form to sirituality, influenced by jazz and Native American culture. 166 pages, 44 b&w, 62 color plates. Considers the life and work of German-born American expressionist Jimmy Ernst (1920-1984). Brings together reproductions of his finest paintings, along with a tribute by Kurt Vonnegut, two revelatory interviews, poems by Louis Simpson, a selection of the artist's own writings, and a monographic essay by Donald Kuspit. Includes a chronology, exhibitions and collections histories, and a bibliography. Features an essay combining biography, art criticism, and psychological analysis, interviews, and more. Preface by Kurt Vonnegut. Clean copy.

Hardcover. Boston/ New York , Bulfinch Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 533 pages, 431 works reproduced in color. Small remainder mark to bottom edge, otherwise a bright, clean copy in a similar dust jacket. The most comprehensive look at Miro's art available in book form. In honor of Miro's 100th birthday, 1993 has been designated Miro Year, which is being celebrated with great fanfare in Europe and the U.S. This book features full-color reproductions of the artist's work on canvas and paper, from his earliest sketch to his mature works of the 1980s.

Hardcover. Suffolk UK, Antique Collectors' Club, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 103 pages. A monograph prepared by Carrington's husband to accompany the memorial exhibition of her work in 2005 at the Thackeray Gallery. Clean copy with a mild musty odor.

Softcover. Montevideo, Impresora Gordon, 1st, 1999, Book: Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. Monograph on the Uruguayan artist who championed a modernist aesthetic in South American art. Color wrappers with light wear, interior clean. SPANISH TEXT.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The first collection of the work of Joe Eula, the foremost illustrator of the late twentieth century, featuring more than 200 black-and-white and full-color sketches and illustrations, the majority of which have never been published before.

Softcover. NY, Rizzoli International Publications, 1st, 1990, Book: Very Good, Dust Jacket: None, Clean, unmarked copy with only minor wear to wrappers. 256 pages, profusely illustrated in bw and color. Published in conjunction with a traveling retrospective exhibition organized by the Museum of Contemporary Art, Los Angeles; Extensive text, as well as biographical and exhibition information.

Hardcover. Chicago, Haase-Mumm Publishing, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. #174 of 1, 000 copies signed by author. Biography and critical study of John Barber (1893-1965), American artist and contributor to the radical magazine The Masses. 16 color and 109 b&w plates. Bibliography and index.

Hardcover. US, Antique Collectors Club Dist, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore.

Hardcover. US, Antique Collectors Club Dist, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. Atlanta GA, High Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color and b&w plates. Like new in a bright, unclipped dust jacket. John Henry Twatchman (1853 - 1902) was an American painter best known for his Impressionist landscape paintings, though his painting style varied widely through his career. Art historians consider Twachtman's work to be among the more personal and experimental of his generation. He was a member of "The Ten", a loosely allied group of American artists, whose members included Childe Hassam, Edmund Tarbell, Frank Benson, and Robert Reid.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

Hardcover. New Haven CT, Yale University Press, 1st, 2010-11-09, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, 164 illustrations (76 in color). Essays by Henry Adams, Kathleen A. Foster, Henry A. La Farge, H. Barbara Weinberg, Linnea H. Wren, and James L. Yarnall. John La Farge was not only a painter of still lifes and landscapes in watercolor and oil, but he created extraordinary decorative schemes and revolutionary stained glass art for some of the country's most impressive churches and mansions as well.

Hardcover. US, University of Delaware Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. Tucson, University of Arizona Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 2 Volume hardcover set in slipcase. Volume 1 - A Stylistic Analysis. 312 pages. Illustrations primarily in black & white. Features biographical information. Dust jacket with light wrinkling, spotting along rear bottom edge. Clean, tight copy. Volume 2 - Catalogue Raisonne. 576 pages. Features black & white illustrations. Dust jacket with light wear, wrinkling to rear. Clean, tight copy. Slipcase with very minor wear.